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MIDDLE EARTH 12
Senior Humanities Elective Course - a personalized approach
 to the study of language and landscape, self and the world




         Glen Thielmann • D.P. Todd Secondary
      SD57 Prince George • Board Authorized Course Proposal
BACKGROUND

part of an effort to try new
ideas & develop new
programs at our school

need for students to develop a
personal & authentic approach
to learning and creating

need to field test the BCED Plan              (photo source: Rhea Woolgar 2012)




room for a challenging senior elective in the Humanities

other rationale... note the links and further reading
OVERVIEW

try what Tolkien did
survey literary and
environmental themes
from diverse sources
critical thinking and
decoding skills
self-assessment and
narrative skills
historical, geographic, and “fantastic” exemplars
cross-curricular learning -- inquiry from many disciplines
CURRICULUM

Organizer - A. The Shape of Our Thoughts
It is expected that students will:

1. become familiar with benchmarks of thought in different disciplines (e.g. Benchmarks of
   Geographic Inquiry)

2. develop a personal approach or synthesis of thought and craft (a “pattern language”) from the
   study of language, literature, and landscape (e.g. how individual students read, view, work in
   a group, what they look for in a story, leverage their skill sets for research and presentation)

3. understand how themes connect creative works (like literature) and establish relevance for a
   various audiences (e.g. identify exemplars of innocence vs experience, the cycle of life, the nature
   of heroism)

4. understand the need for and develop a thoughtful web presence and semi-public representation
   of identity (e.g. decide on ethical and creative criteria for a digital portfolio)
CURRICULUM
Organizer - B. Sense and Purpose
It is expected that students will:

1. recognize the different history of British, American, Canadian, and World English (e.g.
   research background of peculiar “Canadianisms”)

2. compare basic characteristics of real languages (e.g. English, French, Gaelic), invented
   languages (e.g. Quenya, Sindarin, Khuzdul), and jargons (e.g. Chinook)

3. develop ability to study language and cultural origins through etymology (e.g.trace the path
   backwards of Old English and Norman French in our modern English)

4. compare representational writing systems or alphabets (e.g. Hieroglyphics, Celtic Runes,
   Tengwar, and The Cirth)

5. use graphic and non-written analysis of and response to creative works through artwork and
   digital media (e.g. express ecological relationships through watercolour painting of a landscape
   sketch)
CURRICULUM

Organizer - C. Landscapes Around Us
It is expected that students will:

1. recognize common landform features and processes (e.g. geomorphology associated with rivers
   and glaciers)

2. compare landform features processes in British Columbia and Tolkien’s Middle Earth (e.g.
   Rocky Mountains and Misty Mountains)

3. find parallels of landform processes in exemplars submitted by students from other works of
   fiction (e.g. gauge the accuracy of C.S. Lewis’s description of deserts in The Horse and His Boy)

4. analyze ecosystem processes in real and imagined locales (e.g. examine why Tolkien’s forests
   such as Fangorn and Mirkwood area concentration of magical processes, examine processes in
   real ecosystems that are still mysterious to scientists)
CURRICULUM
Organizer - D. Landscapes We Imagine
It is expected that students will:

1. develop listening & story-telling skills through study of oral and epic traditions (e.g. scan
   through the kinds and purposed of tales told at Rivendell)

2. recognize and apply correct language conventions in a variety of genres (e.g. use peer editing to
   polish written entries in student portfolios)

3. establish and identify voice of “self” and “other” in works of fantasy and historical fiction (e.g.
   take a position and defend it on which characters’ personas drive the story-telling in Lord of the
   Rings)

4. apply a personal approach to interpreting myth and allegory in a variety of genres, especially
   fantasy and historical fiction (e.g. apply a Personal Pattern Language to two selected legends)

