Brief history of online culture pre 2007
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This document provides a brief history of digital culture prior to 2007, beginning with early technologies like the Memex and ARPAnet. It discusses the growth of hacker culture and phone phreaking communities. The Whole Earth Catalog is noted for promoting personal empowerment through independent learning. Bulletin board systems and Usenet grew in popularity in the late 70s-90s, alongside early consumer online services. The document traces the commercial "selling" of the Internet throughout the 80s and 90s. It also covers the rise of dot-com companies, peer-to-peer technologies, open source software, and the dot-com bust of the early 2000s. Finally, it mentions the emergence of Web 2.0 and
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- The industrial age used the power of steam while the electronic age harnessed the power of transistors.
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In April, 2012, in a ceremony officiated by an “ops” wearing a Guy Fawkes mask and wielding a talking laptop, the first Kopimist wedding was performed. It marked a significant milestone for this rapidly growing religion, founded in 2010 by a Swedish philosophy student named Isak Gerson and officially recognized by Sweden less than two years later. The religion is based on the principals that copying, disseminating and reconfiguring information are not only ethically right, but are in themselves “sacred” acts of devotion. Kopimist philosophy also holds that “the internet is holy” and that “code is law” (a phrase copied from legal scholar Lawrence Lessig).
Kopimism has already raised some interesting questions and debates in both legal and religious circles. Some have grumbled that the Kopimists are simply a bunch of “pirates” cleverly using religious protection to shield them from liability for copyright infringement. Others have suggested that the religion is little more than a sophomoric rhetorical exercise, the predictable product of a precocious young philosopher. In this article, I consider these viewpoints and suggest that, if we take Kopimist doctrine at its word, we can better understand it as the crystallization of an emerging value system centered around the proliferation of digital, networked information. Like copyright, and monastic Christianity before, it, Kopimism stakes out a socioepistemological vantage point, seeking to reconcile the regulatory demands of the 20th Century’s copyright regime with the cultural ramifications of today’s global digital information infrastructure.
Based on interviews with Kopimist officials and worshippers, as well as a critical reading of the religion’s “constitution” and other doctrinal texts, I delineate the complex ethical boundaries surrounding this new belief system, and examine it in contrast to previous religious and legal systems, evaluating its points of continuity and rupture to illuminate the unique challenges to ethics and morality in an era of information abundance and continuing material and educational inequity.
Why Doesn't the 'Brooklyn Sound' Sound Like Brooklyn?
Presented at the Experience Music Project Pop Conference, April 25, 2014. Audio is available here: http://aramsinnreich.typepad.com/aram_squalls/2014/04/brooklynsound.html
Music and Copyright: A Hot, Stinking Mess
This document discusses the complex issues around music copyright and how the industry has struggled to adapt to digital technologies and distribution models. It provides a brief history of music copyright law and outlines how recording contracts traditionally benefited corporations at the expense of artists. The document also shows how digital sharing disrupted old business models and formats, leading to lawsuits against customers instead of innovative solutions. While change has been slow, newer models and copyright approaches are emerging, though challenges still remain in fully adapting the industry to the digital age.
3D Printing: Mo' Markets, Mo' Problems
3D printing is reaching the mainstream market, with the industry growing from $288 million in 2008 to $5.7 billion in 2013. While high prices, lack of content, and quality issues currently inhibit widespread adoption, falling prices, improved applications, and open-source initiatives are driving growth. The author outlines a timeline where 3D printing moves from industrial to eCommerce to local to home use within the next 10 years. He also discusses several important legal questions around patents, copyright, and regulation that will be raised by expanded 3D printing adoption.
#Kopimism considered: Sophistry, sacrament or scam?
Kopimism is a philosophy that considers copying and sharing of information to be intrinsically valuable, regardless of content. It views copying as a natural state of the universe and opposes monopolization of knowledge through copyright. However, others argue Kopimism is a sophistry designed to circumvent piracy laws and its claims of being a religion are a scam. While Kopimism promotes concepts like cooperation and creativity, its dogma and practices are questionable and copying without limits could enable harmful behaviors. Overall, Kopimism remains a controversial philosophy around information sharing and intellectual property.
The Future is Weird: Media, Technology & Configurable Culture
Dr. Aram Sinnreich presented to the Daimler Group on September 11, 2013 about emerging technologies and their impact on media, culture, and the automotive industry over the near future (3-5 years), middle future (5-10 years), and long term (10+ years). Key technologies discussed included mobile interfaces, cloud computing, social media, 3D printing, augmented reality, autonomous vehicles, and integrated interfaces. Sinnreich outlined both pros and cons, as well as uncertainties, of how these shifts may influence automakers, consumers, and the transportation ecosystem.
The State of Webradio: Pandora vs. Apple
Slides for a webinar I gave on June 27, 2013 covering the state of webcasting, digital music, and online marketing, with a focus on Pandora and the potential threats presented by Apple's iTunes Radio service. Featuring a significant amount of digital music industry economic data, and mapping out the value chains for digital music distribution.
