Antonio carlos jobim- (partitura_e_tablatura)_(songbook)

2.432 visualizações

Publicada em

partituras

Publicada em: Arte e fotografia
0 comentários
2 gostaram
Estatísticas
Notas
  • Seja o primeiro a comentar

Sem downloads
Visualizações
Visualizações totais
2.432
No SlideShare
0
A partir de incorporações
0
Número de incorporações
952
Ações
Compartilhamentos
0
Downloads
119
Comentários
0
Gostaram
2
Incorporações 0
Nenhuma incorporação

Nenhuma nota no slide

Antonio carlos jobim- (partitura_e_tablatura)_(songbook)

  1. 1. _ANTGINIG CARLGS JGBIIVl I for guitar tab ¡': ~ ~'¡ -. .. Í' j' l'. ' , ñ L * "lu , ,l Í . .a . ›. ;. . - ii» . , , x , , u: : gggggiçijíá) àljfjvqglãgiLf-, lgífg j. ; ; igltiggrfirjií-ilaiñgiua ; à -ríiaiaioikinçii cieíiigiítsias. 'lnloifi-. i-Ílf-gi gibi-Tui! :gfjíiif-“Igiilêii, 'cilàllél-ííñã llíiu alfa ? mais
  2. 2. ANTÓNIÓ CARLCDS JOBIIVl for guitar tab this publlcatvnn ; s no( authorrsed foi sale In the united states ol america and/ or canada wlse publications london / new york / paris/ sydney/ copenhagen / madrid
  3. 3. Corcovado quiet nights of quiet stars desañnado slightly out of tune how insensitive insensatez if you never come to me inutil paisagem meditation meditaçao one note samba samba de uma nota so somewhere in the hills o morro nao tem vez (favela) the girl from ipanema garota de ipanema water to drink agua de beber wave vou te contar tablature & instructions explaíned 50 12 18 24 32 38 44 59 66 4
  4. 4. tablature & instructions The tablature stave comprises six lines, each representing a string on the guitar as illustrated. ITU>ÚQCDÍTI A number ou any of the lines indicates, therefore, the string and fret on which a note should be played. 4th String 3rd String 3rd String 3rd String 1st String OPEN 7th Frct 7th Frct 5th Fret OPEN 2nd String 1st Fret chord of 5th String 3rd String 2nd Frei A minor OPEN 4th Stnng 2nd Fret 5th String OPEN A useful hint to help you read tablature is to cut out small squares of self-adhesive paper and stick them on the upper edge of the guitar neck adjacent to each of the frets, numbering them accordingly. Be careful to use paper that will not damage the finish on your guitar. explaíned Finger Vibrato Tremolo Arm Vibrato _rl_. .l'"l__m_ Glissando Je Strike the note, then slide the finger up or down the fretboard as indicated. Tremolo Strumming á This sign índicates fast up and down stroke strumming. 80d This sign indicates that the notes are to be played an octave higher than written. loco This instruction cancels the above. F This note-head indicates the string is to be totally muted to produce a percussive effect. P. M. = Palm mute
  5. 5. Bend Bend M' Pre 1/1 Full ig, Full J j J l N | | | | (sy T 12 12 5 7 " 7 Á B ii: ' H HALF TONE BEND FULL TONE BEND DECORATIVE BEND PRE-BEND GHOST NOTE Play the note G then bend Bend the string as indicated, The note is half sounded the string so that the pitch rises strike the string and release. by a half tone (semi-tone). Bend Uni Bend Bend . .À 9:1? F ll F l F ll u / F"" Full Full 5] j 5 à 7 › H- 7 il 7 7 BEND & RELEASE BEND & RESTRIKE UNISON BEND STAGGERED UNISON BEND Strike the string, bend it as Strike the string. bend or gliss Strike both strings Strike the lower string and bend as indicated, then release the bend as indicated, then restrike the simultaneously then indicated; whilst it is still sounding whilst it is still sounding. string where the symbol occurs. immediately bend the strike the higher string. lower string as indicated. Harm Harm 0 i 3 ® l| HAMMER-ON PULL-OFF RAKE-UP RAKE-DOWN HARMON ICS Hammer a finger down Pull your finger off the string Strum the notes upwards Stmm the notes downwards Strike the string whilst on the next note without with a plucking motion to in the manner of an in the manner of an touching it lightly at the striking the string again. sound the next note without arpcggio. arpeggio. fret position shown. strikíng the string again. Artificial Harmonics, (A. H.), will be described in context.
