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The Language Of Art 
If you were going to learn a new language, like Spanish, what do you 
think you would have to learn first? Nouns? Names of Objects? Then what? 
Learn how objects are used? “Pick the cup up in your hand” Once you can 
put all the words together you can have a conversation with someone. 
There 
would be no way you would be able to walk into a Foreign Language Class, 
or Math Class, or Science Class, and be able to have it mastered in a short 
period of time. You need to learn parts slowly in order to understand it. 
It’s the same with the Language of Art. You need to learn the nouns (Lines, 
Shapes, Colors, etc), and then how to use them, in order to understand the 
whole language. Learning the language of art will allow you to make intelligent 
decisions about your art, and make it more meaningful.
There is no way to teach you everything you will need to know all at one time. Your 
knowledge and understanding of art will have to come in bits and pieces, and at 
times you may not understand a relationship or concept—the pieces of the puzzle 
will not seem to make sense or fit. When this happens, try not to get discouraged. 
As you progress through the course, you will gain understanding, and it will 
become easier to see the total picture. 
If I could I would hook up a magic helmet to you when you walk in the room, plug it 
in, 
and magically you would all have all the information you need to produce 
wonderful works of art, 
However, that is not possible. 
We need to take baby steps before we learn to walk. 
So be patient. 
The lines, colors, shapes, and values of a work of art do not exist in isolation but 
are interrelated, and it is difficult to talk about one without talking about the others, 
however, we begin with lines.
People use lines to write words to 
communicate thoughts and artists 
draw lines with pencils or other tools 
to do the same. Lines can also be 
found in nature – on a zebra or tiger, 
in tree branches, in a spider’s web, or 
in tall grasses.
Lines are All Around Us 
It’s Difficult to find anything 
around us that doesn’t have 
lines. 
All things man made starting with 
a line, usually with a sketch. 
The thread of a cloth is the 
beginning of a piece of material, 
or weaving. 
The shape of a table starts with a 
sketch using lines. 
The design of our shoes and the 
shape of a bowl begins as a 
sketch. 
Everything is made up of lines, 
EVERYTHING!
Types and Characteristics 
There are several types or kinds 
of Lines 
• Crosshatched 
• Hatched 
• Curved 
• Broken 
• Angular (ZigZag) 
• Straight 
• Contour 
• Gesture 
• Implied 
Lines have Characteristics 
• Thick 
• Thin 
• Long 
• Short 
• Horizontal 
• Vertical 
• Angled 
• Light 
• Dark 
• Tapered
What is a Line? 
• A line is a mark made by 
a pointed tool, such as a 
brush, pencil, stick, pen, 
etc. 
• It is often defined as a 
moving dot 
• It can vary in width, 
direction, curvature, 
length and even color. 
• It is created by the 
movement of a tool and 
pigment and often 
suggests movement in a 
drawing or painting.
Crosshatched Lines 
• Crosshatched lines are 
parallel and cross each 
other in random or 
planned directions. 
• The closer together and 
further apart 
crosshatched lines are 
placed create a change in 
value (dark and light) 
• Using crosshatching can 
also help to define a 
shape into a form making 
it appear 3 dimensional.
Hatched Lines 
• Hatched lines are 
similar to cross hatched 
lines, except they do 
not cross each other. 
• Hatched lines are also 
used to change value by 
placing the hatched 
lines closer together or 
further apart. 
• Hatched lines often 
show a flowing motion 
in a drawing or painting.
Curved Lines 
• Curved Lines usually 
show contours of 
shapes. 
• They can also show 
flowing motions in 
paintings and drawings. 
• Curved Lines create a 
feeling of calm and 
peacefulness.
Broken Lines 
• Broken Lines are not as easy 
to find. 
• We often find broken lines 
in patterns. A row of desks 
is a broken line of specific 
shapes. There are breaks in 
the line along the rows. 
• Broken lines can create a 
feeling of unrest and 
anxiety because it breaks up 
a flow.
Angled or Angular 
Lines 
• Angular or Angled Lines 
usually, but not always, 
create a geometric 
shape. 
• Angular or Angled Lines 
create a mood of fear 
and anxiety. 
• Angled Lines can be 
found in Lightening and 
shockwaves.
I can't even draw a Straight Lines 
straight line! 
I know you can’t. 
