SlideShare uma empresa Scribd logo
1 de 18
Ten out of 10:
A Case Study in Artistic Planning



                  Gale Mahood
     Director of Planning and Orchestra Management
Royal Scottish National Orchestra
  Scope of Activities: cities in Central Belt

Glasgow & Edinburgh
  18 Season concerts
  3 Naked Classics
  2 weeks of Primary and Secondary Schools concerts
  2 weeks of Festive programming (Christmas and New Year)
  3 Chamber Music series concerts
  2 Children’s Classic Concerts
plus
Glasgow only                        Edinburgh only
Kelvingrove Concerts                2 Edinburgh Festival
2 weeks of Monster Music
St Andrews Party
Royal Scottish National Orchestra
Scope of Activities: cities outside Central Belt
 Dundee
 3 Season concerts
 1 Naked Classics
 1 Festive (Christmas)
 2 weeks of Primary and Secondary Schools concerts (every 3 years)
 Aberdeen
 2 Season concerts (as part of 9-concert series with SCO)
 1 Naked Classics
 1 Festive (Christmas)
 2 weeks of Primary and Secondary Schools concerts (every 3 years)
 Perth
 2 Season concerts (as part of 6-concert series with SCO and BBC SSO)
 2 weeks of Primary and Secondary Schools concerts (every 3 years)
 Inverness
 1 Season concert (as part of 5-concert series promoted by Eden Court)
Royal Scottish National Orchestra
   Scope of Activities: towns and regions
Langholm
1 chamber orchestra concert
Forfar
1 Glamis Castle concert (outdoors)
Orkney
3 concerts and conducting course (every 3 years)

Out and About (different region annually)
Dumfries and Galloway
Argyll and Bute
Angus
Perthshire
Aberdeenshire
Shetland
Royal Scottish National Orchestra
  Venue and Programme Coordination
Ground Rules for Responsible Programming



  Nothing succeeds better than great music.
  Give importance to each piece.
  Lead taste.
  Aim for audience comfort levels, minus one.
  Add spice, little extras, something unexpected.
  Agonise, agonise, agonise.
  Passion and belief are contagious.
The “Chicken in Every Pot” Programming Philosophy




                         Larsson     En vintersaga (A Winter’s Tale)
                         Grieg       Piano Concerto
                         Tchaikovsky Symphony No.1 “Winter Dreams”


                         Dutilleux               Symphony No.1
                         Rachmaninov             Piano Concerto No.4
                         Stravinsky              Firebird Suite (1919)


                         Bartók      Hungarian Peasant Songs
                         Bartók      Violin Concerto No.1
                         Mahler      Symphony No.5
The “Chicken in Every Pot” Programming Philosophy




Grieg       Peer Gynt Suite No.1
Sibelius    Violin Concerto
Rossini     William Tell Overture
Respighi    Pines of Rome


Beethoven   Egmont Overture
Beethoven   Piano Concerto No.5, “Emperor”
Brahms      Symphony No.4


Beethoven Fidelio Overture
Grieg       Piano Concerto
Tchaikovsky Symphony No.5
The “Chicken in Every Pot” Programming Philosophy



                         Dukás        La Péri
                         Ravel        Shéhérazade
                         Debussy      Prelude to the Afternoon of a Faun
                         Schmitt      La tragédie de Salomé


                         Turnage      Drowned Out
                         Mozart       Piano Concerto No.12, K.414
                         Stravinsky   Symphony in Three Movements


                         Denisov     Bells in the Fog
                         Myaskovsky Silentium
                         Shchedrin   Concerto for No.2, “The Chimes”
                         Rachmaninov The Bells
Ten out of 10: The Works


