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Contemporary British Film ,[object Object],[object Object]
What  Is   British  Film ?   What is  a British  Film?
[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],For example; ‘ Brick Lane’, would be in category B because it’s a British film but lacks a few of the things to make it fully British, it doesn’t have a predominate British cast. However there is sometimes a Bollywood connection into British films like ‘Brick Lane’ and ‘Bend It Like Beckham’
Source: BFI
The Current Boom ,[object Object],[object Object],[object Object]
Television Company Co Funding  ,[object Object],[object Object]
BBC Film ,[object Object],[object Object],[object Object],[object Object]
Film4 ,[object Object],[object Object],[object Object]
Five Major Distributors dominate the UK film industry .  ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Genre of British Social Realism
British’ness ,[object Object]
Conventions of British Social Realism: ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
New wave cinema ,[object Object],[object Object],The Full Monty (1997) addressed the erosion of regional and class identities amid a landscape rendered increasingly uniform by consumerism.
Ken Loach and Mike Leigh Assessed the impact of the consumer society on family life, charting the erosion of the welfare state and the consensus that built it. Ken Loach's Film’s Reflected the shift from the collectivist mood of the war years to the individualism of the post-war decades in its very form. Loach’s films went from the improvised long-take naturalism of ‘Poor Cow’ and ‘Kes’ to the social melodrama ‘Rolling Stones’ (1993) and ‘Ladybird Ladybird’ (1994), wider social issues now explored via emotional and dramatic individual stories.
Mike Leigh’s Film’s The breakdown of the collective consensus in post-war Britain seems to be captured in the tragicomic exchanges of ‘Life is Sweet’ (1990), Naked (1993) and Secrets and Lies (1996). Leigh examined the fractures in domestic and social life wrought by divisive Thatcherite policies in an increasingly fragmented and multicultural Britain. Women in Loach and Leigh are often complex and powerful individuals.
4 Case Studies ,[object Object],[object Object]
Case Study 1: ‘ The Last King of Scotland ’  ,[object Object]
[object Object]
Case Study 2: ‘ This is England ’  ,[object Object]
‘ This is England’ continued.  ,[object Object],[object Object]
This Is England Continued…  ,[object Object],“ I forgot when watching Shane Meadows’ moving evocation of skinhead youth This is England at the London Film Festival, how culturally specific its opening montage might seem: it goes from Roland Rat to Margaret Thatcher to the Falklands War to Knight Rider on television. What will people outside of Northern Europe make of the regalia of 1980’s skinheads from the midlands? Hopefully they will be intrigued. This Is England made me realise, too, that some British films are at last doing exactly what Sight and Sound has campaigned for; reflecting aspects of British life gain and maybe suffering the consequences of being harder to sell abroad.”
Case Study 3: Working Title Films  ,[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object]
Case Study 4: DNA Films ,[object Object],[object Object],[object Object]
References ,[object Object],[object Object]

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British film

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  • 2. What Is British Film ? What is a British Film?
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  • 11. Genre of British Social Realism
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  • 15. Ken Loach and Mike Leigh Assessed the impact of the consumer society on family life, charting the erosion of the welfare state and the consensus that built it. Ken Loach's Film’s Reflected the shift from the collectivist mood of the war years to the individualism of the post-war decades in its very form. Loach’s films went from the improvised long-take naturalism of ‘Poor Cow’ and ‘Kes’ to the social melodrama ‘Rolling Stones’ (1993) and ‘Ladybird Ladybird’ (1994), wider social issues now explored via emotional and dramatic individual stories.
  • 16. Mike Leigh’s Film’s The breakdown of the collective consensus in post-war Britain seems to be captured in the tragicomic exchanges of ‘Life is Sweet’ (1990), Naked (1993) and Secrets and Lies (1996). Leigh examined the fractures in domestic and social life wrought by divisive Thatcherite policies in an increasingly fragmented and multicultural Britain. Women in Loach and Leigh are often complex and powerful individuals.
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Notas do Editor

  1. A British film must must portray ‘real life’ in order for it to be classed as a British
  2. The 1980’s biggest recession British film has ever seen
  3. What category does this film fit into?
  4. What category does this fit into?