What Is a Definition EssayDefinition e.docxalanfhall8953
What Is a Definition Essay?
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Definition essay explainedThe definition essay explains the meaning of a word or a concept or a term. The purpose of the definition essay is to help the reader understand the meaning of an unfamiliar term or clarify the meaning of an abstract or vague term.
How to Write a Definition Essay
The following are common ways to define a word or a concept or a term:
1. Demonstrate the denotations and connotations of a word:Denotations are the formal dictionary definitions of a word.Connotations often imply emotional, informal, or slang cases of the word.
Example 1Rat— Denotative meaning: a rodent;Connotative meaning: a person who tattles on other people or who exhibits undesirable or dishonest behavior.Example 2Card— Denotative meaning: a sturdy, but small, piece of rectangular shaped paper used for business purposes or card games.Connotative meaning: a lively, entertaining person or the act of requiring proof of age before sales of alcoholic beverages and tobacco products.
2. Demonstrate the popular beliefs and personal interpretations of a concept:
Example 1Success— Popular belief: success means getting richPersonal interpretation: success means either overcoming obstacles or other unique interpretations.
Example 2Beauty— Popular belief: good lookingPersonal interpretation: self-sacrifice, loving, forgiving, or other unique interpretations.
3. Demonstrate the characteristics, the function, or the make-up of an object or a term:
Example 1Axe— An axe is a tool used for chopping trees and splitting wood; it is made up of a wooden handle and a metal head with a blade usually on one side.
Example 2Machismo— Machismo is the inflated male ego as characterized by domination of women, an exaggerated show of male strength, etc.
Introduction
1. Lead-in: Introduce the topic (the concept or term you are going to define).
2. Transition: Make transition to thesis statement.
3. Thesis Statement: Define at least three aspects of the meaning of the concept or term (e.g. “Country music can be best understood if we know its history, its pattern of rhythm, and its themes.”).
BodyParagraph 11. Topic Sentence: Present the first aspect of the meaning of the conceptor term (e.g. “The meaning of Country Music depends heavily on itshistory”).2. Supporting Details: Explain what/how/why.3. Closing Remarks: Wrap up this paragraph (e.g. “That is why one cannot understand Country Music without learning about its history”).
Body Paragraph 21. Topic Sentence: Present the second aspect of the meaning of the conceptor term.2. Supporting Details: Explain what/how/why.3. Closing Remarks: Wrap up this paragraph.
Body Paragraph 31. Topic Sentence: Present the third aspect of the meaning of the conceptor term.2. Supporting Details: Explain what/how/why.3. Closing Remarks: Wrap up this paragraph.Writing Made Easy
Conclusion
1. Wrap up the main points.
2. Point out the significance of the concept or term
Definition Essay
I. A d.
The document provides guidelines for writing a book review in 3-9 sentences. It begins by stating a book review should describe, analyze, and evaluate a book's quality, meaning and significance rather than summarize the plot. It then lists standard procedures for writing a review such as stating book details, the author's purpose, theme and thesis, evaluation methods used, and providing an analysis and conclusion. The document also provides considerations for reviewing specific genres like fiction, biography, and non-fiction.
This document provides guidance on analyzing various aspects of written texts, including plot, characters, character profiles, protagonists and antagonists, setting, themes, language techniques, narrative viewpoint, and symbols. For each aspect, it lists steps and prompts to help structure an analysis, such as creating a plot flow chart, describing challenges faced by characters, identifying themes shown in different parts of the text, and finding examples of literary techniques and how they develop ideas. It concludes with potential essay topics and an assessment schedule focusing on analyzing texts supported by evidence.
The document provides information on different types of academic writing such as summaries, critiques, reviews, and reports. It discusses the purpose, structure, and key elements of book reviews, article critiques, literature reviews, and research reports. For each type of writing, it outlines an introduction that provides essential details about the topic, a body that analyzes and evaluates the key points, and a conclusion that summarizes the overall discussion. The document serves as a useful guide for students on how to approach these common academic writing assignments.
The document provides an overview of creative nonfiction, including:
- Defining creative nonfiction and distinguishing it from regular nonfiction.
- Discussing elements of creative nonfiction like fact, research, personal experience, and narrative structure.
- Identifying common literary devices used in creative nonfiction like characterization, setting, plot, and imagery.
- Explaining the 5 R's of creative nonfiction - realness, reflection, research, reading and writing.
- Outlining different types of creative nonfiction like memoirs, profiles, and travel writing.
This document contains a descriptive text about the Indonesian comedian Sule. It provides biographical information about Sule, including his full name, date and place of birth, language skills, physical appearance, and personality. It describes Sule as having a unique long hairstyle, oval face, flat nose, and slanted eyes. It notes that Sule is known for his ridiculous and funny jokes that make people smile and laugh. The document also lists some of the TV shows Sule has appeared in and mentions he can sing well, including one very famous song. The purpose of the document is to provide an example of a descriptive text and picture to teach students how to describe a person based on an image.
This document contains a descriptive text about the Indonesian comedian Sule. It begins by providing his full name and background information, noting that he was born in 1976 in Bandung, West Java and speaks Sundanese fluently. The text then describes Sule's physical appearance, stating he has long brown and yellow hair, an oval face, flat nose, and slanting eyes. It explains that Sule is known for his ridiculous and funny personality, and that his jokes make people smile and laugh. The document concludes by listing some of the TV shows Sule has appeared in and noting that he is also a good singer.
What Is a Definition EssayDefinition e.docxalanfhall8953
What Is a Definition Essay?
*
Definition essay explainedThe definition essay explains the meaning of a word or a concept or a term. The purpose of the definition essay is to help the reader understand the meaning of an unfamiliar term or clarify the meaning of an abstract or vague term.
How to Write a Definition Essay
The following are common ways to define a word or a concept or a term:
1. Demonstrate the denotations and connotations of a word:Denotations are the formal dictionary definitions of a word.Connotations often imply emotional, informal, or slang cases of the word.
Example 1Rat— Denotative meaning: a rodent;Connotative meaning: a person who tattles on other people or who exhibits undesirable or dishonest behavior.Example 2Card— Denotative meaning: a sturdy, but small, piece of rectangular shaped paper used for business purposes or card games.Connotative meaning: a lively, entertaining person or the act of requiring proof of age before sales of alcoholic beverages and tobacco products.
2. Demonstrate the popular beliefs and personal interpretations of a concept:
Example 1Success— Popular belief: success means getting richPersonal interpretation: success means either overcoming obstacles or other unique interpretations.
Example 2Beauty— Popular belief: good lookingPersonal interpretation: self-sacrifice, loving, forgiving, or other unique interpretations.
3. Demonstrate the characteristics, the function, or the make-up of an object or a term:
Example 1Axe— An axe is a tool used for chopping trees and splitting wood; it is made up of a wooden handle and a metal head with a blade usually on one side.
Example 2Machismo— Machismo is the inflated male ego as characterized by domination of women, an exaggerated show of male strength, etc.
Introduction
1. Lead-in: Introduce the topic (the concept or term you are going to define).
2. Transition: Make transition to thesis statement.
3. Thesis Statement: Define at least three aspects of the meaning of the concept or term (e.g. “Country music can be best understood if we know its history, its pattern of rhythm, and its themes.”).
BodyParagraph 11. Topic Sentence: Present the first aspect of the meaning of the conceptor term (e.g. “The meaning of Country Music depends heavily on itshistory”).2. Supporting Details: Explain what/how/why.3. Closing Remarks: Wrap up this paragraph (e.g. “That is why one cannot understand Country Music without learning about its history”).
