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Filly      Sima
Katerina   Sarah
Nibal
Basic Information

   1971:
       1st Issey Miyake brand collection
       ISSEY MIYAKE INC. Is established
       “ISSEY MIYAKE MEN”
   1993: PLEATS PLEASE
   2000: A-POC, Cauliflower, HaaT
   2007:
       Dai Fujiwara’s 1st collection.      Who Miyake is
       Incorporation of A-POC into ISSEY
        MIYAKE as a design solution:
        A-POC inside
   2009: Concept shops 24 ISSEY MIYAKE
   2010: Bao Bao ISSEY MIYAKE
   2011: Yoshiyuki Miyamae’s 1st Spring
         collection
Mapping the values (past)
                                                                         HIROSHIMA
                                                                         CHIC        KIMONO
                  WEST MEETS EAST                                                    PHILOSOPHY
                                                         INDIVIDUALITY
DEMOCRATIZATION
                                      INTELLECTUALITY                                 NATURE
                     UNIVERSAL
  FREEDOM
                                               CULTURE             TRADITION             ZEN
                   CUBISM      PRAGMATIC
                                                                                     THE MA
                               ARCHITEXTURE                EXPLORATION
            GEOMETRY
                                                                               BRAND NEW OLD
                                    ISSEY MIYAKE
                                                                     EXPERIMENTATION
  SHOWMANSHIP
                                 INTERACTION
                                                        TECHNOVATION                   SCIENCE
                      ARTISTIC
                      MOOD                                                      FUNCTIONALITY
AMUSEMENT
                                            EFFICIENCY
                                                                ORGANISATION
                     JOY OF LIFE
Mapping the values (Present and Future)
                                                                          HIROSHIMA
               WEST MEETS EAST                         INDIVIDUALITY      CHIC      KIMONO
                                                       I(EYE)NDIVIDUALITY           PHILOSOPHY
                                     INTELLECTUALITY
DEMOCRATIZATION   UNIVERSAL
                                                  CULTURE                             NATURE
                                 OLD HUMANISM                     TRENDITION
   FREEDOM                                                        TRADITION           ZEN
                               PRAGMATIC
                CUBISM                                                            THE MA
                                                       EXPLORATION
                           ARCHITEXTURE
          GEOMETRY
                            ARCHITEXTURAL POET                             BRAND NEW OLD
  SIMPLICIFY                                                            +TIMELESS EMOTION
                  IMAGINATION
                                    ISSEY MIYAKE
                                    INTERACTION                             EXPERIMENTATION
SHOWMANSHIP
                                                       TECHNOVATION
                   AISTHISIS        EXPERIENCE
                                                                            FUNCTIONALITY
      AMUSEMENT                                   EFFICIENCY
                            JOY OF LIFE                        ORGANISATION
Archetype
   The Architect (Ruler): From Zeus to Apollo
                              ZEUS
                HERMES                    APOLLO


                              Thought
ATHENA AND HERA                                   EROS & THANATOS

                  Substance             Emotion

         ARES                                      APHRODITE
                              Energy

            HERACLES                      DIONYSOS
Archetype
From ‘the Architect’ to the ‘Archtiextural poet’
Vision

PRESENT
To explore the potentials of the garements by
implementing new technologies, architecture and
functionality to them, in order to improve everyday life.
Experimentation on the interaction between the garment
and the person.

FUTURE
Continuation of this concept. Respond to individual needs
to be stimulated emotionally and experience new
commodities.

“Stimulate the imagination through clothing”
Mission

PRESENT                                  FUTURE

To be a brand that can combine           Continuation of previous mission, but
traditional and western, architextural   also:
and technological elements, to develop   Become a brand that can really
the garment through the original         connect with people through emotion.
concept of inovation and practicality.
                                         Architecture needs to get back in touch
Provide garements beyond fashion.        with its emotions and its artistic side.
“Not traditionally Japanese not purely    Adopt the model of the eternal
Western.”
                                         dialogues between ‘utility and poetics,
                                         function and image, rationality and
                                         metaphysics, technology and art’
Values (Present and Future)