  6. 6. Corcovado (quiet nights of quiet stars) english words by gene lees music & original words by antonio carlos jobim Corcovado literally means 'hunchbackí lt is the name of the mountain overlooking Rio de Janeiro on top of which stands the statue of Christ The Fiedeemer with its outstretched arms embracing the city below. The music tells the story of a man who lives on the mountain dreaming of a simple life. -Iífííii Ai dim G m7 C “ C 13 f' 3 ' Í , ¡¡n m _“_ ' r' i r r l” " ' 3_ 5:6 ¡ sweàa 5 4:3 3:3 3 1o 10--5 ¡, 4:4 3 3:3 § 3 9 : s 3 3 ¡ à s 4 3 3 F maj 7 F m 5 E m7 . . ._ . . n_ n b É ' : É . . ! (a) 010101 N-ñO _a 0.. .. i Tim tJI-ÀW cinaiim Ulàú¡ e copyright 1962.1965 by antonio carlos Jobim, brazil mea music limited, 77 Fulham palace road, london wô for the britlsh Commonwealth (excluding canada à south africa) all rights reserved international copyright secured 6
  7. 7. A17 d1m T Am7 D7/A f à - 554. 343 343 A5 dim (add E) D9/A from qui › el: chords of qui - et stars. nights l. Qui - el __. 2. Ad Iib. Instrumental - _ _ _ - lence on float - íng gui tar____. __ my
  8. 8. and thoughts Qui - et Fm7 F6 uS. F maj7 UV n sur - rounds a¡ hi_ M 110 r- 554 u nun m t 1 g 111 . 665 _ F¡ 1 z s e m A â r m . ?e 665 3 111 a w q. . y 5 . l . x. 1 #Ann à w. nar 665 5 m . . _ I r. : _. w . m. ? e m . _ z m . 302 u _ w s_ k í 1.20 i I _ _ m . O 1 . ,___ . r 1 _V m_ _z_ . __ u w ? à 120 m . W ? ñ 302 m 7 m 7 . : : l o _ E . ..à _ -u . m : É I 302 w . 120 . , f. . . . 110 . u ____ V _= _ _ . . . _ _ . I . . a i m í L . u a m . à 122 . , ? t 110 . u _. a ____ É_ u. É. .m. . . . . . . ._. . . .u u . . . .m . ..a n . . - I. .._›l__ÀI- í
  9. 9. G7 . g g; Dm9 1 às I _. _ 554 si. ? m . ____ m _ 5 _ . . m . m . ... _m s-w_ ? e 554 o . .. - m. , m _ - _A_ s _m ____ e . _em_ ---a ___ . . n i . m -. ___ m I M qua. .., 113 u _: 3 m a e . m _ _ w ___ a m m 113 W ___ i H m. ___ T 23 3 _ ___ . m m ___ ? Q ___ ____ a _ m u. .., ;wi 3 m M. u . .z m m m , à 333 7 m G _ 7.1 3 A . p 1 . A v . mi A n _a . ..u n . . : 'í dí ú. íddnídníínídí - [míddlídríívííníní _taí Tí du í: ddlílí
  10. 10. íí í l íí . .I . í _íJ. í.ím dííííí _uyí _ q _/ x4 I who: was los¡ and Ione - ly, ¡ n s _ n _ - rtí/ ã r 97". I vgíní-. Iiâa - -A - A-. r A_ a- zn- a' -' _ n . , , I _' 1 nvñrxía- lí'- : à-I-í-u 1 "N _M 4V w . w n . _WH -a _i II > (à (JN w-L-A (g4.: OC IUTNIGJ UINKD NI @Nim (R050) 010305 (M0703 IUIOJ 10
  11. 11. Dm7 my í/ oh Õ , Õ F Ííí e. m 02233 _ ÍÍÍÍ . m _ ? c v w . o. 022 V¡ u . 3 m ç . O22 m, 6 m e. 71. m a . 022 3 m m . C . m x ? t e . m . , 554 g . m D_ _4 5 m e m iu. .. ? e 554 A . D V _ . 4 f _o ; y . .w i . - E. In. r 11
  12. 12. how insensitive (insensatez) music by antonio carlos jobim original lyrics by vinicius de moraes english lyrics by norman gímbel Allow the melody in this piece to sit gently with the chord accompaniment, which should be languid and allowed to flow. 12 10 8 6 5 3 3_- 5: 3 10 10 10 8 8 6:8 3 3 -, 10 10 10 7 7 3 3 _ 9 e 2 ' mew 6 o A765 A7 Dm7 1. How in - sen ~ si › tive_ See Block Lyrics for Verse 2 . _. . I_ « _ : ›~ ~ ' ~ l v - -'-_É_ ; É _ _ ÀÍV “í” l v e 5 5 _ 10:10 1o 1o 11-1o---11 1o ', e e e ¡ 10-_10 1o 1o 1o 9 _ 5 5 5 . 10-10 1o 1o 1o a ' 5 5 ' lo-íw melo o copyright 19511954 by antonio carlos Jobim and vinicius de moraes, brazil mca music limited, 77 Fulham palace road, london WS ! or the britlsh Commonwealth (excludlng canada). south africa, contínen( o! europe (excluding Italy, france. its oolonies. proteclorates and mandated zerritories, elgeria, tunisla, morocco. andorra and monaco) all rights reserved international copyright secured 12
  13. 13. he when Hold chord. .. 9:10 . M87 cold_ and scemed w87 have 1 1 must_ Dbdim un - moved_ loved __ B5maj13 How _m . m. o h c . .m o H that me told 13
  14. 14. ___ . . h Ú . m . w 5 1h m . ___ ___ Eivmaj7 . . 1.LI . ._ ____ : :mz DW Bdim asked 878 . have mum 878 he care sin S0 _o A_» 5 HW É b* ld ncenunu . ___. g eu. .. . . E. ! .- . r r. .. 10 A7:: eoq: : cvrn 200090 caco 14
  15. 15. A7 Em755 B5maj7 E7b9 Bm" F7 E w_ m. .. ___ ___1 ____ ___ ____ ____ W ___ @___ _ . _I 'a __ m n .
  16. 16. ver? fair_ af love a m1 m' m um . m m m Hold chord. .. l -' l I . É _ _e_ . ..ã e 657 1 ___. . ___1 , e . _____r _ w _ -m. B __ o _____ _ , . __ ____1 e _r _____ . ..___ 1 1 ___ 1 ____ _a_ 2 ___ 1 _____ b 332 m ? t z 577 16