Body Paragraph 21. Topic Sentence: Present the second aspect of the meaning of the conceptor term.2. Supporting Details: Explain what/how/why.3. Closing Remarks: Wrap up this paragraph.
Body Paragraph 31. Topic Sentence: Present the third aspect of the meaning of the conceptor term.2. Supporting Details: Explain what/how/why.3. Closing Remarks: Wrap up this paragraph.Writing Made Easy
Conclusion
1. Wrap up the main points.
2. Point out the significance of the concept or term
Definition Essay
I. A d.
The document provides guidelines for writing a book review in 3-9 sentences. It begins by stating a book review should describe, analyze, and evaluate a book's quality, meaning and significance rather than summarize the plot. It then lists standard procedures for writing a review such as stating book details, the author's purpose, theme and thesis, evaluation methods used, and providing an analysis and conclusion. The document also provides considerations for reviewing specific genres like fiction, biography, and non-fiction.
This document provides guidance on analyzing various aspects of written texts, including plot, characters, character profiles, protagonists and antagonists, setting, themes, language techniques, narrative viewpoint, and symbols. For each aspect, it lists steps and prompts to help structure an analysis, such as creating a plot flow chart, describing challenges faced by characters, identifying themes shown in different parts of the text, and finding examples of literary techniques and how they develop ideas. It concludes with potential essay topics and an assessment schedule focusing on analyzing texts supported by evidence.
The document provides information on different types of academic writing such as summaries, critiques, reviews, and reports. It discusses the purpose, structure, and key elements of book reviews, article critiques, literature reviews, and research reports. For each type of writing, it outlines an introduction that provides essential details about the topic, a body that analyzes and evaluates the key points, and a conclusion that summarizes the overall discussion. The document serves as a useful guide for students on how to approach these common academic writing assignments.
The document provides an overview of creative nonfiction, including:
- Defining creative nonfiction and distinguishing it from regular nonfiction.
- Discussing elements of creative nonfiction like fact, research, personal experience, and narrative structure.
- Identifying common literary devices used in creative nonfiction like characterization, setting, plot, and imagery.
- Explaining the 5 R's of creative nonfiction - realness, reflection, research, reading and writing.
- Outlining different types of creative nonfiction like memoirs, profiles, and travel writing.
This document contains a descriptive text about the Indonesian comedian Sule. It provides biographical information about Sule, including his full name, date and place of birth, language skills, physical appearance, and personality. It describes Sule as having a unique long hairstyle, oval face, flat nose, and slanted eyes. It notes that Sule is known for his ridiculous and funny jokes that make people smile and laugh. The document also lists some of the TV shows Sule has appeared in and mentions he can sing well, including one very famous song. The purpose of the document is to provide an example of a descriptive text and picture to teach students how to describe a person based on an image.
This document contains a descriptive text about the Indonesian comedian Sule. It begins by providing his full name and background information, noting that he was born in 1976 in Bandung, West Java and speaks Sundanese fluently. The text then describes Sule's physical appearance, stating he has long brown and yellow hair, an oval face, flat nose, and slanting eyes. It explains that Sule is known for his ridiculous and funny personality, and that his jokes make people smile and laugh. The document concludes by listing some of the TV shows Sule has appeared in and noting that he is also a good singer.
The document provides guidance for students on analyzing various elements of the short story "Job" as part of their studies. Students are instructed to create a digital study guide on the story using an app or website of their choice. The study guide should include plot details, characters, themes, language features, and setting. Examples of tasks for students include creating a flow chart of the story's progression, writing character profiles, and finding examples of repeated words or images.
Possible writing-prompts-for-literary-analysis-mskBrian Gunn
The document provides 5 writing prompts for a literary analysis essay on a summer reading novel. The prompts include: 1) Analyzing how a character struggles but fails to learn a lesson in time; 2) Exploring how an object takes on symbolic meaning; 3) Examining how the setting relates to plot, characters, or builds suspense; 4) Stating and explaining how the novel's theme is developed; and 5) Discussing the author's use of figurative language and its impact. Students are to choose one prompt and write a five paragraph essay responding to the chosen prompt.
1. Essay-writing Essay The word Essay is defined in The Concise O.docxambersalomon88660
1. Essay-writing Essay The word Essay is defined in "The Concise Oxford Dictionary" as "a literary composition (usually prose and short) on any subject.“ It is a written composition giving expression to one's own personal ideas or opinions on some topic; but the term usually covers also any written composition, whether it expresses personal opinions, or gives information on any given subject, or details of a narrative or description.
2. Characteristics of Essay-writing A good essay must contain the following characteristics: Unity Order Brevity Style Personal Touch An essay must be a unity, treating in an orderly manner of one subject; it should be concisely written and not too long, and the style should by simple, direct and clear; and it should have an individuality, or show the personal touch of the writer.
3. Classification of Essay-Writing Essays may be classified as: Narrative Descriptive Expository Reflective Imaginative
4. Classification of Essay- Writing(cont’d) Narrative: In a narrative essay, the writer tells a story about a real-life experience. While telling a story may sound easy to do, the narrative essay challenges students to think and write about themselves. When writing a narrative essay, writers should try to involve the reader by making the story as vivid as possible. Descriptive: A descriptive essay paints a picture with words. A writer might describe a person, place, object, or even memory of special significance. The descriptive essay strives to communicate a deeper meaning through the description. In a descriptive essay, the writer should show through the use of colorful words and sensory details.
5. Classification of Essay- Writing(cont’d) Expository: In an expository essay, the writer explains or defines a topic, using facts, statistics, and examples. Expository writing encompasses a wide range of essay variations, such as the comparison and contrast essay, the cause and effect essay, and the “how to” or process essay. Reflective: A reflective essay consists of reflections or thoughts on some topic, which is generally of an abstract nature; for example; (a) habits, qualities, (b) social, political and domestic topics (c) philosophical subjects, (d) religious and theological topics.
6. Classification of Essay- Writing(cont’d) Imaginative :Essays on subjects such as the feelings and experiences of the sailor wrecked on a desert island may be called imaginative Essays. In such the writer is called to place himself in imagination in a position of which he has had no actual experience. Such subjects as "If I were a king," or "The autobiography of a horse," would call for imaginative essays.
7. Overview of Essay-Writing
8. How to write an effective essay? Every essay has a beginning, a middle and an end. In a 5 paragraph essay, the first paragraph is called the introduction. The next three paragraphs consist of the body of the essay. The fifth and final paragraph is the concl.
Essaytyper is legal because it fosters originality, and there's no monetary compensation and therefore the documents generated by its essay bots can't be submitted unless the individual student works on them. The site is entirely legal because its mandate is to assist students prepare to write down their papers.