MacMillan   Three Interludes from The Sacrifice
Connesson   Aleph
Saariaho    Orion
Grime       Virga
Lindberg    Graffiti
Knussen     Violin Concerto
Salonen     Insomnia
Rouse       Rapture
Lieberson   Neruda Songs
Adams       Transmigration of Souls
Ten out of 10
Bringing the full organisation on board: staff ideas
Ten out of 10
Bringing the press and public on board
Ten out of 10
Bringing the press and public on board

 http://vimeo.com/10532429
Ten out of 10
Bringing the press and public on board
Ten out of 10
               Feedback from the press


“Nearly 30 years ago it was the case that the mere inclusion of a modern
work at the top of an SNO programme would result in empty seats. Even
when an audience did turn up and steeled themselves to get through the
horrible bit because they wanted to hear the Sibelius symphony in the
second half, the disinterest in the modern piece was tangible to the point
of embarrassment.

The orchestra didn’t exactly help matters: you could almost feel the aura
of antipathy emanating from the ranks. And thus grew the culture of the
now-RSNO as being seriously not your symphony orchestra for modern
music. A former chief executive had a go at tackling the issue in a
Discovery series; but ultimately that got nowhere. This one feels different.
The attitude is different, the presentation is different and the whole
ethos is different.”
                                                                  The Herald
Ten out of 10
            Feedback from the audience


“I was uncertain about the series but Stéphane is to be congratulated
on giving us these works. Connesson is a find! More
please. Lindberg's Graffiti was an exciting and difficult sing, handled
very well by the Chorus. I hadn't heard of Knussen and was pleasantly
surprised. The Naked Classics look at Insomnia was the ideal way to
come to this piece for the first time – it made sense of it all, and made
it enjoyable. The Neruda Songs were very moving. The John Adams last
night just blew me away – unusual, poignant, emotional, atmospheric,
and beautifully handled by orchestra and choruses – as it is tied in so
much to a particular event I hope orchestras will not consign it to
library shelves.

I didn't hear all the Ten and, despite my initial reservations, I am so
pleased to have been led into new areas of music experience.”
Ten out of 10
                          A few statistics…


                                                         Edinburgh           Glasgow
Average Attendance 10:11 Season:                         1619                1560
Avg. for concerts including a Ten out of 10 piece:       1527                1470
Avg. for concerts not including a Ten out of 10 piece:   1700                1641

However…

Average Attendance 09:10 Season:                         1512                1458
Meaning in the 10:11 Season attendance increased by:     7%                  6.9%

And…
Average ticket sales for Ten out of 10 concerts exceeded average ticket sales for the
previous season.
Ten out of 10
                      Follow up


MacMillan Three Interludes performed at BBC Proms and at the
Gewandhaus in Leipzig in 2010 and 2011, respectively.
MacMillan’s Third Piano Concerto and clarinet concerto Ninian
planned for 2013:14. Future commissions for 2014:15 and 2015:16
seasons.
Gave UK premiere of Lieberson’s Songs of Love and Sorrow in
2011:12.
Co-Commissioned Saariaho’s Circle Map with the Concertgebouw,
Boston, Stavanger and Gothenburg Symphonies and the Orchestre
National de France. Scheduled for UK premiere in 2013:14.
Performing and recording Adams Harmonielehre and Doctor Atomic
Symphony in 2012:13.

Mais conteúdo relacionado

Semelhante a A case study in artistic planning

Semelhante a A case study in artistic planning (13)

International Concert Series
International Concert SeriesInternational Concert Series
International Concert Series
 
Little Prince Proposal - April 2015
Little Prince Proposal - April 2015Little Prince Proposal - April 2015
Little Prince Proposal - April 2015
 
Orchestra Concert Essay
Orchestra Concert EssayOrchestra Concert Essay
Orchestra Concert Essay
 
Symphony Orchestra Essay
Symphony Orchestra EssaySymphony Orchestra Essay
Symphony Orchestra Essay
 
FTH Autumn 2009 Guide
FTH Autumn 2009 GuideFTH Autumn 2009 Guide
FTH Autumn 2009 Guide
 
