declassify docs from Juan Pablo.
Here is my first declassify series. I will like to share real documents about real big events i had done in order to new generations of staff and students can understand better the reallity of events. You will find the real think. No theory, NO 2000 powerpoints presentations, no show off.
THE RIGHT STUFF
how the future begin in event marketing
Please feel free to comment, share, write me etc,..
May the Force be with you
JP
This document outlines Daniel Thompson's pre-production plan for a radio show. It includes details on style elements like microphones, fonts, and bands/podcasts to inspire the show's vibe. Layouts are proposed, such as a 30-minute format with news, music, interviews. Props, locations, and contingency plans are addressed. A weekly schedule is provided to complete tasks like scripts, advertisements, and playlists using software and computer resources. Potential health and safety issues like eye strain are considered, with breaks suggested. The thorough pre-production work aims to smoothly execute Daniel's envisioned radio program.
This document provides an overview of a project to design mini electronic congas for music performance. It discusses the congas and Latin American music as inspiration for the project. The project aims to create a portable electronic instrument that can play digital audio files of conga tones to emulate the sounds and feel of the actual drums. The document describes the initial design considerations and outlines the full process of designing the circuitry, software, and final product. It acknowledges those who provided support and concludes by suggesting improvements for future versions.
The document discusses audio techniques used in three different media productions: Doctor Who, The Stranger, and Tip the Waitress.
For Doctor Who, slow building piano music and various sound effects are used to set the scene and heighten drama. Galactic sounds suggest a future time period. Audio cuts out before dramatic scenes to enhance tension.
In The Stranger, narration with dark music is followed by sounds of a car crash. Walking and phone sounds further a tense situation.
For Tip the Waitress, a bell indicates someone entering a shop. Background noise suggests a busy environment. Chair screeching and water pouring sounds further immerse the audience.
Codes & conventions of a radio traileremiliabowles
The document outlines the codes and conventions for creating effective radio trailers, including using exciting audio clips and a calm voiceover to narrate and create context, running background music to set the atmosphere, concluding with scheduling information in a standard format, and keeping the trailer between 30 seconds to 1 minute without silence. The goal is to intrigue listeners about the program content and maintain consistent audio levels so the trailer can be understood without visuals.
This document summarizes the process of constructing a film trailer. It outlines the equipment used, including a video camera, tripod, headphones, and editing software. It then discusses the evidence of filming over two days and the editing process in iMovie. Key aspects of editing included dragging desired footage to the storyboard, adjusting audio levels, adding text and transitions, and creating sounds using GarageBand. The document concludes with discussing developing a first draft, making changes based on feedback, and the final product.
Sam tries to share religious pamphlets he created with his bandmates Tony and Maria to help them "Rise and Shine." However, Tony is annoyed with Sam and his religious enthusiasm. When Tony refuses to look at the pamphlets, Sam continues trying to share his faith, further irritating Tony. Maria tells Tony to calm down and that she will confront their friend Dylan about encouraging Sam's religious overtness.
Noah drives Riley home from a party. At the party, Noah finds Riley being kissed by her ex James, who is drunk. Riley seems uncomfortable so Noah intervenes and pushes James away. Noah checks that Riley is okay and offers to drive her home. The next day at college, Noah pressures Riley to talk about what happened with James, but Riley insists nothing happened and does not want to discuss it. Noah suggests they could do something about it, and Riley admits she is scared, but does not know what they could do. Noah tells Riley to meet her later that day, implying she has an idea.
This document outlines Daniel Thompson's pre-production plan for a radio show. It includes details on style elements like microphones, fonts, and bands/podcasts to inspire the show's vibe. Layouts are proposed, such as a 30-minute format with news, music, interviews. Props, locations, and contingency plans are addressed. A weekly schedule is provided to complete tasks like scripts, advertisements, and playlists using software and computer resources. Potential health and safety issues like eye strain are considered, with breaks suggested. The thorough pre-production work aims to smoothly execute Daniel's envisioned radio program.
This document provides an overview of a project to design mini electronic congas for music performance. It discusses the congas and Latin American music as inspiration for the project. The project aims to create a portable electronic instrument that can play digital audio files of conga tones to emulate the sounds and feel of the actual drums. The document describes the initial design considerations and outlines the full process of designing the circuitry, software, and final product. It acknowledges those who provided support and concludes by suggesting improvements for future versions.
The document discusses audio techniques used in three different media productions: Doctor Who, The Stranger, and Tip the Waitress.
For Doctor Who, slow building piano music and various sound effects are used to set the scene and heighten drama. Galactic sounds suggest a future time period. Audio cuts out before dramatic scenes to enhance tension.
In The Stranger, narration with dark music is followed by sounds of a car crash. Walking and phone sounds further a tense situation.
For Tip the Waitress, a bell indicates someone entering a shop. Background noise suggests a busy environment. Chair screeching and water pouring sounds further immerse the audience.
Codes & conventions of a radio traileremiliabowles
The document outlines the codes and conventions for creating effective radio trailers, including using exciting audio clips and a calm voiceover to narrate and create context, running background music to set the atmosphere, concluding with scheduling information in a standard format, and keeping the trailer between 30 seconds to 1 minute without silence. The goal is to intrigue listeners about the program content and maintain consistent audio levels so the trailer can be understood without visuals.
This document summarizes the process of constructing a film trailer. It outlines the equipment used, including a video camera, tripod, headphones, and editing software. It then discusses the evidence of filming over two days and the editing process in iMovie. Key aspects of editing included dragging desired footage to the storyboard, adjusting audio levels, adding text and transitions, and creating sounds using GarageBand. The document concludes with discussing developing a first draft, making changes based on feedback, and the final product.
Sam tries to share religious pamphlets he created with his bandmates Tony and Maria to help them "Rise and Shine." However, Tony is annoyed with Sam and his religious enthusiasm. When Tony refuses to look at the pamphlets, Sam continues trying to share his faith, further irritating Tony. Maria tells Tony to calm down and that she will confront their friend Dylan about encouraging Sam's religious overtness.
Noah drives Riley home from a party. At the party, Noah finds Riley being kissed by her ex James, who is drunk. Riley seems uncomfortable so Noah intervenes and pushes James away. Noah checks that Riley is okay and offers to drive her home. The next day at college, Noah pressures Riley to talk about what happened with James, but Riley insists nothing happened and does not want to discuss it. Noah suggests they could do something about it, and Riley admits she is scared, but does not know what they could do. Noah tells Riley to meet her later that day, implying she has an idea.
Tony confronts Sam for almost missing a gig. Sam explains he was working on pamphlets to help him better fulfill his role as an off-campus crusader for his religious group. Tony mocks the pamphlets and angrily shreds them, expressing frustration with frequent proselytizing. However, Sam remains optimistic and believes the pamphlets could help Tony with his own problems if he gave them a chance.
Music video script_template_update_nov_2013DenniHepburn
The document provides instructions for creating a script for a music video. It explains that the script should be organized into a table with rows for each scene numbered automatically. The Video column is for descriptions of visuals, camera directions, and transitions. The Audio column is for lyrics, narration, music, and audio effects, with narration clearly distinguished. The instructions state to save the script under a new name and provide a blank script template to fill out.
This storyboard outlines a 24 shot horror film trailer that builds suspense and mystery around the disappearance of a father. It begins by establishing the happy family through old photos but shows the son acting strangely on his birthday. Later that night, the father goes missing after hearing a noise upstairs. The police tell the distressed mother her husband is missing as the strange son appears behind her. In a phone call, the mother expresses her belief that the son is possessed and somehow involved in his father's disappearance. The trailer uses flashbacks and an unnerving final shot of the son's eyes to leave the audience questioning what really happened.
