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Disco
• The term “disco” was first used in
  post-World War II France when clubs
  began playing recorded dance music
  rather than using live bands.
• During the sixties such clubs were
  called discothèques.
Disco
• Disco music of the seventies began
  with the soul styles of Detroit (Motown
  Records) and Philadelphia
  (Philadelphia International Records)
  that became popular in gay and African
  American clubs in New York before the
  dance craze spread to the rest of the
  country.
Disco
• The musicians and singers of disco
  music did concertize, as have most
  other rock musicians, but the essence
  of disco lay in the clubs themselves,
  where the dancers were the
  performers.
Disco
• Because the music was intended to be
  played from records by disc jockeys,
  many disco records had “bpm” (beats
  per minute) indications on the labels
  so that recordings could be chosen to
  easily segue from one to another
  without changing the speed of the
  beat.
Disco
• Many disco records began with a
  rhythmically free introduction to allow
  the tempo to change from that of the
  previous record played and to give
  dancers time to get out on the dance
  floor.
Disco
• Other recordings such as Donna
  Summer’s “Love to Love You Baby”
  (1975) were longer than singles
  normally were, again, to allow dancers
  a continuous flow of music.
Disco
• Musically, disco was somewhat related
  to seventies street funk in that each
  beat was strongly accented, although
  not always at an even dynamic level.
Disco
• Many disco recordings also featured
  group backup vocals that created a
  party-like atmosphere or used whistles
  and other sounds to invite listeners to
  join into the festivities and dance.
Disco
• The movie Saturday Night Fever (1977)
  helped spread the popularity of disco
  dancing to a massive mainstream
  audience.
Disco
• Disco’s steady, pounding beat was an
  important influence on music during
  the eighties and nineties, particularly
  on American new-wave bands such as
  Blondie.
Disco
• It was also an influence on the
  synthesized dance music called techno,
  which was still popular in the early
  nineties.
Disco
• Much of the music sampled or imitated
  to provide background for early rap
  recordings also came from funk and
  disco recordings.
Disco
• The widespread use of video screens
  throughout former disco clubs has
  made the visual images of performers
  more important than they were in the
  disco era.
Disco
• Whether disco dancing returns to the
  popularity it experienced in the late
  seventies or not, disco music continues
  to make its mark on the popular
  culture.
Disco
• In fact, Kool and the Gang followed
  their street funk recording of “Funky
  Stuff” with disco hits such as “Ladies’
  Night” (1979).
Disco
• One of the earliest
  important disco singers,
  songwriters, arrangers,
  and producers was Barry
  White (born in 1944),
  whose disco records
  were made with a forty-
  member orchestra he
  called the Love
  Unlimited Orchestra.
Disco
• White was born in Texas, where he
  sang and played the organ for his
  church.
Disco
• In Los Angeles as a teenager, White
  became a singer and pianist with a
  rhythm and blues group.
Disco
• He spent time working as an A&R
  (artist and repertory) man at a record
  company before 20th Century records
  contracted him as a singer.
Disco
• After the top ten success of his single
  “I’m Gonna Love You Just a Little More
  Baby” (1973) he formed his Love
  Unlimited Orchestra and made one hit
  disco record after another through the
  seventies.
Disco
• As the popularity of disco waned in the
  eighties, White had fewer records
  making the pop charts, but he did
  continue to record.
Disco
• His deep, lush voice made it back onto
  the pop charts in 1994 with the album
  The Icon Is Love and its hit single
  “Practice What You Preach.”
Disco
• The movie Saturday Night Fever (1977)
  helped spread the popularity of disco
  dancing to a massive mainstream
  audience.
Disco
• The Bee Gees had already had
  considerable success on the American
  pop charts with such hits as “I’ve Gotta
  Get a Message to You” (1968) and
  many others, but with the popularity
  of Saturday Night Fever and its hit
  soundtrack album they had three
  number one hits, “How Deep Is Your
  Love,” “Stayin’ Alive,” and “Night
  Fever,” and enjoyed continuing success
  after that.
Disco
• Other top forty hits from the Saturday
  Night Fever soundtrack were the
  Trammps’ “Disco Inferno” and Tavares’
  “More Than a Woman.”
