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The semi circle that has been
segmented is representive of the
saying ‘more room for growth or
improvement’ that all entities
need to experience. This
segmenting allows to create a
visual reference of the business’
different sectors.
The two font families used are ‘TeX
Gyre Adventor’ and
‘Champagne & Limousines’. The
close proximity of the letters to
one another is to not allow the
letters to seem like they are
forming their own words outside
those they have been placed to
create. Bolding out the business
name allows the logo type to
balance out the structure of the
text and create a hierachy to the
most important elements.
The segmented parts of the semi
circle allows for allocation of the
various business sectors that Orane
works, this also gives room for
colour coding according to the
sector, so its placement and
colours, that vary with the various
business divisions.
DESIGN ELEMENTS
FONTS
DESIGN SYMBOL
AESTHETICS
VISUAL
Basic design elements of
color, typography, and
white space are always
present.
KITSO
I N T R O
SEDUMEDI
INSIDE
COMM
WHAT’S
VISUAL
IDENTITY
CORPORATE
DESIGN
PROCESS
COMPREHENSIVE
FOLLOW ARROWS
DESIGN PORTFOLIO
RADIO VERITAS
PACKAGE DESIGN
CORPORATE IDENTITIES
BRAND COLLATERAL
ORANE GROUP
LOGO DESIGN AND RATIONAL
DJ PROFILE
DIGITAL DJ PROFILE
POSTER DESIGNS
VARIOUS DESIGN STYLES AND THEMES
SABS DESIGN INSTITUTE BRAG BOOK
DESIGN AND LAYOUT OF THE DIGITAL AND PRINT
DIGITAL INVITE
EMAIL EVENT INVITE
ILLUSTRATIONS
LAYOUT
E X P E R I E N T I A L
C O R P O R A T E I D E N T I T I E S
L A Y O U T
E N D
P A C K A G E D E S I G N
design
THE CONTENTS OF THIS PORTFOLIO
HAVE BEEN COMBINED TO EXHIBIT
KITSO’S DESIGN PROWESS AND
CREATIVE PROBLEM SOLVING
INVARIOUS DESIGN DISCIPLINES.
WITH ALL THAT IN MIND, I ALWAYS
REMIND MYSELF, THAT IT ALL BEGINS
WITH A PENCIL
APPROACH EVERYTHING AS A ‘GOOD JOB’
RECIEVING BRIEF FROM CLIENT
RESEARCH KEY POINTS OF THE BRIEF
FIND ADEQUATE REFERENCES TO WORK FROM
DEVELOP CONCEPTS
PRESENT CONCEPTS WITH RATIONALE TO CLIENT
EXPAND ON CLIENTS CONCEPT SELECTION
CREATE CORPORATE STATIONARY BASED ON
THE CLIENTS SPECIFICATIONS
OF
POINT
GIFTING
HOLDING ONTO MY LOVE FOR DESIGN
GOOD DESIGN IS A CAKE THAT COMES IN LAYERS
TO MAKE WONDERFUL THINGS, OTHER
PEOPLE LIKED, THINGS THAT WERE
IMPORTANT AND MATTERED.
These are two of proposed radio veritas re-branding
marketing tools and stationery. The brief was to bring
radio veritas to the the forefront and be a conservitive
yet, bold brand look and communication devices that
they would sell or display at events.
This is an interactive dj profile that allows
the viewer to click on hyperlinks to various
sites as points of reference of the dj’s
performances in the past. The second
page contains links to social media and
other relevant websites.
These are 3 concepts created for a client to select a concept
before moving ahead with the rest of the brand development of
marketing tools and office stationary.
DUFFLE BAG GROUP
C I D E S I G N
L A Y O U T
P A C K A G E D E S I G N
I L L U S T R T A T I O N S
I L L U S T R A T I O N
LOGO CONCEPTS
These are 3 concepts created for a client to select a concept
before moving ahead with the rest of the brand development of
marketing tools and office stationary.
