Erika Blumenfeld is an artist who records natural light phenomena. Her work from a 2009 Antarctica residency documents the light emanating from the four cardinal directions at different times. It explores concepts of place, time, polarity and navigation in the polar regions where compasses do not work. Blumenfeld's goal is to experience and convey the essence of light and place through her lensless camera recordings.
Photography is also called the result of a photographic process - an image , electronic or obtained on a certain material, mostly on thick paper. Photo collections are called photo albums . To play an electronic image, you need equipment such as a computer with a monitor or projector .
A Brief History of Early Photographic Technologymrsbauerart
The document provides a brief history of early photographic technology from its inception through the 19th century, including these key developments:
- The camera obscura was invented around 330 BCE but it was not until the 11th century that Alhazen was able to explain why the images were upside down.
- In 1826, Joseph Nicéphore Niépce produced the first permanent photograph by exposing an image onto a chemically coated pewter plate for eight hours.
- Louis Daguerre's daguerreotype process, introduced in 1839, used a camera obscura to expose Paris street scenes for only 10 minutes and produced highly reflective images on silver-plated sheets of copper.
The document explores connections between visual art and physics. It discusses how Yayoi Kusama's infinity mirror room appears green due to mirrors reflecting more green light. It explains how Fabian Oefner uses ferrofluids and magnetic fields to create patterns in his artwork. It also describes how the Niels Bohr Institute uses data from CERN to create a light sculpture on its facade illustrating particle trajectories.
B&W 1 History of Photography Class projectLori King
The document provides a history of black and white photography from the 1400s to present day. It begins with early techniques like the camera obscura and pinhole cameras. Major developments discussed include Joseph Nicephore Niepce creating the first permanent photograph in 1822, the daguerreotype process invented by Louis Daguerre in 1837, and the invention of the dry plate process in the 1870s which made photography more widely available. The document also includes timelines, descriptions of photographic processes like wet plates and pinhole cameras, and brief biographies of influential photographers.
This document discusses the history and progression of lithography and microfabrication technologies. It begins with the origins of photography in the 1820s using light-sensitive materials. Integrated circuits were first developed in the 1960s, shrinking component sizes. Photolithography was crucial to further miniaturization. Richard Feynman advocated for exploring the potential of manufacturing at the nanoscale in his 1959 talk "There is Plenty of Room at the Bottom." The document outlines ongoing work in microfabrication and nanomanipulation to continue pushing length scales lower through techniques like nano-oscillators and nano-sensors.
This document discusses the convergence of life and technology at the nanoscale. It provides a brief history of miniaturization from the first transistor in 1947 to modern smartphones. Photolithography, developed in the 19th century, is discussed as the technique used to etch circuitry onto surfaces and enabled the development of integrated circuits. The document also references Richard Feynman's 1959 talk "There's Plenty of Room at the Bottom" which envisioned manufacturing at the nanoscale. It proposes creating art and music through nanotechnology by making oscillators, circuits and sensors at the nanoscale.
Erika Blumenfeld is an artist who records natural light phenomena. Her work from a 2009 Antarctica residency documents the light emanating from the four cardinal directions at different times. It explores concepts of place, time, polarity and navigation in the polar regions where compasses do not work. Blumenfeld's goal is to experience and convey the essence of light and place through her lensless camera recordings.
Photography is also called the result of a photographic process - an image , electronic or obtained on a certain material, mostly on thick paper. Photo collections are called photo albums . To play an electronic image, you need equipment such as a computer with a monitor or projector .
A Brief History of Early Photographic Technologymrsbauerart
The document provides a brief history of early photographic technology from its inception through the 19th century, including these key developments:
- The camera obscura was invented around 330 BCE but it was not until the 11th century that Alhazen was able to explain why the images were upside down.
- In 1826, Joseph Nicéphore Niépce produced the first permanent photograph by exposing an image onto a chemically coated pewter plate for eight hours.
- Louis Daguerre's daguerreotype process, introduced in 1839, used a camera obscura to expose Paris street scenes for only 10 minutes and produced highly reflective images on silver-plated sheets of copper.
The document explores connections between visual art and physics. It discusses how Yayoi Kusama's infinity mirror room appears green due to mirrors reflecting more green light. It explains how Fabian Oefner uses ferrofluids and magnetic fields to create patterns in his artwork. It also describes how the Niels Bohr Institute uses data from CERN to create a light sculpture on its facade illustrating particle trajectories.
B&W 1 History of Photography Class projectLori King
The document provides a history of black and white photography from the 1400s to present day. It begins with early techniques like the camera obscura and pinhole cameras. Major developments discussed include Joseph Nicephore Niepce creating the first permanent photograph in 1822, the daguerreotype process invented by Louis Daguerre in 1837, and the invention of the dry plate process in the 1870s which made photography more widely available. The document also includes timelines, descriptions of photographic processes like wet plates and pinhole cameras, and brief biographies of influential photographers.
This document discusses the history and progression of lithography and microfabrication technologies. It begins with the origins of photography in the 1820s using light-sensitive materials. Integrated circuits were first developed in the 1960s, shrinking component sizes. Photolithography was crucial to further miniaturization. Richard Feynman advocated for exploring the potential of manufacturing at the nanoscale in his 1959 talk "There is Plenty of Room at the Bottom." The document outlines ongoing work in microfabrication and nanomanipulation to continue pushing length scales lower through techniques like nano-oscillators and nano-sensors.