I can’t. 
Try drawing 20 
straight lines, 
freehand next to 
each other on a 
piece of paper. 
You can’t do it, it’s 
impossible.
Straight Lines 
How do these objects 
use 
Straight Lines to keep 
us organized? 
Do any of these use 
lines just for 
Decoration or is there a 
functional purpose for 
all of these?
Contour Lines 
• Contour lines are lines that 
follow very closely, the 
surface shape of an object. 
• Here, the lines follow the 
shape of the surface of the 
apple, and each line next to 
the previous, follows the 
approximate same path. 
• The apple on the right uses 
cross contour lines, they go 
in both directions.
Illustration in Pencil and Ink, for a Designers Book, produced by AVB 
Clothing Brazil , by http://dchan.deviantart.com/ 
Where do you see contour lines used here?
Skeins of Yarn 
Can be drawn 
Using contour 
lines
Contour Lines 
Indicate the edges of 
Forms or shapes and 
Actually describe 
Shapes and forms in 
The simplest way. 
We often call this 
Simplified 
Line.
Gesture Lines 
• Gesture lines indicate 
action and physical 
movement. 
• Our eyes follow the 
active lines as they swirl 
across the pages. 
• Gesture lines are often 
used when the subjects 
move quickly, such as 
animals, or athletes. 
• We will use gesture lines 
quite often in our work 
in class. So practice 
often!
Look at these Beautiful 
Quick Sketches of 
dancing figures. 
These can be used by 
the artist to refer back 
to for improvement 
and final pieces of art. 
Click on the link below 
to see more of Maciek 
Gliwa’s work. 
• Maciek 
Gliwa 
• http://www.maciekgliwa.com/blog/2009/02/
• Emma Coats uses 
gesture lines to 
capture the 
poses of moving 
horses. 
• Click on the link 
to see more of 
her work. 
• http://www.emmacoats.com/?cat=11
Lines don’t have to be gesture lines 
to show movement. Sharron 
Cummings is a 
painter from Florida. In this 
piece, Sharon creates a 
powerful sense of movement 
using many, many cohesive 
lines. Some are thick, others 
are thin, but when all are 
moving the same direction or 
placed within a similar pattern, 
the overall flow of her compositions 
becomes very strong. 
Sharon’s forms are mostly 
organic, using curves (which 
are often stronger indicators 
of motion than straight lines) to 
pull the eye either towards a single 
focal point or back and forth along 
a path of visual interest. 
http://emptyeasel.com/2007/09/12/brilliantly-bold-black-white-paintings-
Implied 
Lines • a series of dots or a broken 
line that reads as a line 
• Lines that may not have 
been explicitly drawn, but 
that the composition of the 
work makes it appear that 
they are there. 
• Allows viewer participation 
to “complete the line” in 
order to figure out what 
the object is or where the 
line is going, to close off, or 
complete a shape visually.
The small drawing or sketch on the right was done quickly to capture the subject while 
reading. The squiggly lines on her chest indicate the lace. The zig zag line suggests 
the folds in the fabric. The details are left out, but the objects are implied with 
incomplete, broken lines. We also know that the face is in profile, even though the 
details are not there, we finish* the lines in order to recognize what is there to bring 
order and understanding to what we see. In the painting, it is more realistic, so we 
instantly recognize what is happing in the painting. 
• A Young Girl Reading by Honoré Fragonard
In this lithograph by Kathe Kollwitz, the fear of the moment is shown with 
darker, heavier lines and values in the woman’s face and the death figure. The 
Implied Line is the space between the eyes. We don’t actually see* the eyes of 
“death”, but we see the fear in the eyes and mouth of the woman. This 
implied line sets the mood of the artwork. 
Kathe Kollwitz, "Death Seizing a Woman." 1934.
These are wire sculptures, by artist, Lisa Fedon. 
She uses contour and implied lines. Notice on the image 
of the man reaching for his glasses? His shoulder on the 
left, and the rest of his head is not even there! That is an 
implied line. We know it’s there and we complete it in our 
minds to make sense of what we see. 
http://www.lisafedon.com/WebPages/Portfolio.html
In this sculpture, called 
“Newspaper” 
It is one continuous line 
of wire. 
These lines are 
contours and implied. 