  17. 17. n" ! .~. . Verse 2: Now, he's gone away And I'm alone With the mem*ry of his last look Vague and drawn and sad I see it still All his heanbreak in that last look How, he must have asked Could I just tum And stare in icy silence? What was l to do? What can one do When a love affair is over? 17 Portuguese lyrics A insensatez Que você fez Coração mais sem cuidado Fez chorar de dõr O seu amãr Um amõr tão delicado Ah! Porque você Foi fraca assim Assim tão desalmado Ah! Meu coração Que nunca amou Não merece ser amado Vai meu coração Ouve a razão Usa só sinceridade Quem semeia vento Diz a razão Colhe tempestade Vai meu coração Pede perdão Perdão apaixonada Vai porque Quem não Pede perdão Não e' nunca perdoado. 'IHU mumom
  18. 18. if you never come to me (inutil paisagem) music & original words by antonio carlos jobim english iyric by ray gilbert The chord progression in this piece was originally recorded with voice and piano. To achieve the feel, relax and lay back on the tempo. Slow Bossa Nova I Freely có/ ç 1356/9 Gently (x i , _ [7 / FT ' l? 2'-_/ - '_'_ím _z 'I __ . .É -__-_! Í_2 _! ___ . '4nú_ e eZ-eI l2Zeíí ÀUVZ í e_ L_V4 TZIZ ____ gx ; e ' 3 3 4 4 É Ê É 3 4 '^ z--ízea 3 4 C6/9 Divó/ e có/ g DW9 1.' -_' e (É , A o . ,a l _ i5 b ' o _ Z-T -'-*__ÍÃI --V II --: __'_ÍÃ-' _ 'Lui _- -V __- I__---' _ - _a_ _“'- Eà g-i _ZÍ_ -__-2_m_ É V é ' : à: v x2 3 3 4 4 7 3 4 3---3í4 4 e 3 4 ¡_ 2í-2----3 3 7 2 3 _ z--ízís 4 3 7 2 3 O copyright 1965 ipanema music company, usa spana florida music group limited. 8/9 ! rith street. london w1 all rights reserved international copyngm secured 1B
  19. 19. C5/9 A59” G755 I'll - | rubato Ô . ÍI*= ¡| lllllIIIII| ||| V. I . .. V 4:: ¡¡¡: :› . Í-5_--Ú“IC: ÉW#'*'ÍP3-Í" = í__l : fat: 7 D z 7 4 « i V ' ' ° l, g/ t rubato é íí Bell note 3 O O 3 4 Ef 3 1 2 "^ 3 3 "' Ê Í É : 4 '¡ 3 4 3 A tempo J = 88 Cmaj7 Bmaj7(add13) Bl›maj7l›5 _a = There's no use _fm m 'mm ”m m-; Ármm-íimmv m- m- m- r. m-mmmmmr. nummm ¡la¡m«m «m «m m= ar m m m zm T ã r à r 3 r à r à r ã 3--3 3 3 4 4 4 ¡ 5 5 5:5 Smã 5 5 4 4 4 ¡ 5 5 5--5 , 4í4 4 4 3 3 3 7 7 7 7 ' 5:5 5 5 = 3 3 6 6 A7l$5b9 i Dmll 19
  20. 20. Fm7 or the peaks where win-ter snows. . .|14| 11411 365 365 the of in the cool break will that waves the of USC 20
  21. 21. out yowlm It's no - thing. T _fmzmuh im lí im m: m Íríñ 'm m mmzmmz 2m I#:1 m¡ r. mmr_ímmmmimrmmmmr§ . m . m m¡ : ram m m m m #à i 3 à i' à à 4í4 4 3 3 3 3 3 3 3 T 4 4 4 ¡ 5 5 5 5 l 4 4 l _ 2 2 2 4 4 4 4 4 4 ¡ 3:53 | = 4 l 1 E ss Cmaj7 Bmaj73l3 B5majh5 1. Il may be 21%) Ad lib. Inxtrumenlal - - - _ - 21
  22. 22. , '”“3-1 m3v--l m3m 'Àr-? Jí-W ' ___-__. __ R3=ÉÍíY-ÉT'_"'ÊÉÉÉÉíÉ)-É__-Z T What's the use of my won - der - fui dreams and why would they (End lnstrumenml) _ _ . _ . _ _ _ - . Í 'x' 3 “-~-7 m** 3 m¡ m 3 mi ' ' , . m l-IJTÊ-“ÉHÍF í'= '-'= =Í= í_'_§à°= #v m": 'Ía¡_llÍ-_ mrzzurmzb~mno< ' -mIm ÀÍÍ-; _¡ IIZ1¡ i5 l dl _WI need me? Where would they lead me? ,. , _ ___ With - i-- 3 Nxj l _ A _ / ' _'mzmnínmíuràñgmíu ' 'Êím-m-m r m-nr m( m m¡ mmmmnxn m<m<m m m e ÊÊ É É '^ 4 4 4, 5 ,
  23. 23. D. al Coda 63 To Coda$ Cmaj7 you. no - where. ou! 344.34. vt 74.6 no r where. Zíííàull_l íín-íl íín- : ITI --I Ili. . 354 g 3 g m. ? Q 354 m» A. í D 3 _lj-ll 11: v. _ É 4 C ma; 7 rall. 8 354 1 354. 3443 É T Ííí- Tí 3443 D 1,9:: 11 -V _t IO - _- , É rall. : ._. _í_ É 3h 5 o *ICUÍÍ -I-: I no - where t4' : T- rubato 3 5 4 . f. 354 . 354 354 . . . 354 442 ____ . â r T Tí í Cí IO 44.2 7 _ . m. . 442 m UM C _ w . í O 354 . _ . . . I y . .u À . - . m. r 23
  24. 24. meditation (meditaçao) original words by newton mendonca english lyric by norman gimbel music by antonio carlos jobim This piece should be played in a cool and contained style with the chord accompaniment gently supporting the melody. The original instrumental version was played on the piano. C6 B7 3h13 _#11 .31 rir . à . ía p 'â íâ-Tíàriííw L2- 7;jl_ _j _ - _l__ud XInZ-m-_ÍÍ f: 11631 j: u¡ j: :c: à 1 írx r É r É 3 r 3 r Hold chord . . . . . . - - J 5 5 5 8-*7 5 5 5 7 10 8 8 8í5 ', 5 5 5 8 7 7 7 6 7 5 6 6 5 3 3 3 7 6 6 A7 D9 e copyrigm 1962.1963 amou-o carlos ; aum and mrs newmn msndonca, mam mca music umuen, 77 fumam palace road. london we for the brmsh Commonwealth (exoludmg canada) south afnca and eire au rights reserved international copyngm secured 24
  25. 25. D9 A7 LÊ_ m. .. 543 1_ à l. .. sã. . 5 a. .. 554 . m m¡ ? Q É n t. . s m r E_ G D 554 . 7 à e J m I _ 5 r b' T v. A _ m _ . 6 _ m _ 0 . .m 8 M . m _ u. .T 5 . .a In 565 C . n. ?t 576 . 7 ô 2 . ___ m 576 W. r 0 s lv. , . . 576 . m. Io, _ñ 3 _ . 7 G m l S o e . w f _w . .. V . .. .I _E_ 'l I A *Fretled but no! played 2 5
