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'Thorn lane'
Storyboard
Thorn lane
1

Long Shot

Cut

EL

This will be an establishing
shot of the church the
wedding will be held from the
outside to allow the audience
to become familiar with the
location.

N/A

Edited: Demons – Tanner
Howe

Static camera –
To keep a
steady focus on
the characters

2 secs

2

POV

EL

Cut

This will be a shot from the
perspective of the bride walking
in to the church, the place the
characters are situated in

N/A
Edited: Demons – Tanner
Howe

Slow Track of the
bride walking into the
church

2 secs
3

WS

EL

Cut

This shot will be of the bride
entering the church, introducing
her to the audience

N/A

Edited: Demons – Tanner
Howe

Static camera –
To keep a
steady focus on
the characters

1 secs

MS

4

EL

Cut
2 secs

This will be a mid shot of the
bride playing with her ring while
walking down the aisle,
connoting she's nervous?

N/A
Edited: Demons – Tanner
Howe

Slow Back Track from the
front of the bride as she
walks down the aisle

Sarah Hutton,Ridgeway
Mazvimavi, Nathan Cordero
and Charlene Fernandes
Thorn lane

5

LS

EL

Cut

Bride making her way down the
aisle. View of the guests looking
onto her connotes to the audience
that the guests are judging the
bride; feels distant from the altar.

N/A

Edited: Demons – Tanner
Howe

Static camera –
To keep a
steady focus on
the characters

4 secs
6

CU

EL

Cut

Bride turning to look at her left
side towards the guests connotes
that the bride is looking for some
sort of approval from the audience
or reassurance.

N/A

Edited: Demons – Tanner
Howe

Static camera –
To keep a
steady focus on
the characters

2 secs
CU

7

Cut

EL

Bride turning to look at her right
side towards the guests connotes
that the bride is looking for some
sort of approval from the audience
or reassurance.

N/A

Edited: Demons – Tanner
Howe

Static camera –
To keep a
steady focus on
the characters

2 secs

8

LS/GS

LA

Cut
1 secs

Bride finally reaches the groom at
the end of the aisle and takes his
hand. Shows to the audience that
there’s a connection between the
two despite the judgmental looks
and her own “event”.

Camera closes in on
the bride and groom
(sort of a zoom)

N/A

Edited: Demons – Tanner
Howe
Sarah Hutton,Ridgeway
Mazvimavi, Nathan Cordero
and Charlene Fernandes
Thorn lane
MS (not
shown in
image)

9

Cut

EL

Bride finally reaches the groom at
the end of the aisle and takes his
hand. Shows to the audience that
there’s a connection between the
two despite the judgmental looks
and her own “event”.

N/A

Edited: Demons – Tanner
Howe

Static camera –
To keep a
steady focus on
the characters

2 secs

10

MS

LA

Cut

Bride and groom walk up the
platform towards the altar. Bride
looks back at best man sitting on
first row. This presents to the
audience the affair between the
two.

N/A

Tracking of bride and
groom walking up the
platform

Edited: Demons – Tanner
Howe

2 secs
11

MS

HA

Cut

Best man looks back at her
(sorrowful/regretful expression),
which connotes to the audience
that the best man isn’t happy with
her getting married to someone
else.

N/A

Edited: Demons – Tanner
Howe

Static camera –
To keep a
steady focus on
the characters

1 secs

12

CU

EL

Cut
2 secs

Sorrowful/regretful expression
continued then looks away. This
connotes to the audience that the
best man isn’t happy with her
getting married to someone else

N/A

Edited: Demons – Tanner
Howe

Static camera –
To keep a
steady focus on
the characters

Sarah Hutton,Ridgeway
Mazvimavi, Nathan Cordero
and Charlene Fernandes
Thorn lane

13

MS

EL

Cut

Bride and groom looking into each
others eyes. Connotes to the
audience some form of romance.

N/A

Edited: Demons – Tanner Howe

Static camera –
To keep a
steady focus on
the characters

2 secs

14

OTS

View of the best man over the
shoulder of the bride looking
discerned. Connotes he’s
uncomfortable with what’s
happening.

Cut

OTS

N/A

Edited: Demons – Tanner Howe

Static camera –
To keep a
steady focus on
the characters

1 secs

15

CU

EL

Close up of bride looking down at
the best man. Connotes to the
audience she’s thinking about him
in some way.

Cut

N/A

Edited: Demons – Tanner Howe

Static camera –
To keep a
steady focus on
the characters

2 secs

16

MS

HA

Cut
3 secs

Close up of bride looking down at
the best man. Connotes to the
audience she’s thinking about him
in some way.