5. apply a personal approach to reading, analyzing, writing, and responding to creative works in a
   variety of genres such as poetry and short fiction (e.g. apply a Personal Pattern Language to three
   selected works)
CURRICULUM
Organizer - E. Culture Adapts to Change
It is expected that students will:

1. understand multiple perspectives on resource and sustainability issues on land, air, and water
   (e.g. habitat loss for owls, ents, and oliphants, fouling of waterways: Great Lakes vs Dead
   Marshes, resource issues in literature, current events, and social media)

2. relate the story of soil and the challenge of soil conservation (e.g. see Sam’s gift of earth from
   Galadriel as an indication of the importance of soil management, modern issues and efforts at
   conservation)

3. become familiar with climate change science, literature, impact on culture, and possible responses
   (e.g. find Tolkien’s references to industrial landscapes and fumes polluting the atmosphere)

4. apply a personal approach to self expression and inquiry through digital media such as blogs,
   social media, and digital portfolios (e.g. take on an issue or problem and build a digital
   response based on research, connection, and creativity)

5. develop skills to create, edit, revise, and publish for an audience (e.g. share a project publicly with
   parents, peers, and/or an online community)
LEARNING RESOURCES

works (and creative model)
of J.R.R. Tolkien
local/BC landscapes & writing
works & exemplars submitted by
students - start with the spark
existing learning resources where
they benefit



                                http://www.amazon.com/Ents-Elves-Eriador-Environmental-Tolkien/dp/0813124182/
AMBITIONS

What if...? If only we could...
 new paths for students to
 explore their “sparks”
 leverage Learning Commons
 project- and problem-based
 learning
 assessment based on “capacity”
 cross-curricular & blended learning
 new methods and audiences for student learning
FULL STORY


   Course blog:
   http://
   middleearth12.blogspot.ca



   Middle Earth 12
   documentation:
   http://db.tt/Uziz9EBU
PROGRAM OPTIONS



Grade 11 Students                 Grade 12 Students
2 blocks, 8 grad credits          1 block, 4 grad credits
complete English 11 and           complete BAA course
Geography 12                      Middle Earth 12

               shared learning environment
               different learning outcomes

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Middle Earth 12 Board Approval