1) The document describes editing a radio broadcast about the London Bridge attacks, including introducing jingles and theme songs.
2) It discusses targeting a young audience in East London and choosing a serious topic about the London Bridge attacks that some may find upsetting.
3) The planning and structure of the radio segment helped it record smoothly, with researched content and questions for an interview with a victim's mother. Areas for improvement include being more prepared to avoid retakes and making the script sound more natural.
"Dating Season" from Disney's Amphibia sample pt 1HannahAyoubi
Anne and Hop Pop dress Sprig up and powder his face to prepare him for his date with Ivy. Sprig is nervous Ivy will think he looks ridiculous. At the party, Sprig gives Ivy some flowers but their conversation is awkward. Anne, Hop Pop, and the others watch and hope for Sprig and Ivy's relationship to blossom, calling them "love doves." When Duckweed announces them as a couple, Sprig and Ivy are embarrassed by the attention.
Hanna's son Tim was killed in the London Bridge attacks. She is interviewed on a morning radio show to discuss her experience and loss. During the interview, she recounts the last time she saw Tim, getting the call that he had died, and going to identify his body at the scene. She urges the government to increase security at popular locations in London to help prevent future attacks. The interviewer thanks Hanna for sharing her story.
"Dating Season" from Disney's Amphibia sample pt 2HannahAyoubi
This document consists of the scene descriptions and dialogue for several panels of a comic or graphic novel. It follows Sprig and Ivy as they ditch a formal dance and go into the woods together. Initially nervous around each other due to believing they were going on a date, they realize they are actually just good friends. The dialogue shows them laughing and enjoying looking for fireflies together in the woods without pressure or obligations. Others who wanted the potential marriage between their families to work are upset they left the dance early.
This document discusses the process of recording a podcast introduction. It shows screenshots of multiple recordings where the creator worked to get the intro correct. It also shows the script they wrote to help figure out what to say without stuttering. They plan to include the intro in the final podcast, but with added music and sound effects to make it more entertaining for the target audience.
The document discusses the creative process and choices behind producing a retro futuristic radio advertisement. The producer chose the song "Catgroove" by Parov Stelar due to its electro swing genre that fits the retro futuristic style. Effects were added to the audio tracks to make it sound like a 1950s radio advertisement, including static noise and microphone crackling. Multiple audio layers were edited and balanced together, including the song, announcer voice clips, and sound effects of a crowd and signature tune, to effectively convey the envisioned futuristic theme park setting.
This storyboard document outlines scenes and shots for a film adaptation of Macbeth. It details 28 scenes and shots, beginning with exterior establishing shots of a municipal building in 1920s New York. It then shows characters walking through corridors and a courtroom, where Macbeth has a hallucination during his inauguration ceremony. In his vision, he sees the ceiling break and starts hearing distorted music. He eventually shoots and kills Duncan, pushing his body off the balcony. The storyboard ends with silhouetted figures staring at Macbeth after the murder.
This document provides an overview of key sound production elements for theatre. It discusses the use of music to set atmosphere and pacing, different types of microphones and their purposes, speakers and how to avoid feedback, foldback speakers to allow performers to hear themselves, and the sound control box for adjusting volume, effects, tones and channels. It also covers sound cues, cue sheets, and creating sound effects with instruments or everyday objects.
This document provides feedback on editing and sound design choices for a film project. It recommends shortening audio bridges, increasing levels of diegetic sound effects like game noises and foley, and trimming unnecessary shots or transitions. It also suggests improving zombie sounds, removing a jarring kitchen whoosh, balancing music levels, and adding context to clarify the narrative and characters. In summary, the feedback aims to tighten pacing, enhance immersion through sound, and strengthen storytelling clarity.
This shot list contains 27 shots for a documentary about the Isle of Wight. It includes establishing shots of the island from various locations, point of view shots walking along the pier, interviews with locals, and footage of popular attractions, shops and a music festival in Ryde and Newport. The shots involve panning, tilting and close-up camera angles and will be accompanied by narration, music, and diegetic sounds from interviews. The documentary will conclude with the presenter Alex providing a final thought in a mid-shot.
The document summarizes two different media scenes. The first scene is from the TV show Breaking Bad and describes various sound effects used, including silence, background music and noises, and screams during an explosion. The second scene describes a radio broadcast, mentioning people calling in to give opinions, announcements about future content, and sound effects and moments of silence being used to highlight important moments.
This document outlines a 24 shot list for a documentary about the Isle of Wight. The shots include establishing shots of the island from various locations, point of view shots walking along the pier, mid shots of trains and attractions, close ups of interviews and the presenter Alex, and long shots of towns, shops and a music festival. The shots are between 3 seconds and 10 seconds in duration and will have natural lighting. Narration and music will accompany various shots to discuss locations and events on the island. The documentary will conclude with close ups of Alex summarizing before credits roll.
This storyboard document outlines various shots for a video production, including shot types, descriptions, props, locations, audio, and durations. It includes shots of interviews, filming in a studio and media room, using different lighting setups and equipment like cameras, boom poles, and microphones. The storyboard shows characters discussing opportunities in media studies like making music videos and documentaries, and how the skills learned can help with future careers.
Michael Rabiger believes documentaries should tell a story with interesting characters and situations to enlighten audiences. Stacey Dooley's documentary follows this approach by exploring different perspectives on political issues in Ireland through interviews. It depicts reality, raises awareness of social values and conflicts, and implies social criticism through juxtaposing serious topics with imagery like festivals. In concluding, the documentary provides insight into the DUP party and those who support it according to Rabiger's theory.
This video documentary traces the origins and evolution of jungle music from its roots in hardcore, hip hop, and Jamaican soundsystem culture in the 1950s-1980s to its rise in popularity in the UK rave scene in the early 1990s. The documentary discusses early jungle artists who incorporated ragga influences like Rebel MC and Ragga Twins. It profiles many classic early jungle tracks and artists. It also addresses negative media portrayals of jungle music and how the genre achieved mainstream success with hits like General Levy's "Incredible" and Shy FX's "Original Nuttah." The documentary concludes by discussing how jungle music continues to live on today.
This video documentary traces the origins and evolution of jungle music from its roots in Jamaican soundsystem culture through hardcore and ragga in the UK to becoming a mainstream genre. It discusses early influential artists who incorporated Jamaican influences like ragga into UK breakbeat music in the late 80s/early 90s. Footage of oldschool raves from this era is shown. The documentary then explains how certain classic tracks like "Incredible" and "Original Nuttah" helped jungle break into the mainstream charts in the mid-90s despite some negative media portrayals. It concludes by discussing how jungle continues to live on today with new artists carrying on the tradition.
This document analyzes and summarizes techniques used in existing underground subculture videos that could be applied to a documentary project. It discusses several videos that focus on graffiti artists, UK music genres like jungle, and interviews. Key techniques highlighted include using wide shots and close-ups to capture graffiti missions, introducing subjects through amusing anecdotes, incorporating title screens over contextual clips to convey personality, and asking questions over b-roll footage to provide information efficiently. The analysis finds the research extremely useful for learning a variety of approaches to apply to narrating sections on different subjects while adhering to time constraints.
The document is a screenplay describing the opening scene of a film titled "Artichoke". It takes place in an interrogation room in 1984. The room contains an old video camera, files marked "FBI", and mugshots of black people. A white man is seated in the room sweating as the camera records him. Footsteps are heard outside and the door opens, flooding the dark room with light, before closing again.