1 Outline Structure for Literary Analysis Essay I. .docxShiraPrater50
1
Outline Structure for Literary Analysis Essay
I. Catchy Title
II. Paragraph 1: Introduction (Use HATMAT)
A. Hook
B. Author
C. Title
D. Main characters
E. A short summary
F. Thesis
III. Paragraph 2: First Body Paragraph
A. Topic sentence (what this paragraph will discuss, how it will prove your thesis)
B. Context for the quote
1. Who says it?
2. What’s happening in the text when they say it?
C. Quote from the text (cited appropriately)
D. Analysis of the quote: How does it prove your thesis?
E. Closing sentence (wrap up the paragraph to effectively transition to the next paragraph)
IV. Paragraph 3: Second Body Paragraph
A. Topic sentence (what this paragraph will discuss, how it will prove your thesis)
B. Context for the quote
1. Who says it?
2. What’s happening in the text when they say it?
C. Quote from the text (cited appropriately)
D. Analysis of the quote: How does it prove your thesis?
E. Closing sentence (wrap up the paragraph to effectively transition to the next paragraph
V. Paragraph 4: Third Body Paragraph
A. Topic sentence (what this paragraph will discuss, how it will prove your thesis)
B. Context for the quote
1. Who says it?
2. What’s happening in the text when they say it?
C. Quote from the text (cited appropriately)
D. Analysis of the quote: How does it prove your thesis?
E. Closing sentence (wrap up the paragraph to effectively transition to the next paragraph
VI. Conclusion (You do not necessarily have to follow this order, but include the following):
A. Summarize your argument.
B. Extend the argument.
C. Show why the text is important.
2
Parts to a Great Essay
same as above, just worded differently
1. A Catchy Title
2. Introduction: the opening paragraph. The introduction should include the
following:
a. Hook, Author, Title, Main Characters, A Short Summary, Thesis
b. Hook: The beginning sentences of the introduction that catch the reader’s
interest. Ways of beginning creatively include the following:
A startling fact or bit of information
A meaningful quotation (from the work or another source)
A rich, vivid description
An analogy or metaphor
c. Introductions should identify the work of literature being discussed, name
the author, and briefly present the issue that the body of your essay will
more fully develop (your thesis). Basically, introductions suggest that
something interesting is occurring in a particular work of literature.
3. Body: The body of your paper should logically and fully develop and support your
thesis.
a. Each body paragraph should focus on one main idea that supports your
thesis statement.
b. These paragraphs include:
i. A topic sentence – a topic sentence states the main point of a
paragraph: it serves as a mini-thesis for the paragraph. You might
think of it as a signpost for your readers—or a headline—something
that alerts them to the most important, interpretive points i ...
This document provides guidance on how to summarize a text in five steps: 1) general and understandable reading, 2) classifying the text by nature, context, author, and addressee, 3) analyzing key terms and ideas, 4) commenting on the analysis and classification, and 5) critiquing the text by discussing inconsistencies, alternative perspectives, and comparisons to other authors. General recommendations include presenting comments clearly and avoiding digressions, repetitions, disorganization, and personal remarks. Common errors to avoid are digressing from the topic, repetitive explanations without interpretation, disorganized ideas, and expressing subjective opinions.
D5302018 MBS Direct Close Reading of lnformational Text.docxsimonithomas47935
D
5/30/2018 MBS Direct: Close Reading of lnformational Texts
Understanding the Features of a Text
fJnke the situation a generation ago, informational text for children and young adolescents nowadays is
redolent with features that rnay include maps, boxed commentary or highlights, diagrams, photographs or
iilustrations with captions, timelines, and much more. The features of informational text are the elements that
help the reader navigate the text like a table of contents, titles, and subtitles as well as the elements of a text that
provide additional content to support and develop the ideas in the running text like maps, diagrams, photographs,
illustrations, and captions. Together, the features and the running text are "the text," meaning that one cannot
serve to convey the author's central ideas without the other. So it is essential that students pay attention to the
content in both the text and the features. While many students can practically close their eyes and locate the
table of contents or photographs with captions, they cannot always clearly articulate what they have just leamed
after examining a particular feature closely. Many students tend to treat the feafures as purely supplemental to
the text, perusing them quickly and often solely for their aesthetic appeal. They might say to you that the
pictures in a text are "really cool," but they cannot necessarily explain how they helped them understand the
running text better. What is lacking is students' fulIrealization that a text's features contribute a great deal to the
meaning of the text and support the readers in many ways as they read a new or unfamiliar text.
CONSIDER YOUR STUDENTS' STRENGTHS AND NEEDS
What have your observations or formative assessments revealed about your students' use of the features
accompanying informational text? What have you observed that indicates they need to focus more closely on the
specif,rc information contained in the features of a text?
. When students confer with you:
', Do they talk about the content of the text but not any of the features?
, Do they talk about the appeal of a particular feature ("That's a cool picture!") but not about what they
learned from the feature?
. Do they share what they learned from a feature but not necessarily how that helped them understand the
main text or the author's central ideas?
, Do they integrate what they have learned from the features and the main text into a discussion about the
author's central ideas?
. When students write about the features in a text:
: Do they write solely about the content expressed in the running text, or prose?
, Do they write about any features at only a surface level of understanding?
,, Do they write about one part of a particular feature in a way that reveals a misunderstanding of the
author's ideas (e.g., writing about the illustration or photograph but not about the caption)?
r
ffi CHAPTERFOUR
.,*
'kl{iy_
5l3Ol2A18 MBS Direct: Close Reading of lnformational .
The document provides tips for writing a feature article, including generating ideas, collecting research, conducting interviews, and drafting/editing. Some key points:
- Writers should keep ideas on postcards to draw from for future articles. Researching publications can also spark new ideas.
- Conduct background research only after settling on an article topic. Research may uncover additional sources or potential interview subjects.
- Interviews are important for making articles fresh and authentic. The best articles listen to others rather than just expressing the writer's opinions.
- Drafting and editing are personal processes but crucial stages to polish the article, however the writer approaches them.
riting About LiteratureGenerally, the essays you write in litera.docxdaniely50
riting About Literature
Generally, the essays you write in literature courses attempt to answer interesting questions about works of literature. These questions are interesting for at least two reasons: a) their answers are not obvious, and b) their answers (or at least the attempt to answer them) can enrich other readers’ understanding and experience of those works of literature. Often works of literature seem to be intentionally posing these questions to us; they require us to do some work to get them to work.
Readers have asked many different types of questions of works of literature, for example:
What did the author want to communicate in this work?
What does the work reveal about the author’s feelings, opinions, or psychology?
What does the work reveal about the society in which it was written?
What can we learn from this work about the issues or topics it deals with?
What motivates the characters in the work to behave as they do?
How are literary devices used in the work?
How does the work create emotional or intellectual experiences for its readers?
Is this work good or bad?
Is this work good or bad for its readers?
Some of these questions require information from outside the text itself; for example, to argue that a work reveals a writer’s psychological condition, it would be helpful to have some other evidence of that condition to corroborate your interpretation of the work of literature. Some of these questions ask about the world outside the work—about the author, his/her society, or our own society, for example—while others try to focus more on the features of the work itself.
Analyses which try to make statements about the work itself
is often called
formalist
criticism: it attends more to the structures and strategies employed in the work. Ultimately, such arguments generally do try to move beyond the work, to claim, for instance, that it is likely to create certain effects in its readers, or that readers will understand the writer’s intent more clearly if they pay attention to its formal characteristic.
In LIT 100, we are going to be paying attention primarily to these formal features of literary works. In fiction, some of these features include tone, point of view, setting, character, etc. We will be paying less attention to extra-textual features, such as the author’s biography or the historical contexts in which the literature was produced and/or read; these elements are not less important than formal features, but they naturally vary greatly from one work to another and often require in-depth study to truly appreciate. To understand how Shakespeare’s social situation in London in the 1590s might have been reflected in his plays would require a whole course in Elizabethan history. On the other hand, the formal features we will be studying in this course can be found in literature of all eras and genres, though they may often be used to different effect by different writers at different times. Almost all fict.