Life Size Sculpture 
above 
And close up 
Detail to the left
The 
movement 
lines in 
this cartoon 
imply 
Movement. 
Our eyes often read 
the edges of objects as 
implied line. Here we 
see the edge of the yellow 
shape, and read it as 
a lemon. 
The black dots and dashes 
imply movement across 
the image.
Contour Lines Can be found 
quite often in nature. 
• In this simple line 
drawing, contour lines 
are used to show the 
edges of the forms and 
shapes. 
• Notice how the artist 
did not draw the whole 
plant, but a section of it, 
running off all sides of 
the picture plane. 
• How does this make the 
artwork more 
interesting to look at?
The lines in this tree are 
contour lines. 
They show the years and 
years of 
growth of the tree. 
These lines also show 
texture, the 
way the contour lines follow 
the 
surface of the tree, we can 
see 
bumps and valleys in the 
tree trunk.
Using Lines in Your Artwork 
• In this student work 
of art, the student 
outlined all of their 
shapes, and around 
their blocks of color. 
• They have 
combined both 
Curved and Straight 
Lines. The straight 
lines are angled on 
the picture plane. 
• How does using 
lines help to make 
their work stronger?
Using a variety of tools, an 
artist can create a wide variety 
of lines, with many characteristics. 
Many tools can be used to make lines. 
Some tools or materials make their 
own marks; others can be dipped in 
ink or paint to make lines. Lines can 
be thick, thin, curved, angular, broken, 
light and dark. 
The material used to make a line will 
influence how we think about the line. 
A line made from crayon will not 
create the same feeling as the 
identical line made from wire or ink.
• The variety of lines is almost 
endless! 
• Many adjectives can describe 
the quality of a line. 
• Can you use an adjective to 
describe each of the lines in 
the image to the left? 
• Therefore, lines can be 
expressive and suggestive 
and set a mood in a work of 
art.
• 1. Nervous 
• 2. Flighty 
• 3. Fidgety 
• 4. Whimsy 
• 5. Anger 
• 6. Calm 
• 7. Jumpy 
• 8. Fearful 
• 9. Happiness 
• 10. Confused 
Create lines 
That you 
believe 
best represent 
the following 
adjectives.
Lines in Nature & 
Texture 
• Look at nature to find a 
variety of kinds of lines with 
many characteristics. 
• Look up into the trees and 
down at the ground. 
• What are these two 
pictures of? 
• What kinds of lines are 
used? 
• What characteristics do the 
lines in the bottom image 
have?
Lines can be 
used to create 
values and textures 
In this pen and ink 
drawing, hatched 
and 
cross hatched 
lines are used to 
create 
a tree which 
appears 
to have shadow 
and 
Textures.
• This painting uses many kinds of 
line. There are lines that are 
thick, thin, curved, straight, short, 
and long. The window frame, 
furniture, and building are made 
of lines, and the shadows make 
dramatic linear patterns, creating 
a sunny warm feeling in the 
room. 
• Can you tell what is making the 
shadows on the floor? 
• If these shadow lines were not in 
the image, would it “feel” the 
same? 
• Would the “temperature” of the 
painting be different? 
Leo Smith 
Patio Shadows 
Watercolor
• Variety in the thickness 
of lines creates surface 
interest. Some lines are 
thick; some are thin; 
and many are both thick 
and thin. 
• The lines can also be 
called organic or 
calligraphic.
• Value contrasts in the 
lines from very dark to 
white lets us see the 
layering of line upon 
line. Because of the 
layering of lines over 
lines, a shallow depth is 
sensed.
• The length of lines 
varies from dots to 
short jabs, to long and 
fluid strokes. Some are 
geometric, others are 
organic.
Review: Types and Characteristics of Line 
There are several types or kinds 
of Lines 
• Crosshatched 
• Hatched 
• Curved 
• Broken 
• Angular (ZigZag) 
• Straight 
• Contour 
• Gesture 
• Implied 
Lines have Characteristics 
• Thick 
• Thin 
• Long 
• Short 
• Horizontal 
• Vertical 
• Angled 
• Light 
• Dark 
• Tapered
Lines are used to: 
• Define Edges and 
Shapes of Forms 
• Create Values and 
Textures to make 
objects appear to look 
3-D (shape to form) 
• Assist us in recognizing 
shapes around us 
• Capture movement in 
animals or people, or 
movement in a work of 
art 
• Create moods, 
emotions or feelings in 
a work of art 
• Create atmosphere in a 
work of art 
• Lead us to the focal 
point in a work of art
Line and Value 
Charts 
• A student created this 
chart of a variety of 
kinds of lines to show 
how they can be used to 
shade a shape (milk 
can), so it looks three 
dimensional. 
