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The Hero Cycle
I m p o r t a n t Background
The Plot of Stories ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Carl Jung ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Just as the human body shows a  common anatomy  over and above  all racial differences , so, too, the human psyche possesses a  common substratum  transcending all differences in  culture  and  consciousness .
I have called this substratum the  collective unconscious , … [which] is … the brain structure  irrespective of all racial differences .
Just as everyone has two arms and two legs, so too does everyone share  common ideas  for stories and the characters who populate the tales.
Joseph Campbell ,[object Object],[object Object],[object Object],[object Object]
 
First Major Section of the Cycle Departure
Stage 1: Call to Adventure ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
 
The call [is] a … moment, of  spiritual passage , which, when complete, amounts to  a dying and birth . The familiar life horizon has been outgrown; the old concepts, ideals, and emotional patterns  no longer fit ; the time for the  passing of a threshold  is at hand. Campbell says this about the  call to adventure :
Remember Gandalf from  The Lord of the Rings,  who called first Bilbo and then Frodo?
Stage 2: Refusal of the Call ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
The  refusal  is essentially a refusal to  give up  what one takes to be  one’s own interest . Campbell says this about the  refusal of the call :
What?   You want me to  leave  and give up  all this?
Do you want your life to be this,  a wasteland of dry stones?
…  Or do you want your life to be this, a flowering world?
Stage 3: Super-natural Aid ,[object Object],[object Object],[object Object]
For those who have  not  refused the call, the  first encounter  … is with a  protective figure  … who provides the adventurer with  amulets  against the  dragon forces  he is about to pass. Campbell says this about  supernatural aid :
Stage 4: Crossing of the First Threshold Threshold Great Unknown Sphere of Knowledge I am so  out of  here!
The hero goes forward in his adventure until he comes to … the  entrance zone of magnified power.   Beyond … is  darkness , the  unknown , and  danger . Campbell says this about the  crossing of the first threshold :
Campbell says, “The hero … is swallowed into the unknown, and would appear to have died.”
Stage 5: The Belly of the Whale ,[object Object],[object Object],[object Object]
Second Major Section of the Cycle Initiation
Stage 6: The Road of Trials ,[object Object],[object Object],[object Object]
Once having traversed the threshold, the hero … must  survive  a succession of  trials . Campbell says this about the  road of trials :
Stage 7:  Meeting with  the Goddess ,[object Object],[object Object],[object Object]
[The goddess] is the incarnation of the  promise  of  perfection  ….  She … guides [the hero] to  burst his fetters . Campbell says this about the  meeting with the goddess :
Stage 8: Woman as Temptress ,[object Object],[object Object],[object Object]
Not even monastery walls, … not even the remoteness of the desert, can defend against  female presences ; for as long as the [hero’s] flesh clings to his bones and pulses warm, the  images of life  are alert to  storm  his  mind . Campbell says this about the  woman as temptress :
Woman as Temptress: Sirens
Stage 9: Atonement with the Father ,[object Object],[object Object],[object Object],[object Object]
There is a new element of  rivalry  in the picture: the  son  against the  father  for  mastery  of the  universe . Campbell says this about the  atonement with the father :
Eventually, Luke realizes that his father and he share the same potential to be evil.
apotheosis   n.  Exaltation to divine rank or stature; deification; Stage 10
Stage 11: The Ultimate Boon ,[object Object],[object Object],[object Object]
The  ease  with which the adventure is here  accomplished  signifies that the hero is a  superior man , a  born king . Where the usual hero would face a test, the  elect  encounters  no delaying obstacle  and  makes no mistake . Campbell says this about  the ultimate boon :
Third Major Section of the Cycle R e t u r n
The hero-quest requires that the hero  return . The responsibility has been  frequently refused . Campbell says this about Stage 12, the  refusal of the return :
What?   Leave all of  this fun?
The  final stage  of [the hero’s] adventure is  supported  by all the powers of his supernatural patron … or  complicated  by … magical obstruction. Campbell says this about Stage 13,  magical flight :
Magical Flight:   Helped or Hindered by Supernatural Powers
The world may have to  come and get him . Society is jealous of those who  remain away from it , and will come knocking at the door. Campbell says this about Stage 14,  rescue from without :
Stage 15: The Crossing of the Return Threshold Old Sphere of Knowledge The Now  Known  Unknown Hero’s Reentrance I’m  back!
He [must] re-enter … where men who are  fractions  imagine themselves to be  complete . Campbell says this about  crossing the return threshold :
Freedom to pass  back  and  forth  across the world division … is the  talent  of the  master . Campbell says this about Stage 16,  freedom to live :
Master of the Two Worlds Old Sphere of Knowledge The Now  Known  Unknown The Hero-Now-Master Wherever ,  whenever , I am  free  to  act!
Powerful in  insight , calm and free in  action , … the hero is the conscious vehicle of the terrible, wonderful Law of the Universe, whether his work be that of  butcher ,  jockey , or  king . Campbell says this about Stage 17,   master of two worlds :
What You Need  to Know for the The Hero Cycle Exam Or Your   Road of Trials
Part 1, Day 1: Readings, Music,  and Film Clip ,[object Object],[object Object],[object Object],[object Object]
The End.