This document outlines elements of literature that are important to analyze when studying English literature. It discusses plot, character, and setting. For plot, it defines key elements like conflict and suspense. It also discusses analyzing characters in terms of their importance to the story and how they change. Setting is analyzed in terms of time period and social environment. The document provides questions to consider for analyzing each of these elements of literature. It concludes by providing instructions for an upcoming test on analyzing a short story.
riting About LiteratureGenerally, the essays you write in lite.docxjoellemurphey
riting About Literature
Generally, the essays you write in literature courses attempt to answer interesting questions about works of literature. These questions are interesting for at least two reasons: a) their answers are not obvious, and b) their answers (or at least the attempt to answer them) can enrich other readers’ understanding and experience of those works of literature. Often works of literature seem to be intentionally posing these questions to us; they require us to do some work to get them to work.
Readers have asked many different types of questions of works of literature, for example:
· What did the author want to communicate in this work?
· What does the work reveal about the author’s feelings, opinions, or psychology?
· What does the work reveal about the society in which it was written?
· What can we learn from this work about the issues or topics it deals with?
· What motivates the characters in the work to behave as they do?
· How are literary devices used in the work?
· How does the work create emotional or intellectual experiences for its readers?
· Is this work good or bad?
· Is this work good or bad for its readers?
Some of these questions require information from outside the text itself; for example, to argue that a work reveals a writer’s psychological condition, it would be helpful to have some other evidence of that condition to corroborate your interpretation of the work of literature. Some of these questions ask about the world outside the work—about the author, his/her society, or our own society, for example—while others try to focus more on the features of the work itself. Analyses which try to make statements about the work itself is often calledformalist criticism: it attends more to the structures and strategies employed in the work. Ultimately, such arguments generally do try to move beyond the work, to claim, for instance, that it is likely to create certain effects in its readers, or that readers will understand the writer’s intent more clearly if they pay attention to its formal characteristic.
In LIT 100, we are going to be paying attention primarily to these formal features of literary works. In fiction, some of these features include tone, point of view, setting, character, etc. We will be paying less attention to extra-textual features, such as the author’s biography or the historical contexts in which the literature was produced and/or read; these elements are not less important than formal features, but they naturally vary greatly from one work to another and often require in-depth study to truly appreciate. To understand how Shakespeare’s social situation in London in the 1590s might have been reflected in his plays would require a whole course in Elizabethan history. On the other hand, the formal features we will be studying in this course can be found in literature of all eras and genres, though they may often be used to different effect by different writers at different times. A ...
This document outlines a classroom observation of a demonstration lesson on creative nonfiction. The teacher, Amiehan Comendador Grande, observed learners analyzing factual and nonfictional elements in texts. Learners were expected to understand nonfictional elements, analyze texts considering plot, characters, point of view, and other devices. The lesson utilized news articles and analysis prompts to help learners examine the purpose, organization, language, and elements of different nonfiction genres including narratives, reports, and arguments. Learners completed tasks analyzing provided texts and were encouraged to reflect on what they learned.
This document provides an overview of the key concepts and stages related to the nature, purpose, and development of writing. It begins with definitions of writing and discusses the main purposes and types of writing. It then explains the prerequisites or background knowledge needed for writing, including subject matter, purpose, audience awareness, and language skills. The document also outlines the main developmental stages of writing, including writing readiness, early writing, and developmental writing. It provides details on concepts like spelling, grammar, and sentence construction within these stages. The overall document serves as an introduction to teaching writing skills in the primary ESL classroom.
Here are some tips for solving issues of mismatch between a literature review matrix and introduction:
1. Ensure the key topics, themes and gaps identified in the literature review matrix are reflected in the introduction. The introduction should foreshadow the content and focus of the literature review.
2. Introduce the scope and purpose of the literature review upfront in the introduction to set reader expectations. Clearly link the purpose to the research problem/question.
3. If additional context is needed, weave 1-2 relevant but brief summaries of seminal studies into the introduction for background. Do not go into depth at this stage.
4. Use the literature review matrix to help structure the introduction in a logical flow, such as from
This Module in Advanced Research intends to assist undergraduate students in editing their first part of their Research in journal type and narrow down a broad topic of their discussion. The lesson is good for 1 hour and 30 minutes with inclusion of objectives and assignment for the next lesson.
Respond to one of the following prompts in a 3-5 page fiction .docxaudeleypearl
The document provides instructions for writing a 3-5 page fiction response essay analyzing one or more short stories read in class. Students must choose from 9 prompts examining themes, characters, symbols or other elements and support their analysis with evidence from the stories. An outline is included as an example for organizing the essay around a clear thesis statement with an introduction, 3 body paragraphs addressing topic sentences, and a conclusion. The rubric lists requirements for scoring including a strong thesis, clear organization, relevant arguments and evidence, analysis connecting evidence to claims, and proper writing mechanics.
Respond to one of the following prompts in a 3-5 page fiction .docxpeggyd2
The document provides instructions for writing a 3-5 page fiction response essay analyzing one or more short stories read in class. Students must choose from 9 prompts examining themes, characters, symbols or other elements and support their analysis with evidence from the stories. An outline is included as an example for organizing the essay around a clear thesis statement with an introduction, 3 body paragraphs addressing topic sentences, and a conclusion. The rubric lists requirements for scoring including a strong thesis, clear organization, relevant arguments and evidence, analysis connecting evidence to claims, and proper writing mechanics.
This document provides a summary of reading literature and informational text standards from kindergarten through 5th grade. It outlines key skills in several areas for each grade level, including asking and answering questions about texts, determining central ideas and themes, analyzing word meanings, examining text structure, and comparing approaches in different texts. The skills progress in complexity from retelling stories and asking about unknown words in early grades to making inferences, distinguishing points of view, and evaluating arguments in later grades.
The Literary Analysis Paper on Cocktail Hour Under the Tree of Forgetfulnesshurdlefast
This document provides instructions for writing a literary analysis paper. It explains that a literary analysis involves making an argument about a piece of writing using evidence from the text to support a thesis statement. It outlines the key elements of literature that may be analyzed, such as plot, setting, characters, themes, and symbols. The document also provides guidance on how to start an analysis, including carefully reading the work, taking notes, identifying patterns and focus areas, and developing a thesis statement. It concludes by offering tips on outlining the essay and incorporating evidence from the text to support the thesis in the introduction, body, and conclusion sections.
The document discusses narrative text structure and how to teach comprehension of narratives. It defines narratives and their key elements, including protagonist, problem, response, consequence, resolution and theme. It recommends using story grammar and graphic organizers to help students understand narrative elements and structure. Teachers can explicitly teach story grammar to improve comprehension and recall of narrative texts.
The document discusses the key elements and characteristics of effective interpersonal communication. It defines interpersonal communication as the exchange of information between two or more people, including ideas, feelings, and meanings. Effective interpersonal communication involves both verbal and nonverbal elements such as body language, tone of voice, facial expressions, and other cues. It also requires clear sending and receiving of messages with appropriate feedback between communicators.
The document provides 20 multiple choice questions about various concepts related to ethics, economics, storytelling, culture, advertising, propaganda, and interviews. The questions cover topics such as ethics, resource allocation, plot structure, climax, cultural artifacts, branding, emotional appeals, transfer techniques, biased information, group interviews, and panel interviews. The instructions state that no erasures are allowed and that erasing answers means getting the question wrong.
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Semelhante a Copy of Vintage Collageknnnmnmnm Point of View and Author's Purpose for Middle School.pptx
The document provides guidance for students on analyzing various elements of the short story "Job" as part of their studies. Students are instructed to create a digital study guide on the story using an app or website of their choice. The study guide should include plot details, characters, themes, language features, and setting. Examples of tasks for students include creating a flow chart of the story's progression, writing character profiles, and finding examples of repeated words or images.