  26. 26. B7 Cmaj7add5 - . Í›* _-_-_-T-_-_-__2 I'___ lü” v ' . y n! "- 5 ° 'Ú T when you're gone and I'm all: by my - self and I need your_ ¡ _ - / - _ _ A m I ^ A l  l A 3'-3› 'íílíb'í! í 11|» 4- . . ç- . é 121 . em r. jauúzanuj: r.teínrííjílíjíjí : (3: : x e í e: r T r r Hold chord 7 5*- 7 7 7-:8-10 10 10 10 10 8 8:8- ', 8 8 9 9 9 9 9 9 7_ _ 7 7 9 9 9 9 9 9 ' 7 s a a E m 11 A7# 5 D m7 as_ Q n: .'- í T ca - teme l _ _. _.___. _ _. ._. ... _ . - . . . _v'íez t. . 4- u fu¡ r* r. Il . rss . -t . 'f . â u¡ É 'Í , É : gü r13-1re-ííZr NICK! ! IGJUI and the thought_ 26
  27. 27. r li - ness soonT dis - ap - pear. T Fmaj7 F m5 E57 'A V** 3 í 1 . T. _ -jôl_. __ ÂÚV _ _'___ Yes, I love you soT_T__ r** - ñ 3 - ñ / ”“ _” . __ a? ?ÀS â 4 B4 *J ^ u. .. ____ _. _._: - Tí ao cogu: maca 050o (050) @aos (agua x1 404* o o xuocn uooo 27
  28. 28. Em7 El? dim ii I Imí TTíIíílílííIí1Iíí| _IICT V I I T ' T and ma! for mc is all 1 needT to know _ _ à _ _ _ _ _ ? É ' 'É e e 7 ¡ 1o_9 a 7 1o 918--7-5 3 3 I 9 ã Ê 'A 3:“"“””'"3 R 9 7 í 7 í Dm7 6735 CmaJ7add5 ¡ . b. C I U l l l a . v. . ___ . , V I _ r. À for you 'til the sunT 5í5 3í7 525 5 7 11 10 10 7 7 7 7-8-10 'A 4í4 4 9 9 9 8 878 9 *7 9 9 7 7----7 9 : 3 *7 797 7 *Fretted but not played 28
  29. 29. can for whatT else the of T fades from oulT wait T will e ___: T a . M . m 3535 C _ m h ____ w m 5 ____ 1 . v , _ . IA _ _____ a w 665 5 _ w 0 h ____ __ . m 7m ____ t E = =T m S-T/ Ruw/ .. . _ ___ . m 7 _ M 5 676 9 2 676 ____ e RTS/ RV 676 à, 6 _. __. w. É. m m 7 . . m u, . m B H 6 _ . .u n . - . ..u . m. I
  30. 30. D. %'. al Coda 9 1 0 Ho1dchord-. -._--. _____ ___ . É e 554 ____ 787 554 »(0 555 . . 5 3 . . 555 6 I . T. 555 3 7 I A . .É . .. T 5 a el two 565 : 876 . â ____ _7 TTT_ n . u Holdchord-. -___-_. -._ 1/ comeT back to : à: : a: j'. à _/ G 13 = Í' íí'í . . . 543 3 m_ . v. :m: ?Q 876 m 7 W o . n v _ . m _É a A 1.¡ nr . IAÉ A n¡ ; v . w Iv . nl A no u_ -vl I _um_ _run I 30
  31. 31. E7 A7 _à '^ : às . _ B-. ,_T p_ p_ DA) › Z'ÍAT . - -'É_' _Í _' Tí É' É ÉZIÍ í É. _. _uÍíí__nnZl§cínníí Ííí il _ ILnVAÍ 7_Í'2,"_'_'í_. ITúÍ' IJVÉ LUFT _I _. í-: Âí ! É _ P ? Hold chord _ _ _ _ _ . _ . - s' / 5-3 5 5 5 5 5 8 6 5 5 . _ 5:7 7 7 7 a 5 _ e e 6 e 5 4 . 5 , 7 7 5 ° n 3 l 8 8 STS 5 8 8 8 - 3 ¡ ', 7 7 4T4 4 7 7 7 _ 2 ¡ 7 7 5:5 5 7 7 7 - 2 ¡ : 3 3 3 ¡ 6 6 6 6 Verse2: Though you're fa: away I have only to close my eyes and you are back to stay I just close my eyes And the sadness that missing you brings Soon is gone and this heart of mine Sings. 31
  32. 32. one note samba (samba de uma nota so) original words by n mendonca english lyric by jon hendricks music by antonio carlos jobim The most effective way of playing this song is to make the chordal rhythm percussive. Try experimenting with the feel making some notes long and some notes short. At the guitar part can follow the vocal line or continue as a rhythm accompaniment. J= l40 Dm7 DH 1 m'mI- mm ImmT __ú _ _ _ _ _ É . _E-K - n: I _ h lj I_: _¡) : != 3.'_ 1. This is just a lít - tie sam - ba built up - 2. Ad lib. Instrumental- _ - . _ 03h05 03h03 A 0-50! (Db-A ¡ / ' ú'-¡›rÍv “' 1-1 1 3:3 â Ê Ê â 6 6 " 7 7:7 : 3 s 7 7 0 copyrighl1961.1962,1954 antonio carlos ; obim and mrs n mendonca, brazil mca music limited, 77 fumam palace road. london w$ ! or the brilish Commonwealth (exciuding canada) all rights reserved international copyngm secured 2 (n)
  33. 33. DH Cm7 B7|›5 -: ' ' T í_- . ..í raãiã'= !ií= i!É-_lw%aisí g/ íí low but the root is still that note Now the . A n A u › _ n cmi É I'ZIIZ&¡í1¡Z! Z-¡í1¡í! í íí . .í . .í . Cí . .í . ígb íí'ígb*íí'í_ Ú. I_EÍ4T . XIII . íí . _í : G:I_ZOÉ__T _íí__ ' z à s r x - 1 1-1 1 6-6_ 2=2 ã : Em â s 2 '^ e 6 e , 7:7 : 4 4 3 one we've just; been 33
  34. 34. Ãílííe s-e-s e g Ê Ê f . i 3:43 t7: t; 7 7 7 I 7 7 9996 n 517m7 A57 ? fÂ-7 _ -í: -: -í- ? íí_ ' There's so man - y peu - plc who can talk and talk and talk and ¡us! say Gliss z « P _ b H _vlnuvzx-'uhííííníí-'Iín í í íí r. -:1f-› _íííí--àíííu- íííií íííí ' íí -í Tí É: Dl›ma_¡7 D56 D5mzu7 D55 : :Am v '___-í _Im_ ___i 1 _ 1ÚI . l -F_ __l_ _/ no - thing or near - ly no › thing 34
  35. 35. the I've come à (End Instrumental) . . . _ _ . . come back lo___ my ñrst note as I must come back, _._. ... lo you. _ 35
  36. 36. the all 1101C Db? 0113 in A to___ that Dm7 pour I will 371,5 _ . .m D . n m. bl 6 _ e. T A . 1 6 A ) ID . / | a L m . Í . m, . 687 Lm . ..a E _ à w 687 e. Wu R 7 . B a _ . __ ar 7 n . _ . u_ h . n . m, .Lu 687 s à 6575 : Wu _ , , E . . . m . 143 - e m h w . o 3 6 AA 7 cm_ . 143 m 687 í _ É I , ?e 1.43 m w 687 . m w e -Ím e 7 m  T 3 F m _. .. A u: nv . mÚ A u¡ I . .E I 36