This document discusses the convergence of life and technology at the nanoscale. It provides a brief history of miniaturization from the first transistor in 1947 to modern smartphones. Photolithography, developed in the 19th century, is discussed as the technique used to etch circuitry onto surfaces and enabled the development of integrated circuits. The document also references Richard Feynman's 1959 talk "There's Plenty of Room at the Bottom" which envisioned manufacturing at the nanoscale. It proposes creating art and music through nanotechnology by making oscillators, circuits and sensors at the nanoscale.
This document discusses the history and advancement of light art. It describes how scientists like James Clerk Maxwell and artists like Monet and Seurat studied the properties of light and used it in their work. Their discoveries helped establish light art. The document also outlines some key developments in light art such as stained glass windows, shadow puppetry, and modern inventions that use electrical light to create sculptures and designs. It discusses advantages of different types of lighting for enhancing artwork.
This photo essay documents the artist's experimental work at Çatalhöyük, a Neolithic settlement in Turkey. The experiments led to the discovery that each dwelling had a beam of light entering from the roof that moved across the interior like a sundial. Shadows created patterns of light and darkness that revealed aspects of daily life. The author suggests shadows may have been used in puppet theater performances and could have marked the timing and location of burials. Computer simulations of the path of sunlight in a replica house at the site showed how shadows on the floor would have indicated relationships between burial dates and body positions throughout the year.
ARTARCHITECTURE; The Truth Is Out How Realists Could Be So Reali.docxdavezstarr61655
ART/ARCHITECTURE; The Truth Is Out: How Realists Could Be So Realistic
By RICHARD B. WOODWARD
Published: Sunday, November 25, 2001
THOMAS EAKINS had a secret. For decades he engaged in a practice that many in late-19th-century Philadelphia would very likely have regarded as scandalous had they known. Not wanting to risk exposure, he kept quiet about it all his life. If any of his students or friends ever guessed -- and someone could easily have discovered him in the act -- they never talked either. His wife said in an interview that if he did it, he didn't enjoy it.
I refer, of course, to the stunning discovery -- revealed for the first time at the current Eakins retrospective at the Philadelphia Museum Art -- that the artist hailed by an 1882 critic as ''the greatest draughtsman in America'' often relied on projected images to make paintings and watercolors during the 1870's and 80's. To be blunt: he traced from photographs.
According to Darrell Sewell, the museum's chief curator of American painting and the show's organizer, ''This is big news.'' What was long suspected as a practice among realist artists of the time has finally been proven. Never before has a 19th-century painter -- and not just any painter -- been ''caught'' seeking such direct aid from the novel and then controversial 19th-century invention. Curators around the world must now re-examine all kinds of post-1839 work in the light of this new discovery. At the Musée d'Orsay in Paris, where the exhibition travels next year, the process has already begun.
As a special video about the revelation spells out, uncovering the truth was fortuitous. Eakins left a trail in the form of hundreds of photographs. By chance, these were saved by his wife and then by an acolyte. The museum's conservators, Mark Tucker and Nica Gutman, knew what to look for when they began to study the paintings. Using infrared reflectography, they detected odd preparatory drawings beneath layers of pigment and were able to match them to the photographic prints and glass plates owned by Eakins.
In some cases, like ''Shad Fishing at Gloucester on the Delaware River,'' from 1881, Eakins drew from a single photograph projected on the canvas. But more commonly, as in an earlier version of the same painting, or in ''Mending the Net,'' also from 1881, the composition was built up from a half-dozen or more separate photographs. Like a digital film director, he would set the scene by choosing one image as the establishing shot, for drawing in trees and various landscape features. Then, from other photographs he had taken, he would project the human or animal figures he wanted in the painting.
The process involved planning and rigorous editing. A science-minded realist, Eakins never hid his appreciation for the new medium. He urged students to photograph one another nude for purposes of anatomical study and was an early champion of Eadweard Muybridge's attempts to capture motion with a camera. In 1878 he even a.
Interference is the superposition of two or more waves producing a resultant disturbance that is the sum of the overlapping wave contribution.
For comments please contact me at solo.hermelin@gmail.com.
A few Figures were not downloaded. I recommend to see the presentation on my website in Optics folder.
For more presentations on different subjects visit my website at http://www.solohermelin.com.
This document provides a history of animation techniques from prehistoric cave paintings to modern computer animation. It describes early animation devices like the thaumatrope, phenakistoscope, and zoetrope which used persistence of vision to create the illusion of movement. Stop motion animation techniques were developed using puppets, models, and claymation. Keyframe animation allowed for more complex movements through the use of inbetweens. Other techniques discussed include rotoscoping, cut-out animation, and the first animated films featuring stop motion characters. The document traces the evolution of animation over thousands of years through these important innovations.