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Hero Cycle

  • 2. I m p o r t a n t Background
  • 3.
  • 4.
  • 5. Just as the human body shows a common anatomy over and above all racial differences , so, too, the human psyche possesses a common substratum transcending all differences in culture and consciousness .
  • 6. I have called this substratum the collective unconscious , … [which] is … the brain structure irrespective of all racial differences .
  • 7. Just as everyone has two arms and two legs, so too does everyone share common ideas for stories and the characters who populate the tales.
  • 8.
  • 9.  
  • 10. First Major Section of the Cycle Departure
  • 11.
  • 12.  
  • 13. The call [is] a … moment, of spiritual passage , which, when complete, amounts to a dying and birth . The familiar life horizon has been outgrown; the old concepts, ideals, and emotional patterns no longer fit ; the time for the passing of a threshold is at hand. Campbell says this about the call to adventure :
  • 14. Remember Gandalf from The Lord of the Rings, who called first Bilbo and then Frodo?
  • 15.
  • 16. The refusal is essentially a refusal to give up what one takes to be one’s own interest . Campbell says this about the refusal of the call :
  • 17. What? You want me to leave and give up all this?
  • 18. Do you want your life to be this, a wasteland of dry stones?
  • 19. … Or do you want your life to be this, a flowering world?
  • 20.
  • 21. For those who have not refused the call, the first encounter … is with a protective figure … who provides the adventurer with amulets against the dragon forces he is about to pass. Campbell says this about supernatural aid :
  • 22. Stage 4: Crossing of the First Threshold Threshold Great Unknown Sphere of Knowledge I am so out of here!
  • 23. The hero goes forward in his adventure until he comes to … the entrance zone of magnified power. Beyond … is darkness , the unknown , and danger . Campbell says this about the crossing of the first threshold :
  • 24. Campbell says, “The hero … is swallowed into the unknown, and would appear to have died.”
  • 25.
  • 26. Second Major Section of the Cycle Initiation
  • 27.
  • 28. Once having traversed the threshold, the hero … must survive a succession of trials . Campbell says this about the road of trials :
  • 29.
  • 30. [The goddess] is the incarnation of the promise of perfection …. She … guides [the hero] to burst his fetters . Campbell says this about the meeting with the goddess :
  • 31.
  • 32. Not even monastery walls, … not even the remoteness of the desert, can defend against female presences ; for as long as the [hero’s] flesh clings to his bones and pulses warm, the images of life are alert to storm his mind . Campbell says this about the woman as temptress :
  • 34.
  • 35. There is a new element of rivalry in the picture: the son against the father for mastery of the universe . Campbell says this about the atonement with the father :
  • 36. Eventually, Luke realizes that his father and he share the same potential to be evil.
  • 37. apotheosis n. Exaltation to divine rank or stature; deification; Stage 10
  • 38.
  • 39. The ease with which the adventure is here accomplished signifies that the hero is a superior man , a born king . Where the usual hero would face a test, the elect encounters no delaying obstacle and makes no mistake . Campbell says this about the ultimate boon :
  • 40. Third Major Section of the Cycle R e t u r n
  • 41. The hero-quest requires that the hero return . The responsibility has been frequently refused . Campbell says this about Stage 12, the refusal of the return :
  • 42. What? Leave all of this fun?
  • 43. The final stage of [the hero’s] adventure is supported by all the powers of his supernatural patron … or complicated by … magical obstruction. Campbell says this about Stage 13, magical flight :
  • 44. Magical Flight: Helped or Hindered by Supernatural Powers
  • 45. The world may have to come and get him . Society is jealous of those who remain away from it , and will come knocking at the door. Campbell says this about Stage 14, rescue from without :
  • 46. Stage 15: The Crossing of the Return Threshold Old Sphere of Knowledge The Now Known Unknown Hero’s Reentrance I’m back!
  • 47. He [must] re-enter … where men who are fractions imagine themselves to be complete . Campbell says this about crossing the return threshold :
  • 48. Freedom to pass back and forth across the world division … is the talent of the master . Campbell says this about Stage 16, freedom to live :
  • 49. Master of the Two Worlds Old Sphere of Knowledge The Now Known Unknown The Hero-Now-Master Wherever , whenever , I am free to act!
  • 50. Powerful in insight , calm and free in action , … the hero is the conscious vehicle of the terrible, wonderful Law of the Universe, whether his work be that of butcher , jockey , or king . Campbell says this about Stage 17, master of two worlds :
  • 51. What You Need to Know for the The Hero Cycle Exam Or Your Road of Trials
  • 52.