Music, Technology, Laws, Ethics & Transnationalism: A (brief) overview
An overview of some of my research related to music and transnationalism, presented at the Wesleyan University Music & Transnationalism Symposium, March 1, 2013
iMinds 2012
This document summarizes a presentation by Aram Sinnreich on media innovation. It discusses how digital networks have disrupted traditional linear business models and cultural production. While industries lobby for stronger copyright laws, studies show the entertainment industry has still grown and "piracy" may benefit economies. The greatest threat is over-regulation that limits civil liberties and fair use. The presentation argues we need to abandon myths of scarcity and lone authorship, and instead of over-protection, prepare for a configurable culture through business, political and social innovation like copyleft and copyright reform.
The end of forgetting: Strategic agency beyond the Panopticon
Presented at ICA 2012.
Abstract
The rapid explosion of information technologies in recent years has contributed to a substantive change in the social dimensions of information sharing, and is forcing us to revise substantially our old assumptions regarding the knowledge/power dynamic. In this article, we discuss a range of strategic information-management options available to individuals and institutions in the networked society, and contrast these ‘blueprints’ to Foucault’s well-known Panopticon model. We organize these observations and analyses within a new conceptual framework based on the geometry of ‘information flux,’ or the premise that the net flow of information between an individual and a network is as relevant to power dynamics as the nature or volume of that information. Based on this geometrical model, we aim to develop a lexicon for the design, description, and critique of socio-technical systems.
Ethics Remixed: Emerging Attitudes about Art, Technology and Appropriation
Appropriation-based art forms, such as sampling, collage, remixing, modding and mashups, have become a mainstream phenomenon in recent years, due to the rapid proliferation of networked computers and devices, and the transition of the cultural archive to digital formats. While many in the business and legal communities frame these emerging cultures as a form of “piracy” or “infringement,” the millions of practitioners have begun to develop a more nuanced ethical framework surrounding these practices. In his keynote, Aram Sinnreich will present new, survey-based research analyzing these emerging ethical codes, and explore their significance for law, industry and society at large.
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#Kopimism considered: Sophistry, sacrament or scam?
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The Future is Weird: Media, Technology & Configurable Culture
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The end of forgetting: Strategic agency beyond the Panopticon
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Ethics Remixed: Emerging Attitudes about Art, Technology and Appropriation
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skeleton System.pdf (skeleton system wow)
🔥🔥🔥🔥🔥🔥🔥🔥🔥
إضغ بين إيديكم من أقوى الملازم التي صممتها
ملزمة تشريح الجهاز الهيكلي (نظري 3)
💀💀💀💀💀💀💀💀💀💀
تتميز هذهِ الملزمة بعِدة مُميزات :
1- مُترجمة ترجمة تُناسب جميع المستويات
2- تحتوي على 78 رسم توضيحي لكل كلمة موجودة بالملزمة (لكل كلمة !!!!)
#فهم_ماكو_درخ
3- دقة الكتابة والصور عالية جداً جداً جداً
4- هُنالك بعض المعلومات تم توضيحها بشكل تفصيلي جداً (تُعتبر لدى الطالب أو الطالبة بإنها معلومات مُبهمة ومع ذلك تم توضيح هذهِ المعلومات المُبهمة بشكل تفصيلي جداً
5- الملزمة تشرح نفسها ب نفسها بس تكلك تعال اقراني
6- تحتوي الملزمة في اول سلايد على خارطة تتضمن جميع تفرُعات معلومات الجهاز الهيكلي المذكورة في هذهِ الملزمة
واخيراً هذهِ الملزمة حلالٌ عليكم وإتمنى منكم إن تدعولي بالخير والصحة والعافية فقط
كل التوفيق زملائي وزميلاتي ، زميلكم محمد الذهبي 💊💊
🔥🔥🔥🔥🔥🔥🔥🔥🔥
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Brief history of online culture pre 2007
- 1. A brief history of digital culture (pre-2007)
- 4. Pre-History: ARPAnet Arpanet, 1984 U.S. Highway System
- 5. Pre-History: Hacker Culture MIT: Tech Model Railroad Club DEC PDP-1 University Labs Phone Phreaks
- 6. Pre-History: Pranksters & Communes
- 7. Pre-History: Whole Earth Catalog “personal power is developing— power of the individual to conduct his own education, find his own inspiration, shape his own environment, and share his adventure with whoever is interested.” - Stewart Brand
- 8. Early History: BBS (1978-1994)
- 9. Early History: UseNet (1980-2000s)
- 10. Consumer Online Services (1980s-90s)
- 11. Selling the Internet (1980s edition) KRON news story, 1981
- 12. Selling the Internet (1980s edition) Prodigy Commercial, 1990
- 13. Selling the Internet (early 90s edition) News story, circa 1993
- 14. dot-com Homesteading (mid-late ‘90s)
- 15. Selling the Internet (1990s edition) Excite Commercial, c. 1998
- 16. Selling the Internet (1990s edition) Jupiter Communications promo video, 1999
- 17. Peer-to-Peer & Open Source 1989 1999 2001
- 19. mid-2000s: Web 2.0 & Social Media