Villa shodhan
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Villa shodhan
- 2. Slides Presented By Sumaiya Islam ID : 152081002 Semester : 3rd Batch : 8th Course name : Design Theory Course code : ARCH 236 Department : Architecture Slides Submitted To Arch Mehereen Hossain Lecturer Submission Date : 21st March , 2017
- 3. About the Architect Charles-Édouard Jeanneret, known as Le Corbusier Born in October 6, 1887 La Chaux-de-Fonds, Switzerland Died August 27, 1965 (aged 77) Roquebrune-Cap-Martin, France Was a Swiss-French architect, designer, painter, urban planner, writer, and one of the pioneers of what is now called modern architecture Le Corbusier did not have formal academic training as an architect. Le Corbusier began teaching himself by going to the library to read about architecture and philosophy, by visiting museums, by sketching buildings, and by constructing them LE CORBUSIER
- 4. Philosophy 5 Points of Archtecture Free floor plan Pilotis Free facade Single long window Terrace garden
- 5. 5 points of modern architecture He made a principle of 5 points of the modern architecture.They are- the PilotisThe building is raised up on reinforced concrete pylons, which allows for free circulation on the ground level, and eliminates dark and damp parts of the house. The RoofTerraceThe sloping roof is replaced by a flat roof; the roof can be used as a garden, for promenades. sports or a swimming pool. The FreePlan Load-bearing walls are replaced by a steel or reinforced concrete columns, so the interior can be freely designed, and interior walls can put anywhere, or left out entirely. . The structure of the building is not visible from the outside. The RibbonWindowSince the walls do not support the house, the windows can run the entire length of the house, so all rooms can get equal light. The FreeFaçadeSince the building is supported by columns in the interior, the façade can be much lighter and more open, or made entirely of glass. There is no need for lintels or other structure around the windows.
- 6. Use of ramp Use of moduler Use of pure geometric forms
- 7. Use of golden ratio
- 8. Use of Four Composititions
- 9. Early life buidings of Le Corbusier Le Corbusier's student project, The Villa Fallet, a chalet in La Chaux-de- Fonds, Switzerland (1905) The Villa Favre-Jacot in Le Locle Switzerland (1912)
- 10. Le Corbusier’s Buildings Villa Savoye, Poissy Notre Dame du Haut, RonchampUnité d'habitation, Marseille Villa La Roche, Paris
- 11. Buildings in Chandigarh, India Palace of Assembly (Chandigarh), Palace of justice
- 13. About Shodhan House • Alternative names Shodhan House • Type of Function Villa • Construction started 1951 • Completed1956 • Size (16X6X13)Meters • Client Surottam Hutheesing (original) Shyamu Shodhan (later) • Owner Shodhan family • Design and construction (Architect) Le Corbusier
- 14. Location • Address Near Gandhigram railway station, Ellisbridge, Kharawala Road, capital of the Indian state of Gujerat and center of the textile industry of India . • Coordinates 23°01′31″N 72°34′03″E
- 15. Background story In the 1950s, when Le Corbusier came to India at Jawaharlal Nehru’s insistence, he met Surottam Hutheesing, a leader of mill owners of Ahmedabad. In 1952, when he visited the city, leading industrialist and former mayor Chinubhai Chimanbhai commissioned him to design the Mill Owners’ Building and work on four other commissions in consultation with Hutheesing and Kasturbhai Lalbhai, the other textile barons who were important decision-makers of the city back then, Just when the construction plans were completed Mr. Hutheesing there upon sold them to Mr. Shodhan, who owned another plot and desired to start construction immediately. As luck would have it, Le Corbusier's Indian projects are always dictated a priori by the Indians. The transfer of this house to a new plot was therefore a
- 16. Site had curved mounds, irregular terrain. Site faced south-east direction There were no water bodies near the site though a pool was dug later Site context N
- 17. N •According to placing of house, house faces north east •There is a pool in east direction •House placed diagonally, making 3 quarters of it visible at once •The house is surrounded by gardens.
- 18. Thus suncutters also acts as wind catchers in southwest direction Cold northern winds are blocked by smaller windows. SW winds all year round
- 19. Site Considerations Indian Culture Client’s way of life Climate The house had to respond to varying Indian climate. The client was very rich and wanted a house reflecting his flamboyant lifestyle India was in post colonisation phase, thus innovation was important.
- 20. Has three main seasons: summer, monsoon and winter Aside from the monsoon season it’s very dry. The weather is characterized by extreme hot and almost no rain from March to June. Monsoons sweep into Ahmedabad in mid July. During this time weather and climate is very humid.
- 22. concept Le Corbusier referred to the house as Shodhan update the Villa Savoye. This metamorphosis involves the emergence of a brise soleil and a parasol-like armor béton brut superimposed on the city of Ahmedabad, a lattice wall to the bread of watercress and a roof garden on toit. On a magic trick that, by juxtaposition of two new elements, a refined house gives the appearance of a warrior of concrete, however, suggests the presence of the former.
- 23. Entry The house is entered through north-west with entry marked by a cut-out in a blank wall and pronounced by a cantilevered porch. This leads to an arrival space defined by the walls and a freestanding ramp. Transversely placed ramp forms a barrier arresting the views into more intimate living spaces of the house. The bottleneck created at the confluence of horizontal and vertical circulation, at the commencement of ramp, further marks the threshold to family and dining areas, which extend naturally into gardens. Once the threshold is crossed, the volume transforms vertically with floor cut-outs linking two floors, spatially as well as visually.