Tony confronts Sam for almost missing a gig. Sam explains he was working on pamphlets to help him better fulfill his role as an off-campus crusader for his religious group. Tony mocks the pamphlets and angrily shreds them, expressing frustration with frequent proselytizing. However, Sam remains optimistic and believes the pamphlets could help Tony with his own problems if he gave them a chance.
Music video script_template_update_nov_2013DenniHepburn
The document provides instructions for creating a script for a music video. It explains that the script should be organized into a table with rows for each scene numbered automatically. The Video column is for descriptions of visuals, camera directions, and transitions. The Audio column is for lyrics, narration, music, and audio effects, with narration clearly distinguished. The instructions state to save the script under a new name and provide a blank script template to fill out.
This storyboard outlines a 24 shot horror film trailer that builds suspense and mystery around the disappearance of a father. It begins by establishing the happy family through old photos but shows the son acting strangely on his birthday. Later that night, the father goes missing after hearing a noise upstairs. The police tell the distressed mother her husband is missing as the strange son appears behind her. In a phone call, the mother expresses her belief that the son is possessed and somehow involved in his father's disappearance. The trailer uses flashbacks and an unnerving final shot of the son's eyes to leave the audience questioning what really happened.
1) The document describes editing a radio broadcast about the London Bridge attacks, including introducing jingles and theme songs.
2) It discusses targeting a young audience in East London and choosing a serious topic about the London Bridge attacks that some may find upsetting.
3) The planning and structure of the radio segment helped it record smoothly, with researched content and questions for an interview with a victim's mother. Areas for improvement include being more prepared to avoid retakes and making the script sound more natural.
"Dating Season" from Disney's Amphibia sample pt 1HannahAyoubi
Anne and Hop Pop dress Sprig up and powder his face to prepare him for his date with Ivy. Sprig is nervous Ivy will think he looks ridiculous. At the party, Sprig gives Ivy some flowers but their conversation is awkward. Anne, Hop Pop, and the others watch and hope for Sprig and Ivy's relationship to blossom, calling them "love doves." When Duckweed announces them as a couple, Sprig and Ivy are embarrassed by the attention.
Hanna's son Tim was killed in the London Bridge attacks. She is interviewed on a morning radio show to discuss her experience and loss. During the interview, she recounts the last time she saw Tim, getting the call that he had died, and going to identify his body at the scene. She urges the government to increase security at popular locations in London to help prevent future attacks. The interviewer thanks Hanna for sharing her story.
"Dating Season" from Disney's Amphibia sample pt 2HannahAyoubi
This document consists of the scene descriptions and dialogue for several panels of a comic or graphic novel. It follows Sprig and Ivy as they ditch a formal dance and go into the woods together. Initially nervous around each other due to believing they were going on a date, they realize they are actually just good friends. The dialogue shows them laughing and enjoying looking for fireflies together in the woods without pressure or obligations. Others who wanted the potential marriage between their families to work are upset they left the dance early.
This document discusses the process of recording a podcast introduction. It shows screenshots of multiple recordings where the creator worked to get the intro correct. It also shows the script they wrote to help figure out what to say without stuttering. They plan to include the intro in the final podcast, but with added music and sound effects to make it more entertaining for the target audience.
The document discusses the creative process and choices behind producing a retro futuristic radio advertisement. The producer chose the song "Catgroove" by Parov Stelar due to its electro swing genre that fits the retro futuristic style. Effects were added to the audio tracks to make it sound like a 1950s radio advertisement, including static noise and microphone crackling. Multiple audio layers were edited and balanced together, including the song, announcer voice clips, and sound effects of a crowd and signature tune, to effectively convey the envisioned futuristic theme park setting.
This storyboard document outlines scenes and shots for a film adaptation of Macbeth. It details 28 scenes and shots, beginning with exterior establishing shots of a municipal building in 1920s New York. It then shows characters walking through corridors and a courtroom, where Macbeth has a hallucination during his inauguration ceremony. In his vision, he sees the ceiling break and starts hearing distorted music. He eventually shoots and kills Duncan, pushing his body off the balcony. The storyboard ends with silhouetted figures staring at Macbeth after the murder.
This document provides an overview of key sound production elements for theatre. It discusses the use of music to set atmosphere and pacing, different types of microphones and their purposes, speakers and how to avoid feedback, foldback speakers to allow performers to hear themselves, and the sound control box for adjusting volume, effects, tones and channels. It also covers sound cues, cue sheets, and creating sound effects with instruments or everyday objects.
This document provides feedback on editing and sound design choices for a film project. It recommends shortening audio bridges, increasing levels of diegetic sound effects like game noises and foley, and trimming unnecessary shots or transitions. It also suggests improving zombie sounds, removing a jarring kitchen whoosh, balancing music levels, and adding context to clarify the narrative and characters. In summary, the feedback aims to tighten pacing, enhance immersion through sound, and strengthen storytelling clarity.
This shot list contains 27 shots for a documentary about the Isle of Wight. It includes establishing shots of the island from various locations, point of view shots walking along the pier, interviews with locals, and footage of popular attractions, shops and a music festival in Ryde and Newport. The shots involve panning, tilting and close-up camera angles and will be accompanied by narration, music, and diegetic sounds from interviews. The documentary will conclude with the presenter Alex providing a final thought in a mid-shot.
The document summarizes two different media scenes. The first scene is from the TV show Breaking Bad and describes various sound effects used, including silence, background music and noises, and screams during an explosion. The second scene describes a radio broadcast, mentioning people calling in to give opinions, announcements about future content, and sound effects and moments of silence being used to highlight important moments.
This document outlines a 24 shot list for a documentary about the Isle of Wight. The shots include establishing shots of the island from various locations, point of view shots walking along the pier, mid shots of trains and attractions, close ups of interviews and the presenter Alex, and long shots of towns, shops and a music festival. The shots are between 3 seconds and 10 seconds in duration and will have natural lighting. Narration and music will accompany various shots to discuss locations and events on the island. The documentary will conclude with close ups of Alex summarizing before credits roll.
This storyboard document outlines various shots for a video production, including shot types, descriptions, props, locations, audio, and durations. It includes shots of interviews, filming in a studio and media room, using different lighting setups and equipment like cameras, boom poles, and microphones. The storyboard shows characters discussing opportunities in media studies like making music videos and documentaries, and how the skills learned can help with future careers.
Michael Rabiger believes documentaries should tell a story with interesting characters and situations to enlighten audiences. Stacey Dooley's documentary follows this approach by exploring different perspectives on political issues in Ireland through interviews. It depicts reality, raises awareness of social values and conflicts, and implies social criticism through juxtaposing serious topics with imagery like festivals. In concluding, the documentary provides insight into the DUP party and those who support it according to Rabiger's theory.
This video documentary traces the origins and evolution of jungle music from its roots in hardcore, hip hop, and Jamaican soundsystem culture in the 1950s-1980s to its rise in popularity in the UK rave scene in the early 1990s. The documentary discusses early jungle artists who incorporated ragga influences like Rebel MC and Ragga Twins. It profiles many classic early jungle tracks and artists. It also addresses negative media portrayals of jungle music and how the genre achieved mainstream success with hits like General Levy's "Incredible" and Shy FX's "Original Nuttah." The documentary concludes by discussing how jungle music continues to live on today.
This video documentary traces the origins and evolution of jungle music from its roots in Jamaican soundsystem culture through hardcore and ragga in the UK to becoming a mainstream genre. It discusses early influential artists who incorporated Jamaican influences like ragga into UK breakbeat music in the late 80s/early 90s. Footage of oldschool raves from this era is shown. The documentary then explains how certain classic tracks like "Incredible" and "Original Nuttah" helped jungle break into the mainstream charts in the mid-90s despite some negative media portrayals. It concludes by discussing how jungle continues to live on today with new artists carrying on the tradition.
