A Semantic Multimedia Web (Part 3)
•
5 gostaram•1,145 visualizações
A Semantic Multimedia Web: Part 3 of a series of lectures given at the Universidad Politécnica de Madrid (UPM), May 2009
![A Semantic Multimedia Web: Create, Annotate, Present and Share your Media Raphaël Troncy, < [email_address] > CWI, Interactive Information Access](https://image.slidesharecdn.com/lectureupm-08-05-2009-090509125228-phpapp01/85/A-Semantic-Multimedia-Web-Part-3-1-320.jpg)
![Agenda ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]](data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7)
Recomendados
Recomendados
Mais conteúdo relacionado
Destaque
Destaque (14)
Semelhante a A Semantic Multimedia Web (Part 3)
Semelhante a A Semantic Multimedia Web (Part 3) (20)
Mais de Raphael Troncy
Mais de Raphael Troncy (20)
Último
Último (20)
A Semantic Multimedia Web (Part 3)
- 1. A Semantic Multimedia Web: Create, Annotate, Present and Share your Media Raphaël Troncy, < [email_address] > CWI, Interactive Information Access
- 6. Content of example Clair-obscur (Frans) en chiaroscuro (Italiaans) betekenen 'licht-donker'. Beide termen worden gebruikt om sterke licht-donkercontrasten in schilderijen, tekeningen en prenten aan te duiden. Hoewel het effect al eerder werd toegepast, is de term pas sinds het einde van de 16de eeuw in zwang. De oorsprong van het woord ligt in Italië. De schilder Caravaggio (1573-1610) maakte het chiaroscuro-effect tot zijn handelsmerk. Hij was een meester in het schilderen van donkere taferelen met één felle lichtbundel .
- 7. Three ingredients Content Presentation structure
- 8. Presentation structure of example Clair-obscur (Frans) en chiaroscuro (Italiaans) betekenen 'licht-donker'. Beide termen worden gebruikt om sterke licht-donkercontrasten in schilderijen, tekeningen en prenten aan te duiden. Hoewel het effect al eerder werd toegepast, is de term pas sinds het einde van de 16de eeuw in zwang. De oorsprong van het woord ligt in Italië. De schilder Caravaggio (1573-1610) maakte het chiaroscuro-effect tot zijn handelsmerk. Hij was een meester in het schilderen van donkere taferelen met één felle lichtbundel . Chiaroscuro & Rembrandt Harmensz. Van Rijn description examples title
- 9. Three ingredients Content Presentation structure Aesthetics abcdefghij abcdefghijklmn ABCDEFGHIJK abcdefghijklm abcdefghijklm
- 10. Aesthetics of example Colours Fonts Layout Colours
- 11. Design dependencies Content Presentation structure Aesthetics abcdefghij abcdefghijk ABCDEFGHIJK abcdefghijk abcdefghijk
- 12. Presentation Structure depends on Layout description title title description description examples title description examples title
- 13. Style Depends on Content Chiaroscuro & Rembrandt The Stone Bridge (1638) Chiaroscuro & Rembrandt The Stone Bridge (1638)
- 14. Presentation structure depends on content Rembrandt Caravaggists chiaroscuro 1631 1628 1638 1623 1628
- 15. Example Presentation Structure Rembrandt Chiaroscuro Caravaggists 1631 1628 1638 1623 1628
- 17. Multimedia Web Tagging Semantic Web
- 18. Making Music Out Of The Social Noise
- 19. W3C Multimedia Semantics XG (2007) W3C Multimedia Semantics XG http://www.w3.org/2005/Incubator/mmsem/
- 24. W3C Media Annotations WG (2009) http://www.w3.org/2008/WebVideo/Annotations/
- 29. Design interactive interfaces to explore a large heterogeneous graph Presentation @ Talis December 2008
- 30. Browsing Linked Data Tabulator (CSAIL, MIT)
- 31. Browsing Linked Data Disco (Free University of Berlin)
- 32. Browsing Linked Data Marbles (Free University of Berlin)
- 33. Browsing Linked Data Zitgist (Zitgist LLC)
- 34. Browsing Linked Data OpenLink Data Explorer (OpenLink Software)
- 36. cartoons videos
- 37. animations blogs
- 38. News Production
- 39. News Production: Complex & Dynamic Workflows
- 41. Metadata
- 45. News and Multimedia Formats (NAR) News Architecture NewsML G2 EventsML G2 SportsML G2
- 47. Building a Semantic Web Infrastructure for News 1 2 3 4 Modeling the NAR ontology Linking with media ontologies Building SKOS thesauri Enriching the metadata
- 48. Step 1: Modeling the NAR Ontology focus on reuse of XML types leading to multiple repetition resulting in overly complex nested XML structures
- 51. Step 2: Linking with Media Ontologies foaf:Person ≈ nar:Person dc:Subject ≈ nar:Subject sioc:Item ≈ nar:Item geo:lat geo:long +
- 52. Step 3: Getting SKOS Vocabularies
- 53. Step 3: Getting SKOS Vocabularies
- 55. Step 4: Enriching the News Metadata NAR Ontology NewsCodes Thesaurus Named Entity Recognition Domain Ontologies
- 56. Step 4: Enriching the News Metadata NAR Ontology NewsCodes Thesaurus Domain Ontologies Concept Detectors
- 57. Web of Data and Linked Data dbpedia:Zidane foaf:depicts nar:location geonames:2950159 nar:subject nc:15054000 events:id wp:2006_FIFA_World_Cup#Final
- 59. Semantic Search of Multimedia News Powered by ClioPatria 1.0 alpha 3 1,067,754 Total 1,932 INA Broadcast Video (June/July 2006) 61,311 AFP Photos (June/July 2006) 804,446 AFP News Feed (June/July 2006) 53,468 DBpedia, Geonames 34,903 Thesauri: newscodes 104,358 Domain Specific Ontologies: football 7,336 General Ontologies: NAR, DC, FOAF Number of RDF Triples Description
- 61. Provide new dimensions for browsing Distinguish field images vs stadium and street images with a grass detector for the World Cup dataset
- 67. ABC Event Model
- 68. CIDOC CRM Event Model
- 72. Towards an Linked Events Model?
- 74. Configuring Semantic Web Interfaces by Data Mapping Presentation @ VISSW Visual Interfaces to the Social and the Semantic Web February 2009
- 79. Thanks for your attention http:// www.cwi.nl/~troncy