JUST BE STRONG
MORINGA CAPSUALES
KAGISO WHEEL CHAIR TENNIS
TEE SHIRT PRINT ILLUSTRATION
I•DEN•T•TEE
TEE SHIRT PRINT SERIES ILLUSTRATION
MOLO FISH TOUR BUS
TEE SHIRT PRINT ILLUSTRATION
WADA TOYS
MODULAR CHILDRENS CONSTRUCTABLES BOX PACKAGING
Lead designer in the concept and
management of this 300+ page brag book.
The print production of the book allowed
for hands on experience in print production
of a project of this scale.
THE PRESENTATION OF
SOMETHING IS CRITICAL TO
SHAPING THE PERCEPTION
THAT SOMETHING IS A NICE
GIFT TO BE CHERISHED.
This is the original artwork created
for the tee shirt prints. The brief was
to create a hulk like character on
a wheelchair with a tennis racquet
in hand.
Once the illustration was confirmed and
accepted by the client, adding the type and
design elements around the image to complete
it as a whole design. I created two versions for
the client, one for dark coloured shirts and
another for lighter coloured shirts.
the illustration brief was to use the images of
the’Molo Fish’ VW Kombi, in the illustration
depicting custom tours around select black
neighbourhoods and urban areas.
Using the phonetics of the word ‘identity’, I used
the phonetic lookof the word to create the logo,
adding the uniquely African inspired patterns to
emphasise on the identities that this brand is
communicating to, and communicating about.
The project brief was to create culturally
aesthetic tee shirt illustrations that depict South
Africa’s diverse and multi cultural identities
through the portrayal of the different cultures
divergentlooks in dress codes and accessories,
for tourist and local markets.
31 September 2016
Marketing Officer
Marketing Officer
Mahadi Buthelezi
Tel. +27 (0) 11 663 4700
Cell +27 (0) 73 123 4567
Email mahadi@radioveritas.co.za
Address 88 8th Avenue, Edenvale
Postal P.O Box xxxx
Edenvale, 2001
O R A N E
G R O U P
P R O J E C T S
O R A N E
G R O U P
CONSULTANTS
O R A N E
G R O U P
E V E N T S
O R A N E
G R O U P
HOSPITATLITY AND
ENTERTAINMENT
O R A N E
G R O U P
S E C U R I T Y
A leap across a chasm...
THE NEXT
GENERATION
INDUSTRIALIST2page |
PUBLICATION OF THE SABS DESIGN INSTITUTE 2015
MAKING IDEAS HAPPEN
The SABS Design Institute
has initiated the Design and
Innovation Entrepreneurship
Centre with the aim of generating
successful and competitive
businesses. The objective of the
Centre is to mentor people who
have good ideas and to assist their
development via a multi-layered
approach based on the design
process. The first step is to develop
the entrepreneurs themselves, then
to develop their product or service
idea, and finally to develop the
business side of the idea. A multi-
disciplinary team of designers and
experts bring this about.
This is the way that the Institute
produces new entrepreneurial
businesses and ensures that
existing SMMEs are more successful
through process reengineering and
supplier development programmes.
The Institute surrounds each
entrepreneur with a design team
that helps to create the product,
the brand and business model
simultaneously.
It handles its candidate entre-
preneurs as an investment portfolio;
carefully evaluating the potential
of each; improving that potential
and then tracking each business to
measure the eventual results. Not
all new ventures will succeed, but
the Institute is determined to create
a portfolio that registers high net
growth.
12page |
STEERING INDUSTRIALISATION
THROUGH DESIGN
The challenges facing South
Africa, in particular its youth,
are many and varied. This inevitably
makes it critical for all role players to
have a vested interest in addressing
the national priorities of job creation,
poverty alleviation and skills
development through fostering a
trans-disciplinary design approach
that steers industrialisation.
