Here you will find a small sampling of some of my Scenic and Lighting Designs. I also have posted here on slideshare another show w/ some hand sketches and CAD drawings and 3D renderings. Enjoy!

1. Scott Richard Ashley
Production & Design
Lighting & Scenic Designs
sricharddesign@gmail.com (904)616 - 1187

2. “The set is fabulous – another triumph by Scott Ashley.”
“. . .start out by giving a standing ovation to Scott Ashley,
- The St. Augustine Record
Limelight’s Set Designer. His ingenuity and inventiveness
Frankenstein
continue to inspire awe and respect. . .”
-The St. Augustine Record
Biloxi Blues “The set, the latest creation of Scott Ashley, the Limelight's
resident designer and technical director, is absolutely
spectacular . . . Perfect!”
“We should no longer be surprised by such excellence.
“One last comment: Scott Ashley's set design, as usual, Ashley has designed and supervised the construction of every
is Broadway quality.” Limelight set since his triumphant debut last season with the
-The St. Augustine Record sumptuous Manhattan apartment for "Rumors."
Greetings
-St. Augustine Record
Down an Alley Filled with Cats
“I got the distinct impression patrons would love to have had the chance to applaud the
design—which was superlative. Designer Scott Ashley continues to raise the bar, setting new
standards for rich detail that invite audience members into the world of the play. The
opportunities it provides for simultaneous action, appropriately highlighted or muted, help
enrich the play’s visual layering considerably. With that first note sounded, it’s hard not to be
thoroughly enveloped and involved in the story in a very personal way.”
-Entertaining U (EU) “Scott Ashley’s set design is,
A Raisin in the Sun as I predicted in my review
“It's the set -- it speaks volumes, another remarkable of Limelight’s Criminal Minds last month,
achievement by Scott Ashley, resident designer . . .” a masterpiece . . .”
-The St. Augustine Record -Entertaining U (EU)
I’m Not Rappaport Frankenstein
“Set Designer Scott Ashley’s plantation bedroom with a veranda across the front of the stage . . .
is intoxicating. I mean you just want to look at it and look at it. I wanted to jump up
on stage into that big brass bed. The lighting for set is impressive as well.”
-Entertaining U (EU)
Cat on a Hot Tin Roof
“Scott Ashley's set for Neil Simon's "Rumors" at the Limelight
is so sensational that you know, even before the house lights
dim,that you're in for an exceptional evening of theatre.”
Trust Set Designer Scott Ashley to truly set the "ominous" stage to perfection.
-St. Augustine Record
-The St. Augustine Record
Deathtrap

3. A CHRISTMAS CAROL
(AN ADAPTATION)
LIGHTING & PROJECTION SURFACE DESIGN

4. NICOLES BEDROOM
Scene Inserts were Constructed w/ Steel Frames and Painted Muslin and
Flown into the Opening at the Bottom Center of the Backdrop for Each of the
Anne Frank & Me 5 Major Locations.
Orlando Repertory Theatre (Regional)
Scenic Design

7. GORILLA, MY LOVE
LIGHTING DESIGN
CLARKE STUDIO THEATRE, NYC
LINCOLN CENTER FOR THE PERFORMING ARTS
&
VICTORIA THEATRE,
NEW JERSEY PERFORMING ARTS CENTER

8. Dining Room of the Hotel Ponce De Leon
New Years Eve Ball
Lighting Design

10. The Flid Show
Off-Broadway Production, SoHo Rep
Lighting Design/Master Electrician
“The production itself is lovely,
with beautiful lighting and scrim work.”
-Jenny Sandman, Curtain Up

12. Rumors
Limelight Theatre, FL
Scenery & Lighting

13. TAIKO DRUMMING
LIGHTING BY: SCOTT ASHLEY
CLARKE STUDIO THEATRE
LINCOLN CENTER FOR THE PERFORMING ARTS
I USED MICROPHONES, SPEAKERS,
WATER AND MIRRORS TO THROW
DIFFERENT COLOR VIBRATING
REFLECTIONS ONTO THE CYC.

14. Down an Alley Filled With Cats
Lighting & Scenery
The Design Concept was such that we could go to very a film noir/ black & white world at moments.

15. ONLY 10 MINUTES TO BUFFALO
LIGHTING & SCENIC DESIGN
CLARKE STUDIO THEATRE,
LINCOLN CENTER FOR THE PERFORMING ARTS, NYC

16. Fiddler on the Roof - Lighting Design Southeastern Tour 2010

17. Created custom steel gobos, Which were projected on
unbleached muslin to create a simple nostalgic world.
LAST TRAIN TO NIBROC
LIMELIGHT THEATRE, FL
SCENERY & LIGHTING

18. The Good Times Are Killing Me
Scenic Design
Turner Auditorium, FL

19. Each house was on a central pivot point that allowed it to rotate to become the “Projects” or to see inside.

20. 5 Guys Named Moe
Lighting Design

21. CAMELOT
Scenic & Lighting Design
Flagler College Auditorium

22. Produced By:
OKLAHOMA! Columbia Artists Theatricals
LIGHTING DESIGN &
2010 National Tour American International Music Management

23. Cat on a Hot Tin Roof
Limelight Theatre, FL
Scenery & Lighting

24. The Tempest Scenery & Lighting – Limelight Theatre, FL
The Stage floor was covered in 5 tons of sand.
So that it was apprx . 9”-10” deep
This Ship was held
together and rocked by
Prospero’s Spirits so that
at the right time it could
be Torn Apart
This is a Hologram of a feast which I created by
projecting the image onto a curtain of sand.
It’s hard to make out in this Photo ,
but you can see the candle stick at the top

25. Raisin in the Sun -Scenery & Lighting
And Then There Were None -Scenery & Lighting

26. Smoke on the Mountain
Scenery & Lighting
Elevation of Flat for
Rainmaker
Other Peoples Money - Scenery & Lighting

27. Marvin Gaye,
The Man & The Music
Lighting Design