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(.)
by
(Jaaziah “Cile” Walters)
(Based on, a made up series of events)
CamCile Productions
26 Fucshia Drive
07455049993

FADE IN:
GRAPHIC ON SCREEN: Current digital time
EXT. Featherstone Prison Entrance- Night
Through the cluttered and uninhabited wilderness, the
camera follows *Insert Actor 1* running into the prison
grounds. Camera tracks this movement following along from
behind the trees/bushes.
DISOLVE TO:
INT. Featherstone Prison- Top of Hill Leading To The
Prison- Night
The camera switches to a wide shot from behind the group
of kids, also introducing the scenery they are looking
into, whilst stood on top of a hill, overlooking the
Prison grounds. Camera repeatedly switches back and forth
between *Insert Actor 1* running and then back to the
shot of the kids.
ACTOR 2
Should we just g…?
Actor two cuts off Actor 2 mid sentence.
ACTOR 3
Shh!
Camera switches back to the shot of Actor 1 running
through the bushes still, and then back to this current
scene.
ACTOR 2
We could always just ca…
Actor two cuts off Actor 2 mid sentence.
ACTOR 3
One more minute…
.2
The camera switches back for a final time to *Insert
Actor 1* reaching outwards, and placing his hand on
*Insert Actors 2* shoulder, which makes him jump at the
thought of anyone even close enough to touch him.
Startled… then revealed to the audience to be a member of
the group.
ACTOR 2
Yo, what are you doing?
You can’t just run up on me like
that!
ACTOR 1
(Sarcastically)
Well who's idea was it to keep
going on in the first place?
You’re acting as if you’re the one
that was just left alone in the
back garden of a prison.
ACTOR 2
That is true but…
ACTOR 1
How is there possibly a “but” to a
situation like this?
ACTOR 2
Ersh.
*Insert Actor 3* abruptly interrupts the bickering. The
camera abruptly switches to Actor 3 also, who begins
walking down the hill mid sentence.
ACTOR 3
(Sarcastically)
Instead of crying about who left
who, can we actually get into the…
(more)
.3
ACTOR 3 (CONT’D)
prison instead of standing on a
hill in plain sight…in a prison
yard?
Actor 1 & 2 follow Actor 3 down the hill whilst
continuing to bicker as the audio from the bickering
slowly gets quieter and quieter the further they go down.
During this the camera will begin to stray/ pan away from
this, and find its way gradually tilting away/up, to
transition to the next scene.
GRAPHIC ON SCREEN: Current Digital Time
EXT. Inside Featherstone Army Barracks- Night
In the rumbling remains of the prison barracks, a close
up shot captures a thrown boulder of rock impacting with
a wall thrown by *Actor 4*, which the sudden bang should
make the audience jump. The camera then turns to a mid-
shot of Actor 4.
ACTOR 4
Missed again!
Actor 4 continues to try and throw rocks at an
overhanging light. As actor 5 tries also, as Actor 6 is
wondering around the building.
ACTOR 5
Okay, okay watch next one!
4 & 5 continue to throw rocks, both missing.
ACTOR 6
Move out the way, i’m literally
about to hit it first time.
.4
Actor 6 throws a rock, which hits the light directly. The
camera then turns to actor 4/5. Both stare doubtfully
into the camera.
ACTOR 5
Lets go…
Both 4/5 walk into the rooms opposite. Actor 6 follows,
trailing behind. In the same room, an unknown character
is sitting on top of the ledge stalking the 3 in silence,
and checks his old wristwatch in suspense. The music
intensifies as the camera pans in closer to the unknown
characters face before he subtly flees.
Camera switches back to original group of kids (Actors
1-3) inside the building remains of the grounds. The walk
into a room unaware of the unknown character in the room
with them.
ACTOR 1
I’m taking out one of those
lights.
Actor 1 throws a rock at the light. Surely after… Actor 3
decides to try also, as Actor 2 continues to scale around
the room alone. Pushing deeper and deeper into the
building. Actor 2 soon becomes isolated from the others,
unaware of the danger watching his movement as we speak.
Actor 2 still oblivious to the true nature of his
surroundings, continues to search the area, until the
camera pans around to the front of him to show over his
shoulder the unknown character.
Actor 2 slowly turns around. The two stare each other
down, Actor 1 staring into the space where this
characters face should be. The uncertainty of what is
going on becomes to much for Actor 1 and his body begins
to slowly become uneasy, as the unknown character reaches
for his sleeve and pulls it up to view his watch.
.5
It’s at this moment the Unknown Character takes a step
forward, and as if they were mirrored Actor 2 also takes
the same step. The two come face to face with a tables
length dividing them. Actor 2 goes to speak, but freezes
mid sentence as the unknown character reaches for his
hood, slowly unveiling himself. The camera turns to actor
1 as a extreme close up into his eyes, as they fill with
white, as the screen then fades to white also.
FADE TO WHITE:
Actor 2
Are you o-
.i
SCENE INDEX
THE TABLE OF CONTENTS IS EMPTY BECAUSE YOU AREN'T USING
THE PARAGRAPH STYLES SET TO APPEAR IN IT.

