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HACKING THE CLASSROOM

constraints?               virginia kuhn
                           vkuhn@cinema.usc.edu
HACKING MY HEAD
graduate pedagogy:       virginia kuhn
three principles         vkuhn@cinema.usc.edu
three principles                     HACKING MY HEAD

1. don’t assume they can recognize       virginia kuhn
                                         vkuhn@cinema.usc.edu
your biases

II. don’t privilege one semiotic
register

III. don’t assume critical
consciousness when it comes to
production
HACKING MY HEAD
1. don’t assume they can
recognize your biases




                                  virginia kuhn
                                   vkuhn@cinema.usc.edu
HACKING MY HEAD

some basic premises




                            virginia kuhn
                            vkuhn@cinema.usc.edu
HACKING MY HEAD

some basic premises
l. orality > literacy > digital

II. ‘fluency’ = consuming + producing

lll. ethics: pedagogy + epistemology
                                       virginia kuhn
                                       vkuhn@cinema.usc.edu
HACKING MY HEAD
IML501: Seminar in Contemporary
Digital Media

I. managing + mobilizing the digital

II. contributing to the public sphere

III. fostering systems thinking
                                        virginia kuhn
                                        vkuhn@cinema.usc.edu
my scholarship                                 HACKING MY HEAD




                    http://scalar.usc.edu/anvc/kuhn/index

                 International Journal of Learning and Media

                                                               virginia kuhn
                                                               vkuhn@cinema.usc.edu
HACKING MY HEAD

II. don’t privilege writing over
other semiotic registers




                                          virginia kuhn
                                           vkuhn@cinema.usc.edu
HACKING MY HEAD

image project
HACKING MY HEAD

feedback
HACKING MY HEAD

revision
HACKING MY HEAD

final




             virginia kuhn
             vkuhn@cinema.usc.edu
HACKING MY HEAD
REMIX




                 virginia kuhn
                 vkuhn@cinema.usc.edu
REMIX   HACKING MY HEAD




                 virginia kuhn
                 vkuhn@cinema.usc.edu
HACKING MY HEAD
REMIX   “you have too many words!!”




                        virginia kuhn
                         vkuhn@cinema.usc.edu
HACKING MY HEAD
REMIX
revision
III. don’t assume critical HACKING MY HEAD
engagement with production




                                virginia kuhn
                                 vkuhn@cinema.usc.edu
HACKING MY HEAD
ethics of representation




              http://enculturation.gmu.edu/6.2/kuhn
HACKING MY HEAD
              virginia kuhn
               vkuhn@cinema.usc.edu



thank you!

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Hacking the Classroom C+W 2012

Notas do Editor

  1. In thinking about the ways in which the classroom needs to be hacked, I have taken a bit of a turn from critiquing institutional structures: constraints that arise from outmoded disciplinary boundaries, curricular edicts, scholarly biases--it’s not that I don’t have a lot to say about their limitations, b/c I do and have, but when it comes to the level of the classroom, I have a lot of freedom. I’ve designed most of the curriculum and have not had much trouble getting it through. Moreover there is typically far more freedom in graduate classes anyway. Therefore, I turned the critical lens on myself and really reflected upon my own pedagogy, concluding that I need to hack my own head. \n
  2. I realize that any hacking that needs to be done needs to be done in my own head. I need to consider the ways in which I am clinging to an old paradigm about graduate education, much as i have been able to shift re: undergrad, given that i’ve been explicitly doing that for many years. I offer three lessons with attendant examples, of the ways in which i’ve hacked my own head in the service of hacking the classroom. t\n
  3. I realize that any hacking that needs to be done needs to be done in my own head. I need to consider the ways in which I am clinging to an old paradigm about graduate education, much as i have been able to shift re: undergrad, given that i’ve been explicitly doing that for many years. I offer three lessons with attendant examples, of the ways in which i’ve hacked my own head in the service of hacking the classroom. t\n
  4. 1. opened class with overview of premises; was quite upfront about what is not on the table (e.g. no paradigm shift, a continuum]\n\n
  5. In thinking about the ways in which the classroom needs to be hacked, I have taken a bit of a turn from critiquing institutional structures: constraints that arise from outmoded disciplinary boundaries, curricular edicts, scholarly biases--it’s not that I don’t have a lot to say about their limitations, b/c I do and have, but when it comes to the level of the classroom, I have a lot of freedom. I’ve designed most of the curriculum and have not had much trouble getting it through. Moreover there is typically far more freedom in graduate classes anyway. Therefore, I turned the critical lens on myself and really reflected upon my own pedagogy, concluding that I need to hack my own head. \n
  6. In thinking about the ways in which the classroom needs to be hacked, I have taken a bit of a turn from critiquing institutional structures: constraints that arise from outmoded disciplinary boundaries, curricular edicts, scholarly biases--it’s not that I don’t have a lot to say about their limitations, b/c I do and have, but when it comes to the level of the classroom, I have a lot of freedom. I’ve designed most of the curriculum and have not had much trouble getting it through. Moreover there is typically far more freedom in graduate classes anyway. Therefore, I turned the critical lens on myself and really reflected upon my own pedagogy, concluding that I need to hack my own head. \n
  7. but also these, which are more specific to IML501\n
  8. I also assigned my own work which I am typically wont to do. But i didn’t ask them to buy anything and it also lets class know where I stand. \n
  9. I opened with a first day image assignment which I usually view as less academic.\n
  10. image project revisions; you have too many words!!\n
  11. \n
  12. \n
  13. \n
  14. \n
  15. \n
  16. \n
  17. \n
  18. And speaking of remix brings me to my last lesson: don’t assume critical consciousness when it comes to production. We might call this a tribute or homage, but a less generous reading sees it as appropriation. \n
  19. add marlon riggs ethnic notions for in class viewing: also explicit instances of ways of seeing. We might call this a tribute or homage, but a less generous reading sees it as appropriation. \n
  20. add marlon riggs ethnic notions for in class viewing: also explicit instances of ways of seeing. We might call this a tribute or homage, but a less generous reading sees it as appropriation. \n