Digging Deep
Digging DeepDigging Deep
Digging Deep
 
Orchestra Essay
Orchestra EssayOrchestra Essay
Orchestra Essay
 
Study Guide for Test 2
Study Guide for Test 2Study Guide for Test 2
Study Guide for Test 2
 
TOP 100+Listening choices for Independent Listening Report #1.docx
TOP 100+Listening choices for Independent Listening Report #1.docxTOP 100+Listening choices for Independent Listening Report #1.docx
TOP 100+Listening choices for Independent Listening Report #1.docx
 
KURTAG_IPMJ16_060
KURTAG_IPMJ16_060KURTAG_IPMJ16_060
KURTAG_IPMJ16_060
 
Pianoforte Research Paper
Pianoforte Research PaperPianoforte Research Paper
Pianoforte Research Paper
 
Wagner Talk #2: The music of the Ring Cycle
Wagner Talk #2: The music of the Ring CycleWagner Talk #2: The music of the Ring Cycle
Wagner Talk #2: The music of the Ring Cycle
 
ccwritingsamplespalladiumitem
ccwritingsamplespalladiumitemccwritingsamplespalladiumitem
ccwritingsamplespalladiumitem
 

A case study in artistic planning

  • 1. Ten out of 10: A Case Study in Artistic Planning Gale Mahood Director of Planning and Orchestra Management
  • 2. Royal Scottish National Orchestra Scope of Activities: cities in Central Belt Glasgow & Edinburgh 18 Season concerts 3 Naked Classics 2 weeks of Primary and Secondary Schools concerts 2 weeks of Festive programming (Christmas and New Year) 3 Chamber Music series concerts 2 Children’s Classic Concerts plus Glasgow only Edinburgh only Kelvingrove Concerts 2 Edinburgh Festival 2 weeks of Monster Music St Andrews Party
  • 3. Royal Scottish National Orchestra Scope of Activities: cities outside Central Belt Dundee 3 Season concerts 1 Naked Classics 1 Festive (Christmas) 2 weeks of Primary and Secondary Schools concerts (every 3 years) Aberdeen 2 Season concerts (as part of 9-concert series with SCO) 1 Naked Classics 1 Festive (Christmas) 2 weeks of Primary and Secondary Schools concerts (every 3 years) Perth 2 Season concerts (as part of 6-concert series with SCO and BBC SSO) 2 weeks of Primary and Secondary Schools concerts (every 3 years) Inverness 1 Season concert (as part of 5-concert series promoted by Eden Court)
  • 4. Royal Scottish National Orchestra Scope of Activities: towns and regions Langholm 1 chamber orchestra concert Forfar 1 Glamis Castle concert (outdoors) Orkney 3 concerts and conducting course (every 3 years) Out and About (different region annually) Dumfries and Galloway Argyll and Bute Angus Perthshire Aberdeenshire Shetland
  • 5. Royal Scottish National Orchestra Venue and Programme Coordination
  • 6. Ground Rules for Responsible Programming Nothing succeeds better than great music. Give importance to each piece. Lead taste. Aim for audience comfort levels, minus one. Add spice, little extras, something unexpected. Agonise, agonise, agonise. Passion and belief are contagious.
  • 7. The “Chicken in Every Pot” Programming Philosophy Larsson En vintersaga (A Winter’s Tale) Grieg Piano Concerto Tchaikovsky Symphony No.1 “Winter Dreams” Dutilleux Symphony No.1 Rachmaninov Piano Concerto No.4 Stravinsky Firebird Suite (1919) Bartók Hungarian Peasant Songs Bartók Violin Concerto No.1 Mahler Symphony No.5
  • 8. The “Chicken in Every Pot” Programming Philosophy Grieg Peer Gynt Suite No.1 Sibelius Violin Concerto Rossini William Tell Overture Respighi Pines of Rome Beethoven Egmont Overture Beethoven Piano Concerto No.5, “Emperor” Brahms Symphony No.4 Beethoven Fidelio Overture Grieg Piano Concerto Tchaikovsky Symphony No.5
