2. Typical Scope & Sequence
Provides a linear march through the
curriculum
Detailed and patient explanation
Two other (beyond linear) logical
organizational structures for
curriculum:
Narrative
Application
3. Student Misunderstanding
Curriculum is often derived from the
one-stop, one-way march through
textbooks
To teach the textbook only (without
other resources) may exacerbate
misunderstandings
4. Form Follows Function
The Spiral Curriculum: A spiral of
big ideas, important tasks, ever
increasing complexity
Using engaging problems and
sophisticated applications to deliver
learning experiences
5. A Natural Unfolding of
Lessons
Traditional (linear) curriculum
delivery is so natural and familiar
that we have a difficult time seeing
its weaknesses.
Read about it, learn basic definitions, basic
elements, axioms, parts, and then build in
a clear sequence
And yet, this is not how we best learn many
things
6. We Typically learn:
Just enough to accomplish a given
task
When is the last time you read an
entire software manual before using
the software?
We learn by failing a few times
When is the last time you allowed
students to fail first?
7. The Narrative Curriculum
Consider curriculum as a story
Stories rarely lay out all facts and
ideas in a step-by-step fashion
Although they are sometimes
illogical and incomplete,
stories are much more likely to
engage the reader
8. The Power of a Story
We do not easily remember what
other people have said if they do
not tell it in the form of a story
During learning: We hear in the form of a
story things that we have personally
experienced
9. An Example
Problem-based learning (PBL) is a
narrative-based curriculum
Students are thrust into problem
situations immediately
Much like a reader is thrust into the middle
of a story, from which they must find their
way out
In PBL, students meet an ill-
structured problem before they
receive any instructions
10. Narrative Curricular Design
(continued)
People don’t need the whole
subject laid out to master a
challenge
A step-by-step series of lessons
explaining each piece of the
automobile and its function prior to
ever touching the car is not the best
way to understand how it works or
how to fix it!
12. Narrative Curricular Design
(continued)
The presence of a mystery or
dilemma
The most basic feature of all
compelling stories (or problems)
We are placed into an
environment that has to figured
out
14. Narrative Curricular Design
(continued)
Think of a course designed to
provide drama, to offer surprises,
twists, and turns
Think of how your curriculum might
be designed by Stephen King or
Steven Spielberg
Can you think of examples
15. Narrative Curricular Design
(continued)
What drives a story, what makes it
worth telling is trouble:
Some misfit between the characters, their
actions, the goals of the story, the setting,
and the means.
A good story centers on what is
essential—a big idea
16. 3 Questions Answered in a
Narrative-driven Curriculum
What do we know?
What do we need to know?
How can we find out?
17. 5 Essential Elements of a
Narrative Curriculum
1. Identifying importance
• What is most important about this topic?
• Why should it matter to students?
• What is engaging about it?
18. 5 Essential Elements of a
Narrative Curriculum
2. Finding binary opposites
• What opposites best catch the
importance of the topic
19. 5 Essential Elements of a
Narrative Curriculum
3. Organizing content into story form
• What content most dramatically
embodies the opposites
20. 5 Essential Elements of a
Narrative Curriculum
4. Conclusion
• What is the best way of resolving
the conflicts between the opposites
• How do we solve the conflict
21. 5 Essential Elements of a
Narrative Curriculum
5. Evaluation
• How can one know whether the
topic has been understood, its
importance grasped, and the
content learned