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Key Slides: Towards Modern
Key slides - Towards Modern
Key slides - Towards Modern
Key slides - Towards Modern
Key slides - Towards Modern
Key slides - Towards Modern
Key slides - Towards Modern
Key slides - Towards Modern
Key slides - Towards Modern
Key slides - Towards Modern
Key slides - Towards Modern
Key slides - Towards Modern
Key slides - Towards Modern
Key slides - Towards Modern
Key slides - Towards Modern
Key slides - Towards Modern
Key slides - Towards Modern
Key slides - Towards Modern
Key slides - Towards Modern
Key slides - Towards Modern
Key slides - Towards Modern
Key slides - Towards Modern
Key slides - Towards Modern
Key slides - Towards Modern
Key slides - Towards Modern
Key slides - Towards Modern
Key slides - Towards Modern
Key slides - Towards Modern

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Key slides - Towards Modern

Notas do Editor

  1. Creator: Jacques-Louis David\r\nTitle: The Oath of the Horatii\r\nDate: 1784\r\nMaterial: oil on canvas\r\nMeasurements: 3.26 x 4.27 m\r\nRepository: Musée du Louvre\r\nCollection: Art, Archaeology and Architecture (Erich Lessing Culture and Fine Arts Archives)\r\nID Number: 40-11-02/12\r\nSource: Image and original data provided by Erich Lessing Culture and Fine Arts Archives/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.artres.com/c/htm/TreePfLight.aspx?ID=LES\r\nRights: Photo Credit: Erich Lessing/ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
  2. Creator: Jacques-Louis David\r\nTitle: Napoleon Crossing the Saint Bernhard Pass\r\nDate: 1801-1802\r\nMaterial: oil on canvas\r\nMeasurements: 246 x 321 cm\r\nDescription: one of five versions\r\nRepository: Château de Versailles (Versailles, France)\r\nRepository: Inv. 2342 \r\nCollection: Art, Archaeology and Architecture (Erich Lessing Culture and Fine Arts Archives)\r\nID Number: 40-11-16/61\r\nSource: Image and original data provided by Erich Lessing Culture and Fine Arts Archives/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.artres.com/c/htm/TreePfLight.aspx?ID=LES\r\nRights: Photo Credit: Erich Lessing/ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
  3. Creator: Théodore Géricault\r\nTitle: The Raft of the 'Medusa'\r\nDate: 1819\r\nMaterial: oil on canvas\r\nMeasurements: 491 x 716 cm\r\nRepository: Musée du Louvre\r\nCollection: Art, Archaeology and Architecture (Erich Lessing Culture and Fine Arts Archives)\r\nID Number: 40-11-02/46\r\nSource: Image and original data provided by Erich Lessing Culture and Fine Arts Archives/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.artres.com/c/htm/TreePfLight.aspx?ID=LES\r\nRights: Photo Credit: Erich Lessing/ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
  4. Creator: Théodore Géricault\r\nTitle: Portrait of a Kleptomaniac\r\nDate: c. 1822\r\nMaterial: oil on canvas\r\nMeasurements: 600 x 501 mm\r\nRepository: Museum voor Schone Kunsten (Ghent, Belgium)\r\nCollection: Italian and other European Art (Scala Archives)\r\nSource: Image and original data provided by SCALA, Florence/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.scalarchives.com\r\nRights: (c) 2006, SCALA, Florence / ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
  5. Creator: Eugène Delacroix\r\nTitle: Liberty Leading the People (July 28th 1830)\r\nDate: 1830\r\nMaterial: oil on canvas\r\nMeasurements: 260 x 325 cm\r\nRepository: Musée du Louvre\r\nCollection: Art, Archaeology and Architecture (Erich Lessing Culture and Fine Arts Archives)\r\nID Number: 40-11-02/54\r\nSource: Image and original data provided by Erich Lessing Culture and Fine Arts Archives/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.artres.com/c/htm/TreePfLight.aspx?ID=LES\r\nRights: Photo Credit: Erich Lessing/ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