Central              Expressive        Instrumental

Intellectualism      Experimentation   Functionality
Freedom              Exploration       Innovation
Democratization      Imagination       Technovation
Universal                              Organization
Zen                                    Architexture
Energy (Ma)                            Efficiency
Pragmatism                             Simplicify
Joy of Life
Aithisis
I(EYE)ndividuality
Business Model (Present and Future)

        The Eccentric
                                             The Eccentric
                                       The Elite (original meaning of the word:
                                       people with distinctive attributes)

               Functional

Technovative

                                                                      Functiona
                                                                      Sensorial




                        Technovative
CLIENTS
                              The Eccentric
                              The Elite
                                              Consumers:
                                              Eccentric intellectuals. Japan- Osaka: “Non-Male Male”

                                              Channel:
                                              About 10 are DOS (Japan, France, England) amongst 400 points of sale.

   Business                                   Increase the number of DOS and countries, make more concept stores. Help
                                              the client sence what is Issey Miyake.
                                             Occasion and use:
   Formula                                   Form[a]casual, functional, provoke sentiments and reactions, amuse,
                                             express I(eye)ndividuality, Work on the concept of slow fashion.
                                                                                          OCCASION AND USE
                                                                                          Functional       Sensorial
                                           Know-how:
   Present and Future                      Traditional handcrafts and techniques. Futuristic technology. Architexture. New
                                           methods of collaborating with artist and manufacturers. Reality Lab
                                           experimentation.
                             Material:
                             Combination of wool, nylon, and polyurethane. A more complex weave made of 100%
                             cotton. Elastic was later added. Steam strech. Mineral miracle.

             Categories:
             Fragrances, Watches, Womenswear, Menswear, Accessories, and Shoes.
             Price Levels:
TECHNOLOGY Mid – High, double the price in the higher end lines (introduce a different scarcity of the product)
Technovative
Work Cited
Fashion in Motion: Pleats Please by Issey Miyake. V&A. May 2001. http://www.vam.ac.uk/content/articles/f/fashion-in-motion-
isse
y-miyake/
Ferrarini, Paolo. 132 5. by Issey Miyake. Cool Hunting. Style. Feb. 28 2012.http://www.coolhunting.com/style/132-5-issey-miyake
.php
Holborn, Mark. Issey Miyake. 1996
Irving Penn, Kiyoshi Kanai. ISSEY MIYAKE: Photographs. 1988
Issey Miyake, 2006 Hall of Fame. Art Directors Club. 2006. http://www.adcglobal.org/archive/hof/2006/?id=2
Jenna. Future Beauty: 30 Years of Japanese Fashion, Barbican Art Galley, London.Nov. 18th 2010.Worn
Throughhttp://www.wornthrough.com/2010/11/18/future-beauty-30-years-of-japanese-fashion-exhibition-notebook-part-1/
Kyoto Costume Insitute. Fashion from the 18th to the 20th Century (Icons). 2004
MIYAKE, Issey. Fashion Encyclopedia. http://www.fashionencyclopedia.com/Ma-Mu/Miyake-Issey.html
http://www.youtube.com/watch?v=4gdxhNnytSs&feature=fvwp
http://www.youtube.com/watch?v=4gdxhNnytSs&feature=fvwp
http://www.youtube.com/watch?v=4gdxhNnytSs
http://www.youtube.com/watch?v=lMFnu2N1uTM

