2. Historical Monument of a very important man to the city ◊ It was in Areia, where Pedro Américo wasborn, taking their talent known and admired in the small city of Paraiba.
3. “Igreja Matriz Nossa Senhora da Conceição” It began as a chapel since 1800. After many reforms, the church has become one of the most beautiful religious buildings in the interior of Paraíba. ⋆⋆ Besides the external architecture, the church presents a magnificent altar and precious paintings representing events of the Bible.
4. Main street of the city. Are located Church, ⋆⋆ Restaurants and other attractions.
5. The old architecture ⋆⋆ Is predominant in the city. Places and landscapes are still preserved.
6. The handicrafts ⋆⋆ and the production of cane, is a major means of income of the city.
7. The “EngenhoTriunfo” has modern equipments, currently receives hundreds of people each month and produces the “CachaçaTriunfo”, one of the best in the Northeast of Brazil, which has sold ⋆⋆ all its production immediately.
8. The “Engenho” looks like an ⋆⋆ industry-based, where the cane is prepared and used as raw material for production of “cachaça”.
9. “Museu da Rapadura” It has as main mission to preserve the history of man's land of the swamp of Paraiba, ⋆⋆ to the cultivation of sugar cane. The “casa-grande” was an element of the organization society, core-dominated social, economic and political.
10. It was built in 1854 ⋆⋆ by the richest families of the place, with capacity for about 250 spectators. The first theater of Paraíba, and the second of northeastern Brazil.
11. SlaveQuarters (Senzala) The slave quarters was a kind of ⋆⋆ accommodation of Brazilian slaves. Be used in front of the slave quarters a “pelourinho” (trunk used to tie a slave to the application of physical punishment) In Areia is preserving the slave quarters as a tourist point.
12. “Almanjarra” The site remains preserved the machinery used for the manufacture of rapadura of brown sugar, the honey and hootch, ⋆⋆ and a “alambique de barro”, which distilled “cachaça” for exclusive use of their former owners.
