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Post 3 – History & genre 
By Jonathan Wade
• The six genres are: expositional mode, observational 
mode, participatory mode, reflexive mode, poetic mode 
and performative mode. 
Genre
• John Grierson was the creator of the expositional mode, 
this is where the information concentrates on social 
propaganda to persuade. There is a running narrative to 
share a view through the ‘voice of God’. The argument is 
rhetorical which has supporting evidence and we 
understand what we see as fact. 
Genre: Expositional mode 
John 
Grierson
• This mode allows actors to act freely with the recorder 
recording without interaction. We watch it as a fly on the 
wall documentary as we watch the actors in natural 
conditions without any editing. 
Genre: Observational 
Mode
• In these documentaries there is clear interaction between 
the film maker and the actor, they often make 
contributions to the subject matter such as questions for 
the actors. 
Genre: The participatory 
mode
• The individuals know that they are being filmed for a 
documentary and there is sound and music. There is also 
narrative whilst there is a large amount of attention to the 
filming process for example Nick Broomfield. 
Nick 
Broomfield 
Genre: The reflexive mode
• There is little focus on narrative and the truth is hidden 
for the audience to judge. There is a subjective 
representation of reality where there is a lack of character 
development and the audience can draw their own 
conclusions. 
Genre: Poetic Mode
• The documentary is personal to the film maker and there 
is a have importance on subjective experiences as well as 
emotional responses. They are free to be unconventional 
but ideas are often presented as part of a context or in an 
autobiographical nature. 
Genre: Performative 
mode
• In 1895 The Lumière brothers became recognised as the 
first people to create a non fictional film.These contained 
single shot moments, known as actualities. 
• John Grierson first used the word documentary to 
describe Nanook of the North ( 1922 ). Robert Flaherty 
directed this cleverly as he manipulated his film to what 
the audience would see as the truth, when in fact most of 
the film was staged. 
History
• In 1935 Triumph of the will was released, it used advanced 
camera movements and was the first political propaganda 
documentary 
• A major development came in the 1950’s-60’s where direct 
cinema started. They aimed to present social and political 
issues, they were shown exactly how they are without 
intervention from the film maker. 
• At the same time as direct cinema France started a new genre 
of cinema verite ( cinema truth ). This is when the viewer gets 
the sense that they are given a direct view of what is actually 
happening. Using these techniques the genre of mockumentary 
was created, this is where we are tricked into thinking the 
footage is real. 
History
• The theory was put forward by Steven Barnett, he 
suggested that documentary's are adapted to achieve high 
ratings rather than to be serious and factual. 
Documentaries are said to be “dumbed” down so they are 
amusing for the audiences, they are cheap and no longer 
deem quality as the main objective. 
Disneyfication

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Post 3

  • 1. Post 3 – History & genre By Jonathan Wade
  • 2. • The six genres are: expositional mode, observational mode, participatory mode, reflexive mode, poetic mode and performative mode. Genre
  • 3. • John Grierson was the creator of the expositional mode, this is where the information concentrates on social propaganda to persuade. There is a running narrative to share a view through the ‘voice of God’. The argument is rhetorical which has supporting evidence and we understand what we see as fact. Genre: Expositional mode John Grierson
  • 4. • This mode allows actors to act freely with the recorder recording without interaction. We watch it as a fly on the wall documentary as we watch the actors in natural conditions without any editing. Genre: Observational Mode
  • 5. • In these documentaries there is clear interaction between the film maker and the actor, they often make contributions to the subject matter such as questions for the actors. Genre: The participatory mode
  • 6. • The individuals know that they are being filmed for a documentary and there is sound and music. There is also narrative whilst there is a large amount of attention to the filming process for example Nick Broomfield. Nick Broomfield Genre: The reflexive mode
  • 7. • There is little focus on narrative and the truth is hidden for the audience to judge. There is a subjective representation of reality where there is a lack of character development and the audience can draw their own conclusions. Genre: Poetic Mode
  • 8. • The documentary is personal to the film maker and there is a have importance on subjective experiences as well as emotional responses. They are free to be unconventional but ideas are often presented as part of a context or in an autobiographical nature. Genre: Performative mode
  • 9. • In 1895 The Lumière brothers became recognised as the first people to create a non fictional film.These contained single shot moments, known as actualities. • John Grierson first used the word documentary to describe Nanook of the North ( 1922 ). Robert Flaherty directed this cleverly as he manipulated his film to what the audience would see as the truth, when in fact most of the film was staged. History
  • 10. • In 1935 Triumph of the will was released, it used advanced camera movements and was the first political propaganda documentary • A major development came in the 1950’s-60’s where direct cinema started. They aimed to present social and political issues, they were shown exactly how they are without intervention from the film maker. • At the same time as direct cinema France started a new genre of cinema verite ( cinema truth ). This is when the viewer gets the sense that they are given a direct view of what is actually happening. Using these techniques the genre of mockumentary was created, this is where we are tricked into thinking the footage is real. History
  • 11. • The theory was put forward by Steven Barnett, he suggested that documentary's are adapted to achieve high ratings rather than to be serious and factual. Documentaries are said to be “dumbed” down so they are amusing for the audiences, they are cheap and no longer deem quality as the main objective. Disneyfication