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Rebranding Issey Miyake

  • 1. Filly Sima Katerina Sarah Nibal
  • 2. Basic Information  1971:  1st Issey Miyake brand collection  ISSEY MIYAKE INC. Is established  “ISSEY MIYAKE MEN”  1993: PLEATS PLEASE  2000: A-POC, Cauliflower, HaaT  2007:  Dai Fujiwara’s 1st collection. Who Miyake is  Incorporation of A-POC into ISSEY MIYAKE as a design solution: A-POC inside  2009: Concept shops 24 ISSEY MIYAKE  2010: Bao Bao ISSEY MIYAKE  2011: Yoshiyuki Miyamae’s 1st Spring collection
  • 3. Mapping the values (past) HIROSHIMA CHIC KIMONO WEST MEETS EAST PHILOSOPHY INDIVIDUALITY DEMOCRATIZATION INTELLECTUALITY NATURE UNIVERSAL FREEDOM CULTURE TRADITION ZEN CUBISM PRAGMATIC THE MA ARCHITEXTURE EXPLORATION GEOMETRY BRAND NEW OLD ISSEY MIYAKE EXPERIMENTATION SHOWMANSHIP INTERACTION TECHNOVATION SCIENCE ARTISTIC MOOD FUNCTIONALITY AMUSEMENT EFFICIENCY ORGANISATION JOY OF LIFE
  • 4. Mapping the values (Present and Future) HIROSHIMA WEST MEETS EAST INDIVIDUALITY CHIC KIMONO I(EYE)NDIVIDUALITY PHILOSOPHY INTELLECTUALITY DEMOCRATIZATION UNIVERSAL CULTURE NATURE OLD HUMANISM TRENDITION FREEDOM TRADITION ZEN PRAGMATIC CUBISM THE MA EXPLORATION ARCHITEXTURE GEOMETRY ARCHITEXTURAL POET BRAND NEW OLD SIMPLICIFY +TIMELESS EMOTION IMAGINATION ISSEY MIYAKE INTERACTION EXPERIMENTATION SHOWMANSHIP TECHNOVATION AISTHISIS EXPERIENCE FUNCTIONALITY AMUSEMENT EFFICIENCY JOY OF LIFE ORGANISATION
  • 5. Archetype The Architect (Ruler): From Zeus to Apollo ZEUS HERMES APOLLO Thought ATHENA AND HERA EROS & THANATOS Substance Emotion ARES APHRODITE Energy HERACLES DIONYSOS
  • 6. Archetype From ‘the Architect’ to the ‘Archtiextural poet’
  • 7. Vision PRESENT To explore the potentials of the garements by implementing new technologies, architecture and functionality to them, in order to improve everyday life. Experimentation on the interaction between the garment and the person. FUTURE Continuation of this concept. Respond to individual needs to be stimulated emotionally and experience new commodities. “Stimulate the imagination through clothing”
  • 8. Mission PRESENT FUTURE To be a brand that can combine Continuation of previous mission, but traditional and western, architextural also: and technological elements, to develop Become a brand that can really the garment through the original connect with people through emotion. concept of inovation and practicality. Architecture needs to get back in touch Provide garements beyond fashion. with its emotions and its artistic side. “Not traditionally Japanese not purely Adopt the model of the eternal Western.” dialogues between ‘utility and poetics, function and image, rationality and metaphysics, technology and art’
  • 9. Values (Present and Future) Central Expressive Instrumental Intellectualism Experimentation Functionality Freedom Exploration Innovation Democratization Imagination Technovation Universal Organization Zen Architexture Energy (Ma) Efficiency Pragmatism Simplicify Joy of Life Aithisis I(EYE)ndividuality
  • 10. Business Model (Present and Future) The Eccentric The Eccentric The Elite (original meaning of the word: people with distinctive attributes) Functional Technovative Functiona Sensorial Technovative
  • 11. CLIENTS The Eccentric The Elite Consumers: Eccentric intellectuals. Japan- Osaka: “Non-Male Male” Channel: About 10 are DOS (Japan, France, England) amongst 400 points of sale. Business Increase the number of DOS and countries, make more concept stores. Help the client sence what is Issey Miyake. Occasion and use: Formula Form[a]casual, functional, provoke sentiments and reactions, amuse, express I(eye)ndividuality, Work on the concept of slow fashion. OCCASION AND USE Functional Sensorial Know-how: Present and Future Traditional handcrafts and techniques. Futuristic technology. Architexture. New methods of collaborating with artist and manufacturers. Reality Lab experimentation. Material: Combination of wool, nylon, and polyurethane. A more complex weave made of 100% cotton. Elastic was later added. Steam strech. Mineral miracle. Categories: Fragrances, Watches, Womenswear, Menswear, Accessories, and Shoes. Price Levels: TECHNOLOGY Mid – High, double the price in the higher end lines (introduce a different scarcity of the product) Technovative
  • 12. Work Cited Fashion in Motion: Pleats Please by Issey Miyake. V&A. May 2001. http://www.vam.ac.uk/content/articles/f/fashion-in-motion- isse y-miyake/ Ferrarini, Paolo. 132 5. by Issey Miyake. Cool Hunting. Style. Feb. 28 2012.http://www.coolhunting.com/style/132-5-issey-miyake .php Holborn, Mark. Issey Miyake. 1996 Irving Penn, Kiyoshi Kanai. ISSEY MIYAKE: Photographs. 1988 Issey Miyake, 2006 Hall of Fame. Art Directors Club. 2006. http://www.adcglobal.org/archive/hof/2006/?id=2 Jenna. Future Beauty: 30 Years of Japanese Fashion, Barbican Art Galley, London.Nov. 18th 2010.Worn Throughhttp://www.wornthrough.com/2010/11/18/future-beauty-30-years-of-japanese-fashion-exhibition-notebook-part-1/ Kyoto Costume Insitute. Fashion from the 18th to the 20th Century (Icons). 2004 MIYAKE, Issey. Fashion Encyclopedia. http://www.fashionencyclopedia.com/Ma-Mu/Miyake-Issey.html http://www.youtube.com/watch?v=4gdxhNnytSs&feature=fvwp http://www.youtube.com/watch?v=4gdxhNnytSs&feature=fvwp http://www.youtube.com/watch?v=4gdxhNnytSs http://www.youtube.com/watch?v=lMFnu2N1uTM

