1) The document discusses various painting techniques and materials throughout history, from encaustic painting used by ancient Greeks and Romans to modern acrylic paint. 2) It provides details on different types of painting supports, grounds, pigments, and binders used over time, such as gesso, rabbit skin glue, linseed oil, and beeswax. 3) Key terms and techniques like fresco, tempera, oil painting, and watercolor are defined in the context of classic works that demonstrate their use.

1. Q:
Would you take a hands-on
art class for non-art majors—
drawing, painting, ceramics—
if you were able to use the credit
as an elective?

2. Thanks to Kasey Peters
http://www.youtube.com/watch?v=ms2klX-puUU

3. PAINTING
Chapter 11

4. The Liberal Arts
Academic pursuits that were
though to involve
inspiration and creative invention.

5. The Liberal Arts
Painting was raised to a liberal art
during the Italian Renaissance.

6. The Liberal Arts
Rhetoric
Arithmetic
Geometry
Astrology
Music

7. The Liberal Arts
Rhetoric
Arithmetic
Geometry
Astrology
Music
Then, in the Renaissance, Painting

8. The Idea of La Pittura

14. Support
Can be canvas, wood, etc

15. Support
Ground (gesso)
Rabbit skin glue + marble dust (chalk, plaster)Can be canvas, wood, etc

16. Support
Ground (gesso)
Pigment
Rabbit skin glue + marble dust
Can be canvas, wood, etc

17. Support
Ground (gesso)
Pigment
Rabbit skin glue + marble dust
Linseed oil is made from flax seed
Can be canvas, wood, etc

18. Support
Ground (gesso)
Pigment
Rabbit skin glue + marble dust
Linseed oil is made from flax seed
Can be canvas, wood, etc

19. Evolution of painting.

20. Giorgio Vasari. The Art of Painting. 1542.

21. Giorgio Vasari. The Art of Painting. 1542.

22. Giorgio Vasari invented art history.

23. http://www.youtube.com/watch?v=erbd9cZpxps

24. Painting technology evolved over
time.

25. Artemisia Gentileschi. Self-Portrait as the Allegory of Painting. 1630.
35 1/4 x 29 in.

26. Gentileschi is one of the few
documented female artists from
the Early Baroque period.

27. Encaustic is...

28. Mummy Portrait of a Man. c. 160–170 CE.
14 x 18 in.

29. Mummy Portrait of a Man. c. 160–170 CE.
14 x 18 in.

30. Encaustic medium is made of beeswax, damar varnish, and linseed oil.
Read more: http://www.rfpaints.com/

31. Encaustic Painting Media*
In Contemporary Works
*media is the plural of medium
www.landfall.etsy.com

32. Fresco is...

33. Still Life with Eggs and Thrushes, Villa of Julia Felix, Pompeii. before
79 CE.
35 x 48 in.

37. Bodhisattva from Cave I at Ajanta. c. 475 CE.

38. Bodhisattva from Cave I at Ajanta. c. 475 CE.

40. Plaster Tools List
6X3 stainless steel trowel
8X3 steel trowel
6X2 steel gauger
large scoop hawk (bucket trowel)
square/leaf ornamental
notched scratcher trowel
wooden "fresco float”
sand sifting screen (window screen)
pudging stick (wooden dowel 2" diameter)
5 gallon buckets
2 gallon buckets
measuring pails (2 gallon)
wire snips (for panel and/or wall prep)
plaster mixing tray
hudson sprayer
wetting brush
cordless drill
for larger fresoes add
metal mixing bath
heavy duty power drill
hammer drill (masonry drill)
masonry wisk
hoe

41. Giotto. Lamentation. c. 1305.
approximately 70 x 78 in.

42. Giornata is...

43. Fra Andrea Pozzo. The Glorification of Saint Ignatius. 1691–94.

44. Fra Andrea Pozzo. The Glorification of Saint Ignatius. 1691–94.

46. Gregorian Chant. c. 1300s
http://www.youtube.com/watch?v=5F9oKh_3s_M&feature=related

47. Tempera is...

48. Tempera

49. Giotto. Madonna and Child Enthroned. c. 1310.
10 ft. 8 in. x 6 ft. 8 1/4 in.

50. Making a Medieval Icon –
from the Warsaw Museum

51. Making a Medieval Icon –
from the Warsaw Museum

52. Making a Medieval Icon –
from the Warsaw Museum

53. Making a Medieval Icon –
from the Warsaw Museum

54. Making a Medieval Icon –
from the Warsaw Museum

57. Denotation is...
What is explicitly painted…what is
visible in the image.
Connotation is...
A larger ideal that is communicated
by the image.