• The lines are placed 
closer and further apart 
to create values (lights 
and darks)
This student chose 
Paintbrushes to 
illustrate 
Her line shapes...
Create a chart using 
The following kinds of lines. 
These will be used on your 
Journal page for Line. 
You may draw these directly 
on 
Your shape you have decided 
to use, 
•Crosshatched 
•Hatched 
•Curved 
•Broken 
•Angular (ZigZag) 
•Straight 
Using a variety of characteristics, 
you can add interest to your work, such as 
Thick, thin, long, short, light, dark, angled, 
vertical, horizontal, tapered

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Design Element Line 2

  • 1. The Language Of Art If you were going to learn a new language, like Spanish, what do you think you would have to learn first? Nouns? Names of Objects? Then what? Learn how objects are used? “Pick the cup up in your hand” Once you can put all the words together you can have a conversation with someone. There would be no way you would be able to walk into a Foreign Language Class, or Math Class, or Science Class, and be able to have it mastered in a short period of time. You need to learn parts slowly in order to understand it. It’s the same with the Language of Art. You need to learn the nouns (Lines, Shapes, Colors, etc), and then how to use them, in order to understand the whole language. Learning the language of art will allow you to make intelligent decisions about your art, and make it more meaningful.
  • 2. There is no way to teach you everything you will need to know all at one time. Your knowledge and understanding of art will have to come in bits and pieces, and at times you may not understand a relationship or concept—the pieces of the puzzle will not seem to make sense or fit. When this happens, try not to get discouraged. As you progress through the course, you will gain understanding, and it will become easier to see the total picture. If I could I would hook up a magic helmet to you when you walk in the room, plug it in, and magically you would all have all the information you need to produce wonderful works of art, However, that is not possible. We need to take baby steps before we learn to walk. So be patient. The lines, colors, shapes, and values of a work of art do not exist in isolation but are interrelated, and it is difficult to talk about one without talking about the others, however, we begin with lines.
  • 3. People use lines to write words to communicate thoughts and artists draw lines with pencils or other tools to do the same. Lines can also be found in nature – on a zebra or tiger, in tree branches, in a spider’s web, or in tall grasses.
  • 4. Lines are All Around Us It’s Difficult to find anything around us that doesn’t have lines. All things man made starting with a line, usually with a sketch. The thread of a cloth is the beginning of a piece of material, or weaving. The shape of a table starts with a sketch using lines. The design of our shoes and the shape of a bowl begins as a sketch. Everything is made up of lines, EVERYTHING!
  • 5. Types and Characteristics There are several types or kinds of Lines • Crosshatched • Hatched • Curved • Broken • Angular (ZigZag) • Straight • Contour • Gesture • Implied Lines have Characteristics • Thick • Thin • Long • Short • Horizontal • Vertical • Angled • Light • Dark • Tapered
  • 6. What is a Line? • A line is a mark made by a pointed tool, such as a brush, pencil, stick, pen, etc. • It is often defined as a moving dot • It can vary in width, direction, curvature, length and even color. • It is created by the movement of a tool and pigment and often suggests movement in a drawing or painting.
  • 7. Crosshatched Lines • Crosshatched lines are parallel and cross each other in random or planned directions. • The closer together and further apart crosshatched lines are placed create a change in value (dark and light) • Using crosshatching can also help to define a shape into a form making it appear 3 dimensional.
  • 8. Hatched Lines • Hatched lines are similar to cross hatched lines, except they do not cross each other. • Hatched lines are also used to change value by placing the hatched lines closer together or further apart. • Hatched lines often show a flowing motion in a drawing or painting.
  • 9. Curved Lines • Curved Lines usually show contours of shapes. • They can also show flowing motions in paintings and drawings. • Curved Lines create a feeling of calm and peacefulness.