  • 1. MIDDLE EARTH 12 Senior Humanities Elective Course - a personalized approach to the study of language and landscape, self and the world Glen Thielmann • D.P. Todd Secondary SD57 Prince George • Board Authorized Course Proposal
  • 2. BACKGROUND part of an effort to try new ideas & develop new programs at our school need for students to develop a personal & authentic approach to learning and creating need to field test the BCED Plan (photo source: Rhea Woolgar 2012) room for a challenging senior elective in the Humanities other rationale... note the links and further reading
  • 3. OVERVIEW try what Tolkien did survey literary and environmental themes from diverse sources critical thinking and decoding skills self-assessment and narrative skills historical, geographic, and “fantastic” exemplars cross-curricular learning -- inquiry from many disciplines
  • 4. CURRICULUM Organizer - A. The Shape of Our Thoughts It is expected that students will: 1. become familiar with benchmarks of thought in different disciplines (e.g. Benchmarks of Geographic Inquiry) 2. develop a personal approach or synthesis of thought and craft (a “pattern language”) from the study of language, literature, and landscape (e.g. how individual students read, view, work in a group, what they look for in a story, leverage their skill sets for research and presentation) 3. understand how themes connect creative works (like literature) and establish relevance for a various audiences (e.g. identify exemplars of innocence vs experience, the cycle of life, the nature of heroism) 4. understand the need for and develop a thoughtful web presence and semi-public representation of identity (e.g. decide on ethical and creative criteria for a digital portfolio)
  • 5. CURRICULUM Organizer - B. Sense and Purpose It is expected that students will: 1. recognize the different history of British, American, Canadian, and World English (e.g. research background of peculiar “Canadianisms”) 2. compare basic characteristics of real languages (e.g. English, French, Gaelic), invented languages (e.g. Quenya, Sindarin, Khuzdul), and jargons (e.g. Chinook) 3. develop ability to study language and cultural origins through etymology (e.g.trace the path backwards of Old English and Norman French in our modern English) 4. compare representational writing systems or alphabets (e.g. Hieroglyphics, Celtic Runes, Tengwar, and The Cirth) 5. use graphic and non-written analysis of and response to creative works through artwork and digital media (e.g. express ecological relationships through watercolour painting of a landscape sketch)
  • 6. CURRICULUM Organizer - C. Landscapes Around Us It is expected that students will: 1. recognize common landform features and processes (e.g. geomorphology associated with rivers and glaciers) 2. compare landform features processes in British Columbia and Tolkien’s Middle Earth (e.g. Rocky Mountains and Misty Mountains) 3. find parallels of landform processes in exemplars submitted by students from other works of fiction (e.g. gauge the accuracy of C.S. Lewis’s description of deserts in The Horse and His Boy) 4. analyze ecosystem processes in real and imagined locales (e.g. examine why Tolkien’s forests such as Fangorn and Mirkwood area concentration of magical processes, examine processes in real ecosystems that are still mysterious to scientists)
  • 7. CURRICULUM Organizer - D. Landscapes We Imagine It is expected that students will: 1. develop listening & story-telling skills through study of oral and epic traditions (e.g. scan through the kinds and purposed of tales told at Rivendell) 2. recognize and apply correct language conventions in a variety of genres (e.g. use peer editing to polish written entries in student portfolios) 3. establish and identify voice of “self” and “other” in works of fantasy and historical fiction (e.g. take a position and defend it on which characters’ personas drive the story-telling in Lord of the Rings) 4. apply a personal approach to interpreting myth and allegory in a variety of genres, especially fantasy and historical fiction (e.g. apply a Personal Pattern Language to two selected legends) 5. apply a personal approach to reading, analyzing, writing, and responding to creative works in a variety of genres such as poetry and short fiction (e.g. apply a Personal Pattern Language to three selected works)
  • 8. CURRICULUM Organizer - E. Culture Adapts to Change It is expected that students will: 1. understand multiple perspectives on resource and sustainability issues on land, air, and water (e.g. habitat loss for owls, ents, and oliphants, fouling of waterways: Great Lakes vs Dead Marshes, resource issues in literature, current events, and social media) 2. relate the story of soil and the challenge of soil conservation (e.g. see Sam’s gift of earth from Galadriel as an indication of the importance of soil management, modern issues and efforts at conservation) 3. become familiar with climate change science, literature, impact on culture, and possible responses (e.g. find Tolkien’s references to industrial landscapes and fumes polluting the atmosphere) 4. apply a personal approach to self expression and inquiry through digital media such as blogs, social media, and digital portfolios (e.g. take on an issue or problem and build a digital response based on research, connection, and creativity) 5. develop skills to create, edit, revise, and publish for an audience (e.g. share a project publicly with parents, peers, and/or an online community)
  • 9. LEARNING RESOURCES works (and creative model) of J.R.R. Tolkien local/BC landscapes & writing works & exemplars submitted by students - start with the spark existing learning resources where they benefit http://www.amazon.com/Ents-Elves-Eriador-Environmental-Tolkien/dp/0813124182/
  • 10. AMBITIONS What if...? If only we could... new paths for students to explore their “sparks” leverage Learning Commons project- and problem-based learning assessment based on “capacity” cross-curricular & blended learning new methods and audiences for student learning
  • 11. FULL STORY Course blog: http:// middleearth12.blogspot.ca Middle Earth 12 documentation: http://db.tt/Uziz9EBU
  • 12. PROGRAM OPTIONS Grade 11 Students Grade 12 Students 2 blocks, 8 grad credits 1 block, 4 grad credits complete English 11 and complete BAA course Geography 12 Middle Earth 12 shared learning environment different learning outcomes