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ART 100
UNDERSTANDING VISUAL CULTURE

IN PHOTOGRAPHY’S WAKE

MODULE 4.2
Titian, Venus of Urbino, 1538   E.V. Day, Flesh for Fantasy, 2000
Oil on canvas                   Blow-up dolls, surgical wire, hooks
Jacques-Louis David, Death of   Claude Monet, The Monet Family in
Socrates, 1787                  the Garden at Argenteuil, 1874, o/c, 24
o/c, 51 x 77 ¼ inches, MET      x 39 ¼ inches, MET
Jacques-Louis David, Death of Socrates,
      o/c, 51 x 77 ¼ inches, MET
Claude Monet, The Monet Family in the Garden at Argenteuil, 1874
                  o/c, 24 x 39 ¼ inches, MET
Jacques-Louis David, Death of   Claude Monet, The Monet Family in
Socrates, 1787                  the Garden at Argenteuil, 1874, o/c, 24
o/c, 51 x 77 ¼ inches, MET      x 39 ¼ inches, MET
"A picture, before being a war horse, a nude
woman, or some anecdote, is essentially a flat
surface covered by colors in a certain order.”
                             —Maurice Denis
Picasso, Portrait of Wilhelm Uhde, 1910
Picasso, Still Life with Chair Caning, 1912
Picasso, Bottle of Vieux Marc, Glass, Guitar and Newspaper, 1913




                 Picasso, Bottle of Vieux Marc, Glass, Guitar and Newspaper, 1913,
Duchamp, Nude Descending a Staircase, 1912
Duchamp, Bottle Rack, 1914
Duchamp, Tu M’, 1918
Duchamp, L.H.O.O.Q., 1919
Duchamp, Rotary Demisphere (Precision Optics), 1925
Ferdinand Léger          Jean Tinguely
Woman with a Cat, 1921   Homage to New York, 1950
“…if you pick up some paint with your brush and make somebody's nose
with it, this is rather ridiculous when you think of it, theoretically or
philosophically. It's really absurd to make an image, like a human image, with
paint, today, when you think about it, since we have this problem of doing it
or not doing it. But then all of a sudden it was even more absurd not to do it.
So I fear I have to follow my desires.”


—Willem de Kooning, in a 1962 radio interview
Born in Holland, emigrated to the US
Well-known abstract active 1940s-80s

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Art100 Su12Module04.2

  • 1. ART 100 UNDERSTANDING VISUAL CULTURE IN PHOTOGRAPHY’S WAKE MODULE 4.2
  • 2. Titian, Venus of Urbino, 1538 E.V. Day, Flesh for Fantasy, 2000 Oil on canvas Blow-up dolls, surgical wire, hooks
  • 3. Jacques-Louis David, Death of Claude Monet, The Monet Family in Socrates, 1787 the Garden at Argenteuil, 1874, o/c, 24 o/c, 51 x 77 ¼ inches, MET x 39 ¼ inches, MET
  • 4. Jacques-Louis David, Death of Socrates, o/c, 51 x 77 ¼ inches, MET
  • 5. Claude Monet, The Monet Family in the Garden at Argenteuil, 1874 o/c, 24 x 39 ¼ inches, MET
  • 6. Jacques-Louis David, Death of Claude Monet, The Monet Family in Socrates, 1787 the Garden at Argenteuil, 1874, o/c, 24 o/c, 51 x 77 ¼ inches, MET x 39 ¼ inches, MET
  • 7. "A picture, before being a war horse, a nude woman, or some anecdote, is essentially a flat surface covered by colors in a certain order.” —Maurice Denis
  • 8. Picasso, Portrait of Wilhelm Uhde, 1910
  • 9. Picasso, Still Life with Chair Caning, 1912
  • 10. Picasso, Bottle of Vieux Marc, Glass, Guitar and Newspaper, 1913 Picasso, Bottle of Vieux Marc, Glass, Guitar and Newspaper, 1913,
  • 11. Duchamp, Nude Descending a Staircase, 1912
  • 15. Duchamp, Rotary Demisphere (Precision Optics), 1925
  • 16. Ferdinand Léger Jean Tinguely Woman with a Cat, 1921 Homage to New York, 1950
  • 17. “…if you pick up some paint with your brush and make somebody's nose with it, this is rather ridiculous when you think of it, theoretically or philosophically. It's really absurd to make an image, like a human image, with paint, today, when you think about it, since we have this problem of doing it or not doing it. But then all of a sudden it was even more absurd not to do it. So I fear I have to follow my desires.” —Willem de Kooning, in a 1962 radio interview Born in Holland, emigrated to the US Well-known abstract active 1940s-80s