  • 10. Broken Lines • Broken Lines are not as easy to find. • We often find broken lines in patterns. A row of desks is a broken line of specific shapes. There are breaks in the line along the rows. • Broken lines can create a feeling of unrest and anxiety because it breaks up a flow.
  • 11. Angled or Angular Lines • Angular or Angled Lines usually, but not always, create a geometric shape. • Angular or Angled Lines create a mood of fear and anxiety. • Angled Lines can be found in Lightening and shockwaves.
  • 12. I can't even draw a Straight Lines straight line! I know you can’t. I can’t. Try drawing 20 straight lines, freehand next to each other on a piece of paper. You can’t do it, it’s impossible.
  • 13. Straight Lines How do these objects use Straight Lines to keep us organized? Do any of these use lines just for Decoration or is there a functional purpose for all of these?
  • 14. Contour Lines • Contour lines are lines that follow very closely, the surface shape of an object. • Here, the lines follow the shape of the surface of the apple, and each line next to the previous, follows the approximate same path. • The apple on the right uses cross contour lines, they go in both directions.
  • 15. Illustration in Pencil and Ink, for a Designers Book, produced by AVB Clothing Brazil , by http://dchan.deviantart.com/ Where do you see contour lines used here?
  • 16. Skeins of Yarn Can be drawn Using contour lines
  • 17. Contour Lines Indicate the edges of Forms or shapes and Actually describe Shapes and forms in The simplest way. We often call this Simplified Line.
  • 18. Gesture Lines • Gesture lines indicate action and physical movement. • Our eyes follow the active lines as they swirl across the pages. • Gesture lines are often used when the subjects move quickly, such as animals, or athletes. • We will use gesture lines quite often in our work in class. So practice often!
  • 19. Look at these Beautiful Quick Sketches of dancing figures. These can be used by the artist to refer back to for improvement and final pieces of art. Click on the link below to see more of Maciek Gliwa’s work. • Maciek Gliwa • http://www.maciekgliwa.com/blog/2009/02/
  • 20. • Emma Coats uses gesture lines to capture the poses of moving horses. • Click on the link to see more of her work. • http://www.emmacoats.com/?cat=11
  • 21. Lines don’t have to be gesture lines to show movement. Sharron Cummings is a painter from Florida. In this piece, Sharon creates a powerful sense of movement using many, many cohesive lines. Some are thick, others are thin, but when all are moving the same direction or placed within a similar pattern, the overall flow of her compositions becomes very strong. Sharon’s forms are mostly organic, using curves (which are often stronger indicators of motion than straight lines) to pull the eye either towards a single focal point or back and forth along a path of visual interest. http://emptyeasel.com/2007/09/12/brilliantly-bold-black-white-paintings-
  • 22. Implied Lines • a series of dots or a broken line that reads as a line • Lines that may not have been explicitly drawn, but that the composition of the work makes it appear that they are there. • Allows viewer participation to “complete the line” in order to figure out what the object is or where the line is going, to close off, or complete a shape visually.
  • 23. The small drawing or sketch on the right was done quickly to capture the subject while reading. The squiggly lines on her chest indicate the lace. The zig zag line suggests the folds in the fabric. The details are left out, but the objects are implied with incomplete, broken lines. We also know that the face is in profile, even though the details are not there, we finish* the lines in order to recognize what is there to bring order and understanding to what we see. In the painting, it is more realistic, so we instantly recognize what is happing in the painting. • A Young Girl Reading by Honoré Fragonard
  • 24. In this lithograph by Kathe Kollwitz, the fear of the moment is shown with darker, heavier lines and values in the woman’s face and the death figure. The Implied Line is the space between the eyes. We don’t actually see* the eyes of “death”, but we see the fear in the eyes and mouth of the woman. This implied line sets the mood of the artwork. Kathe Kollwitz, "Death Seizing a Woman." 1934.
  • 25. These are wire sculptures, by artist, Lisa Fedon. She uses contour and implied lines. Notice on the image of the man reaching for his glasses? His shoulder on the left, and the rest of his head is not even there! That is an implied line. We know it’s there and we complete it in our minds to make sense of what we see. http://www.lisafedon.com/WebPages/Portfolio.html
  • 26. In this sculpture, called “Newspaper” It is one continuous line of wire. These lines are contours and implied. Life Size Sculpture above And close up Detail to the left
  • 27. The movement lines in this cartoon imply Movement. Our eyes often read the edges of objects as implied line. Here we see the edge of the yellow shape, and read it as a lemon. The black dots and dashes imply movement across the image.