Possible writing-prompts-for-literary-analysis-mskBrian Gunn
The document provides 5 writing prompts for a literary analysis essay on a summer reading novel. The prompts include: 1) Analyzing how a character struggles but fails to learn a lesson in time; 2) Exploring how an object takes on symbolic meaning; 3) Examining how the setting relates to plot, characters, or builds suspense; 4) Stating and explaining how the novel's theme is developed; and 5) Discussing the author's use of figurative language and its impact. Students are to choose one prompt and write a five paragraph essay responding to the chosen prompt.
1. Essay-writing Essay The word Essay is defined in The Concise O.docxambersalomon88660
1. Essay-writing Essay The word Essay is defined in "The Concise Oxford Dictionary" as "a literary composition (usually prose and short) on any subject.“ It is a written composition giving expression to one's own personal ideas or opinions on some topic; but the term usually covers also any written composition, whether it expresses personal opinions, or gives information on any given subject, or details of a narrative or description.
2. Characteristics of Essay-writing A good essay must contain the following characteristics: Unity Order Brevity Style Personal Touch An essay must be a unity, treating in an orderly manner of one subject; it should be concisely written and not too long, and the style should by simple, direct and clear; and it should have an individuality, or show the personal touch of the writer.
3. Classification of Essay-Writing Essays may be classified as: Narrative Descriptive Expository Reflective Imaginative
4. Classification of Essay- Writing(cont’d) Narrative: In a narrative essay, the writer tells a story about a real-life experience. While telling a story may sound easy to do, the narrative essay challenges students to think and write about themselves. When writing a narrative essay, writers should try to involve the reader by making the story as vivid as possible. Descriptive: A descriptive essay paints a picture with words. A writer might describe a person, place, object, or even memory of special significance. The descriptive essay strives to communicate a deeper meaning through the description. In a descriptive essay, the writer should show through the use of colorful words and sensory details.
5. Classification of Essay- Writing(cont’d) Expository: In an expository essay, the writer explains or defines a topic, using facts, statistics, and examples. Expository writing encompasses a wide range of essay variations, such as the comparison and contrast essay, the cause and effect essay, and the “how to” or process essay. Reflective: A reflective essay consists of reflections or thoughts on some topic, which is generally of an abstract nature; for example; (a) habits, qualities, (b) social, political and domestic topics (c) philosophical subjects, (d) religious and theological topics.
6. Classification of Essay- Writing(cont’d) Imaginative :Essays on subjects such as the feelings and experiences of the sailor wrecked on a desert island may be called imaginative Essays. In such the writer is called to place himself in imagination in a position of which he has had no actual experience. Such subjects as "If I were a king," or "The autobiography of a horse," would call for imaginative essays.
7. Overview of Essay-Writing
8. How to write an effective essay? Every essay has a beginning, a middle and an end. In a 5 paragraph essay, the first paragraph is called the introduction. The next three paragraphs consist of the body of the essay. The fifth and final paragraph is the concl.
Essaytyper is legal because it fosters originality, and there's no monetary compensation and therefore the documents generated by its essay bots can't be submitted unless the individual student works on them. The site is entirely legal because its mandate is to assist students prepare to write down their papers.
1 Outline Structure for Literary Analysis Essay I. .docxShiraPrater50
1
Outline Structure for Literary Analysis Essay
I. Catchy Title
II. Paragraph 1: Introduction (Use HATMAT)
A. Hook
B. Author
C. Title
D. Main characters
E. A short summary
F. Thesis
III. Paragraph 2: First Body Paragraph
A. Topic sentence (what this paragraph will discuss, how it will prove your thesis)
B. Context for the quote
1. Who says it?
2. What’s happening in the text when they say it?
C. Quote from the text (cited appropriately)
D. Analysis of the quote: How does it prove your thesis?
E. Closing sentence (wrap up the paragraph to effectively transition to the next paragraph)
IV. Paragraph 3: Second Body Paragraph
A. Topic sentence (what this paragraph will discuss, how it will prove your thesis)
B. Context for the quote
1. Who says it?
2. What’s happening in the text when they say it?
C. Quote from the text (cited appropriately)
D. Analysis of the quote: How does it prove your thesis?
E. Closing sentence (wrap up the paragraph to effectively transition to the next paragraph
V. Paragraph 4: Third Body Paragraph
A. Topic sentence (what this paragraph will discuss, how it will prove your thesis)
B. Context for the quote
1. Who says it?
2. What’s happening in the text when they say it?
C. Quote from the text (cited appropriately)
D. Analysis of the quote: How does it prove your thesis?
E. Closing sentence (wrap up the paragraph to effectively transition to the next paragraph
VI. Conclusion (You do not necessarily have to follow this order, but include the following):
A. Summarize your argument.
B. Extend the argument.
C. Show why the text is important.
2
Parts to a Great Essay
same as above, just worded differently
1. A Catchy Title
2. Introduction: the opening paragraph. The introduction should include the
following:
a. Hook, Author, Title, Main Characters, A Short Summary, Thesis
b. Hook: The beginning sentences of the introduction that catch the reader’s
interest. Ways of beginning creatively include the following:
A startling fact or bit of information
A meaningful quotation (from the work or another source)
A rich, vivid description
An analogy or metaphor
c. Introductions should identify the work of literature being discussed, name
the author, and briefly present the issue that the body of your essay will
more fully develop (your thesis). Basically, introductions suggest that
something interesting is occurring in a particular work of literature.
3. Body: The body of your paper should logically and fully develop and support your
thesis.
a. Each body paragraph should focus on one main idea that supports your
thesis statement.
b. These paragraphs include:
i. A topic sentence – a topic sentence states the main point of a
paragraph: it serves as a mini-thesis for the paragraph. You might
think of it as a signpost for your readers—or a headline—something
that alerts them to the most important, interpretive points i ...
This document provides guidance on how to summarize a text in five steps: 1) general and understandable reading, 2) classifying the text by nature, context, author, and addressee, 3) analyzing key terms and ideas, 4) commenting on the analysis and classification, and 5) critiquing the text by discussing inconsistencies, alternative perspectives, and comparisons to other authors. General recommendations include presenting comments clearly and avoiding digressions, repetitions, disorganization, and personal remarks. Common errors to avoid are digressing from the topic, repetitive explanations without interpretation, disorganized ideas, and expressing subjective opinions.
D5302018 MBS Direct Close Reading of lnformational Text.docxsimonithomas47935
D
5/30/2018 MBS Direct: Close Reading of lnformational Texts
Understanding the Features of a Text
fJnke the situation a generation ago, informational text for children and young adolescents nowadays is
redolent with features that rnay include maps, boxed commentary or highlights, diagrams, photographs or
iilustrations with captions, timelines, and much more. The features of informational text are the elements that
help the reader navigate the text like a table of contents, titles, and subtitles as well as the elements of a text that
provide additional content to support and develop the ideas in the running text like maps, diagrams, photographs,
illustrations, and captions. Together, the features and the running text are "the text," meaning that one cannot
serve to convey the author's central ideas without the other. So it is essential that students pay attention to the
content in both the text and the features. While many students can practically close their eyes and locate the
table of contents or photographs with captions, they cannot always clearly articulate what they have just leamed
after examining a particular feature closely. Many students tend to treat the feafures as purely supplemental to
the text, perusing them quickly and often solely for their aesthetic appeal. They might say to you that the
pictures in a text are "really cool," but they cannot necessarily explain how they helped them understand the
running text better. What is lacking is students' fulIrealization that a text's features contribute a great deal to the
meaning of the text and support the readers in many ways as they read a new or unfamiliar text.