  37. 37. A59 me cv | 1. camajv A . - . . . . . Z'1Irí ílííííílímlíílímlííí ú. Z;m_: í'í'íííííímííímIí~mí mu¡ v *-' ' "“ É he will ñnd him - self: with no Show_ Be! › ter play__ _n - _ij , Ç; Í. ; V ' " ; - ' ^ l  A” l = ~== h -. b *T r r r í ? v 6 6 2 2 *1-'1 15-12, : a 1; 22 *a 'a 'l 11_11 11 1o 1o 1o 9 ' 4 9 9 8 a-_7 A A KIT A A ; f/ T_ j I T 1' T T T “ L 5 V e 191 191 181 181 181 g I 'i 1o 1o 9 9 9 f ' a e 7 7 s ' 37
  38. 38. m somewhere in the hills (o morro nao tem vez (favela)) music & original words by antonio carlos jobim & vinicius de moraes english lyric by ray gilbert Favela means music written for a play. ln this piece it describes the slums which lie in the hills around the city of Rio. The guitar plays a simple accompaniment to this haunting melody, which can either be sung, or played on the flute. 5 5-5 5 5 5 Sí-Sm-S 6 6--6 6 6 3 3-:3-:3 6 -¡ Smíim-S 5 5:5 5 5 3 3-?3-:3 _ 3--3m3 ã 3 S--SmS ' a--aía 313--3 55° Dm7 Gm7 Dm7 Í/ -m "mma um' mímml . - __ ! Cí _- I2_7: : l- _- ': ñ: O mor ro não tem vez* If-Iv-à um "E ' . i I, '-í 'f' “t” , 'Aj_-zn; zl mm' lzzgzm _sm- m' mn; n nam~ mmnmnmm mmnmnmmqm nurmymmrmrmrem lmamr. m ; mmvm-vmmvmvmtm 5-5 5 5 ¡ 5 5-5 5 5 6-*6 6 6 3 , 3m3m3-_3 5 5:6 5 6 3 . , 5-5 5 5 3 ¡ 3--3--3-3 5 5-5 5 5 3 _ g 3 | . 3 í 3 m' 3 *m 3 g 3 - l o copyright rancor music (london) limited. 10a parsons green. london sw4 «w all rights reserved international copyright secured 38
  39. 39. e . , 56575 565 565 m. . m _w m M = m I . . . m 333 m 1,. ., s 333 í W l . z É, _ _ _ o f. ._ . _ 333 3 t . __ . . Í . a . 333 3 3 1 - í É É É _sua . _ , _ V. . . 333 3 m ___ . . m w, m s . ,.. .. .ea : z _= .m _ ____ . . . r . m . . 333 . s I _ _zh _ ____ m _ _ J 3 u . m. 323 m k . ._ _LIP 565 ¡íi . í t _. ,_ 3.. ... a m _____ . É , ,217 565 m í í É í _ a . 321 m . _ . . 333 3 m é É à . ,v. .› G “w v, 3 mais I m bem . a m. : m' 3 2 1 333 lhem 565 3 3 3 SmSmS fm í i Cm7 56575 mm 565 mm 565 m . _ _ lllEÊllllll 39
  40. 40. BW Ebmaj7 EFmÕ Gm7 Dm7 T0 C0da$ VF W: Hier fa( *â @J ui JU à a cida - de vai @mas vügvgvaü; g B» can '- 0701030) -KOD-AN . ..(345) 40
  41. 41. Q7339 rim bo Tam G m7 ! as - bram _ Cm7 sàa--a 41 aàs--a a m 333 565 é p. .. . juv 565 __ 333 . .ir 565 é í 4 = 565 333 7m s. _ _ _ ____ __ . m I 333 D ___ d 56575 333 _ . ..aíííí › . _ . .___. l 333 . í í 565 _____ 3 7m . ..â , n m _: . 333 3 n G ___- u 56575 í , . í . . 565 . _x4 . .ã 343 II . m . . . f 343 . m 333 ____ _ _ _ V né A _ _ . . . ___ . , . . 34353 nr 333 V . v I f Í _y _ à: : v n. .. _. n. .. n. .. u A I . . . .u f . .u . Z . .E r . .a . .E r
  42. 42. Gm7 car. Dm7 ba 323 1' _E_ à. _ Gm7 , . __ . .___ _ _ _ _F . . : v: w . 323 a m . 333 . _ 333 à n . m Í . m - 112 M 7 _ _ _ _ _ à m . r . . _ 20 11 o V í n¡ . m V I 333 3 333 . ___ 333 í 333 Bbmaj7 323 333 . 21341 n_ I_ '- vez I lí í . í da a 5' 5 j: : - _í í -u-"Zí tem Z &irí- íníí¡ . à . í : í 3 -2 Z 1 : FÉ To - 3í3í3íü = 5í t' _ . - - 3 -2 T1 135m6 _ T0 não í- í¡ í í- 3 2 1 E 5 maj 7 I__ -- -- 3 __ F , ssa . ..É ; Í 1 . . __ _ . ___ . ..ass . ___ __ .7 . __. . 321 n. m 1 54353 ç m 7_7_7_. ,._7_. ____ 7 Z Ê 575.3 m _ r ___ 7 7 _ u. __ b .7 564575 m m 54353 B . É d _ 7 u . u. . : m. . - . . , L 7.. .. __ . n. .. u ____ . .a n . . _a_ , ã I . EÉÉ cida - dc jí' ztí ? í 3--3 Sífi 3 3 STS 42
  43. 43. D. %'. al Coda (B u . .O __ ___ ___ 333 7m _____ í. o . ___. ____ . .___ . É ____ _K3 _a_ ____ 3 w : ____ _ _ m» . ___ . a. o 3. a _a . ..rw m . . w Repeat to fade 333 1 à . ___. so_ _ . 333 3 ll nun¡ lllll ____ . .___ __ 2 . 333 o _ ! ___ * _ lí : :a 2' : zw í à? . 3 3 . 3 Dm7 3----3--3 43
  44. 44. the girl from ipanema (garota de ipanema) original words by vinicius de moraes english lyric by norman gimbel music by antonio carlos jobim The feel of this classic Bossa Nova should be established in the opening four bars. Use a mixture of strumming and fingerstyle and try to keep the tempo even throughout the piece. Ipanema is the name given to a sand spit between the Iagoon and sea next to Copacabana beach. m: : F_-. r=-zamg= =._mgí3í, =a 8 8 : B 8 8 8 8 8 -- 8 à 8 8 8 -i 8 8 8 8 8 í 8 É 8 8 . , 7í7í7 8 8:8 8 8 8 7í7--7 8 7 í 7 : - 7 8 8 m 8 7 7 7 7 -- 7 à 7 8 l. Tall and tan and young 2. Ad lib. Instrumental . . . . . _ . . . . o copyright 195a antonio carlos jobim and vinicius ae moraes. brazil mea music limited, 77 fulham palace road, london wã fo! the british Commonwealth (excluding canada) south africa. awe. germany, auatria, swítzerland, france and ttaly all rtghts reserved international copyright secured 44
