2014 Uluslararası Lider Martılar Projesi_No 19 2014 International ICT Leading Seagulls Projects #19

1. CONFLICT BETWEEN MUSICIANS
AND COMMUNITY
Prepared by
ENDER ÇÜRÜK
ÇOŞKUN ÇETİN
MUSTAFA ÖZTÜRK
Group Name: Poliphony

2. GROUP SLOGAN

4. Gannt Card

5. MATRIX DIAGRAM 1
MEDIA SYSTEM HUMAN
Ender 5 6 7
Coşkun 5 7 6
Mustafa 7 6 5
Total 17 18 18

6. PARETO DIAGRAM
0
2
4
6
8
10
12
14
16
18
Ender Coşkun Mustafa TOTAL
Media
System
Human

7. LITERATURE REVIEW
 Miall, H., O. Ramsbotham & T.
Woodhouse,Contemporary Conflict Resolution
 Jason A. Shelton, Music, Community and Identity
 M J Grant, Rebecca Möllemann, Ingvill Morlandstö,
Simone Christine Münz and Cornelia Nuxoll, Music
and Conflict, Interdisciplinary Science Reviews, Vol.
35 No. 2, June, 2010, 183–98.
 Olivier Urbain,Music and Conflict Transformation,
Harmonies and Dissonances in Geopolitics

8. DEFINITION OF THE PROBLEM
From the beginning of the human story, music has always
became an important communication tool. Thus, it is
lucid to say that we have music in the roots of
communication in a society.
Music is a language that everyone can hear and speak or
at least feel. This makes it universal and that’s why it is
one the most important communication tool.
What about musicians place and importance regarding with
this communciation?
If we see the musician as a facilitator of this
communication, what would happen if a conflict appears
between community and musicians?

10. View of
Community
Technology
MEDIA
HUMAN
SYSTEM
Social
Network
Copyright
infringement
Law
What are the
causes of
conflict
between
musicians and
community ?
reference
Religios
View
Cultural
Dıfferences and
Idendıty
Music Companies
General Welfare
Politics

11. COPYRIGHT INFRINGEMENT
• What is copyright infringement?
• How does it causes a conflict between
community and musicians?

12. COPYRIGHT INFRINGEMENT
 It is one of the most important conflict between
community and artist from all kinds of art.
 Because it is not only about permission, it also
effects artists’ income.

13. COPYRIGHT INFRINGEMENT
 Copyright infringement is the use of works
protected by copyright law without permission,
infringing certain exclusive rights granted to the
copyright holder, such as the right to reproduce,
distribute, display or perform the protected
work, or to make derivative works

14. COPYRIGHT INFRINGEMENT
 Sharing music is a nice attitude.
 In general, people like to see the approval of their
preferences around their environment.
 If one likes a song or an art piece, he likes to hear
or see it around.
 This might encourages him to share music illegally.
 You are maybe going to let someone to learn about
some new music, maybe a new style or maybe a
piece that is going to help him to find peace.

15. CONFLICT WITH COPYRIGHT ISSUE
 People apreciate nice music, but they forgot the
fact that it is also a production of musicians who are
doing this as a profession.
 They do it for a living.
 If we share their music irresponsibly How can a
musician feed his family without any income from
his work?

17. CONFLICT WITH COPYRIGHT ISSUE
 What if you don’t have money, but you want to
listen to an artist?
 Jon Gomm: free full songs preview and pay what
you want.
 10% of the proceeds from all the Domestic Science
Singles Series goes to The Happy House children's
home in Watamu, Kenya.
 Currently, pay whatever you want system is
updated and we see an average value for songs.
Yet, there is no change in free full preview.

18. CONFLICT WITH COPYRIGHT ISSUE
 I'm not anti-filesharing. It can be a great way of online communities
discovering new music. It's hardly some terrible crime anyway in my
opinion, and I'm certainly never gonna sue anybody! (I'll leave that to
Metallica.) That's why on my latest album there's no threatening
copyright notice, just the phrase "Please share my music
responsibly".
 What that means is: It's up to you! The ball is in your court. I trust
you.
 My advice is this: If you share my music with your friends, with your
family, or even with an online music community you're a part of:
that makes me happy and grateful. If you upload my full album to
Youtube, Usenet or a BitTorrent site so anybody in the world can take
it for free: that potentially leaves me broke and sad.
 As with many artists/bands, you can already listen to all my music for
free on my website.
 Jon Gomm

19. SOME EXAMPLES AND PROBABLE SOLUTIONS
 Amanda Palmer, The Art of Asking
http://www.youtube.com/watch?v=xMj_P_6H69g
 She has a huge success against music production
companies.
 She says listeners don’t want to pay for companies,
they want to pay for music.
 Pledge music
 Kickstarter

20. RELIGIOUS VIEWPOINT
 Rock, Metal Music is Satan’s Music
 Women Singers
 Gazali, one of the prominent enlightened of Islam,
states that there is no evidence to prohibit music
besides styles that canalize people to immoral acts
and adds that the statue of it, related with whether it
is wrong or halal, may change according to time
and place.