In this Assignment I discuss about Optical fiber, Evolution of optical fiber: from the beginning to present and beyond, Types of optical fibers used in commercial applications, Losses in optical fiber link, Submarine cable system worldwide, SONET, Fiber optic network backbone in Bangladesh, Applications of optical fiber in 4G technologies and beyond
The aim of this workshop is to help children study the connection between their vision and Camera Οbscura, i.e. the first camera, understand how it works and the features in common of the camera and the projector. They will become familiar with the refraction phenomenon and then they will build a projector.
The document summarizes the history and development of microscopes. It describes the earliest simple microscopes using water or glass lenses, the invention of the compound microscope in the late 16th century, and major improvements throughout the 17th-18th centuries. It also outlines the development of electron microscopes in the 1930s, which revolutionized biology by allowing visualization of cell structures. The manufacturing process for microscope components like lenses and metal parts is briefly outlined as well.
VDIS10021 Working in Digital Design - Lecture 2 - DIGITAL vs TRADITIONAL PHOT...Virtu Institute
This document discusses the early history and evolution of photography in the 19th century. It describes some of the key figures who contributed discoveries, including: Joseph Nicéphore Niépce, who created the first permanent photograph in 1826; Louis Daguerre, who invented the daguerreotype process which produced the first widely used photographic process in the late 1830s; and William Henry Fox Talbot, who invented the calotype process of photographic printing on paper. The document outlines some of the important chemical discoveries and technical developments that led to the invention of practical photographic processes.
The camera obscura is an optical device that projects an upside-down image of a scene through a small hole onto a surface inside a dark box or room, allowing for accurate tracing of the image. It was one of the inventions that led to the development of photography and the camera. The first permanent photograph was made in 1826 by Joseph Nicéphore Niépce, who used a camera obscura and coated a silver plate with bitumen to capture an image after 8 hours of exposure.
The document provides a detailed history and overview of photography. It discusses key early inventions and photographers that helped develop the technology, such as Niepce creating the first permanent photograph in 1822 and Daguerre developing the daguerreotype process in 1839. The document also covers the development of color photography starting in the 1850s, the rise of digital photography using CCD sensors in the late 20th century, and different photographic techniques and processes over time.
The annual Festival Polytech is an open-air celebration of science and curiosity, welcoming thousands of guests of all ages. In 2014, scientists, artists and engineers from 12 countries of the world participated in the exhibitions and installations, lectures, screenings, performances and interactive stands run by the Museum. The festival was the first collaborative project of the Polytechnic Museum (Moscow) and the World Science Festival (New York).
This document provides an overview of piezoelectricity including its history, internal working, materials, effects, and applications. It describes how certain crystals produce an electric charge when mechanically stressed (piezoelectric effect) or deform when an electric field is applied (reverse piezoelectric effect). Common piezoelectric materials include quartz, barium titanate, lead zirconate titanate. The document also discusses piezoelectric sensors, actuators, transducers and their uses in applications such as energy harvesting floor tiles, medical devices, and ignition lighters.
This document provides an overview of piezoelectricity including its history, internal working, materials, effects, and applications. It describes how certain crystals produce an electric charge when mechanically stressed (direct piezoelectric effect) or change shape when exposed to an electric field (reverse effect). Common piezoelectric materials include quartz, ceramics, and polymers. The document outlines key piezoelectric applications such as sensors, actuators, generators, and transducers used in devices like lighters, microphones, and medical equipment.
People have been creating visual records since prehistoric times to communicate what they see to others. Photography allows for the precise recording of tiny details that memory cannot preserve. The ability to capture images was first casually observed by Egyptians over 10,000 years ago. Major developments included the camera obscura, light-sensitive chemicals, Daguerre's daguerreotype process, Talbot's calotype process producing the first negative, faster lenses, and Archer's wet collodion process. George Eastman's 1888 Kodak camera popularized photography by making the process simple and portable.
History of cameras and photography for recordwifeysarg
The document summarizes the history of cameras and photography from its earliest beginnings to modern times. It describes how the basic principles of optics and the camera obscura were understood as early as the 5th century BC. It then outlines several important early innovations and inventors in the 18th and 19th centuries that led to the first permanent photographic images, including Joseph Niepce in 1814, Louis Daguerre in 1837 who invented the daguerreotype process, and Henry Fox Talbot who invented the calotype process enabling photographic negatives. The timeline also notes the development of roll film, handheld cameras, color photography, and advances in photographic films and prints.
This slideshow covers two units from an art history course - What is Art? and Technologies of Art Production. It discusses various definitions and theories of art from philosophers like Tolstoy and Berger. It also examines different materials and processes used in artmaking across mediums like drawing, painting, printmaking, photography, sculpture, ceramics, and new media. Key examples are provided to illustrate techniques like fresco painting, oil painting, lithography, and casting in bronze.
This document provides a history of photography from its origins to modern applications. It discusses early innovators like Niepce, Daguerre, and Talbot who developed the first photographic processes in the 1820s-1840s. The daguerreotype and calotype processes allowed photographs to be taken and reproduced. Advances like the wet plate collodion process in the 1850s led to photographs being widely used to document events like the Civil War. Photography was also used in science, medicine, industry, and to document social issues. Further innovations driven by the development of more portable cameras expanded photography's uses through the late 19th century until it became widely accessible to the public by the late 1880s.