N/A

Edited: Demons – Tanner Howe

Static camera –
To keep a
steady focus on
the characters

Sarah Hutton,Ridgeway
Mazvimavi, Nathan Cordero
and Charlene Fernandes
Thorn lane

17

MS

EL

Cut

Best man hands over the ring in a
mid shot to the groom while the
groom looks angry. Connotes to
the audience that he may be
suspicious.

N/A

Edited: Demons – Tanner Howe

Static camera –
To keep a
steady focus on
the characters

2 secs

18

CU

HA

Cut

Cut in of the groom putting the ring
on the bride. Connotes to the
audience 1 of the 2 meanings.
Bride is being tied down to that
man, or the man is willing to
continue even with his suspicion.

N/A

Edited: Demons – Tanner Howe

Static camera –
To keep a
steady focus on
the characters

1 secs

19

MS

EL

Mid shot of the ring being put on,
cut from previous shot. Connotes
the same as above.

Cut

N/A

Edited: Demons – Tanner Howe

Static camera –
To keep a
steady focus on
the characters

1 secs

20

CU

HA

Cut
3 secs

Close up of groom holding brides
hand tightly with the ring fully on.
Connotes to the audience the
confirmation of 1 of the 2
meanings to be the latter as if he’ll
forgive her.

N/A

Edited: Demons – Tanner Howe

Static camera –
To keep a
steady focus on
the characters

Sarah Hutton,Ridgeway
Mazvimavi, Nathan Cordero
and Charlene Fernandes
Thorn lane
MS/ broken
Shots

24

cut

EL

Characters
moving around,
broken frame by
Groom.

N/A

Edited: Demons – Tanner Howe

Static camera –
To keep a
steady focus on
the characters

2 secs
OTS

25

cut
HA

Best man
receives text
from bride, who
is out of focus in
background.

N/A

Edited: Demons – Tanner Howe

Static camera –
To keep a
steady focus on
the characters

3 secs
26

MS

EL

cut

Angry; groom
drops phone on
table after
reading the text.

N/A

Edited: Demons – Tanner Howe

4 secs

Sarah Hutton,Ridgeway
Mazvimavi, Nathan Cordero
and Charlene Fernandes

Static camera –
To keep a
steady focus on
the characters
Thorn lane

27

Wide

HA

cut

Flips the table
in anger from
the text
reciieved.

N/A

Edited: Demons – Tanner Howe

Static camera –
To keep a
steady focus on
the characters

5 secs

28

CU
Cut

EL

N/A

Bride tries to stop
the groom from
looking at the best
man.

Edited: Demons – Tanner Howe

Static camera –
To keep a
steady focus on
the characters

3 secs
OTS

29

Best man storms out
of the room in
anger/depression.

Swipe

EL

N/A

Edited: Demons – Tanner Howe

Static camera –
To keep a
steady focus on
the characters

3 secs

MS

30

Best Mans POV of the
couple as the bride tries to
stop the groom looking.

cut

EL
2 secs

N/A

Edited: Demons – Tanner Howe

Static camera –
To keep a
steady focus on
the characters

Sarah Hutton,Ridgeway
Mazvimavi, Nathan Cordero
and Charlene Fernandes
Thorn lane

Broken frame/
Mid shot

31

Best man out of the
room.

CUT

LA

N/A

Static camera –
To keep a
steady focus on
the characters

Edited: Demons – Tanner Howe

3 secs

WIDE SHOT

32

CUT

N/A

Bride tries to hold
back the best man
from investigating.

EL

Edited: Demons – Tanner Howe

Static camera –
To keep a
steady focus on
the characters

5 secs

Mid Shot

33

Best Man checks
out phone.

N/A

30 seconds from
Mars- Up in the air.

CUT
EL

Static camera –
To keep a
steady focus on
the characters

4 secs

OTS

34

CUT

EL
3 secs

N/A

Bets man is
staring at his
bride.

30 seconds from
Mars- Up in the air.

Static camera –
To keep a
steady focus on
the characters

Sarah Hutton,Ridgeway
Mazvimavi, Nathan Cordero
and Charlene Fernandes
Thorn lane

35

MS

EL

Bride looks
upset/guilty as the
best man has
found out.

CUT

N/A

30 seconds from
Mars- Up in the air.

Static camera –
To keep a
steady focus on
the characters

5 secs

36

EL

N/A

LS

CUT

Static camera –
To keep a
steady focus on
the characters

Groom walking over
with phone, shocked to
30 seconds from
Mars- Up in the air.

