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 World’s largest weekly music magazine
 Median audience age of 22
 Also good for films, games, mobile
  technology and government messages
 Is considered a part of the experience
  rather than just another magazine
 Readers are considered the heaviest
  music consumers
   Readers buy six albums a month on average
   Readers are eight times more likely to spend over
    £200 a year on albums
   Readers are 5.5 times more likely to attend a
    rock concert




 This chart shows that the circulation of Kerrang
 slowly decreases over the 2000’s whereas the
 readership stays fairly steady. This could be due in
 part to friends lending their friends the magazine.
 The circulation is how many copies are sold, the
 readership is who reads it.
 Constantly tries to appeal to their
  readers
 Issues include a balance of bands
  and scenes to ensure readers’
  need for variety + desire to be
  introduced to new music
 Focuses on the big things that are
  going on in the world of music
 Gives younger readers everything
  they need to get into
 The average Kerrang reader:
       Around 22 years old
       Male
       Caucasian
       Rock music fan
       Goes to concerts, festivals
       Varying interest in several bands
       Engages in music actively
       Individuality is important
       Influenced by music trends
       Fashion-conscious
 Partnered with Paco Rabanne
   Promotes Black XS using a cross-media
    campaign
 Gives readers a chance to win a
  recording deal with Search &
  Destroy records
 Scores 69% for Influence versus
  Bauer ACT tracker: 15-40
 Notable consumer brands that
  have used Kerrang in the last
  twelve months:
     Fiat
     Brylgreen
     BlackBerry
     Pot Noodle
 Delivered a creative execution
  designed to encourage young
  people to vote in the run up to the
  2010 general election
 A promotion for a free Biffy Clyro
  EP download cover mount saw all
  12,000 available downloads
  redeemed in the first day
 Extensions to the brand:
     Download Festival
     Kerrang! Radio
     Kerrang! Awards
     Kerrang! TV
     Kerrang.com
 172,600 unique users
 505,912 page impressions
 Set release dates for each
  magazine
 Set deadline for when magazine
  needs to be finished and ready to
  publish and release
 Several contacts for advertising,
  publishers, manufacturers, etc.
  Possibly for wider media coverage

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Research on kerrang media pack

  • 1.
  • 2.  World’s largest weekly music magazine  Median audience age of 22  Also good for films, games, mobile technology and government messages  Is considered a part of the experience rather than just another magazine  Readers are considered the heaviest music consumers  Readers buy six albums a month on average  Readers are eight times more likely to spend over £200 a year on albums  Readers are 5.5 times more likely to attend a rock concert This chart shows that the circulation of Kerrang slowly decreases over the 2000’s whereas the readership stays fairly steady. This could be due in part to friends lending their friends the magazine. The circulation is how many copies are sold, the readership is who reads it.
  • 3.  Constantly tries to appeal to their readers  Issues include a balance of bands and scenes to ensure readers’ need for variety + desire to be introduced to new music  Focuses on the big things that are going on in the world of music  Gives younger readers everything they need to get into
  • 4.  The average Kerrang reader:  Around 22 years old  Male  Caucasian  Rock music fan  Goes to concerts, festivals  Varying interest in several bands  Engages in music actively  Individuality is important  Influenced by music trends  Fashion-conscious
  • 5.  Partnered with Paco Rabanne  Promotes Black XS using a cross-media campaign  Gives readers a chance to win a recording deal with Search & Destroy records  Scores 69% for Influence versus Bauer ACT tracker: 15-40  Notable consumer brands that have used Kerrang in the last twelve months:  Fiat  Brylgreen  BlackBerry  Pot Noodle
  • 6.  Delivered a creative execution designed to encourage young people to vote in the run up to the 2010 general election  A promotion for a free Biffy Clyro EP download cover mount saw all 12,000 available downloads redeemed in the first day
  • 7.  Extensions to the brand:  Download Festival  Kerrang! Radio  Kerrang! Awards  Kerrang! TV  Kerrang.com  172,600 unique users  505,912 page impressions
  • 8.  Set release dates for each magazine  Set deadline for when magazine needs to be finished and ready to publish and release
  • 9.  Several contacts for advertising, publishers, manufacturers, etc. Possibly for wider media coverage