People have been creating visual records since prehistoric times to communicate what they see to others. Photography allows for the precise recording of tiny details that memory cannot preserve. The ability to capture images was first casually observed by Egyptians, and later experimented with by Aristotle and Da Vinci. Over centuries, improvements were made to lenses and chemicals to develop the first permanent photographs in the 1820s-1830s by inventors like Niepce, Daguerre, and Talbot. Further innovations like roll film and smaller, more portable cameras in the late 1800s brought photography to the masses.
Olafur Eliasson is a Danish-Icelandic artist born in 1967 who is known for site-specific installations that incorporate natural elements like water, light, and fog. He aims to shift viewers' perceptions of reality and their relationship to the environment through immersive, sensory experiences. Eliasson established a studio in Berlin in 1995 and divides his time between Copenhagen, Berlin, and Iceland, drawing inspiration from these places' landscapes and weather.
This document discusses the history and advancement of light art. It describes how scientists like James Clerk Maxwell and artists like Monet and Seurat studied the properties of light and used it in their work. Their discoveries helped establish light art. The document also outlines some key developments in light art such as stained glass windows, shadow puppetry, and modern inventions that use electrical light to create sculptures and designs. It discusses advantages of different types of lighting for enhancing artwork.
This photo essay documents the artist's experimental work at Çatalhöyük, a Neolithic settlement in Turkey. The experiments led to the discovery that each dwelling had a beam of light entering from the roof that moved across the interior like a sundial. Shadows created patterns of light and darkness that revealed aspects of daily life. The author suggests shadows may have been used in puppet theater performances and could have marked the timing and location of burials. Computer simulations of the path of sunlight in a replica house at the site showed how shadows on the floor would have indicated relationships between burial dates and body positions throughout the year.
ARTARCHITECTURE; The Truth Is Out How Realists Could Be So Reali.docxdavezstarr61655
ART/ARCHITECTURE; The Truth Is Out: How Realists Could Be So Realistic
By RICHARD B. WOODWARD
Published: Sunday, November 25, 2001
THOMAS EAKINS had a secret. For decades he engaged in a practice that many in late-19th-century Philadelphia would very likely have regarded as scandalous had they known. Not wanting to risk exposure, he kept quiet about it all his life. If any of his students or friends ever guessed -- and someone could easily have discovered him in the act -- they never talked either. His wife said in an interview that if he did it, he didn't enjoy it.
I refer, of course, to the stunning discovery -- revealed for the first time at the current Eakins retrospective at the Philadelphia Museum Art -- that the artist hailed by an 1882 critic as ''the greatest draughtsman in America'' often relied on projected images to make paintings and watercolors during the 1870's and 80's. To be blunt: he traced from photographs.
According to Darrell Sewell, the museum's chief curator of American painting and the show's organizer, ''This is big news.'' What was long suspected as a practice among realist artists of the time has finally been proven. Never before has a 19th-century painter -- and not just any painter -- been ''caught'' seeking such direct aid from the novel and then controversial 19th-century invention. Curators around the world must now re-examine all kinds of post-1839 work in the light of this new discovery. At the Musée d'Orsay in Paris, where the exhibition travels next year, the process has already begun.
As a special video about the revelation spells out, uncovering the truth was fortuitous. Eakins left a trail in the form of hundreds of photographs. By chance, these were saved by his wife and then by an acolyte. The museum's conservators, Mark Tucker and Nica Gutman, knew what to look for when they began to study the paintings. Using infrared reflectography, they detected odd preparatory drawings beneath layers of pigment and were able to match them to the photographic prints and glass plates owned by Eakins.
In some cases, like ''Shad Fishing at Gloucester on the Delaware River,'' from 1881, Eakins drew from a single photograph projected on the canvas. But more commonly, as in an earlier version of the same painting, or in ''Mending the Net,'' also from 1881, the composition was built up from a half-dozen or more separate photographs. Like a digital film director, he would set the scene by choosing one image as the establishing shot, for drawing in trees and various landscape features. Then, from other photographs he had taken, he would project the human or animal figures he wanted in the painting.
The process involved planning and rigorous editing. A science-minded realist, Eakins never hid his appreciation for the new medium. He urged students to photograph one another nude for purposes of anatomical study and was an early champion of Eadweard Muybridge's attempts to capture motion with a camera. In 1878 he even a.
Interference is the superposition of two or more waves producing a resultant disturbance that is the sum of the overlapping wave contribution.
For comments please contact me at solo.hermelin@gmail.com.
A few Figures were not downloaded. I recommend to see the presentation on my website in Optics folder.
For more presentations on different subjects visit my website at http://www.solohermelin.com.
This document provides a history of animation techniques from prehistoric cave paintings to modern computer animation. It describes early animation devices like the thaumatrope, phenakistoscope, and zoetrope which used persistence of vision to create the illusion of movement. Stop motion animation techniques were developed using puppets, models, and claymation. Keyframe animation allowed for more complex movements through the use of inbetweens. Other techniques discussed include rotoscoping, cut-out animation, and the first animated films featuring stop motion characters. The document traces the evolution of animation over thousands of years through these important innovations.