4 secs
MS

37

Best man outside
Building distraught/
upset
CUT

EL
3 secs

Static camera –
To keep a
steady focus on
the characters

N/A
30 seconds from
Mars- Up in the air.

POC

38

Point of call showing
schedule.
CUT

EL
2 secs

1 minute 40 seconds run time.

N/A
Voiceover: “Thorn lane, a
brand new twist to BBC3”

Static camera –
To keep a
steady focus on
the characters

Sarah Hutton,Ridgeway
Mazvimavi, Nathan Cordero
and Charlene Fernandes

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'Thorn lane' storyboard markedddd

  • 2. Thorn lane 1 Long Shot Cut EL This will be an establishing shot of the church the wedding will be held from the outside to allow the audience to become familiar with the location. N/A Edited: Demons – Tanner Howe Static camera – To keep a steady focus on the characters 2 secs 2 POV EL Cut This will be a shot from the perspective of the bride walking in to the church, the place the characters are situated in N/A Edited: Demons – Tanner Howe Slow Track of the bride walking into the church 2 secs 3 WS EL Cut This shot will be of the bride entering the church, introducing her to the audience N/A Edited: Demons – Tanner Howe Static camera – To keep a steady focus on the characters 1 secs MS 4 EL Cut 2 secs This will be a mid shot of the bride playing with her ring while walking down the aisle, connoting she's nervous? N/A Edited: Demons – Tanner Howe Slow Back Track from the front of the bride as she walks down the aisle Sarah Hutton,Ridgeway Mazvimavi, Nathan Cordero and Charlene Fernandes
  • 3. Thorn lane 5 LS EL Cut Bride making her way down the aisle. View of the guests looking onto her connotes to the audience that the guests are judging the bride; feels distant from the altar. N/A Edited: Demons – Tanner Howe Static camera – To keep a steady focus on the characters 4 secs 6 CU EL Cut Bride turning to look at her left side towards the guests connotes that the bride is looking for some sort of approval from the audience or reassurance. N/A Edited: Demons – Tanner Howe Static camera – To keep a steady focus on the characters 2 secs CU 7 Cut EL Bride turning to look at her right side towards the guests connotes that the bride is looking for some sort of approval from the audience or reassurance. N/A Edited: Demons – Tanner Howe Static camera – To keep a steady focus on the characters 2 secs 8 LS/GS LA Cut 1 secs Bride finally reaches the groom at the end of the aisle and takes his hand. Shows to the audience that there’s a connection between the two despite the judgmental looks and her own “event”. Camera closes in on the bride and groom (sort of a zoom) N/A Edited: Demons – Tanner Howe Sarah Hutton,Ridgeway Mazvimavi, Nathan Cordero and Charlene Fernandes
  • 4. Thorn lane MS (not shown in image) 9 Cut EL Bride finally reaches the groom at the end of the aisle and takes his hand. Shows to the audience that there’s a connection between the two despite the judgmental looks and her own “event”. N/A Edited: Demons – Tanner Howe Static camera – To keep a steady focus on the characters 2 secs 10 MS LA Cut Bride and groom walk up the platform towards the altar. Bride looks back at best man sitting on first row. This presents to the audience the affair between the two. N/A Tracking of bride and groom walking up the platform Edited: Demons – Tanner Howe 2 secs 11 MS HA Cut Best man looks back at her (sorrowful/regretful expression), which connotes to the audience that the best man isn’t happy with her getting married to someone else. N/A Edited: Demons – Tanner Howe Static camera – To keep a steady focus on the characters 1 secs 12 CU EL Cut 2 secs Sorrowful/regretful expression continued then looks away. This connotes to the audience that the best man isn’t happy with her getting married to someone else N/A Edited: Demons – Tanner Howe Static camera – To keep a steady focus on the characters Sarah Hutton,Ridgeway Mazvimavi, Nathan Cordero and Charlene Fernandes
  • 5. Thorn lane 13 MS EL Cut Bride and groom looking into each others eyes. Connotes to the audience some form of romance. N/A Edited: Demons – Tanner Howe Static camera – To keep a steady focus on the characters 2 secs 14 OTS View of the best man over the shoulder of the bride looking discerned. Connotes he’s uncomfortable with what’s happening. Cut OTS N/A Edited: Demons – Tanner Howe Static camera – To keep a steady focus on the characters 1 secs 15 CU EL Close up of bride looking down at the best man. Connotes to the audience she’s thinking about him in some way. Cut N/A Edited: Demons – Tanner Howe Static camera – To keep a steady focus on the characters 2 secs 16 MS HA Cut 3 secs Close up of bride looking down at the best man. Connotes to the audience she’s thinking about him in some way. N/A Edited: Demons – Tanner Howe Static camera – To keep a steady focus on the characters Sarah Hutton,Ridgeway Mazvimavi, Nathan Cordero and Charlene Fernandes
