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To enjoy good taste we only have to
decide for ourselves what good sense
is.
-- Jean de la Bruyere as paraphrased by Donald
Richie
The struggle:
Do you teach students what they need
to know with the foresight that [it] will
blossom into a romantic awareness?
Or do you teach the romantic viewpoint
and hope that a love of the idea of the
subject evolves into a fascination with
the parts that make it operate?
-- S.
Johnson
The best [pathways] always connect
nowhere with nowhere and have an
alternate that gets you there quicker…
the main skill is to keep from getting
lost.
-- R. Pirsig
Searching is often
nonlinear and iterative
Learners:
• exhibit mental flexibility and creativity
• are persistent
• suspend judgment on value until the larger context is
better understood
• are adaptable, flexible, and recognize ambiguity is
beneficial
• synthesize ideas
Instruction is imperfect…
Students are imperfect…
Assignments are imperfect…
Japanese aesthetics is…
a net of associations composed of
listings or jottings, connected
intuitively, that fills in a background
and renders the subject visible.
-- D.
Richie
We should not strive for logical
conclusions. Rather, we ought to
define those perceptions and
variances…
through a style that conveys
something of the very uncertainty of
their description.
-- D. Richie
Follow the brush, allow it to lead.
It is the dismissal of linear
structure, the neglect of logical
method that allows this progression.
--
D.Richie
Be more concerned with process
than with product…
with the actual construction of a self
than with self-expression.
-- D. Richie
Things as they are, or Nature itself.
Nature should be our model, we are
to regard it, to learn from it.
-- D. Richie
Sabi is an aesthetic term rooted in a
given concern – it is concerned with
chronology with time and its effects,
with product.
Wabi is a more philosophical
concept, a quality not attached
merely to a given object. It is
concerned with manner, with
process, with direction.
Wabi Sabi (侘寂)
finds beauty and harmony in what is
simple, imperfect, natural, modest,
and mysterious.
It can be a little dark, but it is also
warm and comfortable. It may best
be understood as a feeling, rather
than as an idea.
-- M.
Reibstein
Four Basic Tenets of Wabi Sabi
• Everything is in flux
• To embody and suggest
impermanence
• Peaceful contemplation of transience
• Appreciation brings holistic perspective
– A.
Juniper
Yūgen (幽玄)
An awareness of the universe that
triggers feelings too deep and
mysterious for words.
– H. Rheingold
An acceptance of the natural order of
things.
Learners understand: “yeah, it’s not
perfect, but it’s useful and this is
beautiful in and of itself.”
Zen in the Library Classroom

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Zen in the Library Classroom

  • 1.
  • 2. To enjoy good taste we only have to decide for ourselves what good sense is. -- Jean de la Bruyere as paraphrased by Donald Richie
  • 3. The struggle: Do you teach students what they need to know with the foresight that [it] will blossom into a romantic awareness? Or do you teach the romantic viewpoint and hope that a love of the idea of the subject evolves into a fascination with the parts that make it operate? -- S. Johnson
  • 4. The best [pathways] always connect nowhere with nowhere and have an alternate that gets you there quicker… the main skill is to keep from getting lost. -- R. Pirsig
  • 5. Searching is often nonlinear and iterative Learners: • exhibit mental flexibility and creativity • are persistent • suspend judgment on value until the larger context is better understood • are adaptable, flexible, and recognize ambiguity is beneficial • synthesize ideas
  • 6. Instruction is imperfect… Students are imperfect… Assignments are imperfect…
  • 7. Japanese aesthetics is… a net of associations composed of listings or jottings, connected intuitively, that fills in a background and renders the subject visible. -- D. Richie
  • 8. We should not strive for logical conclusions. Rather, we ought to define those perceptions and variances… through a style that conveys something of the very uncertainty of their description. -- D. Richie
  • 9. Follow the brush, allow it to lead. It is the dismissal of linear structure, the neglect of logical method that allows this progression. -- D.Richie
  • 10. Be more concerned with process than with product… with the actual construction of a self than with self-expression. -- D. Richie
  • 11. Things as they are, or Nature itself. Nature should be our model, we are to regard it, to learn from it. -- D. Richie
  • 12. Sabi is an aesthetic term rooted in a given concern – it is concerned with chronology with time and its effects, with product. Wabi is a more philosophical concept, a quality not attached merely to a given object. It is concerned with manner, with process, with direction.
  • 13. Wabi Sabi (侘寂) finds beauty and harmony in what is simple, imperfect, natural, modest, and mysterious. It can be a little dark, but it is also warm and comfortable. It may best be understood as a feeling, rather than as an idea. -- M. Reibstein
  • 14. Four Basic Tenets of Wabi Sabi • Everything is in flux • To embody and suggest impermanence • Peaceful contemplation of transience • Appreciation brings holistic perspective – A. Juniper
  • 15. Yūgen (幽玄) An awareness of the universe that triggers feelings too deep and mysterious for words. – H. Rheingold
  • 16. An acceptance of the natural order of things. Learners understand: “yeah, it’s not perfect, but it’s useful and this is beautiful in and of itself.”