2. You s
h
vide ould pic
Task
o fro kam
you h m th
ave c e ge usic
and
analy hose nre that
s n to
follo c
wing e it usin reate
in a P theo g the
ower ries.
can t Poin Do th
hen t i
slide uplo that you s
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4. Jason
n Mit
that i tell (2
n
sell p dustries 001) argu
r u
Medi oducts to se genre es
a pro audie to
famil
iar co ducers us nces.
conve des a e
make ntions th nd
audie refer at ve
ence ry oft
socie nce know s to their en
t l
texts y and oth edge of
you a . – Is this er me
re loo true dia
u s ed c k in
video onve ing at? H the video
s and ntions fro ave they
refer m
enced similar
socie
ty?
5. Chris
stian
tha t g Metz
enres (1974
typic go th ) argu
al cyc rough ed
t he i r le of a
lifetim chan
Look e. - I g es d
at a v s this ur i ng
ago f ideo
rom t from true?
they h 1
simil e same g 0 years
Wha a r in e
t a re any w nre, are
conve the d ay?
ntion iffere
tell m s? Re nces
e wh mem in
comp at vid ber t
aring e o yo o
this t u are
o.
8. Todorov’s narrative theory
Bulgarian structural linguist who made a great contribution
to narrative studies from the 1960’s onwards
Todorov argued that a story goes through stages of
transformation that lead to a conclusion.
9. He s
ugge
situa sts tha
actio tion that the st
crea n and f t is theory beg
t ed. inall n dis ins w
y a n rup i
ew s ted bth a
1. Eq
rov
ituat y an
uilib ion i
2. D r i um s
isr or no
sign uption r ma
Todo 3. R
‘Age ificant of the
nts o acti equ
lity
ecog f dis on or ilibri
r upt u
4. At nitio ion’an evenm by a
temp n of t by
5. R t to r
epai
th e d
isr u
e tu r r th e p ti o n
for m n to e
ain p quili disr
rota br i u upt i
goni m or on
st. nor m
One ality
fourt f acto
r
disruh stagethat to
over ption c , the atconside
of th again an be tempt r is tha
e Eq until repe to re
uilib ther ated pairt the
rium e is a ove the
resto r and
ratio
n
10. 1. Equi
tired librium
happ NY cop – John M
2. Di y, protectleving in cClain is
i
srup d cit a safe a
ard
a Sch tion y. a nd
McC oo l , a – A b o
3. Th lain nd the mb is p
to wo t la
e rk therrorists nted in
Die H the Bdisrupti e ca s a
e. sk for
4. Th ank Robb recog on i s
e att er y i
Equi e mp s thenised i.e
t real .
catchlibrium to resto heist
away the robis McCl re/repai .
5. Th . b er s ain t rt
b ef o r y i ng h e
e eq re th t
they uilib ey go
r et
his c catch th ium is re
chop atch phr em and stored
per i a M wh
s desse just b cClain s en
troye efore a
d. the ys
11. rov
Does
mus the n
Todo ic vi arrative
deo
stag
es of follo in your
theo Todo w th
r y? I rovs e
narr s the
ative re a
whol
ysin g
of th or do e
e sta only
ges a
ppea some
r.
Ana l
12. Tens
s
narraion and
d
conf tive com rama i
ar y
betwlict or op es fromn the
ory
een p
Can two s osition
ides
s’ Bin
n Th e char be b
diffe acter etween
in ‘W rent s or two two
and esterideologi
India ns’, Co es (e.g.
Strau
Sci-F
o stio
ns) w bo
i a lm ys
repre
betw sentsost alwa
een this cla ys
L ev i
hum
ans/ humans sh as
O pp
robo /alie
ts n s,
13. a us s
Does
bina your
r y op video ha
narr v
ative position e a
g Str
that ? Tw in th
are f o pe e
nece ighti ople
ssar ng (n
y ph
oppo ysica ot
l ys in
sing lly) o
each
othe r
r?
Ana
15. O’Su
llivan
detai
ls tha et al (199
label t a st 8)
s
of ca that invol ereotype
type
tegor ves a is a
evalu isatio proce
ation n and ss
We c .
a
short n call ste
S tero
hand reoty
becau to na pes
repre se such s rratives
i
unde sentation mplistic
rstan s defi
texts ding n
of me e our
good – e.g we k dia
and w now
ho is who
evil. is
16. Wha
at ste
been reoty
used pes
vide in th have
o yo
at? u are e musi
look c
ing
17. de r
How
h
Ge n repr as gend
esen e
vide ted i r been
o? E n yo
conv .g. a ur
entio re th
mas
culin nally e men
e?
18. Laur
that ta Mulvey
view he domi (1975) a
body is mascu nant poinrgues
–
gaze is displayline. The t of
G aze
lvey pleas in order t ed for th female
(vouy ure for th o provid e male
there erism). W e male e erotic
came fore obje omen a
a Mu
gend ra lens a ctified b re
M al e
spect er the nd whatey the
posit ator/aud ver
masc ioned to ience is
La ur
appa uline POVaccept th
Th e
looki rent in th . – Is thi e
ng at e v id s
? e o yo
u are