  45. 45. when and walk gOBS ma from í Hold chord 1 5 -- 3 m 3 331 3 Fmaj7 @Hi5 Gm7 BKÊEBR l hr r es goes P355 she she's like . . . ... _.__ she walks When _Fwauarâ a 45
  46. 46. Gm7 G13 she gen tie. that when S0 swings 2 122 122 19.9_ 3 0.12 4122 ___ m . Aí. .me í m m 22 a. = 1 _i S __ e a g 3 u 1 _É a M. 1:3 . .We 413 a __ 17v i o ___s _ m. ..” Â . .a Í Glvmaj7 2 sad S0 her watch l but 46
  47. 47. her tell can . __ a: : 5333 à m 6 2 - _ í 3 M 3 & 5 _T2222 5333 m í m g 2 2 â . ?e 665 _ . .2 5 5333 9 . .r m . 3 G _ 2222 _= _ a . m Y 5333 4222 554 2 . . _ _ _ 5 ílí . 4222 N. 554 . 2 í à í W m 2 ____ 2 4222 m + . m 2.. . m 297¡ m m _ 2 A .2. -r h m w . w _ ? Q 221 E 2 r . 2212 9 e r D v b _ 4 __ w A t . . : :a : :à . .n-Av t . . Í . m. ____ _ul Í 47
  48. 48. day when she walks to the sea, she looks straight a ~ head not at me. Tall and tan and young? , and love a ly, the girl Hold chord 3 3 5 5 5 3 5 5 5 5 í 3 m_ 3 4 4 4 3 3 3 LB: 3 I a; 48
  49. 49. GWS Gm9 SCC. she does - n't I smile, e pass - es S l-ífdm . .ía 132 ? e _xl 012 1 _: »IQ 012 E _El 012 1 3 0 _ L 0 _ O lír- g Hold chord. .. 1 2 _ f' 133 3 SCC. Repeat to fade GWS just She SCC. does - n't 49
  50. 50. desañnado (slightly out of tune) english lyric by jon hendricks & jessie cavanaugh music by antonio carlos jobim Desfinado literally means 'off key'. This song is the anthem of the Bossa Nova (New Thing) beat and although to start with it was not accepted by the established musicians in Brazil, it became a massive international hit. . _ . _ . _ . _ sim n _ L n L . _ n _'njíííríav -sivàarjzí vr-AI v** : azia = :% É »gs = É : Êhzs Cutz. .. ¡viaja- : - Zrííí: Light Strum 1-1 1 1 1 1---1 : l 1-:1 ---1 ¡ 2 _-2 2 2 2 2 2 2 2 T2 2 _ 2 í 2 2 2 2 2 2 2 2 T2 2 ' 1 1 1 1 1--_1 A (Fmaj7) 2:2 I _ 7:1?? I_'_'-a. -__= ___ IQ' I _ÍÍ_ _7 '! -__ 1. Love is líkc a ne - ver end - ing 1 n n I J P J _vnwxríír l . _ o mu¡ - l_' a Finger style ¡ 0--1 ¡ 0 1 l 1 1 S? 1 1 3 2 3 m 2 2 2 I 2 2 2 2 2 2 2 ¡ 2 3 ' 1 1 ' 1 1 1 o copyrlghl1959 editora musical arapua, brazll eopyrlgm 1962 With english lyric hollls music lncorporated, usa assigned ! o tro-essex mLISlC limited, suite 2.07. plaza 535 kings road. london sw10 for the brillsh Commonwealth (excluding canada and ausnalaslal also the republica of ireland and south africa all rlghls reserved international copyright secured 50
  51. 51. ets have v c É-X-n IL ' G m 7 A759 z _i _ É'1 ' 1Tí¡í Iií ¡ : m-'íí-'t íííy *TL-íms 2M¡ T" 'I1_ A sym - pho - ny con - duc - ted by the ; _II' . __C-_: _ É ! í Ifuí1 ; hi1 Cff. I l nIíçíl_ __'ÀÍ' 5:3 e a 5 â aüa a 2 â 5 'l 3 3 s o 5 5 ' 3 5 51
  52. 52. D7 137179 G7l,9 l í ú- _Ê__“""í ! ..)'A-| :_ - : Quim-I _l T1: : light - ing of the moon, but our song of . . . A - p _ ›. u b = '=_ : Li-Víníílííl . íí . XII . ílj . ZÉ , - a . É V Í , . Í-Í , . . , . _Z *_ u na¡ ' ' wl-ííÊrzagíznmu . m rsrs : :ítt 5 ã É ã É '^ 7 7 4 : 5 5 love is slighl - ly ou! of tune. 2. Once your kis - ses raised mc to a fe - ver pitch, 52
  53. 53. Gm7 C7 / T now the orch - es - tra ~ tion does - n't H . n l J . D v. ã lv II. ¡_ZXJ_ ' '_ "' ÀVIV_ . Tí ' 1 rtítrtiWi" Hold chord _ _ _ . . . . . H o 1 3 f* 2 2 2 3 3 f ¡, 4 4 4 3 3 ¡ _ 3 3 3 a ¡ ' 3 3 3 3 Am7L5 D7l-,9 G m7 ? áía~. _e= _í-* seem so rich. _a Seems to me you've changed_ A "i _'11 J ízx 1:7'# r. _r'mi í I tú'- e e e-s-s e ã É É É / ã É 'i 7 5 5 4 3 ' 5 5 Bivm Am7 Bm755 E7339 s-s ¡ e a 5-5 51-5 a ¡ . , e e 5 7--7 7 ¡ s 5 7:7 6 , 7 l 7 ll O! U1 U1 53
  54. 54. 54 _- m. _ : ví e hm m 7 í w . m 7 m s d lV . m. A w s M u O m w b a V 7 . m, m A m. ___ 0 N 576 a s . 577 m. e. B . .im. 7 íí I m . e 577 m u r à É É 1 7 em m. 577 7 E . ___. l . . . .. u . ___ n
  55. 55. dif ~ ? rent and the words don't e - ven rhyme. . D D rx I'C_II". . í - 'A-: _¡' I '1L_. "L í* . d, ' _, T__ ÀUVTIÉZ: _A_ H 7 5 / 5 2 3 sísí7í--s--ís ¡, 5 2 757-5757 4 2 75757255 2 ----í- M030) 010100 àOW A030) #O90 55
  56. 56. OUÍ Tune your heart IO mine used [0 ! (Ohm (DAM QÀN l íídílí-Í _S 'Iàígñl _à ' (D070) 56
