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Oskar Bergman
1879-1963
A Swedish painter and printmaker of the
20th century.
In the 1940s he painted several urban landscapes seen from
Södermalm (a historic borough of Stockholm) that caught the
attention of the public. He used mainly watercolor and gouache,
in realistic works where he worked with fine detail and rich
colours. He also devoted himself to illustration and printmaking.
Oskar Bergman was born on October,
1879 in Saltsjöbaden, one of the
districts of Stockholm. He was self-
taught but attended the artistic
backgrounds of the time in his travels to
Europe, especially in France and Italy.
His main influences and models were Dürer, the Italian Renaissance (Fra
Angelico, Giotto) and the Japanese art. But though he may be associated with
naif art, he never followed any of the main movements at the time, like
impressionism or expressionism.
A Forest in Winter, 1904
Ängsblommor, Flowers in the meadows, 1911
Solbelyst Vinterlandskap, Sunlit Winter landscape, 1918
Oktobernatt, October night, 1923
- an infinitely sensitive grayscale
Landscape with birch trees, 1928 - a vividly coloured naïf.
Bergman made the birch a landmark symbol of Swedish nature.
Orchards in Southern France, 1929
Olivlund Toscana, Olive grove in
Tuscany
Oskar Bergman visited Verona and Florence, where he was fascinated by
Renaissance artists like Giotto and Fra Angelico.
Sommarlandskap från Ufvö,
Summer landscape from Ufvö, 1930
Bergman glorified the nature, the flowers and vegetation fertility, the
rythms of life, the shifts of the seasons.
Utsikt över havet, View over the sea, 1930
Skeppsholmen, 1936
Winter view from Skeppsholmen, 1936
Landscape after the rain, 1938
Stigbergsgatan (Saltsjöbaden), 1940
Solig Majdag, Sunny May, 1943
For Bergman, green was the most difficult colour to paint.
View of Torö, Södertörn, 1945
Vårlandskap med björkar,
vitsippor och röda stugor, 1948
Spring landscape with birches,
anemones and red cottages.
Motiv med träd, Motif with trees, a lithography
Småstadsgata i töväder, Small town street under the storm, 1946
Bergman's talent for landscape painting and his sensibility to the shifting of the
seasons is evident; he paints extreme detail with a fine brush.
The work has an intense color scale, and Bergman uses unexpected
compositional effects, like the melting snowdrivers of the foreground forming
an intricate pattern, further complicated by the mirrored two gentlemen who
spat the street forward.
Bergman's way of working with the light is really refined in this painting. The sky is not
reflected only in the watercushions, but also in the windows on either side of the street.
On the left side they become warm golden yellow, while on the right they get a cold,
clear blue shade.
Vildblommor, Wild flowers, 1934
The art of Oskar Bergman kept a line of persistence
and consistency of his own, which is truly out of time.
This presentation © Mario Ricca, 2017

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Oskar Bergman

  • 1. Oskar Bergman 1879-1963 A Swedish painter and printmaker of the 20th century.
  • 2. In the 1940s he painted several urban landscapes seen from Södermalm (a historic borough of Stockholm) that caught the attention of the public. He used mainly watercolor and gouache, in realistic works where he worked with fine detail and rich colours. He also devoted himself to illustration and printmaking. Oskar Bergman was born on October, 1879 in Saltsjöbaden, one of the districts of Stockholm. He was self- taught but attended the artistic backgrounds of the time in his travels to Europe, especially in France and Italy.
  • 3. His main influences and models were Dürer, the Italian Renaissance (Fra Angelico, Giotto) and the Japanese art. But though he may be associated with naif art, he never followed any of the main movements at the time, like impressionism or expressionism.
  • 4. A Forest in Winter, 1904
  • 5. Ängsblommor, Flowers in the meadows, 1911
  • 6. Solbelyst Vinterlandskap, Sunlit Winter landscape, 1918
  • 7. Oktobernatt, October night, 1923 - an infinitely sensitive grayscale
  • 8. Landscape with birch trees, 1928 - a vividly coloured naïf. Bergman made the birch a landmark symbol of Swedish nature.
  • 9. Orchards in Southern France, 1929
  • 10. Olivlund Toscana, Olive grove in Tuscany Oskar Bergman visited Verona and Florence, where he was fascinated by Renaissance artists like Giotto and Fra Angelico.
  • 11. Sommarlandskap från Ufvö, Summer landscape from Ufvö, 1930 Bergman glorified the nature, the flowers and vegetation fertility, the rythms of life, the shifts of the seasons.
  • 12. Utsikt över havet, View over the sea, 1930
  • 14. Winter view from Skeppsholmen, 1936
  • 15. Landscape after the rain, 1938
  • 17. Solig Majdag, Sunny May, 1943 For Bergman, green was the most difficult colour to paint.
  • 18. View of Torö, Södertörn, 1945
  • 19. Vårlandskap med björkar, vitsippor och röda stugor, 1948 Spring landscape with birches, anemones and red cottages.
  • 20. Motiv med träd, Motif with trees, a lithography
  • 21. Småstadsgata i töväder, Small town street under the storm, 1946 Bergman's talent for landscape painting and his sensibility to the shifting of the seasons is evident; he paints extreme detail with a fine brush.
  • 22. The work has an intense color scale, and Bergman uses unexpected compositional effects, like the melting snowdrivers of the foreground forming an intricate pattern, further complicated by the mirrored two gentlemen who spat the street forward.
  • 23. Bergman's way of working with the light is really refined in this painting. The sky is not reflected only in the watercushions, but also in the windows on either side of the street. On the left side they become warm golden yellow, while on the right they get a cold, clear blue shade.
  • 24. Vildblommor, Wild flowers, 1934 The art of Oskar Bergman kept a line of persistence and consistency of his own, which is truly out of time.
  • 25. This presentation © Mario Ricca, 2017