This document analyzes and summarizes techniques used in existing underground subculture videos that could be applied to a documentary project. It discusses several videos that focus on graffiti artists, UK music genres like jungle, and interviews. Key techniques highlighted include using wide shots and close-ups to capture graffiti missions, introducing subjects through amusing anecdotes, incorporating title screens over contextual clips to convey personality, and asking questions over b-roll footage to provide information efficiently. The analysis finds the research extremely useful for learning a variety of approaches to apply to narrating sections on different subjects while adhering to time constraints.
The document is a screenplay describing the opening scene of a film titled "Artichoke". It takes place in an interrogation room in 1984. The room contains an old video camera, files marked "FBI", and mugshots of black people. A white man is seated in the room sweating as the camera records him. Footsteps are heard outside and the door opens, flooding the dark room with light, before closing again.
This documentary uses a mixed expository and linear narrative structure to tell the true stories of abuse victims breaking their silence. Camera work includes extreme close-ups, pans, tilts, and zooms to highlight important elements. Mise-en-scene depicts the victims and abusers in ways that convey power dynamics and isolation. Sound design incorporates bells, guitar, and harp to set religious and emotional tones. The documentary incorporates real archive footage and letters to add realism for the audience. Graphics are used to convey information and then fade out for effect.
This documentary uses a mixed expository and linear narrative structure to tell the true stories of abuse victims breaking their silence. Various camera techniques like close-ups, pans, tilts, and zooms are used to draw attention to important elements. The mise-en-scene and locations establish settings and power dynamics between victims and abusers. Sound effects involving bells, guitar, and harp convey religious and emotional themes. Real archive footage and interviews add authenticity, while graphics fade in and out to provide information to the audience.
This was a music video treatment I put together for the Gadsen,AL. based hip hop artists Yelawolf.
Here is the final product : https://www.youtube.com/watch?v=mgh6a_ANUqs
Semelhante a Eular 2007 opening ceremony show call by jp (13)
El documento presenta varias ideas creativas para celebrar el 10o aniversario de la guía Lonely Planet en Madrid, incluyendo la creación de un marco gigante en un lugar emblemático, actores que representan viajeros típicos en el aeropuerto, grafitis invisibles que promueven los viajes, maletas promocionales en la cinta transportadora del aeropuerto, autoestopistas étnicos cerca del aeropuerto, y un globo cautivo con regalos en El Retiro. Cada idea incluye un presupuesto aproximado y notas
This document discusses backchannel communication at events using Twitter. It explains that a backchannel allows simultaneous communication about an event through tools like phones and iPads. Attendees can use a designated hashtag to share feedback and interact with each other in real time. The document suggests ways to incorporate a backchannel at events, such as asking questions to start conversations during presentations. It also covers connecting with others on LinkedIn, including tips for open versus closed networking profiles.
Ser pequeños nos hace grandes A Small Job presentación agencia Sept.2013Juan Pablo Sanchez
La pandemia de COVID-19 ha tenido un impacto significativo en la economía mundial. Muchos países experimentaron fuertes caídas en el PIB y aumentos en el desempleo debido a los cierres generalizados y las restricciones a los viajes. Aunque las vacunas ofrecen esperanza de una recuperación económica en 2021, el panorama a corto plazo sigue siendo incierto dado el resurgimiento de casos en algunas partes del mundo.
1) Social media usage continues to grow rapidly and is now integral to daily life for many globally. Mobile access is driving much of this growth, now accounting for over 60% of time spent on social media.
2) Key trends include the rise of mobile/tablet usage, proliferation of new social platforms like Pinterest, and transformation of TV viewing into a shared social experience.
3) Marketers now have opportunities to engage consumers who are using social media to make informed purchase decisions and provide customer service, though many still find ads annoying.
El documento describe una nueva herramienta llamada Adtrend Map creada por tres profesionales para ayudar a las marcas a comunicarse con el público de manera más efectiva. La herramienta se basa en cuatro principios: llegar a los consumidores en lugares inesperados, comunicar mensajes de forma sostenible, hacer que los mensajes se extiendan viralmente, y construir experiencias de marca. Cada principio corresponde a una línea del mapa que guía a las marcas hacia su objetivo de una manera integrada e interconectada
A Small Job, the event marketing boutique from Barcelona Juan Pablo Sanchez
We are a boutique agency where Innovation is used to create a whole blend of sensations and emotions. We have a distinctive creativity that always aims to be high impact, fresh and accessible, building striking icons that are the catalysts for the experience we want to inspire.
What that produces is a highly innovative and distinct cocktail - the perfect formula for what we believe is the future. To achieve that you need teams with a strong command of the various communication domains ( f2f, MD, traditional media, relationship marketing, experiential marketing, street marketing, ambient marketing, guerrilla marketing, etc..)
I invite you to explore our genuine agency.
Sincerely
JP
Este documento presenta una discusión sobre la creatividad por parte de Juan Pablo Sánchez, director creativo de eventos. Explica que la creatividad no es suerte o poderes paranormales, sino la identificación y solución de problemas de manera relevante y diferente mediante la creación de nuevas conexiones. Además, revisa varios modelos creativos como el pensamiento lateral y el brainstorming, e ilustra la creatividad con ejemplos históricos como el desarrollo de la rueda y la invención de la moneda. Finalmente
The document discusses the benefits of meditation for reducing stress and anxiety. Regular meditation practice can calm the mind and body by lowering heart rate and blood pressure. Meditation may also have psychological benefits like reducing rumination and negative thinking patterns that often accompany stress and worry.
The document introduces a new Technical DMC service from The Event Marketing Boutique based in Barcelona. The Technical DMC focuses on the technical aspects of events like audiovisual, event design, show development, and technical direction. It has highly skilled staff and uses innovative technology. The Technical DMC aims to be competitive by having experienced staff, competitive rates through supplier discounts, and transparency in pricing and processes.
IVivimos en una aldea global en la que personas de toda clase se relacionan, se reúnen, establecen relaciones de
networking… en todo ti po de lugares. La comunicación en vivo o los también llamados Physical Events son la mejor
manera de comunicarse tanto de forma One2One como One2Many. A pesar de ello, surgen herramientas que nos ayudar a comunicarnos a distancia y a un coste menor.
¿Vale la pena utilizarlas?
Master class realizada en la Universidad Autónoma de Barcelona durante los últimos 4 años. La he ido actualizando cada año con nuevos casos e información.
Profesor. Juan Pablo Sánchez
Creative Executive Director (Owner)
ASMALLJOB
Clase de medición de la efectividad en el marketing de eventos realizada en la Universidad Autonoma de Barcelona.
Profesor: Juan Pablo Sánchez
Creative Executive Director ( owner)
ASMALLJOB , the event marketing boutique
This document provides an overview and tips for using LinkedIn. It begins by explaining that LinkedIn is a professional networking tool and website, not a social network like Facebook. It then discusses why professionals, job seekers, recruiters, and entrepreneurs use LinkedIn. The document provides guidance on creating an effective profile, connecting with others, utilizing search functions, participating in groups, and ways to make LinkedIn work for the user's objectives. It emphasizes growing one's professional network for improved searching and opportunities. Tips include customizing one's profile, writing recommendations, and understanding different levels of connections.
ESTE ÚLTIMO AÑO, ME HAN INVITADO A DIFERENTES REUNIONES
“THINK TANK”, AUTÉNTICOS VIVEROS CREATIVOS QUE INTENTAN
RESOLVER PROBLEMÁTICAS EMPRESARIALES CON NUEVAS
IDEAS. EL PROCESO, SI ME LO PERMITEN, ES POCO MÁS QUE
ESPERANZADOR. EN UNA PRIMERA PARTE NOS INUNDAN CON
CIENTOS DE GRÁFICOS Y ANÁLISIS DE MERCADO (TARGET,
NEUROMARKETING, GEOMARKETING Y UN LARGO ETCÉTERA).
