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hi, I’m theo
What do we do when we’ve
lost control?
Let’s have a look at pop
culture:
Snowpiercer,
Bong Joon-Ho (2013)
Based on the comic Le
Transperceneige (1982)
CONTROL
What do we do when we’ve
lost control?
Let’s look at pop culture:
Snowpiercer (2013)
CONTROL
The Universal Declaration
of Human Rights, article #4:
‘No one shall be held in
slavery or servitude;
slavery and the slave trade
shall be prohibited in all
their forms.’
HUMAN RIGHTS
More and more people think
we need to live in harmony
with nature.
Still, we slaughter 3 billion
animals for food each day.
HARMONY
How do we make sure the
sustainable developments
goals don’t end being
another Life Aid?
SDG’S
Your sustainable strategy.
PLAN ZERO
‘Then, from time to time,
like a diseased eyeball in
which distributing flashes
of light are perceived or like
this baroque sunbursts in
which rays from another
world suddenly break into
this one, we are reminded
that Utopia exists and that
other systems, other
spaces, are still possible.’
Fredric Jameson
BAROQUE SUNBURSTS
Designers react.
DESIGN GUILT
Designers react.
And plee guilty.
DESIGN GUILT
In the early 1990s business
professor Dick Buchanan
already came up with this
model.
FOUR ORDERS OF DESIGN
MY 3MS
artefact
macro
meso
micro
behaviourtransformation
effects on society and the world
and changes in values
impact on (individual) behaviour
and system it creates
service or product
‘the medium is the message’
Marshall McLuhan
MEDIUM = MESSAGE
‘A way to debate potential ethical,
cultural, social and political
implications’
‘Design could place new
developments within imaginary but
believable everyday situations that
would allow us to debate the
implications of different technological
futures before they happen.’
Fiona Raby and Anthony Dunne (2013)
SPECULATIVE DESIGN
Design used to be focussed
on projected en probable
futures.
Speculative design is
adding different attitudes
towards the future:
possible and preferable
ones.
FUTURE CONE BY VOROS
DESIGN MAPPING
(CORINA ANGHELOIU, ET AL, 2019)
‘Design for an overpopulated
planet’ (2010) by Ray and Dune
is an example of speculative
design that is close to art.
SPECULATIVE ART
OpenSurgery Project by Frank
Kolkman (2015)
DIY SURGICAL ROBOT
COW&CO
Anastasia Eggers and Ottonie
Roeder (2017)
“SPECULATIVE DESIGN IS AN ATTITUDE. WHEN
INTRODUCED IN A DESIGN PROCESS, IT TRIGGERS
DESIGNERS TO THINK IN TRANSFORMATIONS: IN NEW
ENVIRONMENTS THAT CREATE NEW WORLDS WITH
NEW SYSTEMS, NEW BEHAVIOUR, AND NEW
ARTIFACTS.“
THEO PLOEG SPECULATIVE FUTURES AMSTERDAM
the intervention design model
imagine
build a fictional world
make
let’s prototype
translate
createtell
ideate
experiment
evaluate
define
explore
get to know your environment
frame observe
the intervention design model
imagine
build a fictional world
make
let’s prototype
translate
createtell
ideate
experiment
evaluate
define
explore
get to know your environment
frame observe
transformation (macro) experience (meso)
artefact (micro)
Designers and artists need
to question the current
status quo, including the
values of our current
system.
This is too important to
leave to scientists,
politicians, philosophers
and economists who are,
per definition, operating
within the system.
LEAVE. THE. TRAIN.
DESIGN ACTION
contact: theo@studiohyperspace.net

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OVOworkshopspecdesign

  • 2.
  • 3.
  • 4.
  • 5.
  • 6.
  • 7.
  • 8.
  • 9.
  • 10. What do we do when we’ve lost control? Let’s have a look at pop culture: Snowpiercer, Bong Joon-Ho (2013) Based on the comic Le Transperceneige (1982) CONTROL
  • 11. What do we do when we’ve lost control? Let’s look at pop culture: Snowpiercer (2013) CONTROL
  • 12. The Universal Declaration of Human Rights, article #4: ‘No one shall be held in slavery or servitude; slavery and the slave trade shall be prohibited in all their forms.’ HUMAN RIGHTS
  • 13.
  • 14.
  • 15.
  • 16. More and more people think we need to live in harmony with nature. Still, we slaughter 3 billion animals for food each day. HARMONY
  • 17. How do we make sure the sustainable developments goals don’t end being another Life Aid? SDG’S
  • 19.
  • 20. ‘Then, from time to time, like a diseased eyeball in which distributing flashes of light are perceived or like this baroque sunbursts in which rays from another world suddenly break into this one, we are reminded that Utopia exists and that other systems, other spaces, are still possible.’ Fredric Jameson BAROQUE SUNBURSTS
  • 22. Designers react. And plee guilty. DESIGN GUILT
  • 23. In the early 1990s business professor Dick Buchanan already came up with this model. FOUR ORDERS OF DESIGN
  • 24.
  • 25. MY 3MS artefact macro meso micro behaviourtransformation effects on society and the world and changes in values impact on (individual) behaviour and system it creates service or product
  • 26. ‘the medium is the message’ Marshall McLuhan MEDIUM = MESSAGE
  • 27. ‘A way to debate potential ethical, cultural, social and political implications’ ‘Design could place new developments within imaginary but believable everyday situations that would allow us to debate the implications of different technological futures before they happen.’ Fiona Raby and Anthony Dunne (2013) SPECULATIVE DESIGN
  • 28. Design used to be focussed on projected en probable futures. Speculative design is adding different attitudes towards the future: possible and preferable ones. FUTURE CONE BY VOROS
  • 30.
  • 31.
  • 32. ‘Design for an overpopulated planet’ (2010) by Ray and Dune is an example of speculative design that is close to art. SPECULATIVE ART OpenSurgery Project by Frank Kolkman (2015) DIY SURGICAL ROBOT
  • 33. COW&CO Anastasia Eggers and Ottonie Roeder (2017)
  • 34. “SPECULATIVE DESIGN IS AN ATTITUDE. WHEN INTRODUCED IN A DESIGN PROCESS, IT TRIGGERS DESIGNERS TO THINK IN TRANSFORMATIONS: IN NEW ENVIRONMENTS THAT CREATE NEW WORLDS WITH NEW SYSTEMS, NEW BEHAVIOUR, AND NEW ARTIFACTS.“ THEO PLOEG SPECULATIVE FUTURES AMSTERDAM
  • 35. the intervention design model imagine build a fictional world make let’s prototype translate createtell ideate experiment evaluate define explore get to know your environment frame observe
  • 36. the intervention design model imagine build a fictional world make let’s prototype translate createtell ideate experiment evaluate define explore get to know your environment frame observe transformation (macro) experience (meso) artefact (micro)
  • 37. Designers and artists need to question the current status quo, including the values of our current system. This is too important to leave to scientists, politicians, philosophers and economists who are, per definition, operating within the system. LEAVE. THE. TRAIN. DESIGN ACTION contact: theo@studiohyperspace.net