Disco
• Kool and the Gang, and KC and the
  Sunshine Band, also contributed to the
  movie soundtrack.

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PM15 - Disco Notes

  • 1.
  • 2. Disco • The term “disco” was first used in post-World War II France when clubs began playing recorded dance music rather than using live bands. • During the sixties such clubs were called discothèques.
  • 3. Disco • Disco music of the seventies began with the soul styles of Detroit (Motown Records) and Philadelphia (Philadelphia International Records) that became popular in gay and African American clubs in New York before the dance craze spread to the rest of the country.
  • 4. Disco • The musicians and singers of disco music did concertize, as have most other rock musicians, but the essence of disco lay in the clubs themselves, where the dancers were the performers.
  • 5. Disco • Because the music was intended to be played from records by disc jockeys, many disco records had “bpm” (beats per minute) indications on the labels so that recordings could be chosen to easily segue from one to another without changing the speed of the beat.
  • 6. Disco • Many disco records began with a rhythmically free introduction to allow the tempo to change from that of the previous record played and to give dancers time to get out on the dance floor.
  • 7. Disco • Other recordings such as Donna Summer’s “Love to Love You Baby” (1975) were longer than singles normally were, again, to allow dancers a continuous flow of music.
  • 8. Disco • Musically, disco was somewhat related to seventies street funk in that each beat was strongly accented, although not always at an even dynamic level.
  • 9. Disco • Many disco recordings also featured group backup vocals that created a party-like atmosphere or used whistles and other sounds to invite listeners to join into the festivities and dance.
  • 10. Disco • The movie Saturday Night Fever (1977) helped spread the popularity of disco dancing to a massive mainstream audience.
  • 11. Disco • Disco’s steady, pounding beat was an important influence on music during the eighties and nineties, particularly on American new-wave bands such as Blondie.
  • 12. Disco • It was also an influence on the synthesized dance music called techno, which was still popular in the early nineties.
  • 13. Disco • Much of the music sampled or imitated to provide background for early rap recordings also came from funk and disco recordings.
  • 14. Disco • The widespread use of video screens throughout former disco clubs has made the visual images of performers more important than they were in the disco era.
  • 15. Disco • Whether disco dancing returns to the popularity it experienced in the late seventies or not, disco music continues to make its mark on the popular culture.
  • 16. Disco • In fact, Kool and the Gang followed their street funk recording of “Funky Stuff” with disco hits such as “Ladies’ Night” (1979).
  • 17. Disco • One of the earliest important disco singers, songwriters, arrangers, and producers was Barry White (born in 1944), whose disco records were made with a forty- member orchestra he called the Love Unlimited Orchestra.
  • 18. Disco • White was born in Texas, where he sang and played the organ for his church.
  • 19. Disco • In Los Angeles as a teenager, White became a singer and pianist with a rhythm and blues group.
  • 20. Disco • He spent time working as an A&R (artist and repertory) man at a record company before 20th Century records contracted him as a singer.
  • 21. Disco • After the top ten success of his single “I’m Gonna Love You Just a Little More Baby” (1973) he formed his Love Unlimited Orchestra and made one hit disco record after another through the seventies.
  • 22. Disco • As the popularity of disco waned in the eighties, White had fewer records making the pop charts, but he did continue to record.
  • 23. Disco • His deep, lush voice made it back onto the pop charts in 1994 with the album The Icon Is Love and its hit single “Practice What You Preach.”
  • 24. Disco • The movie Saturday Night Fever (1977) helped spread the popularity of disco dancing to a massive mainstream audience.
  • 25. Disco • The Bee Gees had already had considerable success on the American pop charts with such hits as “I’ve Gotta Get a Message to You” (1968) and many others, but with the popularity of Saturday Night Fever and its hit soundtrack album they had three number one hits, “How Deep Is Your Love,” “Stayin’ Alive,” and “Night Fever,” and enjoyed continuing success after that.
  • 26. Disco • Other top forty hits from the Saturday Night Fever soundtrack were the Trammps’ “Disco Inferno” and Tavares’ “More Than a Woman.”
  • 27. Disco • Kool and the Gang, and KC and the Sunshine Band, also contributed to the movie soundtrack.