UNA SEGUNDA FASE SE DEDICA A REALIZAR UNA SERIE DE
PROCESOS ESTRUCTURADOS LLAMADOS “MODELOS”. EN
TEORÍA, SI TODO LO HACEMOS BIEN, APARECERÁ, COMO POR
ARTE DE MAGIA, ESA IDEA NUEVA CON LA QUE CREAR UNA
ESTRATEGIA QUE JUSTIFIQUE LA RAZÓN DE EXISTIR DEL PROPIO
GRUPO, DE SU COSTE, DE SU SILLA Y DE LA EMPRESA PARA LA
QUE TRABAJA.
IEL CONCEPTO ‘BUILDING COMUNITY’ FORMA PARTE DE LOS
PLANES DE MARKETING DE MUCHAS MARCAS. LA COMUNIDAD
ES UNA HERRAMIENTA ESTRATÉGICA MUY POTENTE QUE SE
IMPONE ANTE MUCHAS OTRAS POR SU EFECTIVIDAD EN LOS
CONSUMIDORES, QUE PASAN A FORMAR PARTE DEL SUBMUNDO
DE LA MARCA. SIN EMBARGO, HAY QUE SABER INTEGRAR ESTE
NUEVO INSTRUMENTO CON EL RESTO DE HERRAMIENTAS, PUES
EN MUCHAS OCASIONES ES UN COMPLEMENTO MÁS, NO UN
SUSTITUTO.I
IEs lunes y son las nueve de la mañana. Todavía tengo
poca cafeína en el cuerpo y me dirijo a una reunión con
el director general de una marca de Lácteos enfocada a
‘activar’ su producto premium en época de crisis. Después
de 90 aburridos minutos escuchando como el director
de la marca se deleita en un interminable y patético PPT
-maldigo el día en el que el Sr.Bi ll Gates inventó el PPT -
todas las miradas se dirigen hacia mí y, por supuesto, mi
mente se queda en blanco. Un blanco absoluto, similar
al de los lavabos roca. Por unos instantes permanezco
deleitándome con esa visión, mirando por el agujero
del lavabo, esperando a que llegue la inspiración…Tras
unos segundos, comienzo a discernir una imagen. Ante mí
aparece un Menu
Juan Pablo Sánchez, Creative Executive Director ASMALLJOB
Profesor de Marketing Experiencial UAB
www.asmalljob.net
Existen las llamadas marcas invisibles, dícese de las que no hacen nada y caen en el olvido; por otro lado encontramos las marcas innovadoras, aquellas que optan por reinventarse y reforzarse.
A lo largo de los últimos quince años, hemos vivido lo que en la década de los 80 se bautizó como la ‘reingeniería’, de Michael Hammer. Esta idea se basa en comprender el replanteamiento empresarial como un proceso de racionalización de los recursos de personal para optimizar costes. Una década más tarde, la mayoría de las empresas del Fortune 500 entraron en este proceso de reingeniería, en el que
De la publicidad tradicional al marketing de experiencias o marketing sensorial. En momentos de recesión, marcas y anunciantes recortan su presupuesto en estrategias above y apuestan por acciones below, que, mucho tienen que ver con despertar los sentidos del consumidor. En esta edición, Juan Pablo Sánchez, de Asmalljob, nos ofrece una particular visión de la actual crisis en el sector la publicidad convencional. Por su parte, Santi Espina, de Mood Media, explica los entresijos que esconde el marketing sensorial, una nueva apuesta para conectar con el consumidor.
ILa última encuesta realizada desde el departamento de Marketing
de la feria Event, el evento de los eventos, muestra que radio y televisión reciben un 40% menos de inversión que el año anterior. El sector publicitario español confirma estos
resultados. Las productoras de televisión no ruedan ni un 50% de los spots que se rodaban el año pasado y desde las agencias de planificación y compra de medios, me comentan
que las campañas de coches han parado en seco su sell out La industria de la publicidad convencional está viviendo
su particular colapso, pero… ¿qué hacen marcas y anunciantes
en sustitución de esa publicidad convencional
El documento describe diferentes tipos de marketing experiencial, incluyendo marketing sensorial, cognitivo, emocional y de relaciones. Estos tipos de marketing apelan a los sentidos, pensamientos, sentimientos y estilos de vida de los consumidores para crear experiencias memorables con las marcas.
El documento describe la tendencia creciente hacia las "experiencias domésticas", donde los consumidores buscan vivir experiencias similares en casa a las que tienen fuera. Esto incluye la instalación de salas especializadas en el hogar y la provisión de servicios en el domicilio. Las marcas deben enfocarse en crear experiencias memorables para los consumidores en lugar de solo vender productos, aprovechando las nuevas tecnologías para facilitar compras y entretenimiento desde casa.
Virtual Events has become one of the big trends for the event industry in the last two years. This presentation is a Macro-Brief about how are affecting our industry.
This presentation by OECD, OECD Secretariat, was made during the discussion “The Intersection between Competition and Data Privacy” held at the 143rd meeting of the OECD Competition Committee on 13 June 2024. More papers and presentations on the topic can be found at oe.cd/ibcdp.
This presentation was uploaded with the author’s consent.
This presentation by OECD, OECD Secretariat, was made during the discussion “Competition and Regulation in Professions and Occupations” held at the 77th meeting of the OECD Working Party No. 2 on Competition and Regulation on 10 June 2024. More papers and presentations on the topic can be found at oe.cd/crps.
This presentation was uploaded with the author’s consent.
This presentation by Yong Lim, Professor of Economic Law at Seoul National University School of Law, was made during the discussion “Artificial Intelligence, Data and Competition” held at the 143rd meeting of the OECD Competition Committee on 12 June 2024. More papers and presentations on the topic can be found at oe.cd/aicomp.
This presentation was uploaded with the author’s consent.
This presentation by OECD, OECD Secretariat, was made during the discussion “Pro-competitive Industrial Policy” held at the 143rd meeting of the OECD Competition Committee on 12 June 2024. More papers and presentations on the topic can be found at oe.cd/pcip.
This presentation was uploaded with the author’s consent.
This presentation by Professor Giuseppe Colangelo, Jean Monnet Professor of European Innovation Policy, was made during the discussion “The Intersection between Competition and Data Privacy” held at the 143rd meeting of the OECD Competition Committee on 13 June 2024. More papers and presentations on the topic can be found at oe.cd/ibcdp.
This presentation was uploaded with the author’s consent.
Why Psychological Safety Matters for Software Teams - ACE 2024 - Ben Linders.pdfBen Linders
Psychological safety in teams is important; team members must feel safe and able to communicate and collaborate effectively to deliver value. It’s also necessary to build long-lasting teams since things will happen and relationships will be strained.
But, how safe is a team? How can we determine if there are any factors that make the team unsafe or have an impact on the team’s culture?
In this mini-workshop, we’ll play games for psychological safety and team culture utilizing a deck of coaching cards, The Psychological Safety Cards. We will learn how to use gamification to gain a better understanding of what’s going on in teams. Individuals share what they have learned from working in teams, what has impacted the team’s safety and culture, and what has led to positive change.
Different game formats will be played in groups in parallel. Examples are an ice-breaker to get people talking about psychological safety, a constellation where people take positions about aspects of psychological safety in their team or organization, and collaborative card games where people work together to create an environment that fosters psychological safety.