In this Assignment I discuss about Optical fiber, Evolution of optical fiber: from the beginning to present and beyond, Types of optical fibers used in commercial applications, Losses in optical fiber link, Submarine cable system worldwide, SONET, Fiber optic network backbone in Bangladesh, Applications of optical fiber in 4G technologies and beyond
The aim of this workshop is to help children study the connection between their vision and Camera Οbscura, i.e. the first camera, understand how it works and the features in common of the camera and the projector. They will become familiar with the refraction phenomenon and then they will build a projector.
The document summarizes the history and development of microscopes. It describes the earliest simple microscopes using water or glass lenses, the invention of the compound microscope in the late 16th century, and major improvements throughout the 17th-18th centuries. It also outlines the development of electron microscopes in the 1930s, which revolutionized biology by allowing visualization of cell structures. The manufacturing process for microscope components like lenses and metal parts is briefly outlined as well.
VDIS10021 Working in Digital Design - Lecture 2 - DIGITAL vs TRADITIONAL PHOT...Virtu Institute
This document discusses the early history and evolution of photography in the 19th century. It describes some of the key figures who contributed discoveries, including: Joseph Nicéphore Niépce, who created the first permanent photograph in 1826; Louis Daguerre, who invented the daguerreotype process which produced the first widely used photographic process in the late 1830s; and William Henry Fox Talbot, who invented the calotype process of photographic printing on paper. The document outlines some of the important chemical discoveries and technical developments that led to the invention of practical photographic processes.
The camera obscura is an optical device that projects an upside-down image of a scene through a small hole onto a surface inside a dark box or room, allowing for accurate tracing of the image. It was one of the inventions that led to the development of photography and the camera. The first permanent photograph was made in 1826 by Joseph Nicéphore Niépce, who used a camera obscura and coated a silver plate with bitumen to capture an image after 8 hours of exposure.
The document provides a detailed history and overview of photography. It discusses key early inventions and photographers that helped develop the technology, such as Niepce creating the first permanent photograph in 1822 and Daguerre developing the daguerreotype process in 1839. The document also covers the development of color photography starting in the 1850s, the rise of digital photography using CCD sensors in the late 20th century, and different photographic techniques and processes over time.
The annual Festival Polytech is an open-air celebration of science and curiosity, welcoming thousands of guests of all ages. In 2014, scientists, artists and engineers from 12 countries of the world participated in the exhibitions and installations, lectures, screenings, performances and interactive stands run by the Museum. The festival was the first collaborative project of the Polytechnic Museum (Moscow) and the World Science Festival (New York).
This document provides an overview of piezoelectricity including its history, internal working, materials, effects, and applications. It describes how certain crystals produce an electric charge when mechanically stressed (piezoelectric effect) or deform when an electric field is applied (reverse piezoelectric effect). Common piezoelectric materials include quartz, barium titanate, lead zirconate titanate. The document also discusses piezoelectric sensors, actuators, transducers and their uses in applications such as energy harvesting floor tiles, medical devices, and ignition lighters.
This document provides an overview of piezoelectricity including its history, internal working, materials, effects, and applications. It describes how certain crystals produce an electric charge when mechanically stressed (direct piezoelectric effect) or change shape when exposed to an electric field (reverse effect). Common piezoelectric materials include quartz, ceramics, and polymers. The document outlines key piezoelectric applications such as sensors, actuators, generators, and transducers used in devices like lighters, microphones, and medical equipment.
People have been creating visual records since prehistoric times to communicate what they see to others. Photography allows for the precise recording of tiny details that memory cannot preserve. The ability to capture images was first casually observed by Egyptians over 10,000 years ago. Major developments included the camera obscura, light-sensitive chemicals, Daguerre's daguerreotype process, Talbot's calotype process producing the first negative, faster lenses, and Archer's wet collodion process. George Eastman's 1888 Kodak camera popularized photography by making the process simple and portable.
History of cameras and photography for recordwifeysarg
The document summarizes the history of cameras and photography from its earliest beginnings to modern times. It describes how the basic principles of optics and the camera obscura were understood as early as the 5th century BC. It then outlines several important early innovations and inventors in the 18th and 19th centuries that led to the first permanent photographic images, including Joseph Niepce in 1814, Louis Daguerre in 1837 who invented the daguerreotype process, and Henry Fox Talbot who invented the calotype process enabling photographic negatives. The timeline also notes the development of roll film, handheld cameras, color photography, and advances in photographic films and prints.
This slideshow covers two units from an art history course - What is Art? and Technologies of Art Production. It discusses various definitions and theories of art from philosophers like Tolstoy and Berger. It also examines different materials and processes used in artmaking across mediums like drawing, painting, printmaking, photography, sculpture, ceramics, and new media. Key examples are provided to illustrate techniques like fresco painting, oil painting, lithography, and casting in bronze.
This document provides a history of photography from its origins to modern applications. It discusses early innovators like Niepce, Daguerre, and Talbot who developed the first photographic processes in the 1820s-1840s. The daguerreotype and calotype processes allowed photographs to be taken and reproduced. Advances like the wet plate collodion process in the 1850s led to photographs being widely used to document events like the Civil War. Photography was also used in science, medicine, industry, and to document social issues. Further innovations driven by the development of more portable cameras expanded photography's uses through the late 19th century until it became widely accessible to the public by the late 1880s.
