This document summarizes tweets recommending the play "In the Next Room or the vibrator play" currently playing in London. It provides over 30 brief positive reviews praising elements of the play such as its ability to pull the audience into each character's experiences, its unpredictable yet believable storyline, and the talented performances of the actors, director, and playwright. The tweets suggest seeing the play will provide a unique, unmediated live theater experience.

2. 100 tweets from my @tangencity stream by way of a “two-spurs up”
recommendation to catch
In the Next Room
or
the vibrator play
currently playing at the the St. James Theater, London,
till January 4, 2014

4. 94 Because you'll be schooled into the ways of theater, and recognize other
valuable deployments with a new cast http://t.co/uBBf7TX8mM
93: because what others say about it will resonate wit u
http://t.co/7EQUZb2ma7 Dec 06, 2013
92: how often do U step out @ night & get a unique, analogue,
unmediated experience?
ITNR is methylene blue - it'll stain your empathy cortex,
revealing new connections to you
90: just because I say so; why don't you just act on it for
once? take a chance on me

6. 84: "I have the most wonderful effect on
shy people": @OwenOakeshott perfect
in role: warm, large-breakfastpromoting, avuncular scoundrel

15. 60 4 the tangents e.g.: director Boswell ran
theater in Bath, where @lucyroslyn will soon B:
http://t.co/MEW6XJuALt
59: You'll henceforth be led by the nose by your
appetite for risking your evenings, in the mad
hope of recapturing this 1
58: Because it gets everything right, everything:
even the planks are perfect, and so much more
so the human element.
57: It makes you feel privileged to breathe the
same air as such talented people all there to
entertain u
56: "But she was beautiful. Perhaps not
classically, but never mind." Ruhl's In the Next
Room (p. 68): last 6 words r throwaway gold

19. 39: Ruhl, actors, director, costumer, composer pull us into evry character, even
hungry baby @ suck
38: It's unpredictable yet wholly believable and positive; do try that at home
37: It builds to a decent climax at end of Act 1 and frankly you don't expect it to pop
any higher than that
36: Sarah Ruhl being inspired by books & and breathing life into a multilayered
theatrical extravaganza with a top-drawer production team
35. Never was a story of more woe, than of Annie and "her" on the piano
34: Those chimes - signalling scene changes - in surface mid-stream, but structurally
right on the grain
33: The open, innocent, forthright liking Mrs Givings takes to technology in context of
people, or her alone

20. 32

21. 31

22. 30
26

26. 6

27. 6

28. 6

29. the glance stage-left Mrs. Givings gives b4 sitting down w/ Sabrina - another
deft stage direction from Ruhl, perfectly directed/acted

30. 5

31. Elizabeth's final speech, and that shocking three-letter word