CONSIDER YOUR STUDENTS' STRENGTHS AND NEEDS
What have your observations or formative assessments revealed about your students' use of the features
accompanying informational text? What have you observed that indicates they need to focus more closely on the
specif,rc information contained in the features of a text?
. When students confer with you:
', Do they talk about the content of the text but not any of the features?
, Do they talk about the appeal of a particular feature ("That's a cool picture!") but not about what they
learned from the feature?
. Do they share what they learned from a feature but not necessarily how that helped them understand the
main text or the author's central ideas?
, Do they integrate what they have learned from the features and the main text into a discussion about the
author's central ideas?
. When students write about the features in a text:
: Do they write solely about the content expressed in the running text, or prose?
, Do they write about any features at only a surface level of understanding?
,, Do they write about one part of a particular feature in a way that reveals a misunderstanding of the
author's ideas (e.g., writing about the illustration or photograph but not about the caption)?
r
ffi CHAPTERFOUR
.,*
'kl{iy_
5l3Ol2A18 MBS Direct: Close Reading of lnformational .
The document provides tips for writing a feature article, including generating ideas, collecting research, conducting interviews, and drafting/editing. Some key points:
- Writers should keep ideas on postcards to draw from for future articles. Researching publications can also spark new ideas.
- Conduct background research only after settling on an article topic. Research may uncover additional sources or potential interview subjects.
- Interviews are important for making articles fresh and authentic. The best articles listen to others rather than just expressing the writer's opinions.
- Drafting and editing are personal processes but crucial stages to polish the article, however the writer approaches them.
riting About LiteratureGenerally, the essays you write in litera.docxdaniely50
riting About Literature
Generally, the essays you write in literature courses attempt to answer interesting questions about works of literature. These questions are interesting for at least two reasons: a) their answers are not obvious, and b) their answers (or at least the attempt to answer them) can enrich other readers’ understanding and experience of those works of literature. Often works of literature seem to be intentionally posing these questions to us; they require us to do some work to get them to work.
Readers have asked many different types of questions of works of literature, for example:
What did the author want to communicate in this work?
What does the work reveal about the author’s feelings, opinions, or psychology?
What does the work reveal about the society in which it was written?
What can we learn from this work about the issues or topics it deals with?
What motivates the characters in the work to behave as they do?
How are literary devices used in the work?
How does the work create emotional or intellectual experiences for its readers?
Is this work good or bad?
Is this work good or bad for its readers?
Some of these questions require information from outside the text itself; for example, to argue that a work reveals a writer’s psychological condition, it would be helpful to have some other evidence of that condition to corroborate your interpretation of the work of literature. Some of these questions ask about the world outside the work—about the author, his/her society, or our own society, for example—while others try to focus more on the features of the work itself.
Analyses which try to make statements about the work itself
is often called
formalist
criticism: it attends more to the structures and strategies employed in the work. Ultimately, such arguments generally do try to move beyond the work, to claim, for instance, that it is likely to create certain effects in its readers, or that readers will understand the writer’s intent more clearly if they pay attention to its formal characteristic.
In LIT 100, we are going to be paying attention primarily to these formal features of literary works. In fiction, some of these features include tone, point of view, setting, character, etc. We will be paying less attention to extra-textual features, such as the author’s biography or the historical contexts in which the literature was produced and/or read; these elements are not less important than formal features, but they naturally vary greatly from one work to another and often require in-depth study to truly appreciate. To understand how Shakespeare’s social situation in London in the 1590s might have been reflected in his plays would require a whole course in Elizabethan history. On the other hand, the formal features we will be studying in this course can be found in literature of all eras and genres, though they may often be used to different effect by different writers at different times. Almost all fict.
This document outlines elements of literature that are important to analyze when studying English literature. It discusses plot, character, and setting. For plot, it defines key elements like conflict and suspense. It also discusses analyzing characters in terms of their importance to the story and how they change. Setting is analyzed in terms of time period and social environment. The document provides questions to consider for analyzing each of these elements of literature. It concludes by providing instructions for an upcoming test on analyzing a short story.
riting About LiteratureGenerally, the essays you write in lite.docxjoellemurphey
riting About Literature
Generally, the essays you write in literature courses attempt to answer interesting questions about works of literature. These questions are interesting for at least two reasons: a) their answers are not obvious, and b) their answers (or at least the attempt to answer them) can enrich other readers’ understanding and experience of those works of literature. Often works of literature seem to be intentionally posing these questions to us; they require us to do some work to get them to work.
Readers have asked many different types of questions of works of literature, for example:
· What did the author want to communicate in this work?
· What does the work reveal about the author’s feelings, opinions, or psychology?
· What does the work reveal about the society in which it was written?
· What can we learn from this work about the issues or topics it deals with?
· What motivates the characters in the work to behave as they do?
· How are literary devices used in the work?
· How does the work create emotional or intellectual experiences for its readers?
· Is this work good or bad?
· Is this work good or bad for its readers?
Some of these questions require information from outside the text itself; for example, to argue that a work reveals a writer’s psychological condition, it would be helpful to have some other evidence of that condition to corroborate your interpretation of the work of literature. Some of these questions ask about the world outside the work—about the author, his/her society, or our own society, for example—while others try to focus more on the features of the work itself. Analyses which try to make statements about the work itself is often calledformalist criticism: it attends more to the structures and strategies employed in the work. Ultimately, such arguments generally do try to move beyond the work, to claim, for instance, that it is likely to create certain effects in its readers, or that readers will understand the writer’s intent more clearly if they pay attention to its formal characteristic.
In LIT 100, we are going to be paying attention primarily to these formal features of literary works. In fiction, some of these features include tone, point of view, setting, character, etc. We will be paying less attention to extra-textual features, such as the author’s biography or the historical contexts in which the literature was produced and/or read; these elements are not less important than formal features, but they naturally vary greatly from one work to another and often require in-depth study to truly appreciate. To understand how Shakespeare’s social situation in London in the 1590s might have been reflected in his plays would require a whole course in Elizabethan history. On the other hand, the formal features we will be studying in this course can be found in literature of all eras and genres, though they may often be used to different effect by different writers at different times. A ...
This document outlines a classroom observation of a demonstration lesson on creative nonfiction. The teacher, Amiehan Comendador Grande, observed learners analyzing factual and nonfictional elements in texts. Learners were expected to understand nonfictional elements, analyze texts considering plot, characters, point of view, and other devices. The lesson utilized news articles and analysis prompts to help learners examine the purpose, organization, language, and elements of different nonfiction genres including narratives, reports, and arguments. Learners completed tasks analyzing provided texts and were encouraged to reflect on what they learned.
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Here are some tips for solving issues of mismatch between a literature review matrix and introduction:
1. Ensure the key topics, themes and gaps identified in the literature review matrix are reflected in the introduction. The introduction should foreshadow the content and focus of the literature review.
2. Introduce the scope and purpose of the literature review upfront in the introduction to set reader expectations. Clearly link the purpose to the research problem/question.
3. If additional context is needed, weave 1-2 relevant but brief summaries of seminal studies into the introduction for background. Do not go into depth at this stage.
4. Use the literature review matrix to help structure the introduction in a logical flow, such as from
This Module in Advanced Research intends to assist undergraduate students in editing their first part of their Research in journal type and narrow down a broad topic of their discussion. The lesson is good for 1 hour and 30 minutes with inclusion of objectives and assignment for the next lesson.
Respond to one of the following prompts in a 3-5 page fiction .docxaudeleypearl
The document provides instructions for writing a 3-5 page fiction response essay analyzing one or more short stories read in class. Students must choose from 9 prompts examining themes, characters, symbols or other elements and support their analysis with evidence from the stories. An outline is included as an example for organizing the essay around a clear thesis statement with an introduction, 3 body paragraphs addressing topic sentences, and a conclusion. The rubric lists requirements for scoring including a strong thesis, clear organization, relevant arguments and evidence, analysis connecting evidence to claims, and proper writing mechanics.