To meet these challenges head-
on, South Africa has to become a
stronger competitor and exporter
within the mainstream global
economic arena.
This is where design begins to play
a role – it is the organising principle
of turning intent into action.
Design is the catalyst needed to
activate the successful execution
of the different national plans and
systems and to increase all elements
of the nation’s competitiveness.
In response to the country’s need to
translate new ideas, research output
and invention into sustainable
economic opportunities and market
successes, the SABS Design Institute
has redirected its strategic direction
to actively build the national design
capability. The SABS Design
Institute believes that in drawing
from decades of institutional
memory, technical expertise and
a well-established infrastructure,
the art of making commercially
viable commodities should form the
catalyst for future economic growth.
has to become a
etit
m
en
ee
hehe
nttn
cap
tit
o
ll
a
ab
ca
becom
or and exporter
in
.
e
or
nto
In
o
em
w
he
v
as to become a
titor and exporter
mai
na.
deded
e ooe
t intt
ca
nsti
om
mo
wel
e a
viab
c
a role
ningof
a r
of turnin
22page |
PARTNERING FOR
NEW ECONOMIC GROWTH
The Design Institute has a vested
interest in ensuring that it
builds a next generation who has
a future which is crafted through
coupling design, innovation and
entrepreneurship. In this way it can
unlock new channels of economic
growth that is not dependent on a
services economy, but reliant on new
products and services – venturing
into a creative economy.
The Design and Innovation
Entrepreneur Centre launched with
the 43 Challenge which was funded
by the Technology Innovation
Agency (TIA). The 43 Challenge
aimed to develop the technology-
based entrepreneurial ideas of 43
selected candidates into market-
ready products.
After guiding the candidates
through the design process, the
Centre’s expert mentors also helped
them to navigate the barriers
and challenges of production,
costing, retail supply and more. In
a world where brand awareness is
paramount, candidates were not just
guided to design and manufacture
a great product, but also to build
an effective brand to present their
products and services to the market.
Candidates came from all walks of
life and have brought a range of
ideas - from cell apps and household
appliances, to public services and
more.
The Design Institute also partnered
with SEDA (Small Enterprise
Development Agency) to assist
more than 200 SMMEs across
10 SEDA incubators all over the
country towards sustainability
with a holistic business process
re-engineering (which included a
branding and packaging solution)
using the design process.
Another step in the Design Institute’s
journey to assist in building a new
economy for the country was to
join forces with the Department of
Arts and Culture (DAC). Six young
designers were mentored to build
sustainable creative enterprises
and were exposed to the industry’s
best practices and standards by
exhibiting their creative work as part
of the Emerging Creatives Initiative
at the 2015 Design Indaba in Cape
Town.
Eight finalists from the SAB
Foundation Social Innovation
Awards were put through the
Design Institute’s design-based
accelerator programme with the
specific aim of speeding up their
migration into the mainstream
economy.
y
a
C
en
ch
A
ve
en
ates
p
an
a
-
a
.
he
w
d Innovation
nt
e
no
T
op
urial ideas of 43
into market
ife
ea
p
o
T
and
Cen
nge
hn
A).
elop
neur
tes into market-
Ca
fe a
as
plia
re.
The
EDA (S
velopment Agen
ore than 200 SM
0 SEDA incubators a
ountry towards su
th a holistic busin
engineering (whi
g and pa
opment Ag
e than 200 S
SEDA incubators
untry towards s
h a holistic bus
ineering (w
A (
elopment Agen
ore than 200 SM
0 SEDA incubators
ountry towards su
th a holistic busin
ngineering (wh
d
nnovation
t
d
m
ed
m
ovation
hro
e
m
in
ainstream
nnovation
thr
de
m
edi
mainstream
aimed
entr
and
s.
base
cted
odu
aime
based ent
ed can
ducts
SIBUSISO MNYAMANE
Hawker trading capsule
STATUS: PROTOTYPE
CLIENT: TIA
Sibusiso has developed a multi-
purpose trading capsule that
could be used as a storage
capsule, a goods trolley or a
display table. His main aim is to
address the challenges faced
by both informal traders and
municipalities.