Notas do Editor

  1. Issey Miyake INC, previously known as ISSEY MIYAKE INTERNATIONAL INC.Issey Miyake Men: main venue moved from Paris to Milan in 19981993: Launch of PLEATS PLEASE ( which has a flagship in London)MeAboutCauliFlower: 1st called me ISSEY MIYAKE, then Me
  2. Refer to the main aspects in bold, and down left, to the values that no longer exist (amusement, showmanship, artistic mood)
  3. First about present and then past.Again talk about the aspects in bold. trendition: trends+tradition use of traditional elements according to tremd forecasting. The brand must lose this element and go back to tradition.The company should also lose the pragmatic value and replace it with art and imagination within architexture.Reintroduce the brand’s initial values of showmanship, amusement and joy of lifeSimplify it’s complicated conceptsAdd aisthis, which means emotion.Add I(eye)ndividuality it means ego and eyebeautysence
  4. At the moment, Miyake is considered in the area of Thought. He is ‘The architect’, a type of ‘Ruler’, like Zeus. Not an agressive one but rather a silent power. An additional previously neglected emotional element would result in a movement towards Apollo.Apollo is the god of the sun, which gives him characteristics such as handsomeness, happiness, optimism and a fiery temper. Heis also known as the god of oracles (Delphus Oracle), music and poetry. Besides his artistic skills he is also known as the god of moral order and logic. Inspired by his characteristic, the brand should keep its rational and ethical side, but also add some new values such as joy of life, amusement, beauty, aisthisis and ‘poetry’in order to stimulate emotions.
  5. In the past, Experimental Freedom in the relation between clothing and the human body. After the experience of America as a great cultural mix, Miyake was impressed by the ideal of freedom, which was implied in the American dream. Freedom was to become the studio catchwordMiyake’s A-POC concept garments are installed brilliantly as uncut lengths of fabric perforated and worn by a group of mannequins.Emotionally fulfill
  6. Past: He doesn’t make fashion, he makes clothes that combine non-traditional materials and futuristic techniques with traditional Japanese fabrics to create an artistic interpretation of his country's culture and costumes across the ages.Present: this is done through experimentation with fabric/material to develop both fanatic element and practical “clothe for real life.” “Living clothe” designed for action with pronounced simplicity.
  7. Red: FUTURE recommendationsConcept stores should be increased!!!Flagships: Paris 1979, New York 1987, London 1989 , add more in more cities.