People have been creating visual records since prehistoric times to communicate what they see to others. Photography allows for the precise recording of tiny details that memory cannot preserve. The ability to capture images was first casually observed by Egyptians, and later experimented with by Aristotle and Da Vinci. Over centuries, improvements were made to lenses and chemicals to develop the first permanent photographs in the 1820s-1830s by inventors like Niepce, Daguerre, and Talbot. Further innovations like roll film and smaller, more portable cameras in the late 1800s brought photography to the masses.
Olafur Eliasson is a Danish-Icelandic artist born in 1967 who is known for site-specific installations that incorporate natural elements like water, light, and fog. He aims to shift viewers' perceptions of reality and their relationship to the environment through immersive, sensory experiences. Eliasson established a studio in Berlin in 1995 and divides his time between Copenhagen, Berlin, and Iceland, drawing inspiration from these places' landscapes and weather.
Matt W. Moore runs MWM Graphics and believes that exploring a wide range of areas leads to growth. He has a background in action sports like skateboarding and graffiti, which value speed, independence, trying new things, and the enjoyment of collaborating with others.
This document describes Katherine Duclos' experience using LEGO bricks as an art medium. She began working with LEGO in 2021 after bonding with her son over building LEGO sets together. As someone who is neurodivergent, she found that LEGO allowed her to be creative without strict instructions. She realized she could make abstract constructions using modular colored pieces, which helped regulate her sensory overload as an autistic person. LEGO is also a dry medium that she prefers due to her sensory issues.
Shepard Fairey is an American graphic artist and social activist known for his street art. He blurs the lines between traditional and commercial art through images and text to communicate social critique in public spaces. Fairey believes art is not always meant to be decorative but can create uncomfortable conversations and emotions.
Banksy is arguably the most controversial street artist in the world whose political street art works have impacted cities globally and encouraged revolution in the art world over 30 years, though his identity remains unknown despite involvement in the graffiti scene for over 30 years.
The document discusses several topics related to space exploration, including the Voyager Golden Record, lunar rovers used to explore the moon, concepts for moon and Mars bases, and various space missions. It provides links to articles about NASA testing prototype pressurized rovers for Artemis missions to the moon, designs for permanent bases on the moon and Mars, and missions that have explored Mars and returned samples from asteroids.
Kumkum Fernando is an artist based in Vietnam who creates sculptures that blend Asian cultural and spiritual elements with futuristic designs. He repurposes found materials into vibrant objects that evoke mythology and storytelling. The sculptures are accompanied by poems referencing Kumkum's grandmother's folktales. One work depicts Manike, a mad mother figure driven to madness by mosquitoes and the loss of her muse, who transforms into a menacing maniac.
The document discusses several topics related to innovation and creativity across different fields such as science, art, design, and technology. Some key points include:
- An artist named Fabian Oefner uses experiments with oil and water to create artistic images and explores the boundaries between art and science.
- Designers have developed innovative lamps and mobiles using recycled materials like plastic bottles and paper pulp to reduce waste.
- Biomimicry, taking design inspiration from nature, has applications for architecture, wind turbines, and more.
- Origami folding techniques and transformable materials can help optimize spacecraft design for space exploration.
Hannah Eddy is an artist and muralist based in Reno, NV known for her colorful and imaginative work that encourages appreciation for nature, connection, and community. She is influenced by expressive graphic styles from skateboarding and surf cultures and aims to inspire others through her paintings, illustrations, and murals to enjoy outdoor activities and appreciate each other and the planet.
This document describes a series of artworks by Nathalie Miebach that translate weather data, environmental data, and COVID-19 data into weavings, sculptures, and other pieces. The artworks visualize patterns in the data and document events like the COVID-19 pandemic and hurricanes. Many of the pieces were created during residencies where the artist recorded on-site weather, sound, and environmental data that were then translated visually.
The document is a collection of links to various websites about Monument Valley, Escher-inspired staircases, and optical illusions in architecture. Specifically, it includes links about the system requirements for Monument Valley on PC, Escher's artwork exploring relativity and impossible objects, games similar to Monument Valley, and architectural structures featuring endless or paradoxical staircases.
The document shares links to various examples of science, technology, art, and design projects that utilize innovative and sustainable materials and processes. Some of the projects highlighted include photographs of insect specimens, data visualization sculptures, 3D printed surfboards, shoes made from recycled ocean plastic waste, cardboard surfboards, bicycles made from wood, artwork using naturally glowing bacteria, and origami designs inspired by mathematics. Many of the projects showcase the use of recycled, upcycled, or natural materials.
This document contains links to various articles about innovative technologies including a drone that artificially pollinates flowers, bee bricks to support declining bee populations, origami-inspired transformable materials, chandeliers made from recycled plastic bottles, and optical illusions created through minimal lines. It also includes links to artists and designers working with unusual mediums like crocheted human organs and never-ending blooms.
Logos serve as visual representations of brands and are an important part of any company's identity and marketing. Effective logos are simple yet memorable, using shapes, colors, and designs that represent the company's values and message in an easily recognizable way. Many famous logos throughout history such as the Nike swoosh, Apple logo, and Starbucks siren have stood the test of time through their ability to resonate with customers while clearly identifying the company through their minimal yet meaningful designs.