STORO
ITUMELENG SEEMA AND
CLEMENT LEGWALE
Wind power generator
STATUS: CONCEPT
CLIENT: TIA
Road agencies would prefer to
use renewable energy for warning
lights and cameras on freeways,
but solar panels are frequently
stolen. Wintech converts wind
energy to electrical energy from
air resistance from passing cars.
60page |

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LONG_SCROLL_CV_PORTFOLIO_001.compressed

  • 1. The semi circle that has been segmented is representive of the saying ‘more room for growth or improvement’ that all entities need to experience. This segmenting allows to create a visual reference of the business’ different sectors. The two font families used are ‘TeX Gyre Adventor’ and ‘Champagne & Limousines’. The close proximity of the letters to one another is to not allow the letters to seem like they are forming their own words outside those they have been placed to create. Bolding out the business name allows the logo type to balance out the structure of the text and create a hierachy to the most important elements. The segmented parts of the semi circle allows for allocation of the various business sectors that Orane works, this also gives room for colour coding according to the sector, so its placement and colours, that vary with the various business divisions. DESIGN ELEMENTS FONTS DESIGN SYMBOL AESTHETICS VISUAL Basic design elements of color, typography, and white space are always present. KITSO I N T R O SEDUMEDI INSIDE COMM WHAT’S VISUAL IDENTITY CORPORATE DESIGN PROCESS COMPREHENSIVE FOLLOW ARROWS DESIGN PORTFOLIO RADIO VERITAS PACKAGE DESIGN CORPORATE IDENTITIES BRAND COLLATERAL ORANE GROUP LOGO DESIGN AND RATIONAL DJ PROFILE DIGITAL DJ PROFILE POSTER DESIGNS VARIOUS DESIGN STYLES AND THEMES SABS DESIGN INSTITUTE BRAG BOOK DESIGN AND LAYOUT OF THE DIGITAL AND PRINT DIGITAL INVITE EMAIL EVENT INVITE ILLUSTRATIONS LAYOUT E X P E R I E N T I A L C O R P O R A T E I D E N T I T I E S L A Y O U T E N D P A C K A G E D E S I G N design THE CONTENTS OF THIS PORTFOLIO HAVE BEEN COMBINED TO EXHIBIT KITSO’S DESIGN PROWESS AND CREATIVE PROBLEM SOLVING INVARIOUS DESIGN DISCIPLINES. WITH ALL THAT IN MIND, I ALWAYS REMIND MYSELF, THAT IT ALL BEGINS WITH A PENCIL APPROACH EVERYTHING AS A ‘GOOD JOB’ RECIEVING BRIEF FROM CLIENT RESEARCH KEY POINTS OF THE BRIEF FIND ADEQUATE REFERENCES TO WORK FROM DEVELOP CONCEPTS PRESENT CONCEPTS WITH RATIONALE TO CLIENT EXPAND ON CLIENTS CONCEPT SELECTION CREATE CORPORATE STATIONARY BASED ON THE CLIENTS SPECIFICATIONS OF POINT GIFTING HOLDING ONTO MY LOVE FOR DESIGN GOOD DESIGN IS A CAKE THAT COMES IN LAYERS TO MAKE WONDERFUL THINGS, OTHER PEOPLE LIKED, THINGS THAT WERE IMPORTANT AND MATTERED. These are two of proposed radio veritas re-branding marketing tools and stationery. The brief was to bring radio veritas to the the forefront and be a conservitive yet, bold brand look and communication devices that they would sell or display at events. This is an interactive dj profile that allows the viewer to click on hyperlinks to various sites as points of reference of the dj’s performances in the past. The second page contains links to social media and other relevant websites. These are 3 concepts created for a client to select a concept before moving ahead with the rest of the brand development of marketing tools and office stationary. DUFFLE BAG GROUP C I D E S I G N L A Y O U T P A C K A G E D E S I G N I L L U S T R T A T I O N S I L L U S T R A T I O N LOGO CONCEPTS These are 3 concepts created for a client to select a concept before moving ahead with the rest of the brand development of marketing tools and office stationary. JUST BE STRONG MORINGA CAPSUALES KAGISO WHEEL CHAIR TENNIS TEE SHIRT PRINT ILLUSTRATION I•DEN•T•TEE TEE SHIRT PRINT SERIES ILLUSTRATION MOLO FISH TOUR BUS TEE SHIRT PRINT ILLUSTRATION WADA TOYS MODULAR CHILDRENS CONSTRUCTABLES BOX PACKAGING Lead designer in the concept and management of this 300+ page brag book. The print production of the book allowed for