  6. Creator: Eugène Delacroix\r\nTitle: The Women of Algiers in their Apartment\r\nDate: 1834\r\nMaterial: oil on canvas\r\nMeasurements: 180 x 229 cm\r\nRepository: Musée du Louvre\r\nRepository: Inv. 3824\r\nCollection: Art, Archaeology and Architecture (Erich Lessing Culture and Fine Arts Archives)\r\nID Number: 40-11-02/58\r\nSource: Image and original data provided by Erich Lessing Culture and Fine Arts Archives/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.artres.com/c/htm/TreePfLight.aspx?ID=LES\r\nRights: Photo Credit: Erich Lessing/ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
  7. Creator: Gustave Courbet\r\nTitle: Funeral at Ornans\r\nDate: 1849-1850\r\nMaterial: oil on canvas\r\nMeasurements: 10' x 22'\r\nRepository: Musée d'Orsay\r\nCollection: Art, Archaeology and Architecture (Erich Lessing Culture and Fine Arts Archives)\r\nID Number: 40-11-03/44\r\nSource: Image and original data provided by Erich Lessing Culture and Fine Arts Archives/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.artres.com/c/htm/TreePfLight.aspx?ID=LES\r\nRights: Photo Credit: Erich Lessing/ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
  8. Creator: Jean-François Millet\r\nTitle: The Gleaners\r\nDate: 1857\r\nMaterial: oil on canvas\r\nMeasurements: 83.7 x 111 cm\r\nRepository: Musée d'Orsay\r\nCollection: Art, Archaeology and Architecture (Erich Lessing Culture and Fine Arts Archives)\r\nID Number: 40-11-03/38\r\nSource: Image and original data provided by Erich Lessing Culture and Fine Arts Archives/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.artres.com/c/htm/TreePfLight.aspx?ID=LES\r\nRights: Photo Credit: Erich Lessing/ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
  9. Creator: Jean-Baptiste-Camille Corot, French, 1796-1875\r\nTitle: Ville-d'Avray\r\nDate: 1870\r\nMaterial: Oil on canvas\r\nMeasurements: 21 5/8 x 31 1/2 in. (54.9 x 80 cm)\r\nDescription: Signed (lower right): COROT\r\nRepository: The Metropolitan Museum of Art\r\nRepository: http://www.metmuseum.org\r\nCollection: Metropolitan Museum of Art - Images for Academic Publishing\r\nID Number: 421\r\nSource: Data From: The Metropolitan Museum of Art\r\nCredit Line: The Metropolitan Museum of Art, Catharine Lorillard Wolfe Collection, Bequest of Catharine Lorillard Wolfe, 1887 (87.15.141)\r\nImage Copyright Notice: Image © The Metropolitan Museum of Art\r\nRights: This image was provided by The Metropolitan Museum of Art. Contact information: Image Library, The Metropolitan Museum of Art, 1000 Fifth Avenue, New York, NY 10028, (212) 396-5050 (fax), Scholars.License@MetMuseum.org\r\nRights: Image © The Metropolitan Museum of Art\r\nRights: This image is available for uses permitted under the ARTstor Terms and Conditions of Use, such as teaching and study, as well as for scholarly publications, through the Images for Academic Publishing (IAP) initiative. If you are seeking to use this image for scholarly publication, you should click on the IAP icon below the thumbnail image.
  10. Creator: Edouard Manet\r\nTitle: Dejeuner sur l'herbe (Luncheon on the Grass)\r\nDate: 1863\r\nMaterial: oil on canvas\r\nMeasurements: 82 x 104 in.\r\nRepository: Musée d'Orsay\r\nRepository: Inv. RF 1668\r\nCollection: Art, Archaeology and Architecture (Erich Lessing Culture and Fine Arts Archives)\r\nID Number: 40-12-01/19\r\nSource: Image and original data provided by Erich Lessing Culture and Fine Arts Archives/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.artres.com/c/htm/TreePfLight.aspx?ID=LES\r\nRights: Photo Credit: Erich Lessing/ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
  11. Creator: Éduard Manet (French painter, 1832-1883)\r\nTitle: A Bar at the Folies-Bergere\r\nWork Type: painting\r\nWork Type: paintings\r\nDate: 1881-1882\r\nMaterial: oil on canvas\r\nTechnique: painting, oil\r\nMeasurements: height: 96 cm\r\nStyle Period: Western: Nineteenth Century\r\nRepository: Courtauld Institute of Art, London, England, United Kingdom\r\nSubject: portraits\r\nCollection: Minneapolis College of Art and Design Collection\r\nID Number: Accession: 14253\r\nSource: Image and catalog data provided by Allan T. Kohl, Minneapolis College of Art and Design\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