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Movie script corrected

  • 1. (.) by (Jaaziah “Cile” Walters) (Based on, a made up series of events) CamCile Productions 26 Fucshia Drive 07455049993

  • 2. FADE IN: GRAPHIC ON SCREEN: Current digital time EXT. Featherstone Prison Entrance- Night Through the cluttered and uninhabited wilderness, the camera follows *Insert Actor 1* running into the prison grounds. Camera tracks this movement following along from behind the trees/bushes. DISOLVE TO: INT. Featherstone Prison- Top of Hill Leading To The Prison- Night The camera switches to a wide shot from behind the group of kids, also introducing the scenery they are looking into, whilst stood on top of a hill, overlooking the Prison grounds. Camera repeatedly switches back and forth between *Insert Actor 1* running and then back to the shot of the kids. ACTOR 2 Should we just g…? Actor two cuts off Actor 2 mid sentence. ACTOR 3 Shh! Camera switches back to the shot of Actor 1 running through the bushes still, and then back to this current scene. ACTOR 2 We could always just ca… Actor two cuts off Actor 2 mid sentence. ACTOR 3 One more minute…
  • 3. .2 The camera switches back for a final time to *Insert Actor 1* reaching outwards, and placing his hand on *Insert Actors 2* shoulder, which makes him jump at the thought of anyone even close enough to touch him. Startled… then revealed to the audience to be a member of the group. ACTOR 2 Yo, what are you doing? You can’t just run up on me like that! ACTOR 1 (Sarcastically) Well who's idea was it to keep going on in the first place? You’re acting as if you’re the one that was just left alone in the back garden of a prison. ACTOR 2 That is true but… ACTOR 1 How is there possibly a “but” to a situation like this? ACTOR 2 Ersh. *Insert Actor 3* abruptly interrupts the bickering. The camera abruptly switches to Actor 3 also, who begins walking down the hill mid sentence. ACTOR 3 (Sarcastically) Instead of crying about who left who, can we actually get into the… (more)
  • 4. .3 ACTOR 3 (CONT’D) prison instead of standing on a hill in plain sight…in a prison yard? Actor 1 & 2 follow Actor 3 down the hill whilst continuing to bicker as the audio from the bickering slowly gets quieter and quieter the further they go down. During this the camera will begin to stray/ pan away from this, and find its way gradually tilting away/up, to transition to the next scene. GRAPHIC ON SCREEN: Current Digital Time EXT. Inside Featherstone Army Barracks- Night In the rumbling remains of the prison barracks, a close up shot captures a thrown boulder of rock impacting with a wall thrown by *Actor 4*, which the sudden bang should make the audience jump. The camera then turns to a mid- shot of Actor 4. ACTOR 4 Missed again! Actor 4 continues to try and throw rocks at an overhanging light. As actor 5 tries also, as Actor 6 is wondering around the building. ACTOR 5 Okay, okay watch next one! 4 & 5 continue to throw rocks, both missing. ACTOR 6 Move out the way, i’m literally about to hit it first time.
  • 5. .4 Actor 6 throws a rock, which hits the light directly. The camera then turns to actor 4/5. Both stare doubtfully into the camera. ACTOR 5 Lets go… Both 4/5 walk into the rooms opposite. Actor 6 follows, trailing behind. In the same room, an unknown character is sitting on top of the ledge stalking the 3 in silence, and checks his old wristwatch in suspense. The music intensifies as the camera pans in closer to the unknown characters face before he subtly flees. Camera switches back to original group of kids (Actors 1-3) inside the building remains of the grounds. The walk into a room unaware of the unknown character in the room with them. ACTOR 1 I’m taking out one of those lights. Actor 1 throws a rock at the light. Surely after… Actor 3 decides to try also, as Actor 2 continues to scale around the room alone. Pushing deeper and deeper into the building. Actor 2 soon becomes isolated from the others, unaware of the danger watching his movement as we speak. Actor 2 still oblivious to the true nature of his surroundings, continues to search the area, until the camera pans around to the front of him to show over his shoulder the unknown character. Actor 2 slowly turns around. The two stare each other down, Actor 1 staring into the space where this characters face should be. The uncertainty of what is going on becomes to much for Actor 1 and his body begins to slowly become uneasy, as the unknown character reaches for his sleeve and pulls it up to view his watch.
  • 6. .5 It’s at this moment the Unknown Character takes a step forward, and as if they were mirrored Actor 2 also takes the same step. The two come face to face with a tables length dividing them. Actor 2 goes to speak, but freezes mid sentence as the unknown character reaches for his hood, slowly unveiling himself. The camera turns to actor 1 as a extreme close up into his eyes, as they fill with white, as the screen then fades to white also. FADE TO WHITE: Actor 2 Are you o-
  • 7. .i SCENE INDEX THE TABLE OF CONTENTS IS EMPTY BECAUSE YOU AREN'T USING THE PARAGRAPH STYLES SET TO APPEAR IN IT.