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How to Present
 A Presentation on Presenting,
Presented in Presentation Form
Contents

1. The Presentation Perspective


2. Stories


3. Making Your Presentation
The Presentation Perspective
It’s not a presentation, it’s a story.
It’s not a speech,
it’s a conversation.
Stories
Vonnegut’s Rules for Short Stories
1. Use the time of a total stranger in such a way that he or she will not feel the time
   was wasted.
2. Give the reader at least one character he or she can root for.
3. Every character should want something, even if it is only a glass of water.
4. Every sentence must do one of two things—reveal character or advance the
   action.
5. Start as close to the end as possible.

6. Be a Sadist. No matter how sweet and innocent your leading characters, make
   awful things happen to them—in order that the reader may see what they are
   made of.
7. Write to please just one person. If you open a window and make love to the world,
   so to speak, your story will get pneumonia.
8. Give your readers as much information as possible as soon as possible. To hell with
   suspense. Readers should have such complete understanding of what is going on,
   where and why, that they could finish the story themselves, should cockroaches
    eat the last few pages.
What
Makes a
 Good
Story?
Making Your Presentation
Audience




           Purpose
Respect People’s Time
Bribery Works
>Saving Space<

Size




                        FoNT
Symbols
(Symbols)
                        Color


                 Size
Transition Slides
USE THEM!
Reading
     is
Fundamental
Presenting

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Presenting

  • 1. How to Present A Presentation on Presenting, Presented in Presentation Form
  • 2. Contents 1. The Presentation Perspective 2. Stories 3. Making Your Presentation
  • 4. It’s not a presentation, it’s a story.
  • 5. It’s not a speech, it’s a conversation.
  • 7.
  • 8. Vonnegut’s Rules for Short Stories 1. Use the time of a total stranger in such a way that he or she will not feel the time was wasted. 2. Give the reader at least one character he or she can root for. 3. Every character should want something, even if it is only a glass of water. 4. Every sentence must do one of two things—reveal character or advance the action. 5. Start as close to the end as possible. 6. Be a Sadist. No matter how sweet and innocent your leading characters, make awful things happen to them—in order that the reader may see what they are made of. 7. Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia. 8. Give your readers as much information as possible as soon as possible. To hell with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages.
  • 11. Audience Purpose
  • 14. >Saving Space< Size FoNT Symbols (Symbols) Color Size
  • 17.
  • 18. Reading is Fundamental