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Gil Vicente


Trabalho realizado por:
Ana Cohen, nº1
Carina Borges, nº5
Cátia Borges, nº7
Renata Costa, nº23
Perguntas:

1-Porque é que os Cavaleiros
entram na Barca do Anjo?
2-Indica qual é o percurso
cénico dos cavaleiros.
3-Quais são os símbolos
cénicos dos cavaleiros
4-Por que é que os Cavaleiros
se dirigiram de forma agressiva
ao Diabo depois de lhes ter
falado?
Respostas:
1-Os Cavaleiros entraram na
Barca do Anjo, porque morreram
a lutar por Cristo.
2- Cais Barca do Inferno
Barca do Anjo (Embarque)
3- Os símbolos cénicos dos
cavaleiros são a espada, o
escudo e a cruz.
4- Os Cavaleiros dirigiram-se de
forma agressiva ao Diabo porque
como não cometeram pecados
não tinham razões para lhe
falar, mas ao ver que o
ignoravam, o Diabo chamou-os
atenção, o que não agradou aos
Cavaleiros.
Análise da Cena dos Cavaleiros
 Nesta cena, Gil Vicente, não pretende
 criticar a nobreza, mas sim mostrar a sua
 crença religiosa, argumentando que quem
 morre por Cristo merece a vida e a paz
 eterna.
 Gil Vicente termina a obra de forma
 triunfante, depois de ter condenado todas
 as outras almas à exceção de Joane, o
 Parvo.

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Auto da barca do inferno

  • 1. Gil Vicente Trabalho realizado por: Ana Cohen, nº1 Carina Borges, nº5 Cátia Borges, nº7 Renata Costa, nº23
  • 2. Perguntas: 1-Porque é que os Cavaleiros entram na Barca do Anjo?
  • 3. 2-Indica qual é o percurso cénico dos cavaleiros.
  • 4. 3-Quais são os símbolos cénicos dos cavaleiros
  • 5. 4-Por que é que os Cavaleiros se dirigiram de forma agressiva ao Diabo depois de lhes ter falado?
  • 6. Respostas: 1-Os Cavaleiros entraram na Barca do Anjo, porque morreram a lutar por Cristo.
  • 7. 2- Cais Barca do Inferno Barca do Anjo (Embarque)
  • 8. 3- Os símbolos cénicos dos cavaleiros são a espada, o escudo e a cruz.
  • 9. 4- Os Cavaleiros dirigiram-se de forma agressiva ao Diabo porque como não cometeram pecados não tinham razões para lhe falar, mas ao ver que o ignoravam, o Diabo chamou-os atenção, o que não agradou aos Cavaleiros.
  • 10. Análise da Cena dos Cavaleiros Nesta cena, Gil Vicente, não pretende criticar a nobreza, mas sim mostrar a sua crença religiosa, argumentando que quem morre por Cristo merece a vida e a paz eterna. Gil Vicente termina a obra de forma triunfante, depois de ter condenado todas as outras almas à exceção de Joane, o Parvo.