  • 9. The “Chicken in Every Pot” Programming Philosophy Dukás La Péri Ravel Shéhérazade Debussy Prelude to the Afternoon of a Faun Schmitt La tragédie de Salomé Turnage Drowned Out Mozart Piano Concerto No.12, K.414 Stravinsky Symphony in Three Movements Denisov Bells in the Fog Myaskovsky Silentium Shchedrin Concerto for No.2, “The Chimes” Rachmaninov The Bells
  • 10. Ten out of 10: The Works MacMillan Three Interludes from The Sacrifice Connesson Aleph Saariaho Orion Grime Virga Lindberg Graffiti Knussen Violin Concerto Salonen Insomnia Rouse Rapture Lieberson Neruda Songs Adams Transmigration of Souls
  • 11. Ten out of 10 Bringing the full organisation on board: staff ideas
  • 12. Ten out of 10 Bringing the press and public on board
  • 13. Ten out of 10 Bringing the press and public on board http://vimeo.com/10532429
  • 14. Ten out of 10 Bringing the press and public on board
  • 15. Ten out of 10 Feedback from the press “Nearly 30 years ago it was the case that the mere inclusion of a modern work at the top of an SNO programme would result in empty seats. Even when an audience did turn up and steeled themselves to get through the horrible bit because they wanted to hear the Sibelius symphony in the second half, the disinterest in the modern piece was tangible to the point of embarrassment. The orchestra didn’t exactly help matters: you could almost feel the aura of antipathy emanating from the ranks. And thus grew the culture of the now-RSNO as being seriously not your symphony orchestra for modern music. A former chief executive had a go at tackling the issue in a Discovery series; but ultimately that got nowhere. This one feels different. The attitude is different, the presentation is different and the whole ethos is different.” The Herald
  • 16. Ten out of 10 Feedback from the audience “I was uncertain about the series but Stéphane is to be congratulated on giving us these works. Connesson is a find! More please. Lindberg's Graffiti was an exciting and difficult sing, handled very well by the Chorus. I hadn't heard of Knussen and was pleasantly surprised. The Naked Classics look at Insomnia was the ideal way to come to this piece for the first time – it made sense of it all, and made it enjoyable. The Neruda Songs were very moving. The John Adams last night just blew me away – unusual, poignant, emotional, atmospheric, and beautifully handled by orchestra and choruses – as it is tied in so much to a particular event I hope orchestras will not consign it to library shelves. I didn't hear all the Ten and, despite my initial reservations, I am so pleased to have been led into new areas of music experience.”
  • 17. Ten out of 10 A few statistics… Edinburgh Glasgow Average Attendance 10:11 Season: 1619 1560 Avg. for concerts including a Ten out of 10 piece: 1527 1470 Avg. for concerts not including a Ten out of 10 piece: 1700 1641 However… Average Attendance 09:10 Season: 1512 1458 Meaning in the 10:11 Season attendance increased by: 7% 6.9% And… Average ticket sales for Ten out of 10 concerts exceeded average ticket sales for the previous season.
  • 18. Ten out of 10 Follow up MacMillan Three Interludes performed at BBC Proms and at the Gewandhaus in Leipzig in 2010 and 2011, respectively. MacMillan’s Third Piano Concerto and clarinet concerto Ninian planned for 2013:14. Future commissions for 2014:15 and 2015:16 seasons. Gave UK premiere of Lieberson’s Songs of Love and Sorrow in 2011:12. Co-Commissioned Saariaho’s Circle Map with the Concertgebouw, Boston, Stavanger and Gothenburg Symphonies and the Orchestre National de France. Scheduled for UK premiere in 2013:14. Performing and recording Adams Harmonielehre and Doctor Atomic Symphony in 2012:13.

Notas do Editor

  1. http://vimeo.com/10532429