  57. 57. #OI-bm A010) #UIQ NOW N¡ (MNOIO) UI e 5 e 3:5 5:5 5 5 -› 6 2 at: a â ' s 5 5 4 4 G7 Bl= m7 í'. íí. íí_íímm _: _míí z; ==. .-= ==É= ÊÉ= ÊÉ¡É-É= ÉÉ= É== _-É no de - sa - ñ - na - do when your heart be › longs to me com - plete - lyT í Ê 4* í 3 í É r' C 3 a : e e e eíe e e s e e e ¡, 4 4 4í4 4 4 4 e a 5 _ 5 5 sís 5 5 e s e ' 3 3 3 6 57
  58. 58. (37339 Gm7 tune. of OUÍ G7 won't be slight - ly 3'-í!15<ízZ-í› -ízr-n-Ir í: : Then you 3 à Hi9 l Ézif-ílamínízlhííàí? I I. ¡____' lZI ' ÀIIí _ 58 e ll ll Idldl m f 5 m t a __ e 4323 W . 332 R ! ___ o . _ . 332 ? e 3 _ ! ___ Í. .. A. ..? a o E . 332 645 í tia. 6 . 332 6 u¡ 3 6 c , t 332 645 3 É _ . 3323 I 5 _ _ s 3 . 332 t. _ 665 E , 332 m w u¡ ? e 665 I. . 6 me . 3 i à . . c. 11 31;! t . n i. .ü : r . .I À I . a. . m. I
  59. 59. water to drink (agua de beber) words by norman gimbel music by antonio carlos jobim This arrangement keeps the basis of Jobim's original accompaniment and adds melody. The rhythm should be percussive and a certain amount of freedom should be exercised to give the song feeling. o copyright 1951 eoiziohl campioogiic, italy o copyright l955 bexhill music corporation a. norman gimbel, usa all rights reserved international copyright secured 59
  60. 60. -3í1 , _. . _. . _. 4. _ 4 1 2 2 1 2 Verse: flow - 1.02 41410 the .110 11.0 o heart 4.4.4 m3' See Block Lyrics for Verxe 2 6 O 4.44 rain, 444 Your love__
  61. 61. OI 565 365 365 102 ____ s tam_ life i _ ___ o . m. . ____i ___i ___ ___ L -___ _. .___ r s”. t . s. . . I 000 3 000 000 343 543 543 . É ____ ____ , . ____ . e. #___ . 7 _si u¡ í o -íl Cl'. C5/G . __. | POW Ab7l5 . _ your ig Am7 in_. .__ Bl›7l›5 B7 12.1 22 354 555 576 61
  62. 62. B7b9/Ft3 (Füdim) ____ m_ . É ____ . __ __. w . ..r ____g E: .v . 354 e ____ -_. __ _ d . ___ . o. ____ . r 5 ____ M »Itu É lí 354 . M. É. . _E . _ _ u_ . ._T 4 _____r ____ ___: _ 3 ___ ___ % . , _. , a ____ _n_ n_ o _ M_ _ __ a __ __ 1 _ m . , _ m 2 _- - ___ M ____ z a” _g ___ M . _ . s. _T m m ____ _ . . I . E. . ___ _ w É: ___ % ___ ___ w ____ q, à? ___ % ___ m _ . . 1? . . . . ____ , . _ a_ . . . ..a m . 7 __ íí . FW 2 W . . . ..___ . r. r . ..___ . .um Dm7/A " glVB 62
  63. 63. Am7 wa Dm7/A give the flow - cr D7/A ____ 6 B_ _ . d _ w ___ í: u . .. ___ w . m p . .A m n. ___ _ g g _ _E_ A . U m . . 353 : V: _ _z _____ _f í 5 : f: Ir; .. 354 , N . . 354 A ___ l . v . ._ 5 m . :I to ter fall _ C31¡ The rain. .. to drink. ._ ter 63
  64. 64. 4-4:3--4-:3-3 2 1 2 102 0 2 0 2 7 É 41020 1 3 w _ . m. 612 , _. a_ 4. 7 í B 42 . Í m A 4. . n _ Am7 E7L9 B7 Am7 4_4:3:4*-3-3 2 1 2 64
  65. 65. B7 E759 Am7 Fmaj7 . _ ___ I . X11 -'2.Í: _Í72ÍÍ2ÍÍ-ÍÍ-Í-K--Ê_Iú_-__E-XI= ÉF '. _Í&ZIÍ__ZX_- -- . -_-7Ã"- . _- . j . _ . _ , -3 . ÚZI IL¡ . -'- í_ - ___ . - . j . : _iÍíl “Í Í - ' '_É_1_1 '_I 4-4_3-4--3-3 1 ' 1 1 1 1 1 1 ¡ . _ 2 1 0-2-0-2 o 2:2-2-2 o ¡ 2 2 2 2-2:2-2 2 ¡ : 2 o o ¡ Verse 2: Portuguese lyrics The rain can fall on distant deserts The rain can fall upon the sea The rain can fall upon the flower Since the rain has to fall let it fall on me. Eu quis amar Mas tive medo E quis salvar meu corraçãa Mas o amor sabe um segredo O medo pode matar o seu coração Água de beber Água de beber Camará Água de beber. .. Água de beber Água de beber Camará Eu nunca fiz coisa tão certa Água dc beber Entrei pra escola do perdão Água de beber Camará. A minha casa vive aberta Abre todas as portas do coração Água de beber. .. Eu sempre tive uma certeza Que só me deu desilusão É que o amar É uma tristeza Muita mágoa demais para um coração Água de beber. .. 65
  66. 66. wave (vou te contar) words & music by antonio carlos jobim A classic Jobim song that has become a jazz standard. It was originally recorded on the 1967 album of the same name. The opening rhythm sounds good if it is Iightly strummed, and the melody played at A should be played fingerstyle -the combination works well. Dm7 G/ D Dm7 G/ D Dm7 G/ D Dm7 4 . à' LI¡ à . u - 1.11:¡ _II sim. ?gh-ug (E : lim : Lu : : , Em u' O O l i ix/ ÍL/ l i i iv 1:1-3-3í1 1 3:3 3-3 5:5:7-7 5 1--1--3-3à-i 1 3:3 3-3 Gàô--B-b 6 , 2--2--4-4í2 2 4-4 4-4 5-5--7--7 5 '_ o o o o o G/ D Dm7 G/ D Dm7 G/ D o copyrigN1967 51975 Corcovado music lncorporared, usa assigned ! o Westminster music limited, suite 2 O7. plaza 535 kings road, london SWIO for the united kingdom and eire all rigms reserved international copyright secured 66