Respond to one of the following prompts in a 3-5 page fiction .docxpeggyd2
The document provides instructions for writing a 3-5 page fiction response essay analyzing one or more short stories read in class. Students must choose from 9 prompts examining themes, characters, symbols or other elements and support their analysis with evidence from the stories. An outline is included as an example for organizing the essay around a clear thesis statement with an introduction, 3 body paragraphs addressing topic sentences, and a conclusion. The rubric lists requirements for scoring including a strong thesis, clear organization, relevant arguments and evidence, analysis connecting evidence to claims, and proper writing mechanics.
This document provides a summary of reading literature and informational text standards from kindergarten through 5th grade. It outlines key skills in several areas for each grade level, including asking and answering questions about texts, determining central ideas and themes, analyzing word meanings, examining text structure, and comparing approaches in different texts. The skills progress in complexity from retelling stories and asking about unknown words in early grades to making inferences, distinguishing points of view, and evaluating arguments in later grades.
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The document discusses the key elements and characteristics of effective interpersonal communication. It defines interpersonal communication as the exchange of information between two or more people, including ideas, feelings, and meanings. Effective interpersonal communication involves both verbal and nonverbal elements such as body language, tone of voice, facial expressions, and other cues. It also requires clear sending and receiving of messages with appropriate feedback between communicators.
The document provides 20 multiple choice questions about various concepts related to ethics, economics, storytelling, culture, advertising, propaganda, and interviews. The questions cover topics such as ethics, resource allocation, plot structure, climax, cultural artifacts, branding, emotional appeals, transfer techniques, biased information, group interviews, and panel interviews. The instructions state that no erasures are allowed and that erasing answers means getting the question wrong.
1) A moral issue is presented where the narrator must decide whether to report their younger sister for stealing money from their older brother's wallet, risking their sister getting beaten, or keeping quiet and allowing stealing to continue.
2) An economic issue arises when the narrator and their friend's families struggle financially due to parents working less hours or becoming unemployed during the COVID-19 pandemic, limiting their ability to pay for items like cell phone loads.
3) A social issue develops when the narrator's sister posts negative comments online about inferiority and discrimination, stirring anger among relatives who see the post.
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This document discusses the use of multimedia resources in education. It begins by stating the learning objectives of determining different multimedia resources and using them to recount history. It then defines multimedia as combining multiple media formats like text, audio, images, video and animation. Examples of popular multimedia platforms are given. The document notes that multimedia plays an important role in communication by making it fast, easy, fun and bridging past and present. It is seen as a good teaching tool that engages different types of learners. Basic ethical values like respect, fairness and non-violence are also discussed as being universal across cultures.
LONG QUIZ grade 8.pptxLONG QUIZ grade 8.pptxLONG QUIZ grade 8.pptxRochelleSantillan2
The document contains a long quiz covering bibliographic entries, identifying terms related to citations, and identifying modal verbs used in sentences. The quiz includes rewriting bibliographic entries in APA format, identifying the meanings of terms like "bibliography" and citation components, choosing the appropriate modal verb to complete sentences, and identifying the modal verb used in given sentences. It provides instruction, questions, and spaces for answering in an activity notebook.
Nouns are words that name people, places, things, and ideas. There are different types of nouns including proper nouns, which name specific people, places or things; common nouns, which name general people, places or things; count nouns, which can be counted; and non-count nouns, which cannot be counted. Nouns can also be singular or plural, concrete or abstract, collective, compound, and possessive. Possessive nouns show ownership or possession through the use of apostrophes.
The story is about a farmer who lives with his aged mother at the foot of a mountain. Their province is governed by a cruel leader who orders all aged people to be put to death. The farmer does not want to abandon his mother, so he carries her up the mountain at night intending to leave her there to die. However, his mother drops twigs along the path so they can find their way back. Moved by her kindness, the farmer decides to hide his mother instead. He keeps her hidden under the floor of their home. When the leader demands the people make him a rope of ashes, the mother helps the son create one to save their lives. The cruel law is then abolished.
This document provides an overview of adverbs and how they can be used as persuasive strategies. It defines adverbs as words that modify verbs, adjectives, or other adverbs. The document then discusses the different types of adverbs, including adverbs of time, place, manner, degree, and frequency. It provides examples for each type and activities for identifying adverbs and forming adverbs from adjectives. The objectives are to define adverbs, recognize the different types, explain how they are used persuasively, and construct an essay demonstrating their effective use.
The document discusses various persuasive devices used in persuasive writing. It defines persuasion as trying to influence someone to believe or do something through reasoning or temptation. It then explains different persuasive techniques like ethos, logos, pathos, and kairos that appeal to credibility, logic, emotion, and timing respectively. Some examples of using statistics, testimonials, facts, emotional language, and creating a sense of urgency are provided. The document aims to teach readers about effective persuasive techniques.
This document discusses using adjectives to express emotional responses. It contains three activities: 1) describing how you would feel in different situations, 2) indicating how you feel about different statements using emoticons, and 3) noticing how adjectives are used to convey emotions in sentences and paragraphs. The document teaches that adjectives help tell your emotions on an issue and provides examples of positive and negative emotion adjectives used in sentences. It encourages self-reflection on understanding how to use adjectives to express emotions.
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The document discusses the active and passive voice in verbs. It provides an example sentence about washing clothes with missing verbs. The verbs are separated into a word pool to be inserted into the sentence. The verbs are separated, sorted, scrubbed, rinsed, and hung to complete the washing process. The document then asks what the voice of a verb is, how it is important, and what it does to a sentence.
The document discusses word analogies, providing examples of analogy questions and explaining the concept. Word analogies establish relationships between words based on their features. Examples are given to demonstrate comparing word relationships, such as "happy:joyful::angry:furious". The correct answers are identified. Types of analogies are mentioned, like synonym, antonym, and categorical analogies. Directions are given for another analogy exercise, asking the reader to choose the word that completes each analogy and identify the type of analogy.
This document provides information on how to write bibliographies in MLA and APA citation styles. It defines what a bibliography is and explains that it contains an alphabetical list of all sources used in a research paper. The document outlines the formatting for different types of sources in both MLA and APA styles, including books, websites, newspapers, magazines, encyclopedias and dictionaries. Examples are given for how to cite each type of source correctly in a bibliography. Key information covered includes using a hanging indent, listing author names in a specific order, and including publication dates where needed.
An informative essay aims to educate readers about a topic without presenting opinions. It defines terms, compares and contrasts ideas, analyzes data, or provides instructions. The document then discusses the structure and writing process of an informative essay. An informative essay contains three parts: an introduction with a thesis statement, a body with facts supporting the thesis, and a conclusion summarizing the essay. It aims to expose information to readers in an unbiased manner.
The document discusses word analogies, providing examples of analogy questions and explaining the concept. Word analogies establish relationships between words based on their features. Examples are given to demonstrate comparing word relationships, such as "happy:joyful::angry:furious". The correct answers are identified. Types of analogies are mentioned, like synonym, antonym, and categorical analogies. Directions are given for another analogy exercise.
We recently hosted the much-anticipated Community Skill Builders Workshop during our June online meeting. This event was a culmination of six months of listening to your feedback and crafting solutions to better support your PMI journey. Here’s a look back at what happened and the exciting developments that emerged from our collaborative efforts.
