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All that Shines Isn’t Silver FINAL.pdf
1. All that Shines Isn’t Silver
L U S T R E W A R E
Dr Ware Petznick
Cleveland Decorative Arts
January 19, 2021
2. All that Shines Isn’t Silver
L U S T R E W A R E
Clevelanddecorativearts.org
3. From 9th century to Present…in 30 min?
• A Gubbio maiolica
lustred dish,
circa 1531
workshop of Maestro
Giorgio Andreoli
http://www.sothebys.com/en/auctions/ecatalogue/2011/important-furniture-ceramics-clocks-tapestries-silver-vertu/lot.3.html
4. What is lusterware?
is a category of ceramics that are overglazed with
metals to give an iridescent effect. Metallic glazes
are applied to the pot, which may be earthenware
or porcelain. The object is given a second firing at
lower temperatures in a reduction kiln, which
“muffles” and reduces the presence of oxygen.
5. The ceramic object is formed,
and then fired. The metallic
clay paste is added over the
original glaze then fired a
second time.
How is it made?
6. Who invented modern English lusterware?
Silver lustre isn’t silver – it is PLATINUM,
discovered in 1735.
JOHN HANCOCK OF HANLEY invented
the technique of adding platinum to
ceramics ca 1800 at the SPODE factory, but
R Frank of Brislington was making COPPER
luster from ca. 1770.
METHOD:
Dissolve powdered platinum in aqua regia
Add to spirits of tar (turpentine, sulfur and
linseed oil for gold).
Fire in reduction kiln to burn off tar to leave
thin film of platinum.
7. Who bought lusterware?
Charles Eastlake wrote Hints at Household Taste (1869) and though he mentions “lustre” six times,
none refer to English lusterware! Lower classes purchased it in general stores and a small jug might
take pride of place on a peasant’s cottage mantle.
Contrary Winds, Thomas Webster 1843
Old Sturbridge Village, Sturbridge MA
8. Who made lusterware?
Maker’s Marks?
• 18th and early 19th century lusterwares are rarely
marked.
• R. Frank near Bristol 1770, Wilson at Staffordshire
1785 and Moore & Co. and Dixon & Co.
Sunderland 1820
• In many countries maker’s marks were not
required until the 20th century.
10. When was lusterware made?
9th century Persia
16th century Italy and Malaga, Spain
ca. 1770 and 1870 Great Britain from Staffordshire, Sunderland
and Scotland
1870-1950 in UK
1920-1950 US, Japan and Central Europe
TODAY in America, Europe and Asia
16. Silver Lustre
Spode, 1810
Teapot
Victoria and Albert Museum
Designed to trick people. This worked relatively well
for the rising middle classes initially, until better
techniques for silver plating were invented
1742- Thomas Boulsover invented Old Sheffield Plate.
1830s- George and Henry Elkington patented an
electroplating process. By 1838 they opened their
Birmingham factory.
z
17. Silver Lustre
Teapot, ca. 1820
Colonial Williamsburg
Early teapot interiors remained as
redware or earthenware without a luster
coating, but things like creamer jugs were
coated inside and out at that period.
https://emuseum.history.org/objects/107521/teapot;jse
ssionid=EE2219719EFC8EB850B25527E0678C07
19. Silver Lustre
Perdifume
Bailey & Watkin
Lead glazed earthenware in silver luster
Patented 1824
Intended to collect gas fumes when
placed over a gas lamp
https://www.antiquepottery.co.uk/antique-silver-luster-bailey-and-batkin-perdifume-made-
in-circa-1824-staffordshire/
35. Lustre Forms
If it was made in
Staffordshire in
porcelain,
creamware,
pearlware,
earthenware or
redware or ironstone,
then it could also be
finished in luster.
A few examples:
SPICE BOXES
Perdifumes
Pepper pots
Goblets
Mustard pots
Waste {slop] bowls
Plates
Tea Sets
Pitchers
Candlesticks
36. Lustre Forms
If it was made in
Staffordshire in
porcelain,
creamware,
pearlware,
earthenware or
redware or ironstone,
then it could also be
finished in luster.
A few examples:
SPICE BOXES
Perdifumes
Pepper pots
Goblets
Mustard pots
Waste {slop] bowls
Plates
Tea Sets
Pitchers
Candlesticks
38. Techniques of Lusterware –
Often combined
Dipping inside and out
Molded forms > beading or Capodimonte-style raised relief
Thrown on a wheel
Resist decoration
Banded decoration
Transfer printing
Bat printing
Handpainted overlay
Mottled
Sanded
Bands, foliage/floral, commemoration
39. Techniques of Lusterware – Bat print
and Adam Buck
1798-1820
Bat printing uses engraved plates
Transferred with silk
Expensive and not as precise as standard
transfers on paper
Adam Buck, Irish artist, whose designs were
copied and reproduced often on lusterware
47. Made in America?
C U M B O W C H I N A D E C O R AT I N G
C O M PA N Y O F A B I N G D O N , V A
1941
48. Made in America?
C U M B O W C H I N A D E C O R AT I N G
C O M PA N Y O F A B I N G D O N , V A
1932-1970
• MANY MAKERS and
DECORATORS
• Tea leaf china
• Made in UK and decorated in
America
• Cumbow registered the tea leaf
motif
50. Tea Leaf – International Luster
Made in England and decorated in Abingdon,VA
51. Luster vs. Lustre
Lustre is the British spelling.
Luster is the American.
Often used interchangeably,
so if you are keen to add or
to start a collection, try both!
52. Next time- CDA Members please vote
February 16th at NOON
Shaker Furniture
Or
New Antiques: Early 20th Century
American Interiors
This Photo by Unknown Author is licensed under CC BY-SA
53. Cleveland Museum of Art, gilded porcelain Cup and Saucer, ca 1800
Are gilded ceramics lusterware?
Yes & No