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Communi t ies of Pract ice 
Th e Ac a d emi c Bo o k o f t h e Fu t u r e 
Context and debate 
1. What do we mean by a book? 
2. How would new forms better serve the purpose of 
scholarship? 
3. How do we exploit the points of contact with wider 
developments in communications and media? 
“…if we are to get the best out of the possibilities of digital 
technology for the arts and humanities, then we must learn to 
shape it, and not merely consume it” 
(Transferred Illusions: Digital Technology and the Forms of Print, 
Marilyn Deegan and Kathryn Sutherland, 2009)
Communi t ies of Pract ice 
Th e Ac a d emi c Bo o k o f t h e Fu t u r e 
Core aims and object ives 
To examine the roles and purposes of 
academic books to serve scholarship and wider learning 
learning 
To examine and analyse the dynamics of academic book 
academic book production, curation, and use 
To investigate and assess the opportunities 
and challenges associated with 
technological developments 
(via 2 phases of act ivi ty )
Communi t ies of Pract ice 
Th e Ac a d emi c Bo o k o f t h e Fu t u r e 
Phases of Act ivi ty 
Phase 1: Macro exploration and evidence gathering 
gathering through literature review, quantitative and 
and qualitative evidence gathering leading to testing 
testing finding with the community. 
Phase 2: Bridging macro to micro approach investing 
investing time and resources in a Community 
Coalition and also mini-projects, carried 
out by coalition members, focusing on 
different aspects of the research questions.
Communi t ies of Pract ice 
Th e Ac a d emi c Bo o k o f t h e Fu t u r e 
Consul t ing the Communi ty 
The Project has an extensive process of consultation 
consultation and engagement built into its structure 
structure and methodology. 
The broadest possible community consultation 
and engagement, and a wide range of focused 
discussions and workshops, will be essential to our 
our success in working with a diverse 
range of communities in: 
academia, publishing, libraries and other 
intermediaries, and new initiatives 
and platforms.
Communi t ies of Pract ice 
Th e Ac a d emi c Bo o k o f t h e Fu t u r e 
Proposed Engagement Plans 
Core Management Group Project Board 
Project Board Chair: 
Professor Kathryn Sutherland 
(Professor of Bibliography and 
Textual Criticism, Oxford University) 
Stakeholders 
Partners 
Community Coalition 
AHRC/BL Steering Group
Communi t ies of Pract ice 
Th e Ac a d emi c Bo o k o f t h e Fu t u r e 
Impact 
• Underlying aim of the project is to sustain and enhance the 
the impact of arts and humanities research 
• Success criteria recognise importance of navigating between 
between breadth and depth of impact - focus will vary at 
different stages of the project 
 Establishing sustainable momentum across a broad base of 
of communities of practice 
 Rooted understanding from all 
perspectives & no set agendas: scholarly, 
publishing, library, economic & public
Communi t ies of Pract ice 
Th e Ac a d emi c Bo o k o f t h e Fu t u r e 
“…if we are to get the best out of the possibilities of digital 
technology for the arts and humanities, then we must learn to 
shape it, and not merely consume it” 
Transferred Illusions: Digital Technology and the Forms of Print, 
Marilyn Deegan and Kathryn Sutherland, 2009 
"What do scholars want?" Whether we work with digital or 
paper-based resources, or both, our basic needs are the same. We 
all want our cultural record to be comprehensive, stable, and 
accessible. And we all want to be able to augment that record with 
our own contributions.” 
Jerome McGann, Sustainability: the Elephant in the Room. 
Paper for the 2010 Conference, Digital Humanities Scholarship: The Shape of 
Things to Come, University of Virginia.

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The Academic Book of the Future - Dr Samantha Rayner and Simon Tanner

  • 1. Communi t ies of Pract ice Th e Ac a d emi c Bo o k o f t h e Fu t u r e Context and debate 1. What do we mean by a book? 2. How would new forms better serve the purpose of scholarship? 3. How do we exploit the points of contact with wider developments in communications and media? “…if we are to get the best out of the possibilities of digital technology for the arts and humanities, then we must learn to shape it, and not merely consume it” (Transferred Illusions: Digital Technology and the Forms of Print, Marilyn Deegan and Kathryn Sutherland, 2009)
  • 2. Communi t ies of Pract ice Th e Ac a d emi c Bo o k o f t h e Fu t u r e Core aims and object ives To examine the roles and purposes of academic books to serve scholarship and wider learning learning To examine and analyse the dynamics of academic book academic book production, curation, and use To investigate and assess the opportunities and challenges associated with technological developments (via 2 phases of act ivi ty )
  • 3. Communi t ies of Pract ice Th e Ac a d emi c Bo o k o f t h e Fu t u r e Phases of Act ivi ty Phase 1: Macro exploration and evidence gathering gathering through literature review, quantitative and and qualitative evidence gathering leading to testing testing finding with the community. Phase 2: Bridging macro to micro approach investing investing time and resources in a Community Coalition and also mini-projects, carried out by coalition members, focusing on different aspects of the research questions.
  • 4. Communi t ies of Pract ice Th e Ac a d emi c Bo o k o f t h e Fu t u r e Consul t ing the Communi ty The Project has an extensive process of consultation consultation and engagement built into its structure structure and methodology. The broadest possible community consultation and engagement, and a wide range of focused discussions and workshops, will be essential to our our success in working with a diverse range of communities in: academia, publishing, libraries and other intermediaries, and new initiatives and platforms.
  • 5. Communi t ies of Pract ice Th e Ac a d emi c Bo o k o f t h e Fu t u r e Proposed Engagement Plans Core Management Group Project Board Project Board Chair: Professor Kathryn Sutherland (Professor of Bibliography and Textual Criticism, Oxford University) Stakeholders Partners Community Coalition AHRC/BL Steering Group
  • 6. Communi t ies of Pract ice Th e Ac a d emi c Bo o k o f t h e Fu t u r e Impact • Underlying aim of the project is to sustain and enhance the the impact of arts and humanities research • Success criteria recognise importance of navigating between between breadth and depth of impact - focus will vary at different stages of the project  Establishing sustainable momentum across a broad base of of communities of practice  Rooted understanding from all perspectives & no set agendas: scholarly, publishing, library, economic & public
  • 7. Communi t ies of Pract ice Th e Ac a d emi c Bo o k o f t h e Fu t u r e “…if we are to get the best out of the possibilities of digital technology for the arts and humanities, then we must learn to shape it, and not merely consume it” Transferred Illusions: Digital Technology and the Forms of Print, Marilyn Deegan and Kathryn Sutherland, 2009 "What do scholars want?" Whether we work with digital or paper-based resources, or both, our basic needs are the same. We all want our cultural record to be comprehensive, stable, and accessible. And we all want to be able to augment that record with our own contributions.” Jerome McGann, Sustainability: the Elephant in the Room. Paper for the 2010 Conference, Digital Humanities Scholarship: The Shape of Things to Come, University of Virginia.

Notas do Editor

  1. Don Waters
  2. Don Waters