  67. 67. E D maj 7 Bi* dim Am7 : '31: í ' Te ' Í __ l I )í': ' eyes, for that's a love - ly way to be, 2. Ad lib. Instrumental_ - . _ _ etu= i=w= =â= _v_ -= --: : i--rr i_ -1- --Wí- Ilmàn_ i1' Tí' j' í' lr" nuví OíTÊ-v_ íaíàíit i - ""' ( ) P Light stmm - - - - - - - - . - - Let ring . . . . . - J lim' ¡ 5 5-5-5 O” o 3 2 5 5 5 5 5 É» z a a a 4 2 ã 2 ã-â 2 z = §= I . 7 7-7-7 4 5 2 5 s-s 5 4 D7iv9 Cmaj7 Gmõ ¡ A / x fí z-x / x A = 'ííl: í_ _i _ : É : í1 : í ; É _Í t2 __-_-2_6_ '2 __ a - ware_ of things your hean a - Ione was meant_ to see_ A f? n - ^ g Í Tí IT_'_ÍÉÉZÍ_TAIú_ZD i -_› -Ã~ í "lí 'X1255 '-1 'ÁS '_'-_! Íl- j : =:= â ví ' ' --2 Í x” à" V g/ Gliss 5 5 5 5 7 5 2 3 5 2 4_4-4:--~à3 3 3 3 3 4 ', 5:5:5w_*4 4 4 3 3 3 _ 4:4:4íà_-_-4 4 4 2 2 2 3 3 3 3 67
  68. 68. Bm7/E Bi›7 A7 -'ííll _ü . _ 1.2' II __l_ I_ : lú. í_i____sw22_- l 'I y : ___-Tsw: L, - li - ness goes when - e - ver two can dream a dream to - geth › o Ê 2°: É 4 3 9 9 É É 'j 6 e 5--5 ' 6 e 5--5 Bi' d1m Am7 D 759 : :zip ínàíní Í. Z|_'Tí í_Ií_'; -_--'À_'z _Lui ' _-_: _- ÇÍP: T n í P_ try to fight the ris - ing sea, don't ñghL_ lhe moon. - 33.511 : :Z maj-&ÍCZZI F" › ( Letring _ . _ _ . -. i Gliss O 3:2í5 5í5 õí-_S 5:5:5--5-7:-5~j 2 2 5 5í5 5T4 4 4 4 3 'A 4 3 5 5 5 5 5 5 5 5 4 5 2 5 5 5 5 4 4 4 4 4 3 O O 0 (O) 6B
  69. 69. :: É . mr¡ 2221 __. :: a o __. .. a. . 2332 _ 5 _ _ _ _ w . .. a a7» , .. 2332 . F . h . 4 _ _ _ _ m , ... . , 2432 w . .. D . . / 3 _ _ a . .. m. 34 7 e. D 9 m 2432 s í m 34 = .. mo 5 l . í 34 m G E . n = = . Em . m 3 B í u. 7 9 m 2 . E m _í 2322 % 6 332 3 6 G ___ w 2 W _ 2 . nr . m 332 3 um m . o B IV m 4 3121 a. . . _ 7 m m A m à: a 344 3 . a n: : m . .m . , . .., nm . 2221 m d . m. 344 3 m m 7 v b w m m. . : B t c A __ _ __ a. .. . Tv . m. n. .m. f-: :ü A . . . gia f. .ínw A . - . Í l _É_ I _E_ _tl I
  70. 70. Hold chord. .. :13-11:10 when your eyes met mine i¡ was e - › . r* 3 “É 7"/ - 3 íj í ' ; s í -: , b h *Â ' b ›- 3 . › b › h w 1'- n"2z ' = Ji ' #x-âv-: m th_ -Ê_: --'. '°_: ”- -“' -'Í7': _14 -_l Í f s f s ' Hold chord. .. Hold chord. .. 010101 UIU| U| U| U|UI 01010! @com _11_9_a 6_-6-e--9 7--7 ' 6:6 ' 52.5 5 2 G m7 A7b9t$5 A7 _- -__ _g mi¡ 'í"-'2"í 222¡ ter - n¡ - ty. By now we (End Instrumental) _ _ . _ . . . _ . . _ _ . _ . . . . _ _ _ _ _ _ _ 4' _v'. ”n› o '* 'L3 N” l la¡ú uí Strum _ . _ _ . e 3 3_--:5 e 5 _4 l 3 ? í- 3 5 3 í 6 6 5 6 O 9 E ' , 3 í--í 3 *í 3 2 6 6 g ¡ I - 355-? 3 5 |
  71. 71. -Â*í_ _bí- know the wave is on the way to be. 5 5 5 5 0 3 2 5 5 5 5 5 7 7*"7'-7 2 2 5 5í5 5 4 ¡, 6 6-6-6 4 3 5 5:5 5 5 7 7"-7~°7 4 5 2 5 5í5 5 4 É 5 5~'-5~'~5 0 OíOÉW D759 Cmaj7 Gmó z-x / _ f: ,_ / _ . íí'íí'í1íírímvíi _ífí_lí : lnçí í_íí_íí_Éí_'í ___ just catch_ the wave › àUI-ÀUI #CHAT (JI N] à-ÀOOUI Ahh) (a) bbb) O) M070 CO M020) ID (à T Mm-ÀM FW W765 B9 E759 Bm7/E A b x-x ' = 'v'%'íÉí3â"-. É¡_í_= : _Lnj j-íj_-i'_í__j_-_i- LU' 1_______1 T The fun - da - men › tal Ione - lí - ness goes_. . when - e ~ ver É -m-hg- r_ . _v ›] _ *a . ' 1m: ,í- jííímjííà íI-íííríaüàíííjííí l . 'V íTí- 1:; 2-2--2--2 zía-z-z o 4-3-_3-2 zí1í~s 3-3-3 3 ¡, a_3:a:2 zíaíz 4-4-4 4 _ 2_2-2:1 1_-1í2 m 71
  72. 72. Bb? A7 Dm7 G/ D Dm7 G/ D '¡_. '_1*" í »I-mlímhí í | -l uímíílírI íí_líílí í l QÚITÀ-_nlí _ _i __ z I iíd- íí o a r u two can dream a dream to - gem › er. . . l . . , . ; r v' r' a o _'-: nà-; w ràm~. àwíínnzuígímííítzííuíu r. znnà_nínír . ím-nlríu > l "anil-V. ^_ . É - = . . n _/ 5 5-7-7 7 7-7 ¡ e eís-s e 6--e-8 6 e-s _ . , 7-:7ís-43 5 5--7-7 5 7-7 , _ sísís--s 05o ¡ - 5 5___5__5 m¡ I 2' Dm7 G/ D Dm7 G/ D Dm7 G/ D Dm7 LUI_ : 2' l í Lí er. -_- / ' r. zncàanr mí v r ununruír : (6311: : :na o ' I o «o g; _/ ã ┓ã_ã ê ã-êíê-ã I ã“ã"“ã_ã ã -, 5 õí7-7 5 7_-7----: -7--7 ' 5í-5í-7-7 5 . ° ° m¡ “5-4 l G/ D Dm7 G/ D Dm7 G/ D Repeattofade 72
  73. 73. ten latin-american classics by the great brazilian composer. specially arranged for guitar in easy~to-read guitar tablature 8. standard notation, including chord symbols. melody line a. lyrics 4¡ i i c o r C o v a d o quiet nights of quiet stars d e s af¡ n a d o slightly out of tune how insensitive insensatez if you never come to me lnutll paisagem meditation meditaçao one note samba samba de uma nota so somewhere in the hills o morro nao tem vez (favela) the girl from ipanema f¡ “y garota de ipanema water to drink agua de beber W a V e vou te contar ISBN 0-7119-5198-5 IIH I 9 780711 951983 wisn publications order no. nm932162

×