XP 2024 presentation: A New Look to Leadershipsamililja
Presentation slides from XP2024 conference, Bolzano IT. The slides describe a new view to leadership and combines it with anthro-complexity (aka cynefin).
Suzanne Lagerweij - Influence Without Power - Why Empathy is Your Best Friend...Suzanne Lagerweij
This is a workshop about communication and collaboration. We will experience how we can analyze the reasons for resistance to change (exercise 1) and practice how to improve our conversation style and be more in control and effective in the way we communicate (exercise 2).
This session will use Dave Gray’s Empathy Mapping, Argyris’ Ladder of Inference and The Four Rs from Agile Conversations (Squirrel and Fredrick).
Abstract:
Let’s talk about powerful conversations! We all know how to lead a constructive conversation, right? Then why is it so difficult to have those conversations with people at work, especially those in powerful positions that show resistance to change?
Learning to control and direct conversations takes understanding and practice.
We can combine our innate empathy with our analytical skills to gain a deeper understanding of complex situations at work. Join this session to learn how to prepare for difficult conversations and how to improve our agile conversations in order to be more influential without power. We will use Dave Gray’s Empathy Mapping, Argyris’ Ladder of Inference and The Four Rs from Agile Conversations (Squirrel and Fredrick).
In the session you will experience how preparing and reflecting on your conversation can help you be more influential at work. You will learn how to communicate more effectively with the people needed to achieve positive change. You will leave with a self-revised version of a difficult conversation and a practical model to use when you get back to work.
Come learn more on how to become a real influencer!
This presentation by OECD, OECD Secretariat, was made during the discussion “Artificial Intelligence, Data and Competition” held at the 143rd meeting of the OECD Competition Committee on 12 June 2024. More papers and presentations on the topic can be found at oe.cd/aicomp.
This presentation was uploaded with the author’s consent.
This presentation by Juraj Čorba, Chair of OECD Working Party on Artificial Intelligence Governance (AIGO), was made during the discussion “Artificial Intelligence, Data and Competition” held at the 143rd meeting of the OECD Competition Committee on 12 June 2024. More papers and presentations on the topic can be found at oe.cd/aicomp.
This presentation was uploaded with the author’s consent.
This presentation by Professor Alex Robson, Deputy Chair of Australia’s Productivity Commission, was made during the discussion “Competition and Regulation in Professions and Occupations” held at the 77th meeting of the OECD Working Party No. 2 on Competition and Regulation on 10 June 2024. More papers and presentations on the topic can be found at oe.cd/crps.
This presentation was uploaded with the author’s consent.
This presentation by Tim Capel, Director of the UK Information Commissioner’s Office Legal Service, was made during the discussion “The Intersection between Competition and Data Privacy” held at the 143rd meeting of the OECD Competition Committee on 13 June 2024. More papers and presentations on the topic can be found at oe.cd/ibcdp.
This presentation was uploaded with the author’s consent.
This presentation by Thibault Schrepel, Associate Professor of Law at Vrije Universiteit Amsterdam University, was made during the discussion “Artificial Intelligence, Data and Competition” held at the 143rd meeting of the OECD Competition Committee on 12 June 2024. More papers and presentations on the topic can be found at oe.cd/aicomp.
This presentation was uploaded with the author’s consent.
1. Opening Ceremony in Auditorium CCIB
Eular Barcelona 2007 MCI
Story Board - Confidential-
Version 2.0 07/06/2007
Director: Juan Pablo Sánchez
Artist: Belen López
2. Eular openig ceremony 2007
1
18:15 - Admission of delegates
Dialogue:
Description Main Door opens.- A video of Rheumatologist start at
full screen with ambient music.- loop 3 times (TBC).- Delegates take
seats 18:30 to 18:40. Three gongs in CCIB will announcement ( one
every 5 minutes )
Sound: Video 01 signal. 2 assistants to place speakers mic´s
Lighting: Preset 01
Regidor Speakers: ID and seat speakers
Regidor Entretenimiento: ID and Stand by Belen&Crew
Screen: Full Screen video 01 "LA SER HISTORY" ( 10:00) X 3 ( TBC )
18:47 - Voice over announces EULAR PRESIDENT
Dialogue:
Description
With the last video loop we go to EULAR President voice over.
Speaker in stage from seats. a background flamenco music sounds
with the voice over
Sound: Stand By Lector and/or Mic. PLAY 01 Speaker
Lighting: Preset 02
Regidor Speakers: Signal to speaker ( be out of shot)
Regidor Entretenimiento: ---------
Screen: central PIP live signal and name and title on bottom
Cameras: Stand By
Cameras: ENG Close up speaker TELE Stand by lector american shot
3. Eular openig ceremony 2007
2
18:48 - Speakers Starts speech
Dialogue: Statement by EULAR President
Description Speaker arrive at lector and starts speech . At this
moment screen will swich to 3PIP
Sound: Fadeout ones speech starts. Lector and Mic (TBCmic)
Lighting: Continue the same . Atenttion if speaker lefts lector.
Regidor Speakers:
Regidor Entretenimiento: ID and Stand by Belen&Crew
Screen: Background.Central ppt.both sides live camera same signal
18:54- Speeakers out
Dialogue:
Description
President will finish and left the stage to his seat.
Sound: Cut lector and mic.attention enterteinment micros.
Lighting: Attention Seconds to blackout
Regidor Speakers: Stand by for help if neccesary
Regidor Entretenimiento: ATTENTION!
Screen: To background
Cameras: ENG Stand by TELE Close up
Cameras: ENG Follow speaker TELE stand by GEN.Shot
4. Eular openig ceremony 2007
18:54 - Voice over announces 2 Speaker Catalan Minister
of Health
Description
From a background we go to a Awards centrel PIP image
Dialogue:
Sound: Stand By Lector and/or Mic PLAY 04 SPEAKER
Lighting: Preset 02
Regidor Speakers: Signal to speaker ( be out of shot)
Regidor Entretenimiento:-----------
Screen: central PIP live signal and name and title on bottom
Cameras: ENG Close up speaker TELE Stand by lector american shot
Project Title
3
5. Eular openig ceremony 2007Project TitleProject TitleProject Title
4
18:55 2nd Speaker starts speech
Dialogue: TBC
Description Speaker arrive at lector and starts speech . At this
moment screen will swich to 3PIP
Sound: Fadeout ones speech starts. Lector and Mic (TBC mic)
Lighting: Continue the same . Atenttion if speaker lefts lector.
Regidor Speakers: ----------------
Regidor Entretenimiento: --------------
Screen: Background.Central ppt.both sides live camera same signal
Cameras: ENG Stand By TELE Close to close up
18:58 - Speeakers out
Description
2nd Speaker will finish and left the stage to his seat.
Sound: Cut lector and mic.attention enterteinment micros.
Lighting: Attention Seconds to blackout
Regidor Speakers: Stand by for help if neccesary
Regidor Entretenimiento: ATTENTION!
Screen: To background
Cameras: ENG Follow speaker TELE stand by GEN.Shot
6. Eular openig ceremony 2007Project Title
5
18:59 1st Enterteinment "Canço de mar" de dulce pontes
Dialogue: ------------
Description
Auditorium will goes to blackout in XX S and show will start Belen shows
up reading a book with sounds of the sea and a song playing in the backgrounds.
Belen sits down in a chair near a table and falls asleep. "Canço do mar" starts
playing and 5 women wearing teal (aqua, aquamarine) "bata de cola" appear from
the public. At the same time, white mantillas lower from the ceiling. All these happen
with smoke in order to evoke a dream. Men show up and they lead Belen to dance
with them. At the end of this piece, women stay at one side of the stage and men at
the opposite. In the middle, Belen tries to reach first women and then men. They
disappear as they are touched by Belen ("light effect"). The piece ends with Belen
falling asleep again.
