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Media Analysis 2: Iconography and Visual Analysis
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Media Analysis 2: Iconography and Visual Analysis
1.
Iconography and Visual
Analysis Media Analysis 2
2.
Schedule 1st half
Signs Colors 2nd half Groupwork (20 minutes) Presentation (5 minutes, 25 total)
3.
Signs
4.
Signs Signs are shared
in a culture
5.
Signs Visual
icons may have a resemblance to object, unlike words
6.
7.
8.
9.
Signs All signs have
meaning which is shared and circulated
10.
Signs We are interested
in ideas, values and discourses
11.
Signs Meanings may seem
neutral or natural, but they never are
12.
Signs Ideology of images;
when we make the cultural natural
13.
Signs
Literal vs hidden Denotation vs connotation
14.
Signs Denotation is "like
perceiving reality"
15.
Signs Connotation is to
look for elements that transport meaning
16.
Signs Denotation seems rather
simple and straight-forward. Is it ever interesting and/or significant?
17.
Signs Cultural associations rather
than individual responses
18.
Norman Rockwell, Freedom
of Speech (1943)
19.
Signs
Carriers of connotation Poses Objects Settings Photogenia
20.
Iconography
21.
Signs Visual elements gain
symbolic meaning over time
22.
23.
24.
25.
Colors
26.
Colors Communicative functions of
color
27.
Colors Ideational function
28.
29.
30.
Colors Interpersonal function
31.
Colors Textual function
32.
33.
Group Work
34.
Group work Please form
five groups during the break
35.
Group work Discuss the
iconography and use of colors in the painting. Pay specific attention to connotation and the harmony of colors.
36.
Emanuel Leutze, George
Washington Crossing the Delaware (1851)
37.
Grant Wood, American
Gothic (1930)
38.
Norman Rockwell, Freedom
From Want (1943)
39.
Edward Hopper, Nighthawks
(1942)
40.
Andy Warhol, Marilyn
Diptych (1962)
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