- 24. Entry & Approach
- 25. Bubble diagram of Ground floor entry Entry hall wardrob e Stair & Ramp Living room toile t Dining room office Servant quarter varan da varan da kitchen varan da garage toil etpan try
- 26. Ground Floor Plan entry Entry hall ramp stair Living room varanda Dining room office Servant quarters garage toilet pantry kitchentoilet wardrobe column
- 27. Ground floor design On the ground floor was located the spacious entrance hall that shares space with a wardrobe Entering the house we find on the left the beginning of the ramp leading to the upper levels and to the right a room service and a toilet, to the front the space opens to a living room and a living room, both open to a Gallery that frames this body of the ground floor and that leads following its architectural route to a second body where the kitchen is located, the bedrooms for the service staff, a bathroom and a garage. Despite being mainly right angled, sanitary areas have curved walls to break monotony and deflect movement. Bare minimum walls (free plan) Curved wall
- 28. BUBBLE DIAGRAM OF 1ST FLOOR PLAN ramp library bedroom bathroom stair stair
- 30. 1st Floor • The ramp leads to the first level above where in front of this is a curious guest room with private bathroom and dressing room. • At the side of the ramp and like lung of light and breeze of the plant we have the great hollow on which balconea great part of the house. • Another smaller gap faces the first separated by a study-room. • The façade openings continue on this level as do the numerous porches and open spaces.
- 31. Bubble diagram of 2nd floor Ramp Bedroom Bath room Bedroom Terrace Up stair st ai r stair gallery stair void
- 32. 2nd floor plan 7 3 4 5 6 Private area Public area bedroom bedroom Terrace bathroom void gallery ramp
- 33. 2nd Floor plan • In it was arranged the large private room, consisting of a large bedroom, a smaller one, a bathroom, numerous galleries with plants, open spaces, verandas and the ramp that follows its route started on the ground floor. • The gallery can be accessable only by 1st floor with a stair. • The bedrooms have also stairs to go up.
- 35. 4th Floor Plan
- 36. Third and fourth floors • The ramp continues to a third and fourth level, where open spaces continue to allow light and air to enter the building and offer wide covered terraces with numerous openings to the façade where you can see the pilotis structure. In the fourth level a water tank has been placed.
- 37. Roof form Oval apertures are cut in the roof. When viewed from below, they mislead about cubical form of house, and act as lens to sky Roof supported on recessed columns and thus appears floating. A terrace garden at top to provide insulation. Roof is a parasol( inspired from de stilj movement)
- 38. The rooms are arranged on several levels, which make up the three floors, separated and at the same time in contact with each other. At ground level, Le Corbusier applied the "optimum pavement" Modulor The garden terrace, with its triple height, a scalar mechanism that magnifies the house, giving it almost monumental proportions ... Apart from the private spaces such as bedrooms, whole place acts as transition area, because client wanted a place where he could entertain guests. Ramps and staircase are designed in such a way so that they culminate towards certain viewpoints.
- 39. rampsInterlinking of levels Double heighted rooms Inference: The levels are layered spatially and horizontally, with help of terraces, double heights, etc to create interesting spaces and connect to nature, while maintaing privacy.
- 40. spaces 1st floor bedroom bathroom 2nd floor bedroom 3rd floor gallery
- 42. Interior Spaces We can see how levels, terraces are juxtaposed to define spaces. Human figure 4th floor
- 43. Interior Spaces Low heighted washrooms Use of Contrastive colors Against concrete wall
- 46. light • Choreographed movement through light, from the cave-like entrance horizontally through the double height, multicoloured kaleidoscopic living room, out onto the oblong pool and the undulating lawns ; or vertically through a dark criss-crossing ramp that opens into a series of cascading terraces underneath a pierced parasol through which you can see the sky.
- 47. light • Due to the absence of interior partitions, Le Corbusier was able to bring natural light to certain spaces as an architectural element that together with the warm breeze of India created a tactile and changing environment that maintains a strong connection with nature
- 48. Shade and Shading devices • Living quarters of the house are sheltered under an umbrella-like free standing roof parasol. A fitting device for the hot-dry climate where shade is essential during daytime and the outdoor is pleasant in the evening • The suncutters or brise soleil also works as shading device. Parasol roof Main roof Sun Cutter
- 50. Openings in NorthWest Elevation
- 51. Openings in SouthWest Elevation
- 52. Perspective view
- 53. Structure Independent structure of concrete, foundations pilotis Cut off roofs with visible pillers Structurally simplistic Ramps to upper floor Overall frame of the building is in raw concrete, with clear markings of the wooden formwork. Standard sheet metal is added to the underside of the interior ceilings and a protective parasol is used as the roof Recessed columns to hold roof
- 54. Material On site cast concrete Wooden formwork Stone flooring Raw Concrete as frame
- 55. Building Geometry • Substractive form • Cubical form • Solid & Void
- 56. Exterior form • The house is derived from basic cube. • Volumes are sculpted out of it on basis of modular scale • Due to dimensions of brises soleil, house almost attains monumental scale
- 57. Design Influences The house comprised of several of the themes of Le Corbusier’s previous works and is a synthesis of previous ideas played at a higher pitch. Villa Baizeau(cut off roof,visible pillars)
- 58. design influences of villa shodhan Villa Savoye,(Ramps to upper floor)
- 59. Design influences • There are also influences from he DE STIJL movement and Rietveld Schroder House • There are windows inspired by mondrain squares
- 60. DESIGN PRINCIPLES OF SHODHAN HOUSE • Dom-Ino skeleton design • Interlocking cascades
- 65. Critical Analysis • There is an interesting play of light and shadows • Interior façade is revealed but not overlapping of spaces • All independent elements act in harmony to create overall view • House was called refined version of villa savoye as it accepted nature beautifully • The house gives a sculptural feeling.