hands on experience in print production of a project of this scale. THE PRESENTATION OF SOMETHING IS CRITICAL TO SHAPING THE PERCEPTION THAT SOMETHING IS A NICE GIFT TO BE CHERISHED. This is the original artwork created for the tee shirt prints. The brief was to create a hulk like character on a wheelchair with a tennis racquet in hand. Once the illustration was confirmed and accepted by the client, adding the type and design elements around the image to complete it as a whole design. I created two versions for the client, one for dark coloured shirts and another for lighter coloured shirts. the illustration brief was to use the images of the’Molo Fish’ VW Kombi, in the illustration depicting custom tours around select black neighbourhoods and urban areas. Using the phonetics of the word ‘identity’, I used the phonetic lookof the word to create the logo, adding the uniquely African inspired patterns to emphasise on the identities that this brand is communicating to, and communicating about. The project brief was to create culturally aesthetic tee shirt illustrations that depict South Africa’s diverse and multi cultural identities through the portrayal of the different cultures divergentlooks in dress codes and accessories, for tourist and local markets. 31 September 2016 Marketing Officer Marketing Officer Mahadi Buthelezi Tel. +27 (0) 11 663 4700 Cell +27 (0) 73 123 4567 Email mahadi@radioveritas.co.za Address 88 8th Avenue, Edenvale Postal P.O Box xxxx Edenvale, 2001 O R A N E G R O U P P R O J E C T S O R A N E G R O U P CONSULTANTS O R A N E G R O U P E V E N T S O R A N E G R O U P HOSPITATLITY AND ENTERTAINMENT O R A N E G R O U P S E C U R I T Y A leap across a chasm... THE NEXT GENERATION INDUSTRIALIST2page | PUBLICATION OF THE SABS DESIGN INSTITUTE 2015 MAKING IDEAS HAPPEN The SABS Design Institute has initiated the Design and Innovation Entrepreneurship Centre with the aim of generating successful and competitive businesses. The objective of the Centre is to mentor people who have good ideas and to assist their development via a multi-layered approach based on the design process. The first step is to develop the entrepreneurs themselves, then to develop their product or service idea, and finally to develop the business side of the idea. A multi- disciplinary team of designers and experts bring this about. This is the way that the Institute produces new entrepreneurial businesses and ensures that existing SMMEs are more successful through process reengineering and supplier development programmes. The Institute surrounds each entrepreneur with a design team that helps to create the product, the brand and business model simultaneously. It handles its candidate entre- preneurs as an investment portfolio; carefully evaluating the potential of each; improving that potential and then tracking each business to measure the eventual results. Not all new ventures will succeed, but the Institute is determined to create a portfolio that registers high net growth. 12page | STEERING INDUSTRIALISATION THROUGH DESIGN The challenges facing South Africa, in particular its youth, are many and varied. This inevitably makes it critical for all role players to have a vested interest in addressing the national priorities of job creation, poverty alleviation and skills development through fostering a trans-disciplinary design approach that steers industrialisation. To meet these challenges head- on, South Africa has to become a stronger competitor and exporter within the mainstream global economic arena. This is where design begins to play a role – it is the organising principle of turning intent into action. Design is the catalyst needed to activate the successful execution of the different national plans and systems and to increase all elements of the nation’s competitiveness. In response to the country’s need to translate new ideas, research output and invention into sustainable economic opportunities and market successes, the SABS Design Institute