  • 28. Contour Lines Can be found quite often in nature. • In this simple line drawing, contour lines are used to show the edges of the forms and shapes. • Notice how the artist did not draw the whole plant, but a section of it, running off all sides of the picture plane. • How does this make the artwork more interesting to look at?
  • 29. The lines in this tree are contour lines. They show the years and years of growth of the tree. These lines also show texture, the way the contour lines follow the surface of the tree, we can see bumps and valleys in the tree trunk.
  • 30. Using Lines in Your Artwork • In this student work of art, the student outlined all of their shapes, and around their blocks of color. • They have combined both Curved and Straight Lines. The straight lines are angled on the picture plane. • How does using lines help to make their work stronger?
  • 31. Using a variety of tools, an artist can create a wide variety of lines, with many characteristics. Many tools can be used to make lines. Some tools or materials make their own marks; others can be dipped in ink or paint to make lines. Lines can be thick, thin, curved, angular, broken, light and dark. The material used to make a line will influence how we think about the line. A line made from crayon will not create the same feeling as the identical line made from wire or ink.
  • 32. • The variety of lines is almost endless! • Many adjectives can describe the quality of a line. • Can you use an adjective to describe each of the lines in the image to the left? • Therefore, lines can be expressive and suggestive and set a mood in a work of art.
  • 33. • 1. Nervous • 2. Flighty • 3. Fidgety • 4. Whimsy • 5. Anger • 6. Calm • 7. Jumpy • 8. Fearful • 9. Happiness • 10. Confused Create lines That you believe best represent the following adjectives.
  • 34. Lines in Nature & Texture • Look at nature to find a variety of kinds of lines with many characteristics. • Look up into the trees and down at the ground. • What are these two pictures of? • What kinds of lines are used? • What characteristics do the lines in the bottom image have?
  • 35. Lines can be used to create values and textures In this pen and ink drawing, hatched and cross hatched lines are used to create a tree which appears to have shadow and Textures.
  • 36. • This painting uses many kinds of line. There are lines that are thick, thin, curved, straight, short, and long. The window frame, furniture, and building are made of lines, and the shadows make dramatic linear patterns, creating a sunny warm feeling in the room. • Can you tell what is making the shadows on the floor? • If these shadow lines were not in the image, would it “feel” the same? • Would the “temperature” of the painting be different? Leo Smith Patio Shadows Watercolor
  • 37. • Variety in the thickness of lines creates surface interest. Some lines are thick; some are thin; and many are both thick and thin. • The lines can also be called organic or calligraphic.
  • 38. • Value contrasts in the lines from very dark to white lets us see the layering of line upon line. Because of the layering of lines over lines, a shallow depth is sensed.
  • 39. • The length of lines varies from dots to short jabs, to long and fluid strokes. Some are geometric, others are organic.
  • 40. Review: Types and Characteristics of Line There are several types or kinds of Lines • Crosshatched • Hatched • Curved • Broken • Angular (ZigZag) • Straight • Contour • Gesture • Implied Lines have Characteristics • Thick • Thin • Long • Short • Horizontal • Vertical • Angled • Light • Dark • Tapered
  • 41. Lines are used to: • Define Edges and Shapes of Forms • Create Values and Textures to make objects appear to look 3-D (shape to form) • Assist us in recognizing shapes around us • Capture movement in animals or people, or movement in a work of art • Create moods, emotions or feelings in a work of art • Create atmosphere in a work of art • Lead us to the focal point in a work of art
  • 42. Line and Value Charts • A student created this chart of a variety of kinds of lines to show how they can be used to shade a shape (milk can), so it looks three dimensional. • The lines are placed closer and further apart to create values (lights and darks)
  • 43. This student chose Paintbrushes to illustrate Her line shapes...
  • 44.
  • 45. Create a chart using The following kinds of lines. These will be used on your Journal page for Line. You may draw these directly on Your shape you have decided to use, •Crosshatched •Hatched •Curved •Broken •Angular (ZigZag) •Straight Using a variety of characteristics, you can add interest to your work, such as Thick, thin, long, short, light, dark, angled, vertical, horizontal, tapered