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Max Tomlinson                                              copyrighted material




    pop star


He moved across humble stages in 1965, through smoky bars,and on to the ballrooms, gripping

the mike in his small fist. Daring the world.Springing into the air when the band hit the first

chord of “I’ve Got Mine,” a flip of dark hair and the heel of a Chelsea boot kicking off the verse.

He’d growl out the broken words of a lover spurned in the voice decades older than he was.

Landing in a splash of exhilaration, sweat shining down his clenched temples, he’d soak up the

crowd yelling his name. He would grin and nod, yes, yes, yes, his eyes clamped shut, savoring

the unruly noise. Mod boys and girls in their best gear, their own voices lifting him back into the

air, where he’d float on top of them for a while, guitars ringing and drums pounding underneath.

That thick cloud. Then he would come back down and respond in the voice he’d been given.

Reverberating through his body, it came out like gunfire, a soft plea, whatever he wanted.

    He kept the band honest. Chopping out American R&B with rough English hands, postwar

chords fashioned by meat rationing and grey factories. Drums, fueled by pints of bitter, banging

skins for all they were worth, making up for anything that might lack technically with simple

fury. Bass, eyes down, face down, pulling deep throbs out of a big guitar, making the small

rooms vibrate.

    The London ballrooms erupted when they finally arrived, thousands in from as far as

Scotland, on Vespas, the train, anything that moved. Hitchhiking if they were skint.All for three

chords and the roar of the Voxamps.

    Sixteen years old, he couldn’t read a note. Did it matter? Did it, fuck. He had the voice; it

was a gift. All he needed. All he wanted.
Max Tomlinson                                             copyrighted material


    And before the agents and the managers and the record company and the money—the brief,

brief money—when there were just the four of them huddled in the Bedford van, heading up the

M1, where they’d tear up the tiny rooms at night, he was the sanest he’d ever been, the noise and

mayhem deep in his skin, hair, lungs. Like a gorgeous battlefield, lit by cigarettes, rocked by

explosions in A, D, and E.

                                                 ###

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pop star

  • 1. Max Tomlinson copyrighted material pop star He moved across humble stages in 1965, through smoky bars,and on to the ballrooms, gripping the mike in his small fist. Daring the world.Springing into the air when the band hit the first chord of “I’ve Got Mine,” a flip of dark hair and the heel of a Chelsea boot kicking off the verse. He’d growl out the broken words of a lover spurned in the voice decades older than he was. Landing in a splash of exhilaration, sweat shining down his clenched temples, he’d soak up the crowd yelling his name. He would grin and nod, yes, yes, yes, his eyes clamped shut, savoring the unruly noise. Mod boys and girls in their best gear, their own voices lifting him back into the air, where he’d float on top of them for a while, guitars ringing and drums pounding underneath. That thick cloud. Then he would come back down and respond in the voice he’d been given. Reverberating through his body, it came out like gunfire, a soft plea, whatever he wanted. He kept the band honest. Chopping out American R&B with rough English hands, postwar chords fashioned by meat rationing and grey factories. Drums, fueled by pints of bitter, banging skins for all they were worth, making up for anything that might lack technically with simple fury. Bass, eyes down, face down, pulling deep throbs out of a big guitar, making the small rooms vibrate. The London ballrooms erupted when they finally arrived, thousands in from as far as Scotland, on Vespas, the train, anything that moved. Hitchhiking if they were skint.All for three chords and the roar of the Voxamps. Sixteen years old, he couldn’t read a note. Did it matter? Did it, fuck. He had the voice; it was a gift. All he needed. All he wanted.
  • 2. Max Tomlinson copyrighted material And before the agents and the managers and the record company and the money—the brief, brief money—when there were just the four of them huddled in the Bedford van, heading up the M1, where they’d tear up the tiny rooms at night, he was the sanest he’d ever been, the noise and mayhem deep in his skin, hair, lungs. Like a gorgeous battlefield, lit by cigarettes, rocked by explosions in A, D, and E. ###