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Learning	
  from	
  Wodiczko	
  
AUH5862	
  –	
  Intervenções	
  em	
  Redes	
  Urbanas	
  
	
  (espaços	
  cíbridos	
  e	
  expandidos	
  na	
  cidade	
  contemporânea)	
  
Profa.	
  Dra.	
  Giselle	
  Beiguelman	
  Pós-­‐graduação	
  FAUUSP	
  
	
  
Texto	
  :	
  	
  	
  
	
  Rosalyn	
  Deutsche	
  :	
  Krzysztof	
  Wodiczko's	
  "Homeless	
  Projec[on”	
  
	
  and	
  the	
  Site	
  of	
  Urban	
  "Revitaliza[on”	
  
Krzysztof	
  Wodiczko.	
  Proposed	
  Projec[on	
  for	
  Abraham	
  Lincoln	
  Monument	
  	
  
PRODUÇÃO	
  SOCIAL	
  DO	
  ESPAÇO	
  
Homeless	
  projec[on	
  
KRZYSZTOF	
  WODICZKO,	
  The	
  Homeless	
  Projec[on,	
  1986–1987.	
  	
  
Soldiers	
  and	
  Sailors	
  Civil	
  War	
  Memorial,	
  Boston.	
  
ESTÉTICAS	
  E	
  PRÁTICAS	
  IDEOLÓGICAS	
  
NO	
  ESPAÇO	
  URBANO	
  
Instead	
  of	
  fostering	
  an	
  unreflec1ve	
  
consump1on	
  of	
  past	
  architectural	
  forms	
  to	
  oil	
  
the	
  mechanism	
  of	
  urban	
  "revitaliza1on,"	
  the	
  
project	
  a<empts	
  to	
  iden1fy	
  the	
  system	
  of	
  
economic	
  power	
  opera1ng	
  in	
  New	
  York	
  City	
  
beneath	
  what	
  the	
  ar1st	
  once	
  called	
  ‘the	
  
discreet	
  camouflage	
  of	
  a	
  cultural	
  and	
  
aesthe1c	
  'background’	
  	
  
REVITALIZAÇÃO	
  X	
  REURBANIZAÇÃO	
  
INSTRUMENTALIZAÇÃO	
  
PATRIMÔNIO	
  HISTÓRICO	
  	
  
DESMONTAGEM	
  DO	
  ESPAÇO	
  
“PROTEGIDO”	
  
Krzysztof	
  Wodiczko	
  Homeless	
  Vehicle,	
  1988-­‐89	
  
Krzysztof	
  Wodiczko,	
  artecidadezonaleste,	
  2002	
  
Krzysztof	
  Wodiczko,	
  artecidadezonaleste,	
  2002	
  
Krzysztof	
  Wodiczko,	
  artecidadezonaleste,	
  2002	
  
Hirshorn	
  Museum	
  Projec[on,	
  Washington	
  D.C.,	
  1988	
  
The	
  Hiroshima	
  Projec[on,	
  1999	
  
The	
  Tijuana	
  Projec[on	
  
Guests,	
  Bienal	
  de	
  Veneza,	
  2009	
  
KRZYSZTOF	
  WODICZKO.	
  The	
  New	
  Mechlinians	
  (2012),	
  Mechelen	
  Town	
  Hall,	
  Grote	
  Markt	
  
Ideas	
  City,	
  New	
  Museum,	
  2013	
  
Homeless	
  Projec[on:	
  Place	
  des	
  Arts,	
  Montreal,	
  2014	
  

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