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Dance, Theater, Cinema   in   Modern Culture Art IV Mrs. Rowena M. Tivoli
Theater ,[object Object],Corbis/Roger Wood Theater at Epidaurus This theater in Epidaurus, Greece, was designed by Polyclitus the Younger around 350 bc. A late classical structure, it featured stone benches instead of the wood benches found in earlier theater construction. Microsoft ® Encarta ® Reference Library 2004.  © 1993-2003 Microsoft Corporation. All rights reserved.
[object Object],[object Object]
Elements of Theater : ,[object Object]
[object Object],[object Object]
Mask    of   Comedy and Tragedy ,[object Object],[object Object],[object Object]
Purposes of Theater ,[object Object]
[object Object]
Modern theater Production ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Theater Personnel ,[object Object],[object Object]
[object Object],[object Object]
[object Object],The actor is the creative artist most identified by audiences with their experience of theater. Actors portray their characters’ wants and needs through believable personal behavior that mirrors the characters’ psychological and emotional lives within the world of the play.  THE BETTMANN ARCHIVE/UPI Scene from  Marat/Sade This scene is from the Royal Shakespeare Company’s 1966 production of a play by Peter Weiss called  The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton under the Direction of the Marquis de Sade. Marat/Sade,  as it is known, is an unusual production; the actors are supposed to be the actual inmates performing the play, and the audience is supposed to be the 18th-century nobility watching them. This idea pulls the audience into the play itself, rather than allowing it to be passively entertained. The actors’ roles are demanding, since each actor is playing two characters. Microsoft ® Encarta ® Reference Library 2004.  © 1993-2003 Microsoft Corporation. All rights reserved.
The Designers ,[object Object]
The Scene designer ,[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object]
The Lightning Designer ,[object Object]
Sound Designer ,[object Object]
Costume Design Woodfin Camp and Associates, Inc./Clive Barda Costume Design The elaborate costuming worn by these actors enhances a production of  Phantom,  in New York City. In theater production, carefully chosen costumes help convey a sense of a character’s identity, as well as set the mood and time period of the work being performed. Microsoft ® Encarta ® Reference Library 2004.  © 1993-2003 Microsoft Corporation. All rights reserved.
[object Object],[object Object],[object Object],[object Object]
DANCE ,[object Object],[object Object]
Motion Picture ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
MOTION PICTURE ,[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object]
 

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Dance, Theater, And Cinema

  • 1. Dance, Theater, Cinema in Modern Culture Art IV Mrs. Rowena M. Tivoli
  • 2.
  • 3.
  • 4.
  • 5.
  • 6.
  • 7.
  • 8.
  • 9.
  • 10.
  • 11.
  • 12.
  • 13.
  • 14.
  • 15.
  • 16.
  • 17.
  • 18. Costume Design Woodfin Camp and Associates, Inc./Clive Barda Costume Design The elaborate costuming worn by these actors enhances a production of Phantom, in New York City. In theater production, carefully chosen costumes help convey a sense of a character’s identity, as well as set the mood and time period of the work being performed. Microsoft ® Encarta ® Reference Library 2004. © 1993-2003 Microsoft Corporation. All rights reserved.
  • 19.
  • 20.
  • 21.
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  • 23.
  • 24.