58. Read about the development of
an image.

59. Michelangelo Buonarroti. Study for the Libyan Sibyl. c. 1510.
11 3/8 x 8 7/16 in.

60. Michelangelo Buonarroti. The Libyan Sibyl. 1511–12.
detail of the Sistine Ceiling.

61. http://www.youtube.com/watch?v=aMEvmZhliH4&feature=related

62. …from July of 1508 to October of 1512.

63. Sandro Botticelli. Primavera. c. 1482.
80 x 123 1/4 in.

64. Andrew Wyeth. Braids. 1979.
16 1/2 x 20 1/2 in.

65. The tool has to match the task.

66. A Sable

67. Oil paint is...
http://www.youtube.com/watch?v=qiGNCdCSL3U

68. Diagram of a section of a fifteenth-century oil painting demonstrating
the luminosity of the medium.

69. The Master of Flémalle (probably Robert Campin). The Annunciation
(The Mérode Altarpiece). c. 1425–30.
central panel: 25 1/4 x 24 7/8 in.; each wing: 25 3/8 x 10 3/4 in.

70. The Master of Flémalle (probably Robert Campin). Detail of The
Annunciation (The Mérode Altarpiece). c. 1425–30.
central panel: 25 1/4 x 24 7/8 in.; each wing: 25 3/8 x 10 3/4 in.

71. Jan de Heem. Still Life with Lobster. late 1640s.
25 1/8 x 33 1/4 in.

72. I am rich because lemons are a rare fruit
This is the leftovers of an extravagant meal…I am so rich I can waste food.
Look at my fine tableware

73. Vanitas or vanity painting is meant
to induce higher thought.

74. Antonio López Garciá. New Refrigerator. 1991–94.
94 1/2 x 74 13/16 in.

75. Pat Passlof. Dancing Shoes. 1998.
80 x 132 in.

76. Milton Resnick’s. U + Me in progress. 7/26/1995.

77. Milton Resnick’s. U + Me in progress. 7/26/1995.

78. Milton Resnick. U + Me. 1995.
93 1/4 x 104 1/2 in.

79. http://www.youtube.com/watch?v=BzOUEXaJtjQ

80. Watercolor is...

81. Xu Wei. Grapes. Ming dynasty, c. 1580–93.
65 1/4 x 25 3/8 in.

82. Winslow Homer. A Wall, Nassau. 1898.
14 3/4 x 21 1/2 in.

83. Laurie Reid. Ruby Dew (Pink Melon Joy), detail. 1998.
192 x 240 in.

84. Laurie Reid. Ruby Dew (Pink Melon Joy). 1998.
192 x 240 in.

85. Goauche is...

86. Jacob Lawrence. You can buy bootleg whiskey for twenty-five cents a
quart, from the Harlem Series. 1942–43.
15 1/2 x 22 1/2 in.

87. Acrylic is...

88. Helen Frankenthaler. Flood. 1967.
124 x 140 in.

89. http://www.youtube.com/watch?v=0QaKYJ09D7g

90. Judith F. Baca. The Great Wall of Los Angeles, detail, Division of the
Barrios and Chavez Ravine. 1976–continuing.
height 13 ft. (whole mural more than 1 mile long).

91. Judith F. Baca. The Great Wall of Los Angeles, detail

92. Juan Gris. The Table. 1914.
23 1/2 x 17 1/2 in.

93. Romare Bearden. The Dove. 1964.
13 3/8 x 18 3/4 in.

94. Hannah Höch. Study for Collage “Cut with the Kitchen Knife Dada
through the Last Weimar Beer Belly Cultural Epoch of Germany.” 1919.
10 5/8 x 8 5/8 in.

95. Hannah Höch. Cut with the Kitchen Knife Dada through the Last
Weimar Beer Belly Cultural Epoch of Germany. 1919.
44 7/8 x 35 7/16 in.

96. Painting ...towards sculpture.
http://www.youtube.com/watch?v=qiGNCdCSL3U

97. Marcia Gygli King. Springs Upstate. 1990–92.
6 ft. x 9 ft. x 10 ft. 6 in.; painting: 9 ft. x 5 ft. x 7 in.

98. Elizabeth Murray at MoMA.

99. Elizabeth Murray’s distinctive stretchers.

100. http://www.youtube.com/watch?v=Yxl2WAR3-QE
.

101. Patricia Patterson. The Kitchen. 1985.
painting: 60 x 107 in; overall dimensions vary with each installation (as
illustrated: 80 x 144 x 180 in.).

102. Robert Rauschenberg. Monogram. 1955–59.
42 x 63 1/4 x 64 1/2 in.

103. Robert Rauschenberg. Monogram, First State.

104. Robert Rauschenberg. Monogram, Second State.

105. http://www.youtube.com/watch?
v=WNslYldmNts&p=0748FAA0102601FD&playnext=1&index=55
.

106. Fred Tomaselli. Airborne Event. 2003.
84 x 60 x 1 1/2 in.

107. http://www.youtube.com/watch?v=5VuAzThzH_E