1. Artist of the Week
second semester

4. Leonardo Da
Vinci
“Mona Lisa”

5. Leonardo Da
Vinci
“Mona Lisa”
Italian Renaissance

6. Leonardo Da
Vinci
“Mona Lisa”
Italian Renaissance
• early masterery of oil paint

7. Leonardo Da
Vinci
“Mona Lisa”
Italian Renaissance
• early masterery of oil paint
• perspective; one point and
aerial perspective

8. Leonardo Da
Vinci
“Mona Lisa”
Italian Renaissance
• early masterery of oil paint
• perspective; one point and
aerial perspective
• chiaroscuro-use of light and
dark to create form and
realism

14. Henri de
Toulouse-Lautrec
“Moulin Rouge”

15. Henri de
Toulouse-Lautrec
“Moulin Rouge”

16. Henri de
Toulouse-Lautrec
“Moulin Rouge”

17. Henri de
Toulouse-Lautrec
“Moulin Rouge”

18. Henri de
Toulouse-Lautrec
“Moulin Rouge”

19. Henri de
Toulouse-Lautrec
“Moulin Rouge”
Post-Impressionism

20. Henri de
Toulouse-Lautrec
“Moulin Rouge”
Post-Impressionism
•not part of a unified group,
name describes a time period
after the Impressionists

21. Henri de
Toulouse-Lautrec
“Moulin Rouge”
Post-Impressionism
•not part of a unified group,
name describes a time period
after the Impressionists
•bright colors and strog outlines

22. Henri de
Toulouse-Lautrec
“Moulin Rouge”
Post-Impressionism
•not part of a unified group,
name describes a time period
after the Impressionists
•bright colors and strog outlines
•brought low-life to high art
with scenes of night clubs, bars
and brothels

30. Diego Rivera
“Making of a Fresco”
Mexican Muralism
1. studied in Europe and
was influenced by
Renaissance murals and
Cubism
2. Married to Frida Kahlo
twice
3. Murals very influenced
by his politics and heritage

31. politics:
Rivera was told
not to make it a
political piece, but
he uses a worker
as the central
figure in the work

32. Real wood scaffolding holds the fresco
to the wall. Rivera also paints wood
scaffolding as part of the fresco

33. Clfford Wright, assistant

39. Jan Van Eyck
“The Arnolfini Marriage”
Northern Renaissance
1. first master of the use
of oil paint
2. Symbolism-using
objects or symbols that
represent more, or tell a
more complete story
3. realistic and unidealized
figures

48. 1. used a ‘drip technique’ to paint
Jackson Pollock canvases laid on the floor
“Mural” 2. originator of ‘action painting’,
Abstract Expressionism using various objects and
movement to apply paint
3. 2006-one of his paintings sold
for $140,000,000

54. Rembrandt van Rijn
“Anatomy Lesson of Dr.
Nicholaes Tulp ”
Baroque
1. considered the greatest
Dutch artist
2. painter, printmaker and
draughtsman(drawing)
3. wide use of strong light
source with dark shadows
to create dramatic effects

59. Jacques-Louis David
“The Oath of Horatii ”
Neoclassical
1. Preeminent artist of the
neoclassical style
2. Neoclassical, is new
classical, reinventing the
greek idealism of the
figure
3. Important role in the
French Revolution,
sending many to the
guillotine.

60. Jacques-Louis David
“The Oath of Horatii ”
Neoclassical
1. Preeminent artist of the
neoclassical style
2. Neoclassical, is new
classical, reinventing the
greek idealism of the
figure
3. Important role in the
French Revolution,
sending many to the
guillotine.

61. Jacques-Louis David
“The Oath of Horatii ”
Neoclassical
1. Preeminent artist of the
neoclassical style
2. Neoclassical, is new
classical, reinventing the
greek idealism of the
figure
3. Important role in the
French Revolution,
sending many to the
guillotine.

66. Edgar Degas
“Place de la Concorde”
Impressionism
1. Although considered a
founder of Impressionism, he
preferred to be called a Realist
2. His work focused on
everyday life and people, but
lacked the light and color of the
other Impressionists
3. Many of his works are
snapshots, like photography-
which was a new art form

67. Edgar Degas
“Place de la Concorde”
Impressionism
1. Although considered a
founder of Impressionism, he
preferred to be called a Realist
2. His work focused on
everyday life and people, but
lacked the light and color of the
other Impressionists
3. Many of his works are
snapshots, like photography-
which was a new art form

68. Edgar Degas
“Place de la Concorde”
Impressionism
1. Although considered a
founder of Impressionism, he
preferred to be called a Realist
2. His work focused on
everyday life and people, but
lacked the light and color of the
other Impressionists
3. Many of his works are
snapshots, like photography-
which was a new art form