Lighting: Blackout to starts show as planned
Special Effects: Smoke on in blackout
Regidor Entretenimiento: Signal to in the blackout take positions.
Screen: are in blackout to open right pip signal live
Cameras: ENG.- TBC TELE.- american shot
Dialogue: ------------
Sound: PLAY OVER10 . Musics and table mic´s open and TBC music
Lighting: Blackout to starts show as planned
Regidor Entretenimiento: Signal to in the blackout take positions.
Screen: are in blackout to open right pip signal live
Cameras: ENG.- TBC TELE.- american shot
Regidor Speakers: Stand by
19:04: Ends of the Enterteinment
Description
(From Belen Show continues)
the end of this piece, women stay at one side of the stage and men at the opposite.
In the middle, Belen tries to reach first women and then men. They disappear as
they are touched by Belen ("light effect"). The piece ends with Belen falling asleep
again.
Sound: Attencion cuting micros.
Lighting: show as planned and finishing with blackout
Regidor Entretenimiento: Guide exit of stage and help change
clothes
Screen: to blackout with the general blackout
Cameras: ENG.- Atention 3 speaker shot TELE.- american shot
Regidor Speakers: ID and Stand by for second speaker
7. Eular openig ceremony 2007Project Title
6
19:04 Voice over of 3 th Speaker
19:05 3th Speaker starts speech
Dialogue:
Description
From a blackout lights come and we can see on the screen the title of
the second speaker and image.
Sound: Stand By Lector and/or Mic PLAY 03 SPEAKER
Lighting: Preset 02
Regidor Speakers: Signal to speaker ( be out of shot)
Regidor Entretenimiento: Continue helping belen&crew
Screen: central PIP live signal and name and title on bottom
Cameras: ENG Close up speaker TELE Stand by lector american shot
Dialogue: TBC
Description Speaker arrive at lector and starts speech . At this
moment screen will swich to 3PIP
Sound: Fadeout ones speech starts. Lector and Mic (TBC mic)
Lighting: Continue the same . Atenttion if speaker lefts lector.
Regidor Speakers: ----------------
Regidor Entretenimiento: Confirm ones Belen&crew ready for next
enterteinment
Screen: Background.Central ppt.both sides live camera same signal
Cameras: ENG Stand By TELE Close to close up
8. Eular openig ceremony 2007Project TitleProject Title
7
19:09 - Speeakers out
Description
3th Speaker will finish and left the stage to his seat.
Sound: Cut lector and mic.attention enterteinment micros.
Lighting: Attention Seconds to blackout
Regidor Speakers: Stand by for help if neccesary
Regidor Entretenimiento: ATTENTION!
Screen: To background
Cameras: ENG Follow speaker TELE stand by GEN.Shot
19:10 - "Leyenda del beso"
Dialogue: ------------
Auditorium will goes to blackout in XX S and show will start
Dark. Music starts suddenly. At the same time, light focuses on
women, who are dressed in white and black with shawls.
When the music hits again, light focuses on men who are dressed
in black with a matchy hat.
Lighting: Blackout to starts show as planned
Screen: are in blackout to open right pip signal live
Cameras: ENG.- TBC TELE.- american shot
Sound: PLAY OVER11 . Musics and table mic´s open and TBC music
Lighting: Blackout to starts show as planned
Regidor Entretenimiento: Signal to in the blackout take positions.
Screen: are in blackout to open right pip signal live
Cameras: ENG.- TBC TELE.- american shot
Regidor Speakers: Stand by
9. Eular openig ceremony 2007Project TitleProject Title
8
19:15: Ends of the Enterteinment
Description
(From Belen Show continues)
When shows ends we go to blackout tbc if is smoth or not
Sound: Attencion cuting micros.
Lighting: show as planned and finishing with blackout
Regidor Entretenimiento: Guide exit of stage and help change
clothes
Screen: to blackout with the general blackout
Cameras: ENG.- Atention 4 speaker shot TELE.- american shot
Regidor Speakers: ID and Stand by for second speaker
19:15 Voice over of 4th Speaker
Dialogue:
Description
From a blackout lights come and we can see on the screen the title
of the second speaker and image.
Sound: Stand By Lector and/or Mic PLAY 04 SPEAKER
Lighting: Preset 02
Regidor Speakers: Signal to speaker ( be out of shot)
Regidor Entretenimiento: Continue helping belen&crew
Screen: central PIP live signal and name and title on bottom
Cameras: ENG Close up speaker TELE Stand by lector american shot
10. Eular openig ceremony 2007Project TitleProject Title
9
19:16 4th Speaker starts speech
Dialogue: TBC
Description Speaker arrive at lector and starts speech . At this
moment screen will swich to 3PIP
Sound: Fadeout ones speech starts. Lector and Mic (TBC mic)
Lighting: Continue the same . Atenttion if speaker lefts lector.
Regidor Speakers: ----------------
Regidor Entretenimiento: Confirm ones Belen&crew ready for next
enterteinment
Screen: Background.Central ppt.both sides live camera same signal
Cameras: ENG Stand By TELE Close to close up
19:20 - Speeakers out
Description
4th Speaker will finish and left the stage to his seat.
Sound: Cut lector and mic.attention enterteinment micros.
Lighting: Attention Seconds to blackout
Regidor Speakers: Stand by for help if neccesary
Regidor Entretenimiento: ATTENTION!
Screen: To background
Cameras: ENG Follow speaker TELE stand by GEN.Shot
11. Eular openig ceremony 2007Project TitleProject Title 10
19:21 3rd Enterteinment "Pelea"
Dialogue: ------------
Description
Auditorium will goes to blackout in XX S and show will start
Everything is rythmical. Women and men show up from the public and
start dancing.
Lighting: Blackout to starts show as planned
Special Effects: Smoke on in blackout
Regidor Entretenimiento: Signal to in the blackout take positions.
Screen: are in blackout to open right pip signal live
Cameras: ENG.- TBC TELE.- american shot
Dialogue: ------------
Sound: PLAY OVER12 Musics and table mic´s open and TBC Music
Lighting: Blackout to starts show as planned
Regidor Entretenimiento: Signal to in the blackout take positions.
Screen: are in blackout to open right pip signal live
Cameras: ENG.- TBC TELE.- american shot
Regidor Speakers: Stand by
19:26: Ends of the Enterteinment
Description
(From Belen Show continues)
When shows ends we go to blackout tbc if is smoth or not
Sound: Attencion cuting micros.
Lighting: show as planned and finishing with blackout
Regidor Entretenimiento: Guide exit of stage and help change
clothes
Screen: to blackout with the general blackout
Cameras: ENG.- Atention 2 speaker shot TELE.- american shot
Regidor Speakers: ID and Stand by for second speaker
12. Eular openig ceremony 2007Project TitleProject TitleProject Title
11
19:26: - Voice over of 5th Speaker
Dialogue:
Description
From a blackout lights come and we can see on the screen the title of the
second speaker and image.
Sound: Stand By Lector and/or Mic PLAY 05 SPEAKER
Lighting: Preset 02
Regidor Speakers: Signal to speaker ( be out of shot)
Regidor Entretenimiento: Continue helping belen&crew
Screen: central PIP live signal and name and title on bottom
Cameras: ENG Close up speaker TELE Stand by lector american shot
19:27 5th Speaker starts speech
Dialogue: TBC
Description Speaker arrive at lector and starts speech . At this
moment screen will swich to 3PIP
Sound: Fadeout ones speech starts. Lector and Mic (TBC mic)
Lighting: Continue the same . Atenttion if speaker lefts lector.
