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DQF What does that mean? For radio? (and tv)
Live Programmes Production Planning, Clocks and RAJAR
The team & jobs Producer Presenter (or presenters) Technical Operator (Studio Manager) Content producer  Research Recorded Features Online Content Planning Scripts Creative ideas Show format
Studio Manager / Technical Operator  Jobs
Producer jobs
Production Planning Allocate Roles & Responsibilities Set Deadlines Maintain and submit a log of activity Meet often Write and submit a programme treatment / concept Have a plan Know what your programme is about
Programme Content Consider: Team skills / resources The audience Time slot OFCOM codes Content: Live / Pre-rec Interviews Packages Reviews Sketches OB inserts What is your programme going to do?  Be ambitious Be creative
Running orders / ClocksPlanning Paper Running Order List items and timings / start times Scripts Cues / contacts/ ID numbers Links One thought Where’s the exit Programme Clock On paper and RCS
RCS clocks
RAJAR Reach The number who listen to a station in a defined period Share That stations share of local listening Hours How long the station is listened to, in total, individually = share
Building the hour Worry about the stuff between the music Menu and signpost Build towards key features Avoid clutter Flow and progression – everything makes sense Less is More Are you making me care? Are you involving me?
Producing
content Think outside the box Audience expectations  what are they talking about 	what matters to them What’s the best way to tell this story Make it make me listen  Don’t bore yourselves Don’t indulge in radio incest
Where do ideas come from? Read everything Watch everything Hang out with normal people (have a life outside radio)  Ask what the stories mean FOR YOUR LISTENER Be curious “You have to hit listeners over the head with what you’re doing…make your station sound different. I’ve always been able to figure out what people like, what’s going to catch on and be popular… stay ahead of the curve” Scott Shannon
Valerie Geller suggests Your Life Overheard/Observed News you’d talk about off-air “in each case find the Universal Angle… a common thread or dynamic that affects everyone. Often the details of a story are interesting only to the participants and are no-one else’s business. While the personal is universal, the private can be boring”
A day in the life…
develop 3 ideas for today Valerie Geller suggests: Grab a paper Go Online Press Releases

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Live programmes p1

  • 1. DQF What does that mean? For radio? (and tv)
  • 2. Live Programmes Production Planning, Clocks and RAJAR
  • 3. The team & jobs Producer Presenter (or presenters) Technical Operator (Studio Manager) Content producer Research Recorded Features Online Content Planning Scripts Creative ideas Show format
  • 4. Studio Manager / Technical Operator Jobs
  • 6. Production Planning Allocate Roles & Responsibilities Set Deadlines Maintain and submit a log of activity Meet often Write and submit a programme treatment / concept Have a plan Know what your programme is about
  • 7. Programme Content Consider: Team skills / resources The audience Time slot OFCOM codes Content: Live / Pre-rec Interviews Packages Reviews Sketches OB inserts What is your programme going to do? Be ambitious Be creative
  • 8. Running orders / ClocksPlanning Paper Running Order List items and timings / start times Scripts Cues / contacts/ ID numbers Links One thought Where’s the exit Programme Clock On paper and RCS
  • 9.
  • 11. RAJAR Reach The number who listen to a station in a defined period Share That stations share of local listening Hours How long the station is listened to, in total, individually = share
  • 12. Building the hour Worry about the stuff between the music Menu and signpost Build towards key features Avoid clutter Flow and progression – everything makes sense Less is More Are you making me care? Are you involving me?
  • 14. content Think outside the box Audience expectations what are they talking about what matters to them What’s the best way to tell this story Make it make me listen Don’t bore yourselves Don’t indulge in radio incest
  • 15. Where do ideas come from? Read everything Watch everything Hang out with normal people (have a life outside radio) Ask what the stories mean FOR YOUR LISTENER Be curious “You have to hit listeners over the head with what you’re doing…make your station sound different. I’ve always been able to figure out what people like, what’s going to catch on and be popular… stay ahead of the curve” Scott Shannon
  • 16. Valerie Geller suggests Your Life Overheard/Observed News you’d talk about off-air “in each case find the Universal Angle… a common thread or dynamic that affects everyone. Often the details of a story are interesting only to the participants and are no-one else’s business. While the personal is universal, the private can be boring”
  • 17. A day in the life…
  • 18. develop 3 ideas for today Valerie Geller suggests: Grab a paper Go Online Press Releases