The document discusses various designs and concepts for human habitats and colonies on Mars. It includes links to NASA challenges that yielded unique habitat designs, concepts for using Martian resources like superoxides for oxygen production, designs from students for space habitats, and private efforts to establish the first Mars colony. Designs range from underground habitats to 3D printed structures and consider social structures, resources, and technologies needed to support human life on the Red Planet.
Masdar City is a planned city located in Abu Dhabi, United Arab Emirates. It was envisioned as a zero-carbon, zero-waste city powered entirely by renewable energy. However, the project faced challenges in attracting residents and businesses that led to doubts about its long-term viability. Recent developments, including a new central square and investments in clean hydrogen, aim to revitalize Masdar City and support the UAE's carbon neutrality goals.
Google Earth satellite imagery has inspired abstract artworks that use the maps as a canvas. Artists see patterns, shapes, and colors in the satellite views of the Earth's surface that represent landscapes, seascapes, and cityscapes in non-representational, abstract forms. They create paintings and other art pieces based on what they observe in the satellite imagery.
This document contains links to websites about origami, mathematics education, and origami artwork. The origami link directs to a tag on a site featuring origami art. The math education link leads to interactive math lessons and games. The third link goes to a portfolio of intricate origami sculptures created from single sheets of paper.
Reimagining Your Library Space: How to Increase the Vibes in Your Library No ...Diana Rendina
Librarians are leading the way in creating future-ready citizens – now we need to update our spaces to match. In this session, attendees will get inspiration for transforming their library spaces. You’ll learn how to survey students and patrons, create a focus group, and use design thinking to brainstorm ideas for your space. We’ll discuss budget friendly ways to change your space as well as how to find funding. No matter where you’re at, you’ll find ideas for reimagining your space in this session.
This document provides an overview of wound healing, its functions, stages, mechanisms, factors affecting it, and complications.
A wound is a break in the integrity of the skin or tissues, which may be associated with disruption of the structure and function.
Healing is the body’s response to injury in an attempt to restore normal structure and functions.
Healing can occur in two ways: Regeneration and Repair
There are 4 phases of wound healing: hemostasis, inflammation, proliferation, and remodeling. This document also describes the mechanism of wound healing. Factors that affect healing include infection, uncontrolled diabetes, poor nutrition, age, anemia, the presence of foreign bodies, etc.
Complications of wound healing like infection, hyperpigmentation of scar, contractures, and keloid formation.
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LAND USE LAND COVER AND NDVI OF MIRZAPUR DISTRICT, UPRAHUL
This Dissertation explores the particular circumstances of Mirzapur, a region located in the
core of India. Mirzapur, with its varied terrains and abundant biodiversity, offers an optimal
environment for investigating the changes in vegetation cover dynamics. Our study utilizes
advanced technologies such as GIS (Geographic Information Systems) and Remote sensing to
analyze the transformations that have taken place over the course of a decade.
The complex relationship between human activities and the environment has been the focus
of extensive research and worry. As the global community grapples with swift urbanization,
population expansion, and economic progress, the effects on natural ecosystems are becoming
more evident. A crucial element of this impact is the alteration of vegetation cover, which plays a
significant role in maintaining the ecological equilibrium of our planet.Land serves as the foundation for all human activities and provides the necessary materials for
these activities. As the most crucial natural resource, its utilization by humans results in different
'Land uses,' which are determined by both human activities and the physical characteristics of the
land.
The utilization of land is impacted by human needs and environmental factors. In countries
like India, rapid population growth and the emphasis on extensive resource exploitation can lead
to significant land degradation, adversely affecting the region's land cover.
Therefore, human intervention has significantly influenced land use patterns over many
centuries, evolving its structure over time and space. In the present era, these changes have
accelerated due to factors such as agriculture and urbanization. Information regarding land use and
cover is essential for various planning and management tasks related to the Earth's surface,
providing crucial environmental data for scientific, resource management, policy purposes, and
diverse human activities.
Accurate understanding of land use and cover is imperative for the development planning
of any area. Consequently, a wide range of professionals, including earth system scientists, land
and water managers, and urban planners, are interested in obtaining data on land use and cover
changes, conversion trends, and other related patterns. The spatial dimensions of land use and
cover support policymakers and scientists in making well-informed decisions, as alterations in
these patterns indicate shifts in economic and social conditions. Monitoring such changes with the
help of Advanced technologies like Remote Sensing and Geographic Information Systems is
crucial for coordinated efforts across different administrative levels. Advanced technologies like
Remote Sensing and Geographic Information Systems
9
Changes in vegetation cover refer to variations in the distribution, composition, and overall
structure of plant communities across different temporal and spatial scales. These changes can
occur natural.
বাংলাদেশের অর্থনৈতিক সমীক্ষা ২০২৪ [Bangladesh Economic Review 2024 Bangla.pdf] কম্পিউটার , ট্যাব ও স্মার্ট ফোন ভার্সন সহ সম্পূর্ণ বাংলা ই-বুক বা pdf বই " সুচিপত্র ...বুকমার্ক মেনু 🔖 ও হাইপার লিংক মেনু 📝👆 যুক্ত ..