Regidor Speakers: ----------------
Regidor Entretenimiento: Confirm ones Belen&crew ready for next
enterteinment
Screen: Background.Central ppt.both sides live camera same signal
Cameras: ENG Stand By TELE Close to close up
13. Eular openig ceremony 2007Project TitleProject TitleProject TitleProject Title
12
19:31- Speeakers out
Description
5th Speaker will finish and left the stage to his seat.
Sound: Cut lector and mic.
Lighting: continue the same
Regidor Speakers: Attention Eular President
Regidor Entretenimiento: ----------------
Screen: To background
Cameras: ENG Follow speaker TELE stand by GEN.Shot
19:31: - Voice over Announces Awards Ceremony by
EULAR PRESIDENT
Dialogue:
Description
From a background we go to a Awards centrel PIP image??
Sound: PLAY OVER 06 AWARDS ANNOUNCES Stand by video 02
Lighting: Preset 02
Regidor Speakers: Stand By
Regidor Entretenimiento: Continue helping belen&crew
Screen: Background with central PIP Awards image??
Cameras: Stand By both
14. Eular openig ceremony 2007
19:32 EULAR Stene Prize ( TBC BY ANTONIO)
Dialogue: TBC
Description
Sound: Fadeout ones speech starts. Lector and Mic (TBC mic)
Lighting: Continue the same . Atenttion if speaker lefts lector.
Regidor Speakers: ----------------
Regidor Entretenimiento: *--------------------
Screen: Background.Central ppt.both sides live camera same signal
Cameras: ENG TBC TELE Close to close up
Project TitleProject TitleProject TitleProject TitleProject Title
13
15. Eular openig ceremony 2007Project TitleProject TitleProject TitleProject TitleProject Title
15
19:33: - Movie "The Small things Matter in life"
Dialogue:
Description
Video about life
Sound: Video 02 . Stand by the rest
Lighting: 03 preset Black out 10 S
Regidor Speakers: Stand By
Regidor Entretenimiento: Continue helping belen&crew
Screen: Full Screen Video02
Cameras: Stand By both
19:38 - Awards Ceremony by Eular President
Dialogue:
Description Awards continue
Video ends and a light shows the President allready in the lector
Sound: Open lector and mic.
Lighting: from blackout to preset 02.
Regidor Speakers: Control differents in and outs of awards
Regidor Entretenimiento: Stand By
Screen: Background.Central ppt.both sides live camera same signal
Cameras: ENG ready for awarded wheel.- TELE Close ups
16. Eular openig ceremony 2007
20:03- Moderator announces special EULAR Honorary
Member prize
Dialogue:
Description
TBD
Sound: PLAY OVER06
Lighting: ------
Regidor Speakers: Control differents in and outs of awards
Regidor Entretenimiento: Stand By
Screen: Background.Central ppt.both sides live camera same signal
Cameras: ENG ready for awarded wheel.- TELE Close ups
Project TitleProject TitleProject TitleProject TitleProject Title
16
17. Eular openig ceremony 2007Project TitleProject TitleProject TitleProject TitleProject Title
17
20:06- Speeakers out
20:07 4rd Enterteinment "Duelo" & "Gran Finale"
Dialogue: ------------
Description
Two men dance fighting
Lighting: Blackout to starts show as planned
Special Effects: Smoke on in blackout
Regidor Entretenimiento: Signal to in the blackout take positions.
Screen: are in blackout to open right pip signal live
Cameras: ENG.- TBC TELE.- american shot
Dialogue: ------------
Sound: PLAY OVER 13 Musics and table mic´s open and TBC MUSIC
13
Lighting: Blackout to starts show as planned
Regidor Entretenimiento: Signal to in the blackout take positions.
Screen: are in blackout to open right pip signal live
Cameras: ENG.- TBC TELE.- american shot
Regidor Speakers: Stand by
Description
President will finish and left the stage to his seat.
Sound: Cut lector and mic.attention enterteinment micros.
Lighting: Attention Seconds to blackout
Regidor Speakers: Stand by for help if neccesary
Regidor Entretenimiento: ATTENTION!
Screen: To background
Cameras: ENG Follow speaker TELE stand by GEN.Shot
18. Eular openig ceremony 2007Project TitleProject TitleProject TitleProject TitleProject TitleProject Title
18
20:15: Ends of the Enterteinment
Description
(From Belen Show continues)
When shows ends we go to blackout tbc if is smoth or not
Sound: Attencion cuting micros.
Lighting: show as planned and finishing with blackout
Regidor Entretenimiento: Guide exit of stage wait for a thanks to the
public tbc a quick in and out of the crew
Screen: to blackout with the general blackout
Cameras: both cameras people shots
Regidor Speakers: --------
20:15: - Voice over Announces "Welcome Reception"
Dialogue:
Description
From a background we go to background central live and
Sound: Play OVER 08
Lighting: smooth to preset 01
Regidor Speakers: Stand by and help speakers live auditorium
Regidor Entretenimiento: ----------
Screen: Background.Central ppt.both sides live camera same signal
Cameras: Look for happy faces in the public
eular logo
19. Eular openig ceremony 2007
SOUND SOURCES:
VOICE OVER SPEAKERS
01: Welcome and President announces Professor Tore K.Kvien ( norway)
( OPTION 2" 02:Eular President announces Professor Tore K.Kvien ( norway)
02:Speaker Catalan Minister of Health
03:Speaker Mr.Martin de Wit (Netherlands) Vice-President representing the social leagues
04:Speaker Doctor Josep Blanch i Rubio (Spain) President o the local organising comittee
05:Speaker Professor Ian McInnes ( United Kindom) Chairperson of the Scientific Programme Committee
06:Awards by President
07:Announces special EULAR Honorary member prize
08:Announcement "Welcome Reception"
ENTERTEINMENT VOICE OVER
10: Enterteinment 01
11: Enterteinment 02
12: Enterteinment 03
13: Enterteinmnet 04
MUSIC
TBC 2 TRACKS BY BELEN
VIDEO SOURCES
01: Video "LA SER HISTORY"DVD format.
02: Video "The Small things Matter in life" DVD format.
LIGHTING PRESETS
01: For use when people come in.-
02: For use with speakers.( A bit darkness light cutting scene,lector spotted)
03: Blackout ( check we keep emergency lights on)
-------
10: Enterteinment 1 "Canço do mar" ( TBC)
11: Enterteinment 2 "Leyenda del beso" ( TBC)
12: Enterteinmnet 3"Pelea" ( TBC)
13: Enterteinmnet 4 "Duelo" (TBC)
20. Eular openig ceremony 2007
CREW
Director: Juan Pablo Sánchez
Assistant Director: Valerie
Producer Assistant: Eva
Regiduria Speakers: Felicitas Garcia
Regiduria Enterteinment: Valerie
Director of photographie: Alex Behamour
Cameras Director: Marc Cercos
Lighting operator + 2 Assistants: TBC from CCIB
AV Director: Romain Rossel
Sound Ingeniering+ 2 Assistant : TBC from CCIB
Scenography Director: TBC from Dorier
Live Video + 2 cameras: TBC from CCIB
DIRECTOR NOTES:
ALL CREW MUST TO FOLLOW SECURITY RULES ALL THE TIME.
CAMERAS ARE NOT ALOWED.
ONLY AUTORIZED STAFF CAN ACCESS TO THE AUDITORIUM
BADGES MUST TO BE VISIBLE ALL THE TIME
LIVE DIRECTION WILL BE IN SPANISH LENGUAGE
DRESS CODE
Casual Dress for setup and rehearsals
Business Casual for the ceremony