Notas do Editor

  1. http://www.bhagavad-gita.org/Images/jung.jpg Collective unconscious = a pool of inherited psychic residue accumulated since the beginning of the human race, an echo of the sum of experience accessible to all humans, that manifests itself through archetypes, or patterns of expression.
  2. Photo from http://www.purereason.org/images/jung.gif; quotation from “Jung on Mythology,” p. 63
  3. Picture from http://www.purereason.org/images/jung.gif; quotation from “Jung on Mythology,” p. 63
  4. Picture from http://www.garyflegal.com/UniversalMan.jpg
  5. Photo from http://www.jcf.org/jcbio1.htm
  6. Photo from http://www.amra.pl/star/20.jpg
  7. Picture from http://www.mythsdreamssymbols.com/images/joe.gif; quotation from “The Hero with a Thousand Faces,” p. 51
  8. http://img-fan.theonering.net/rolozo/images/howe/gandalf.jpg
  9. Quotation from “The Hero with a Thousand Faces,” p. 59
  10. Picture from http://www.mythsdreamssymbols.com/images/joe.gif; quotation from “The Hero with a Thousand Faces,” p. 60
  11. Photo from http://www.clipart.com
  12. Photos from http://www.clipart.com
  13. Picture from http://www.uh.edu/engines/romanticism/barque-dante.jpg [ Eugene Delacroix, “ The Barque of Dante,” 1822 (150 Kb); oil on canvas, 189 x 242 cm (74 1/2 x 95 1/4"); Musee du Louvre, Paris]
  14. Picture from http://www.mythsdreamssymbols.com/images/joe.gif; quotation from “The Hero with a Thousand Faces,” p. 69
  15. Picture from http://www.mythsdreamssymbols.com/images/joe.gif; quotation from “The Hero with a Thousand Faces,” p. 77
  16. Picture from http://www.forgottenoh.com/Drains/gates2.jpg; quotation from “The Hero with a Thousand Faces,” p. 90
  17. http://www.popularmechanics.com/science/research/2001/11/science_solves_more_mysteries/images/lg_Jonah.jpg
  18. Boris Vallejo, “Flying Serpent,” at http://www.borisjulie.com/details.cfm?Id=604
  19. p. 97
  20. Picture from http://www.tigtail.org/TVM/X2/c.PImpressionism/moreau/M/moreau_hesiod+his_muse.1891.jpg
  21. p. 111, 116
  22. Picture from http://www.artrenewal.org/images/artists/b/Bouguereau_William/large/Naissance_de_Venus.jpg
  23. p. 125
  24. Herbert James Draper, Odysseus and the Sirens , 1909, now at the Ferens Art Gallery, Hull. Picture from The Trojan War: An Illustrated Companion , at http://www.calliope.free-online.co.uk/odyssey/pic99.htm http://www.praeraffaeliten.de/bilder/Draper-Ulysses-and-Sirens.jpg
  25. Picture from http://scholar.uwinnipeg.ca/courses/38/4500.6-001/Cosmology/time-goya-painting.gif
  26. p. 136
  27. http://movieweb.com/movie/starwars/coe.jpg
  28. p.39 The American Heritage Dictionary
  29. http://www.utexas.edu/courses/larrymyth/images/jason/GG-Jason-Dragon-Rosa.jpg
  30. p. 173
  31. p. 193
  32. Boris Vallejo, “The Basilisk, from http://www.imaginistix.com/details.cfm?Id=647
  33. p. 197
  34. Boris Vallejo, “Alien Visitor,” from http://www.imaginistix.com/details.cfm?Id=769
  35. p. 207
  36. p. 216
  37. p. 229
  38. p. 239