  12. Creator: Claude Monet\r\nTitle: Impression, Sunrise\r\nDate: 1872\r\nMaterial: oil on canvas\r\nMeasurements: 48 x 63 cm\r\nRepository: Musée Marmottan, Paris\r\nCollection: Art, Archaeology and Architecture (Erich Lessing Culture and Fine Arts Archives)\r\nID Number: 40-12-01/28\r\nSource: Image and original data provided by Erich Lessing Culture and Fine Arts Archives/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.artres.com/c/htm/TreePfLight.aspx?ID=LES\r\nRights: Photo Credit: Erich Lessing/ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
  13. Creator: Claude Monet, French, 1840-1926\r\nTitle: The Parc Monceau\r\nDate: 1878\r\nMaterial: Oil on canvas\r\nMeasurements: 28 5/8 x 21 3/8 in. (72.7 x 54.3 cm)\r\nDescription: Signed and dated (lower right): Claude Monet 78·\r\nRepository: The Metropolitan Museum of Art\r\nRepository: http://www.metmuseum.org\r\nCollection: Metropolitan Museum of Art - Images for Academic Publishing\r\nID Number: 1555\r\nSource: Data From: The Metropolitan Museum of Art\r\nCredit Line: The Metropolitan Museum of Art, The Mr. and Mrs. Henry Ittleson Jr. Purchase Fund, 1959 (59.142) Photographed by Malcom Varon\r\nImage Copyright Notice: Image © The Metropolitan Museum of Art\r\nRights: This image was provided by The Metropolitan Museum of Art. Contact information: Image Library, The Metropolitan Museum of Art, 1000 Fifth Avenue, New York, NY 10028, (212) 396-5050 (fax), Scholars.License@MetMuseum.org\r\nRights: Image © The Metropolitan Museum of Art\r\nRights: This image is available for uses permitted under the ARTstor Terms and Conditions of Use, such as teaching and study, as well as for scholarly publications, through the Images for Academic Publishing (IAP) initiative. If you are seeking to use this image for scholarly publication, you should click on the IAP icon below the thumbnail image.
  14. Creator: Paul Cézanne\r\nTitle: Large Bathers II\r\nWork Type: painting\r\nDate: about 1894-1905\r\nMaterial: oil on canvas\r\nMeasurements: 127.2 x 196.1 cm\r\nRepository: National Gallery (Great Britain)\r\nCollection: Art, Archaeology and Architecture (Erich Lessing Culture and Fine Arts Archives)\r\nID Number: 40-06-12/70\r\nSource: Image and original data provided by Erich Lessing Culture and Fine Arts Archives/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.artres.com/c/htm/TreePfLight.aspx?ID=LES\r\nRights: Photo Credit: Erich Lessing/ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
  15. Creator: Paul Cézanne\r\nTitle: Apples and Oranges\r\nWork Type: painting\r\nDate: 1899\r\nMaterial: oil on canvas\r\nMeasurements: 74 x 93 cm (28 3/4 x 36 1/4 in)\r\nRepository: Musée d'Orsay, inv. RF 1972\r\nCollection: Art, Archaeology and Architecture (Erich Lessing Culture and Fine Arts Archives)\r\nID Number: 40-11-05/46\r\nSource: Image and original data provided by Erich Lessing Culture and Fine Arts Archives/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.artres.com/c/htm/TreePfLight.aspx?ID=LES\r\nRights: Photo Credit: Erich Lessing/ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
  16. Creator: Georges Seurat (1859-1891)\r\nTitle: Bathers at Asnières\r\nWork Type: painting\r\nDate: 1883-1884\r\nMaterial: oil on canvas\r\nMeasurements: 201 x 301 cm\r\nRepository: National Gallery, London, United Kingdom\r\nCollection: Art, Archaeology and Architecture (Erich Lessing Culture and Fine Arts Archives)\r\nID Number: 40-12-01/68\r\nSource: Image and original data provided by Erich Lessing Culture and Fine Arts Archives/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.artres.com/c/htm/TreePfLight.aspx?ID=LES\r\nRights: Photo Credit: Erich Lessing/ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
  17. Creator: Seurat, Georges, French\r\nTitle: Sunday Afternoon on the Island of La Grande Jatte\r\nDate: 1884-1886\r\nLocation: Art Institute of Chicago\r\nMaterial: o/c\r\nMeasurements: 2.07x3.08m.\r\nRelated Item: Adams AAT: 24.7\r\nRelated Item: Hartt 4: 34-7\r\nRelated Item: Gardner 10: 26-71\r\nRelated Item: Janson 5R: 972\r\nRelated Item: W&S 3: 9-71\r\nRelated Item: Stokstad R: 28-14\r\nCollection: Art History Survey Collection\r\nSource: Catalogued by: Digital Library Federation Academic Image Cooperative
