1. Musical works in computer games Anne Sophie Schrøder Legal Consultant at KODA 30 September 2010

3. Copying

4. Public performanceSame type of rightsonline/off line – theyare just mixed in new ways online

5. What kind of licenses? Synchronisation NCB or the rightsholder Copying NCB Public performance KODA

7. Theybecomemembers of NCB as well and transfer the management of theirmechanicalrigthts to NCB

10. The musicneeds to becomposed for the computer game

11. It only covers use in

12. Electronical games

13. Teasers for such games

14. Freeringtonesused as promotion for the games

16. Synchronisation

17. Copying

18. Public performance

19. Regardless of wheter the use is online or offline

20. All territories in the world

22. So far KODA has no intention of terminating the project

23. Difficult and expensive to administerwithin the existing systems

24. Limitedamount of moneyconnected to thisarea