আমাদের সবার জন্য খুব খুব গুরুত্বপূর্ণ একটি বই ..বিসিএস, ব্যাংক, ইউনিভার্সিটি ভর্তি ও যে কোন প্রতিযোগিতা মূলক পরীক্ষার জন্য এর খুব ইম্পরট্যান্ট একটি বিষয় ...তাছাড়া বাংলাদেশের সাম্প্রতিক যে কোন ডাটা বা তথ্য এই বইতে পাবেন ...
তাই একজন নাগরিক হিসাবে এই তথ্য গুলো আপনার জানা প্রয়োজন ...।
বিসিএস ও ব্যাংক এর লিখিত পরীক্ষা ...+এছাড়া মাধ্যমিক ও উচ্চমাধ্যমিকের স্টুডেন্টদের জন্য অনেক কাজে আসবে ...
Strategies for Effective Upskilling is a presentation by Chinwendu Peace in a Your Skill Boost Masterclass organisation by the Excellence Foundation for South Sudan on 08th and 09th June 2024 from 1 PM to 3 PM on each day.
This slide is special for master students (MIBS & MIFB) in UUM. Also useful for readers who are interested in the topic of contemporary Islamic banking.
This presentation was provided by Steph Pollock of The American Psychological Association’s Journals Program, and Damita Snow, of The American Society of Civil Engineers (ASCE), for the initial session of NISO's 2024 Training Series "DEIA in the Scholarly Landscape." Session One: 'Setting Expectations: a DEIA Primer,' was held June 6, 2024.
ISO/IEC 27001, ISO/IEC 42001, and GDPR: Best Practices for Implementation and...PECB
Denis is a dynamic and results-driven Chief Information Officer (CIO) with a distinguished career spanning information systems analysis and technical project management. With a proven track record of spearheading the design and delivery of cutting-edge Information Management solutions, he has consistently elevated business operations, streamlined reporting functions, and maximized process efficiency.
Certified as an ISO/IEC 27001: Information Security Management Systems (ISMS) Lead Implementer, Data Protection Officer, and Cyber Risks Analyst, Denis brings a heightened focus on data security, privacy, and cyber resilience to every endeavor.
His expertise extends across a diverse spectrum of reporting, database, and web development applications, underpinned by an exceptional grasp of data storage and virtualization technologies. His proficiency in application testing, database administration, and data cleansing ensures seamless execution of complex projects.
What sets Denis apart is his comprehensive understanding of Business and Systems Analysis technologies, honed through involvement in all phases of the Software Development Lifecycle (SDLC). From meticulous requirements gathering to precise analysis, innovative design, rigorous development, thorough testing, and successful implementation, he has consistently delivered exceptional results.
Throughout his career, he has taken on multifaceted roles, from leading technical project management teams to owning solutions that drive operational excellence. His conscientious and proactive approach is unwavering, whether he is working independently or collaboratively within a team. His ability to connect with colleagues on a personal level underscores his commitment to fostering a harmonious and productive workplace environment.
Date: May 29, 2024
Tags: Information Security, ISO/IEC 27001, ISO/IEC 42001, Artificial Intelligence, GDPR
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3. “I use Art like a vessel to investigate Science.”
Fabian Oefner
4. “Timelines” is a collaboration
between Fabian Oefner and
Google Arts & Culture. Its a
series of photographs, that
visualise change in Alpine
glaciers.
https://fabianoefner.com/
5. The artist and his team
worked together with the
Glaciology Institute at ETH
Zurich to bring art and
science together in a unique
way.
6. Using LED drones and long-
exposure photography, the
artist painted the scientific
data collected by the
Institute directly into the
terrain.
7. Each glowing line was
created by flying the drone
along different positions of
the glacier front in the past.
The drone flights were
captured with long-exposure
photographs at night.
8. For the final images, Oefner blended several
dozens of these individual photographs
together.
9. The result are images, that not only show the beauty
of these landscapes but also visualise the significant
change of the glaciers during the last 100 years.
16. Oefner melted a chunk of it on a
hot plate and watched the liquid
oxidise as it cooled, creating a
striking spectrum of colour. He
scraped off a layer and saw the
colours changed.
17. He did that over and over,
photographing the bismuth as it
transformed, lighting it with a
flash from the side. Oefner
made 2,000 images in two
weeks.
26. It’s a circular
arrangement of eight
different experiments,
which create drawings
driven by chemical and
physical processes.
27. Electrical current shapes
into fractal patterns,
rusting iron under
magnetic influence
generates delicate
structures and gun
powder burns sound
waves into paper.
28. All experiments are
connected in a way that
one experiment triggers
the next one until the full
circle of works is
completed, creating eight
unique drawings in the
process.
39. For this experiment, Oefner
poured water into a black
reservoir. With the aid of a
syringe, he then added
small drops of oil onto the
water surface.
https://fabianoefner.com/
40. Upon contact with the
water, the oil started to
expand and form into
magnificent structures.
Some of them seem to look
like stars exploding, others
look like a photograph of
the iris.
41. The various colours result
from the reflection and
refraction of light, as it
passes through the oil film
and back into the camera
lens.
42. Depending on how thick the
oil film is, the colours
change from blue, green to
red, until finally they
disappear again.