21. CULTURAL DIFFERENCES AND IDENTITIY
 Music style and public opinion conflict
 A music style may not fit into a society, although it is
very normal for another one.
 Recently in Turkey, the government cut the
budget support for Ankara Jazz Festival( the
only jazz festival in Turkey) by stating that the
jazz music is not belong to our culture.
 http://www.milliyet.com.tr/sponsorsuz-caz-
festivali/pazar/haberdetay/11.05.2014/1880597/def
ault.htm
Özlem Akarsu Çelik

22. CULTURAL DIFFERENCES AND IDENTITIY
 In 2 of may, Cumhuriyet published that with this
title:
“The Prime Minister said, ‘Don’t do jazz’”...
 http://www.cumhuriyet.com.tr/haber/turkiye/67555/B
asbakan__caz_yapmayin__dedi.html
 Besides too many important jazz musicians, A
Capella Bogazici, the group that is formed by
Bogazici University students, is going to perform in
this festival.

23. SYSTEM

24. 8 STEPS TO MAKE A GOOD ALBUM
 Ideation
 Background Arrangement
 Recording
 Music Production:
 Mixing
 Mastering
 Replication
 Publishing
 TOTAL COST = over 100.000 TL

25. PREFERENCE OF PRODUCER
 AJDAR
 BANU ALKAN
 MUSTAFA TOPALOGLU
 BILO
 ASUMAN KRAUSE
 ………..
 TOTAL COST = Dead of MUSICIAN

26. COUSE OF THOSE PREFERENCES
 Interesting
 Funny
 Attractiveness of Women
TOTAL COST = Dead of ARTISTIC SENSITIVITY

27. POOR BRILLIANCE

28. MEDIA
WHO IS THE ARTIST ?

29. DO YOU KNOW HOW
VIRGINIA WOOLF
WROTE HER NOVELS
?

30. 1.MEDIA 2.SOCIAL NETWORK

31. SURVEY
 How many albums do you have ?
 How many of them did you pay for ?
 Do you agree with the copyright issue ?
 How many street performers did you listen
enjoyfully ?
 Did you argue with artist in social network ?

32. HOW MANY ALBUMS DO YOU HAVE ?
12%
80%
8%
NUMBER OF PEOPLE
none more than 25 less than 25

33. HOW MANY OF ALBUMS DID YOU PAY FOR ?
98%
2%
NUMBER OF ALBUMS
none customer

34. DO YOU AGREE WITH THE COPYRIGHT ISSUE ?
85%
15%
NUMBER OF PEOPLE
not agreed agreed

35. HOW MANY STREET PERFORMERS DID YOU
LISTEN ENJOYFULLY ?
8%
72%
20%
NUMBER OF PEOPLE
never enjoyfully dislike

36. DID YOU ARGUE WITH ARTIST IN SOCIAL NETWORK
?
65%
35%
NUMBER OF PEOPLE
yes no

37. SUGGESTIONS
Being sensitive to real musicians rather than having no
labour music
 Amanda Palmer, The Art of Asking
http://www.youtube.com/watch?v=xMj_P_6H69g
 Pledge Music
 Kickstarter

38. REFERENCES
 Miall, H., O. Ramsbotham & T.
Woodhouse,Contemporary Conflict Resolution:
 Alain de Botton,On Seeing and Noticing
 http://www.dersimiz.com/ilginc-bilgiler/Sanat-
Sanatcilar-21-1.html
 http://www.articlesbase.com/music-articles/the-7-
steps-to-making-a-great-music-album-762567.html
 http://www.milliyet.com.tr/sponsorsuz-caz-
festivali/pazar/haberdetay/11.05.2014/1880597/def
ault.htm

39. REFERENCES
 Miall, H., O. Ramsbotham & T.
Woodhouse,Contemporary Conflict Resolution
 Jason A. Shelton, Music, Community and Identity
 M J Grant, Rebecca Möllemann, Ingvill Morlandstö,
Simone Christine Münz and Cornelia Nuxoll, Music
and Conflict, Interdisciplinary Science Reviews, Vol.
35 No. 2, June, 2010, 183–98.
 Olivier Urbain,Music and Conflict Transformation,
Harmonies and Dissonances in Geopolitics

40. ACKNOWLEDGEMENT
And we’re
thankful to our
lovely Instructor
Dr.Hayal Köksal
for her guidance
and support.
For further information
about her and her
studies, please visit:
http://www.hayalkoksal.
com/

42. THANK YOU FOR
YOUR ATTENTION