  • 6. Thorn lane 17 MS EL Cut Best man hands over the ring in a mid shot to the groom while the groom looks angry. Connotes to the audience that he may be suspicious. N/A Edited: Demons – Tanner Howe Static camera – To keep a steady focus on the characters 2 secs 18 CU HA Cut Cut in of the groom putting the ring on the bride. Connotes to the audience 1 of the 2 meanings. Bride is being tied down to that man, or the man is willing to continue even with his suspicion. N/A Edited: Demons – Tanner Howe Static camera – To keep a steady focus on the characters 1 secs 19 MS EL Mid shot of the ring being put on, cut from previous shot. Connotes the same as above. Cut N/A Edited: Demons – Tanner Howe Static camera – To keep a steady focus on the characters 1 secs 20 CU HA Cut 3 secs Close up of groom holding brides hand tightly with the ring fully on. Connotes to the audience the confirmation of 1 of the 2 meanings to be the latter as if he’ll forgive her. N/A Edited: Demons – Tanner Howe Static camera – To keep a steady focus on the characters Sarah Hutton,Ridgeway Mazvimavi, Nathan Cordero and Charlene Fernandes
  • 7. Thorn lane MS/ broken Shots 24 cut EL Characters moving around, broken frame by Groom. N/A Edited: Demons – Tanner Howe Static camera – To keep a steady focus on the characters 2 secs OTS 25 cut HA Best man receives text from bride, who is out of focus in background. N/A Edited: Demons – Tanner Howe Static camera – To keep a steady focus on the characters 3 secs 26 MS EL cut Angry; groom drops phone on table after reading the text. N/A Edited: Demons – Tanner Howe 4 secs Sarah Hutton,Ridgeway Mazvimavi, Nathan Cordero and Charlene Fernandes Static camera – To keep a steady focus on the characters
  • 8. Thorn lane 27 Wide HA cut Flips the table in anger from the text reciieved. N/A Edited: Demons – Tanner Howe Static camera – To keep a steady focus on the characters 5 secs 28 CU Cut EL N/A Bride tries to stop the groom from looking at the best man. Edited: Demons – Tanner Howe Static camera – To keep a steady focus on the characters 3 secs OTS 29 Best man storms out of the room in anger/depression. Swipe EL N/A Edited: Demons – Tanner Howe Static camera – To keep a steady focus on the characters 3 secs MS 30 Best Mans POV of the couple as the bride tries to stop the groom looking. cut EL 2 secs N/A Edited: Demons – Tanner Howe Static camera – To keep a steady focus on the characters Sarah Hutton,Ridgeway Mazvimavi, Nathan Cordero and Charlene Fernandes
  • 9. Thorn lane Broken frame/ Mid shot 31 Best man out of the room. CUT LA N/A Static camera – To keep a steady focus on the characters Edited: Demons – Tanner Howe 3 secs WIDE SHOT 32 CUT N/A Bride tries to hold back the best man from investigating. EL Edited: Demons – Tanner Howe Static camera – To keep a steady focus on the characters 5 secs Mid Shot 33 Best Man checks out phone. N/A 30 seconds from Mars- Up in the air. CUT EL Static camera – To keep a steady focus on the characters 4 secs OTS 34 CUT EL 3 secs N/A Bets man is staring at his bride. 30 seconds from Mars- Up in the air. Static camera – To keep a steady focus on the characters Sarah Hutton,Ridgeway Mazvimavi, Nathan Cordero and Charlene Fernandes
  • 10. Thorn lane 35 MS EL Bride looks upset/guilty as the best man has found out. CUT N/A 30 seconds from Mars- Up in the air. Static camera – To keep a steady focus on the characters 5 secs 36 EL N/A LS CUT Static camera – To keep a steady focus on the characters Groom walking over with phone, shocked to 30 seconds from Mars- Up in the air. 4 secs MS 37 Best man outside Building distraught/ upset CUT EL 3 secs Static camera – To keep a steady focus on the characters N/A 30 seconds from Mars- Up in the air. POC 38 Point of call showing schedule. CUT EL 2 secs 1 minute 40 seconds run time. N/A Voiceover: “Thorn lane, a brand new twist to BBC3” Static camera – To keep a steady focus on the characters Sarah Hutton,Ridgeway Mazvimavi, Nathan Cordero and Charlene Fernandes