  18. Creator: Vincent van Gogh\r\nTitle: Red Vineyard at Arles\r\nWork Type: painting\r\nDate: 1888\r\nMeasurements: 73 x 91 cm\r\nRepository: Pushkin Museum of Fine Arts\r\nCollection: Art, Archaeology and Architecture (Erich Lessing Culture and Fine Arts Archives)\r\nSource: Image and original data provided by Erich Lessing Culture and Fine Arts Archives/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.artres.com/c/htm/TreePfLight.aspx?ID=LES\r\nRights: Photo Credit: Erich Lessing/ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
  19. Creator: Gauguin, Paul, French\r\nTitle: Vision After the Sermon (Jacob Wrestling with the Angel)\r\nDate: 1888\r\nLocation: National Galleries of Scotland, Edinburgh\r\nMaterial: o/c\r\nMeasurements: 73x92.7cm.\r\nRelated Item: Hartt 4: 34-9\r\nRelated Item: Gardner 10: 26-77\r\nRelated Item: H&F 4: 17.20\r\nRelated Item: Janson 5R: 980\r\nRelated Item: W&S 3: 9-69\r\nCollection: Art History Survey Collection\r\nSource: Catalogued by: Digital Library Federation Academic Image Cooperative
  20. Creator: Henri Matisse, French, Le Cateau-Cambrésis, France, 1869-1954, Nice, France\r\nTitle: Esquisse pour "Le bonheur de vivre" (Sketch for "The Joy of Life")\r\nWork Type: painting\r\nDate: 1905-1906\r\nMaterial: oil on canvas\r\nMeasurements: 16 in. x 21 1/2 in. (40.64 cm x 54.61 cm)\r\nDescription: <p>This work is the final known oil sketch for Matisse's monumental landscape <em>Le bonheur de vivre</em>, now in the collection of the Barnes Foundation in Pennsylvania.</p><p>Its liberal and expressive use of color (also apparent in the finished painting) is characteristic of Fauvism, an early modernist movement that also emphasized flattened space and formal qualities such as line and brushwork. Matisse and other Fauvists applied these innovative methods to many traditional artistic subjects, including portraiture, landscape, and the still life.</p><p>Deemed the "climactic" work of Fauvism by one critic, the final version of <em>Le bonheur de vivre</em> differs greatly in scale from this study, for the painting is over four times as large. In style, the sketch looks toward Neo-Impressionism with its loose dabs of broken color, while the painting features flat expanses of color and a more linear treatment of the figures.</p><p>Although the sketch is a thoroughly modern picture, Matisse also drew from older artistic modes, including French academic painting and the iconography of Greek vases, to create this pastoral scene of carefree innocence and languid, pleasurable repose.</p>\r\nDescription: <p>Artist: Along with Pablo Picasso, Henri Matisse was one of the pillars of the Parisian avant-garde, whose formal innovations in painting would dominate much of modern art. Matisse initially worked in law, but discovered a passion for art when he began painting as an amateur. He went on to study traditional academic painting. In the early years of the twentieth century, however, he rejected the idea that painting had to imitate the appearance of nature. His characteristic innovations were the use of vibrant, arbitrary colors; bold, autonomous brushstrokes; and a flattening of spatial depth. This anti-naturalistic style inspired the critical name "fauves," or "wild beasts," for the group of painters around Matisse.</p><p>Ironically, Matisse often applied his thoroughly modern style to traditional subjects such as still lifes, landscapes, and portraits. Such works express a sense of timeless joy and stillness that runs counter to the frenetic, technologically inspired compositions of many of his contemporaries. Although primarily dedicated to painting, Matisse was also active as a sculptor and printmaker. In the 1940s, in failing health, he embarked on a well-known group of cut-paper collages.</p>\r\nRepository: San Francisco Museum of Modern Art\r\nRepository: Bequest of Elise S. Haas\r\nAccession Number: 91.160\r\nSubject: landscapes; arcadian; pastoral; nudes; reclining; embracing; Fauves\r\nCollection: San Francisco Museum of Modern Art (SFMOMA)\r\nID Number: 215\r\nSource: Image and original data provided by the San Francisco Museum of Modern Art\r\nSource: http://www.sfmoma.org/\r\nRights: © Succession H. Matisse, Paris / Artists Rights Society (ARS), New York\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
