2. First Draft of the digipack front
cover
Feedback screenshots
from a Facebook
conversation and
comments about the
third draft of the
digipack
After much similar
verbal feedback from
peers, I went though
four designs, each
similar in style
4. Final Draft of the digipack
After four drafts I was still receiving heavy constructive criticism, so I looked
at the essentials and created a much simpler composition. This turned out
to be a special CGI render of a large cube made of tiny cubes; this also
closely follows the visual themes of the music video.
5. Magasine feedback
I created the magasine
advertisement from the ashes
of the fourth digipack design.
My resulting composition was
well received by the people who
liked my Facebook page, with
constructive criticism
screenshots from posts below.
Above – a screenshot of a
post on my Facebook page,
which I used as a medium to
collect feedback, which is
seen in the screenshot to the
left
6. Further magasine feedback
Above – in response to
previous comments on the
magasine I created this image
testing subtle differences in
colour correction, so I could
demonstrate my options
Left – responses to the image
7. Before and After
The ‘before’ image to the left, the ‘after’ image to the right. The differences are all
results of what I learned from feedback – the colour correction in the latter
image looks far more natural. New text alignment in the final design is also a
result of verbal feedback.
8. Response to the music video
After dealing with the two
ancillary products, I posted the
finalised music video for
feedback. All comments on the
music video were positive,
primarily praising the CGI
sequences. I learned from this
that employing the use of
spectacle works very well when
making music videos to songs
created for the opening
sequences of 007 films.