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Culture 2
How are hearths of popular culture traits
                established?
• Typically begins with an idea/good and contagious
  diffusion.

• Companies can create/manufacture popular
  culture. (ie. MTV)

• Individuals can create/manufacture popular culture.
  (ie. Tony Hawk)-video games involving extreme
  sports popularized skateboarding and other sports.
The hearth of Phish concerts is in the northeastern United
States, near where the band began in Vermont.
With Distance Decay, the
likelihood of diffusion
decreases as time and distance
from the hearth increases.

With Time-Space
Compression, the likelihood of
diffusion depends upon the
connectedness among places.

Which applies more to popular
culture?
Why are popular culture
traits usually diffused
hierarchically?


How is fashion in popular
culture an example of
hierarchical diffusion?
• Reterritorialization of popular culture occurs
  when an aspect of popular culture is modified
  to adapt locally-e.g. Japanese baseball,
  European Hip Hop-MC Solaar-France, Die
  Fantastischen Vier-Germany, Jovanatti-Italy.
• Syncretism-a fusion of old and new to create a
  new cultural trait-this concept is similar to
  reterritorialization.
• The examples below are foreign foods that have
  been modified to fit American tastes.
• The influence of Europe, the US and Japan in
  global popular culture makes many people feel
  threatened.
• France’s govt. subsidizes the French film industry
  and sets limits on foreign music on the radio
Cultural Landscape
• The imprint of people on
  the land-how humans use,
  alter and manipulate the
  landscape to express their
  identity.
• Examples;
   –   Architecture of buildings
   –   Methods of tilling the soil
   –   Means of transportation
   –   Clothing and adornment
   –   Sights, sounds and smells of
       a place
Cultural Landscape
 The visible human imprint
     on the landscape.
How have people changed the
landscape?
- What buildings, statues, and
so forth have they erected?
- How do landscapes reflect the
values of a culture?
The cultural landscape is fashioned from a
  natural landscape by a cultural group. Culture
  is the agent, the natural area the medium, the
  cultural landscape is the result. Under the
  influence of a given culture, itself changing
  through time, the landscape undergoes
  development, passing through phases, and
  probably reaching ultimately the end of its
  cycle of development. With the introduction
  of a different-that-is alien culture, a
  rejuvenation of the cultural landscape sets
  in, or a new landscape is superimposed on
  remnants of an older one. Carl Sauer, 1925
Convergence of Cultural Landscapes:
• The widespread
  distribution of
  businesses and products
  creates distinctive
  landscape stamps
  around the world.
• What are some other
  examples of businesses
  that can be found
  around the world?
Convergence of Cultural Landscapes:
• Diffusion of architectural forms and planning ideas
  around the world.
Convergence of Cultural Landscapes:
 • Borrowing of idealized
  landscape images blurs
place distinctiveness.-right
  Las Vegas, Nevada-below
       Toronto, Canada
Placelessness: the loss of uniqueness in a cultural
    landscape – one place looks like the next.
House Types
• Kniffen’s traditional
American house types:
  New England
  Mid-Atlantic
  Southern Tidewater
• The New England “Large” house is a modern adaptation of
  a Yankee folk house that added a wing as the style migrated
  westward. It is a 2 ½ story house built around a central
  chimney.
• The Georgian Style (1700-1800) used Renaissance inspired
  classical symmetry. Typically it was 2 rooms deep and 2
  rooms high with end chimneys and pilasters around the
  door.
• The “Cape Cod” style dwelling from New England
  features a steep roof with side gables and a
  symmetrical layout with the door in the center.
• The Victorian or Queen Anne style of architecture was
  dominant in the United States from 1880 to 1900.
• The Tudor Revival (1910-1940) became popular in
  suburban areas in the 1920s. The style is loosely based on
  Medieval construction.
• The “bungalow” (1900-1920) was supposedly a modified
  version of an Indian rural vernacular form. The bungalow
  typically has a low-pitched roof with wide overhang
  eaves.
• This narrow home fits easily on small city lots. In the
  Midwest this version of the “bungalow” is known as the
  “Chicago bungalow” style.
• Commonly built in the 1950s and 1960s, this style of
  home is an good example of maladaptive diffusion since it
  was intended for the year round living of southern
  California.
• This “California Ranch” with all rooms on one level
  takes up a larger lot and has encouraged urban
  sprawl.
THE END