A Gathering of Minds
We were thrilled to see a diverse group of attendees, including local certified PMI trainers and both new and experienced members eager to contribute their perspectives. The workshop was structured into three dynamic discussion sessions, each led by our dedicated membership advocates.
Key Takeaways and Future Directions
The insights and feedback gathered from these discussions were invaluable. Here are some of the key takeaways and the steps we are taking to address them:
• Enhanced Resource Accessibility: We are working on a new, user-friendly resource page that will make it easier for members to access training materials and real-world application guides.
• Structured Mentorship Program: Plans are underway to launch a mentorship program that will connect members with experienced professionals for guidance and support.
• Increased Networking Opportunities: Expect to see more frequent and varied networking events, both virtual and in-person, to help you build connections and foster a sense of community.
Moving Forward
We are committed to turning your feedback into actionable solutions that enhance your PMI journey. This workshop was just the beginning. By actively participating and sharing your experiences, you have helped shape the future of our Chapter’s offerings.
Thank you to everyone who attended and contributed to the success of the Community Skill Builders Workshop. Your engagement and enthusiasm are what make our Chapter strong and vibrant. Stay tuned for updates on the new initiatives and opportunities to get involved. Together, we are building a community that supports and empowers each other on our PMI journeys.
Stay connected, stay engaged, and let’s continue to grow together!
About PMI Silver Spring Chapter
We are a branch of the Project Management Institute. We offer a platform for project management professionals in Silver Spring, MD, and the DC/Baltimore metro area. Monthly meetings facilitate networking, knowledge sharing, and professional development. For more, visit pmissc.org.
A Guide to a Winning Interview June 2024Bruce Bennett
This webinar is an in-depth review of the interview process. Preparation is a key element to acing an interview. Learn the best approaches from the initial phone screen to the face-to-face meeting with the hiring manager. You will hear great answers to several standard questions, including the dreaded “Tell Me About Yourself”.
In the intricate tapestry of life, connections serve as the vibrant threads that weave together opportunities, experiences, and growth. Whether in personal or professional spheres, the ability to forge meaningful connections opens doors to a multitude of possibilities, propelling individuals toward success and fulfillment.
Eirini is an HR professional with strong passion for technology and semiconductors industry in particular. She started her career as a software recruiter in 2012, and developed an interest for business development, talent enablement and innovation which later got her setting up the concept of Software Community Management in ASML, and to Developer Relations today. She holds a bachelor degree in Lifelong Learning and an MBA specialised in Strategic Human Resources Management. She is a world citizen, having grown up in Greece, she studied and kickstarted her career in The Netherlands and can currently be found in Santa Clara, CA.
Success is often not achievable without facing and overcoming obstacles along the way. To reach our goals and achieve success, it is important to understand and resolve the obstacles that come in our way.
In this article, we will discuss the various obstacles that hinder success, strategies to overcome them, and examples of individuals who have successfully surmounted their obstacles.
Learnings from Successful Jobs SearchersBruce Bennett
Are you interested to know what actions help in a job search? This webinar is the summary of several individuals who discussed their job search journey for others to follow. You will learn there are common actions that helped them succeed in their quest for gainful employment.
Joyce M Sullivan, Founder & CEO of SocMediaFin, Inc. shares her "Five Questions - The Story of You", "Reflections - What Matters to You?" and "The Three Circle Exercise" to guide those evaluating what their next move may be in their careers.
2. the main body of a book or
other piece of writing, as
distinct from other material
such as notes, appendices, and
illustrations:
What is a Text?
01
What are the two
types of Text?
3. Factual texts -
inform, instructs, persuades by
giving facts and information.
There are two main types of
text: Factual and Literary Text.
01
02
Literary texts - entertain or elicit an
emotional response by using
language to create
mental images.
Lesson
Objectives
5. Factual Text
inform, instructs, persuades by giving facts and information.
a. Explanatory
Text
b. Expository
Text
c. Persuasive
texts
6. a. Explanatory Text
Explains how or why something
happens.
Features:
1. starts by naming the topic
2. describes items related to the topic
in their right order
3. explains how the items relate to
each other and to the topic
4. may end with a concluding
statement
5. may include visual images, e.g.
flowcharts and diagrams, which
support what is written in words
6. written in the present tense
8. Expository text is written to provide information about a
topic, including a historical or scientific topic.
When we read fiction novels, we are taking in narrative
text. This type of text tells a story and generally uses a lot
of emotion. The opposite of this is expository text, which
exists to provide facts in a way that is educational and
purposeful. The text is fact-based with the purpose of
exposing the truth through a reliable source. True and
deliberate expository text will focus on educating its
reader. Other descriptors of exposition are clear, concise,
and organized writing. Expository text gets to the point
quickly and efficiently.
B. Expository Text
9. Features:
1. Precise, focused on the subject, uses domain specific
vocabulary, rather than figurative language.
2. Expository texts can include topics such as historical,
scientific or economic information.
3. Information is presented with a clear organizational text
structure which includes but is not limited to:
description, chronology, comparison, cause/effect, and
problem/solution.
4. Expository text is often written in paragraphs. Examples
of expository text may include: trade books, articles,
reports, textbooks, interviews, and essays.
B. Expository Text
10. Features:
1. Precise, focused on the subject, uses domain specific
vocabulary, rather than figurative language.
2. Expository texts can include topics such as historical,
scientific or economic information.
3. Information is presented with a clear organizational text
structure which includes but is not limited to:
description, chronology, comparison, cause/effect, and
problem/solution.
4. Expository text is often written in paragraphs. Examples
of expository text may include: trade books, articles,
reports, textbooks, interviews, and essays.
5. Example: Textbooks, News articles, Instruction
manuals, Recipes, City or country guides, Language
books, Self-help books
B. Expository Text
12. c. Persuasive
texts
Are factual text types that give a point of
view? They are used to influence or persuade
others.
To get the reader to accept the writer’s point
of view on the issue posed by the writing
prompt.
To adopt the writer’s way of thinking about
the issue posed by the writing prompt
13. c. Persuasive
texts
Features:
1. Provides evidence to support the writer’s
opinion/purpose
2. Evidence will be in the form of facts, reasons,
examples, details, etc.
3. May present pros and cons of an argument
4. Anticipates the reader’s questions
Example: Essay, Petition, Proposal, Analysis,
Editorials, Letter of Complaint
15. 1. Literary Text
a. Narrative Text
Tells a story using a series of events
Features:
1. the scene is set in a time and place
and characters are introduced
2. usually has a problem that is
addressed
3. may contain a message for the
reader
17. b. Personal Response Text
Gives a personal opinion on a novel,
play or film, referring to parts within
the passage
Features:
1. describes how you feel about a
novel, film, book or play
2. lists what did and did not appeal to
you
3. may comment on some of the
features of the writing
Examples:
c. What did you like about that artwork
and why?
18. Types of
There are two methods of
characterization that
authors use to develop their
characters in a story.
Direct
01
02 Indirect
Characterization
Characterization
Characterization
19. Indirect
Characterization
For example, the author might show
Samantha speaking up in a group
setting, taking charge of a project, or
expressing her opinions freely.
This is when the author shows
the reader a character's traits or
personality through their
actions, thoughts, dialogue, or
interactions with others.
Direct
This is when the author explicitly
tells the reader about a
character's traits or personality.
Characterization
For example, the author might write,
"Samantha was a confident and
outgoing person."
20. It can change how you feel about the characters,
the setting, and what's happening. It's a really
important part of how stories are written and can
make them more interesting and fun to read!
Point of view is like the
glasses through which you're
looking at a story.
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