has redirected its strategic direction to actively build the national design capability. The SABS Design Institute believes that in drawing from decades of institutional memory, technical expertise and a well-established infrastructure, the art of making commercially viable commodities should form the catalyst for future economic growth. has to become a etit m en ee hehe nttn cap tit o ll a ab ca becom or and exporter in . e or nto In o em w he v as to become a titor and exporter mai na. deded e ooe t intt ca nsti om mo wel e a viab c a role ningof a r of turnin 22page | PARTNERING FOR NEW ECONOMIC GROWTH The Design Institute has a vested interest in ensuring that it builds a next generation who has a future which is crafted through coupling design, innovation and entrepreneurship. In this way it can unlock new channels of economic growth that is not dependent on a services economy, but reliant on new products and services – venturing into a creative economy. The Design and Innovation Entrepreneur Centre launched with the 43 Challenge which was funded by the Technology Innovation Agency (TIA). The 43 Challenge aimed to develop the technology- based entrepreneurial ideas of 43 selected candidates into market- ready products. After guiding the candidates through the design process, the Centre’s expert mentors also helped them to navigate the barriers and challenges of production, costing, retail supply and more. In a world where brand awareness is paramount, candidates were not just guided to design and manufacture a great product, but also to build an effective brand to present their products and services to the market. Candidates came from all walks of life and have brought a range of ideas - from cell apps and household appliances, to public services and more. The Design Institute also partnered with SEDA (Small Enterprise Development Agency) to assist more than 200 SMMEs across 10 SEDA incubators all over the country towards sustainability with a holistic business process re-engineering (which included a branding and packaging solution) using the design process. Another step in the Design Institute’s journey to assist in building a new economy for the country was to join forces with the Department of Arts and Culture (DAC). Six young designers were mentored to build sustainable creative enterprises and were exposed to the industry’s best practices and standards by exhibiting their creative work as part of the Emerging Creatives Initiative at the 2015 Design Indaba in Cape Town. Eight finalists from the SAB Foundation Social Innovation Awards were put through the Design Institute’s design-based accelerator programme with the specific aim of speeding up their migration into the mainstream economy. y a C en ch A ve en ates p an a - a . he w d Innovation nt e no T op urial ideas of 43 into market ife ea p o T and Cen nge hn A). elop neur tes into market- Ca fe a as plia re. The EDA (S velopment Agen ore than 200 SM 0 SEDA incubators a ountry towards su th a holistic busin engineering (whi g and pa opment Ag e than 200 S SEDA incubators untry towards s h a holistic bus ineering (w A ( elopment Agen ore than 200 SM 0 SEDA incubators ountry towards su th a holistic busin ngineering (wh d nnovation t d m ed m ovation hro e m in ainstream nnovation thr de m edi mainstream aimed entr and s. base cted odu aime based ent ed can ducts SIBUSISO MNYAMANE Hawker trading capsule STATUS: PROTOTYPE CLIENT: TIA Sibusiso has developed a multi- purpose trading capsule that could be used as a storage capsule, a goods trolley or a display table. His main aim is to address the challenges faced by both informal traders and municipalities. STORO ITUMELENG SEEMA AND CLEMENT LEGWALE Wind power generator STATUS: CONCEPT CLIENT: TIA Road agencies would prefer to use renewable energy for warning lights and cameras on freeways, but solar panels are frequently stolen. Wintech converts wind energy to electrical energy from air resistance from passing cars. 60page |