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How to Get a Great Green
Screen Shot for the Talent
Green screen studio owners have a
  propensity to ask a number of
     questions about lighting,
background materials, shooting and
     compositing techniques.
Questions to ask
 beforehand:
When must I use green or
     blue screen?
What type of cameras
   should I use?
What type of materials
   should I use?
How do I light the
    talent?
To accomplish good output
from your project, here are
some techniques that may
help:
Bouncing Light
The common problems with poor green
screen studio shots result from:
- improper lighting
- incorrect positioning
- use of backgrounds with wrong colour
Solution:
- If you light off of anything such as umbrella
or ceiling, the POWER OF BOUNCING LIGHT is
harnessed.
- But be aware that reflective surfaces like
metal, silver and other shiny surfaces absorb
less light.
Tips for Lighting the
   Actor/Actress
- Light the talent for the proposed setting they
are to be composited into. The talent lighting is
independent of the backing lighting.
- Turn off the backing lighting in order to set up
the lighting for the talent. Then, turn the backing
lights back on and re-meter after the lighting is
set up for the talent.
- Keep the talent 8 to 10 feet from the
backing. The closer they get to the backing
the more spill light lands on them.
- Make sure the talent lighting does not hit
the backing. Make sure the backing light does
not hit the talent.
- Watch out for reflective objects on the
talent such as rings and other metal objects
as they will reflect the backing color.
- Never counter-light the edges of the talent
with a complementary color of the backing
(yellow for blue screen and magenta for green
screen).
- Place small lights out of frame and
slightly behind the talent to subtly rim
light them.

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How to Get a Great Green Screen Shot for the Talent

  • 1. How to Get a Great Green Screen Shot for the Talent
  • 2. Green screen studio owners have a propensity to ask a number of questions about lighting, background materials, shooting and compositing techniques.
  • 3. Questions to ask beforehand:
  • 4. When must I use green or blue screen?
  • 5. What type of cameras should I use?
  • 6. What type of materials should I use?
  • 7. How do I light the talent?
  • 8. To accomplish good output from your project, here are some techniques that may help:
  • 9. Bouncing Light The common problems with poor green screen studio shots result from: - improper lighting - incorrect positioning - use of backgrounds with wrong colour
  • 10. Solution: - If you light off of anything such as umbrella or ceiling, the POWER OF BOUNCING LIGHT is harnessed. - But be aware that reflective surfaces like metal, silver and other shiny surfaces absorb less light.
  • 11. Tips for Lighting the Actor/Actress
  • 12. - Light the talent for the proposed setting they are to be composited into. The talent lighting is independent of the backing lighting.
  • 13. - Turn off the backing lighting in order to set up the lighting for the talent. Then, turn the backing lights back on and re-meter after the lighting is set up for the talent.
  • 14. - Keep the talent 8 to 10 feet from the backing. The closer they get to the backing the more spill light lands on them.
  • 15. - Make sure the talent lighting does not hit the backing. Make sure the backing light does not hit the talent.
  • 16. - Watch out for reflective objects on the talent such as rings and other metal objects as they will reflect the backing color.
  • 17. - Never counter-light the edges of the talent with a complementary color of the backing (yellow for blue screen and magenta for green screen).
  • 18. - Place small lights out of frame and slightly behind the talent to subtly rim light them.