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THERAPEUTIC LISTENING
By: Pooja Uchil
Physiotherapist
Hearing
• Simply just happens
• act of perceiving the sound by the
ear
Listening
• Consciously choose to do
• Requires concentration , desire to
communicate
• Brain processes meanings from
words and sentences
• Leads to learning
• the ability to focus the ear on
certain sounds selected for
discrimination and interpretation
 Function of whole body
 Not just our ear
Listening skill difficulties
 Inability to accurately perceive, process and respond to sounds
 Often found to be an integral part of other
perceptual, motor, attention and learning difficulties.
 Developed by Occupational Therapists Sheila Frick and Colleen
Hacker
 Therapeutic Listening is an evidence-based auditory intervention
intended to support individuals who experience challenges with
sensory processing dysfunction, listening, attention, and
communication
 Sound training in combination with sensory integrative techniques
 Emphasize vestibular stimulation and postural movement strategies
 Allow therapists to approach the auditory and vestibular system
directly
Therapeutic listening uses:
 electronically altered music that has been designed to produce
specific effects on listening skills
 when the child follows a prescribed program
 Music causes the muscles in the middle ear to contract (discriminate
and modulate sound input)
 Tiny bones in the middle ear that vibrate when sound is
provided, stimulating the movement (vestibular) and hearing
(auditory) sensory receptors in the inner ear
 This sensory information is sent throughout the central nervous
system causing a multitude of reactions
Who will benefit ???
 2 times a day, each for 30
minutes with a minimum of
3 hours between listening
times
 The volume must be low
enough
 children usually listen to
one CD 2 weeks
 Decreased tactile hypersensitivity or defensiveness
 Decreased oral hypersensitivity with increased exploration
and acceptance of different foods
 Improved self-regulatory behavior such as a more regulated
sleep cycle, more regulated hunger thirst cycle, more
regulated such-swallow-breathe pattern, more regulated
respiratory control
• “Emergence” of motor planning
• Improved spatial-temporal organization
• Improved handwriting
• Improved visual-motor skills
• Improved timing of motor execution
 Increased and more elaborate social interactions, with better
“timing”
 Discrimination of the dimensionality and directionality of spatial
concepts
 Improved components of communication such as greater range of
non-verbal communication
 improved/clearer articulation, greater emotional and verbal
expression
Introduction to therapeutic listening

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Introduction to therapeutic listening

  • 1. THERAPEUTIC LISTENING By: Pooja Uchil Physiotherapist
  • 2.
  • 3. Hearing • Simply just happens • act of perceiving the sound by the ear Listening • Consciously choose to do • Requires concentration , desire to communicate • Brain processes meanings from words and sentences • Leads to learning • the ability to focus the ear on certain sounds selected for discrimination and interpretation
  • 4.  Function of whole body  Not just our ear Listening skill difficulties  Inability to accurately perceive, process and respond to sounds  Often found to be an integral part of other perceptual, motor, attention and learning difficulties.
  • 5.  Developed by Occupational Therapists Sheila Frick and Colleen Hacker  Therapeutic Listening is an evidence-based auditory intervention intended to support individuals who experience challenges with sensory processing dysfunction, listening, attention, and communication
  • 6.  Sound training in combination with sensory integrative techniques  Emphasize vestibular stimulation and postural movement strategies  Allow therapists to approach the auditory and vestibular system directly
  • 7. Therapeutic listening uses:  electronically altered music that has been designed to produce specific effects on listening skills  when the child follows a prescribed program
  • 8.
  • 9.  Music causes the muscles in the middle ear to contract (discriminate and modulate sound input)  Tiny bones in the middle ear that vibrate when sound is provided, stimulating the movement (vestibular) and hearing (auditory) sensory receptors in the inner ear  This sensory information is sent throughout the central nervous system causing a multitude of reactions
  • 11.
  • 12.
  • 13.
  • 14.  2 times a day, each for 30 minutes with a minimum of 3 hours between listening times  The volume must be low enough  children usually listen to one CD 2 weeks
  • 15.
  • 16.  Decreased tactile hypersensitivity or defensiveness  Decreased oral hypersensitivity with increased exploration and acceptance of different foods  Improved self-regulatory behavior such as a more regulated sleep cycle, more regulated hunger thirst cycle, more regulated such-swallow-breathe pattern, more regulated respiratory control
  • 17. • “Emergence” of motor planning • Improved spatial-temporal organization • Improved handwriting • Improved visual-motor skills • Improved timing of motor execution
  • 18.  Increased and more elaborate social interactions, with better “timing”  Discrimination of the dimensionality and directionality of spatial concepts  Improved components of communication such as greater range of non-verbal communication  improved/clearer articulation, greater emotional and verbal expression