  21. Picasso, Les Demoiselles D’Avignon, 1907, Museum of Modern Art, New York
  22. Creator: Umberto Boccioni, Italian, 1882-1916\r\nTitle: Unique Forms of Continuity in Space\r\nDate: 1913\r\nMaterial: Bronze\r\nMeasurements: H. 48, W. 15-1/2, D. 36 inches (121.9 x 39.4 x 91.4 cm.) \r\nRepository: The Metropolitan Museum of Art\r\nRepository: http://www.metmuseum.org\r\nCollection: Metropolitan Museum of Art - Images for Academic Publishing\r\nID Number: 5753\r\nSource: Data From: The Metropolitan Museum of Art\r\nCredit Line: The Metropolitan Museum of Art, Bequest of Lydia Winston Malbin, 1989 (1990.38.3)\r\nImage Copyright Notice: Image © The Metropolitan Museum of Art\r\nRights: This image was provided by The Metropolitan Museum of Art. Contact information: Image Library, The Metropolitan Museum of Art, 1000 Fifth Avenue, New York, NY 10028, (212) 396-5050 (fax), Scholars.License@MetMuseum.org\r\nRights: Image © The Metropolitan Museum of Art\r\nRights: This image is available for uses permitted under the ARTstor Terms and Conditions of Use, such as teaching and study, as well as for scholarly publications, through the Images for Academic Publishing (IAP) initiative. If you are seeking to use this image for scholarly publication, you should click on the IAP icon below the thumbnail image.
  23. Gabo, Large Head, 1916, Tate Modern
  24. Braque, Still Life with Bottle and Fishes, 1909-10, Tate Modern
  25. Creator: Marcel Duchamp (French painter, 1887-1968)\r\nTitle: Nude Descending a Staircase No. 2\r\nWork Type: painting\r\nWork Type: paintings\r\nDate: 1912\r\nMaterial: oil on canvas\r\nTechnique: painting, oil\r\nMeasurements: height: 146 cm\r\nStyle Period: Twentieth and Twenty-first Centuries\r\nStyle Period: Dada\r\nRepository: Philadelphia Museum of Art, Philadelphia, Pennsylvania, United States\r\nSubject: Nude in Art\r\nSubject: figure, female\r\nCollection: Minneapolis College of Art and Design Collection\r\nID Number: Accession: 10304\r\nSource: Image and catalog data provided by Allan T. Kohl, Minneapolis College of Art and Design\r\nRights: © 2008 Artists Rights Society (ARS), New York / ADAGP, Paris / Succession Marcel Duchamp
  26. Picasso, Guernica, 1937, Cason del BuenRetiro, Madrid
  27. Creator: Marcel Duchamp, French, Blainville-Crevon, France, 1887-1968, Neuilly-sur-Seine, France\r\nTitle: Fountain\r\nWork Type: sculpture\r\nDate: 1917/1964\r\nMaterial: glazed ceramic with black paint\r\nMeasurements: 15 in. x 19 1/4 in. x 24 5/8 in. (38.1 cm x 48.9 cm x 62.55 cm)\r\nDescription: <p>Artist: Trained as a painter, Marcel Duchamp made a radical break with traditional art by inventing the "readymade." A readymade is a pre-existing, industrially produced object - e.g. a bicycle wheel, urinal, or bottle rack - that the artist placed on a pedestal with little or no modification.</p><p>These banal items became art simply because Duchamp chose to declare them as such and to display them in the rarified space of the museum or gallery. In so doing, he called into question art's emphasis on craft and the unique aura bestowed by the artist's hand.</p><p>Duchamp brought European avant-garde ideas to America when he immigrated in 1915. He later abandoned art for chess, but his methods (which also include wry, self-referential assemblages) paved the way for much of the art of the second half of the century.</p>\r\nRepository: San Francisco Museum of Modern Art\r\nRepository: Purchase through a gift of Phyllis Wattis\r\nAccession Number: 98.291\r\nSubject: Dada; urinals; ready-mades\r\nCollection: San Francisco Museum of Modern Art (SFMOMA)\r\nID Number: 25853\r\nSource: Image and original data provided by the San Francisco Museum of Modern Art\r\nSource: http://www.sfmoma.org/\r\nRights: © Artists Rights Society (ARS), New York / ADAGP, Paris / Estate of Marcel Duchamp\r\nRights: © 2008 Artists Rights Society (ARS), New York / ADAGP, Paris / Succession Marcel Duchamp\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.