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Culture 2

  • 2. How are hearths of popular culture traits established? • Typically begins with an idea/good and contagious diffusion. • Companies can create/manufacture popular culture. (ie. MTV) • Individuals can create/manufacture popular culture. (ie. Tony Hawk)-video games involving extreme sports popularized skateboarding and other sports.
  • 3. The hearth of Phish concerts is in the northeastern United States, near where the band began in Vermont.
  • 4. With Distance Decay, the likelihood of diffusion decreases as time and distance from the hearth increases. With Time-Space Compression, the likelihood of diffusion depends upon the connectedness among places. Which applies more to popular culture?
  • 5. Why are popular culture traits usually diffused hierarchically? How is fashion in popular culture an example of hierarchical diffusion?
  • 6. • Reterritorialization of popular culture occurs when an aspect of popular culture is modified to adapt locally-e.g. Japanese baseball, European Hip Hop-MC Solaar-France, Die Fantastischen Vier-Germany, Jovanatti-Italy.
  • 7. • Syncretism-a fusion of old and new to create a new cultural trait-this concept is similar to reterritorialization. • The examples below are foreign foods that have been modified to fit American tastes.
  • 8. • The influence of Europe, the US and Japan in global popular culture makes many people feel threatened. • France’s govt. subsidizes the French film industry and sets limits on foreign music on the radio
  • 9. Cultural Landscape • The imprint of people on the land-how humans use, alter and manipulate the landscape to express their identity. • Examples; – Architecture of buildings – Methods of tilling the soil – Means of transportation – Clothing and adornment – Sights, sounds and smells of a place
  • 10. Cultural Landscape The visible human imprint on the landscape. How have people changed the landscape? - What buildings, statues, and so forth have they erected? - How do landscapes reflect the values of a culture?
  • 11. The cultural landscape is fashioned from a natural landscape by a cultural group. Culture is the agent, the natural area the medium, the cultural landscape is the result. Under the influence of a given culture, itself changing through time, the landscape undergoes development, passing through phases, and probably reaching ultimately the end of its cycle of development. With the introduction of a different-that-is alien culture, a rejuvenation of the cultural landscape sets in, or a new landscape is superimposed on remnants of an older one. Carl Sauer, 1925
  • 12. Convergence of Cultural Landscapes: • The widespread distribution of businesses and products creates distinctive landscape stamps around the world. • What are some other examples of businesses that can be found around the world?
  • 13. Convergence of Cultural Landscapes: • Diffusion of architectural forms and planning ideas around the world.
  • 14. Convergence of Cultural Landscapes: • Borrowing of idealized landscape images blurs place distinctiveness.-right Las Vegas, Nevada-below Toronto, Canada
  • 15. Placelessness: the loss of uniqueness in a cultural landscape – one place looks like the next.
  • 16. House Types • Kniffen’s traditional American house types: New England Mid-Atlantic Southern Tidewater
  • 17. • The New England “Large” house is a modern adaptation of a Yankee folk house that added a wing as the style migrated westward. It is a 2 ½ story house built around a central chimney.
  • 18. • The Georgian Style (1700-1800) used Renaissance inspired classical symmetry. Typically it was 2 rooms deep and 2 rooms high with end chimneys and pilasters around the door.
  • 19. • The “Cape Cod” style dwelling from New England features a steep roof with side gables and a symmetrical layout with the door in the center.
  • 20. • The Victorian or Queen Anne style of architecture was dominant in the United States from 1880 to 1900.
  • 21. • The Tudor Revival (1910-1940) became popular in suburban areas in the 1920s. The style is loosely based on Medieval construction.
  • 22. • The “bungalow” (1900-1920) was supposedly a modified version of an Indian rural vernacular form. The bungalow typically has a low-pitched roof with wide overhang eaves.
  • 23. • This narrow home fits easily on small city lots. In the Midwest this version of the “bungalow” is known as the “Chicago bungalow” style.
  • 24. • Commonly built in the 1950s and 1960s, this style of home is an good example of maladaptive diffusion since it was intended for the year round living of southern California.
  • 25. • This “California Ranch” with all rooms on one level takes up a larger lot and has encouraged urban sprawl.
  • 26.