Rembrandt vertelt verhalen voor oud personeel ing op 17-11-2015
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Lezing in Beverwijk over Rembrand als verteller van verhalen in zijn prenten: Ecce Homo, Honderdguldenprent, De verkondiging aan de herders. Aandacht ook voor de handel in grafiek van Rembrandt en de prijzen op de veilingen.
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Rembrandt vertelt verhalen voor oud personeel ing op 17-11-2015
- 1. ARTETCETERA.
- 2. Rembrandt vertelt verhalen Kijken als ‘slow food’
- 3. Rembrandt Waar denkt u aan?
- 11. Rembrandt,
- 13. Rembrandt,
- 14. AbrahamB
- 19. Aldus maalt Rembrants naaldt den zoone Gods na ’t leven; En stelt hem midden in een drom van zieke liên: Op dat de Werelt zouw na zestien Eeuwen zien, De wond’ren die hij an haar allen heeft bedreeven.
- 20. Mattheus 19 Verschillende scènes uit dit Evangelie Laat de kindertjes tot mij komen Genezing van de zieken Spot van de schriftgeleerden De rijke jongeling
- 35. Verkondiging aan de herders - Lukas 2 En daar waren herders in diezelfde streek, die zich ophielden in het open veld en 's nachts de wacht hielden over hun kudde. En zie, een engel van de Heere stond bij hen en de heerlijkheid van de Heere omscheen hen en zij werden zeer bevreesd. En van stonde aan was daar met de Engel eene menigte des hemelschen heirlegers, prijzende God … Eere zij God … en vrede op aarde.
- 41. Rembrandt, Ziet hier de mens, 1655 droge naald
- 46. AbrahamB
- 47. AbrahamB
- 50. Het jachtseizoen is geopend: Rembrandt op de najaarsveilingen
- 57. Rembrandt,Driehoofdenvanvrouwen:één slapend,1637,ets € 600-800 € 1.000-1.500
- 62. ARTETCETERA. Het e-book Rembrandt De Etser en deze Powerpoint kunt u gratis downloaden van de website van Artetcetera Alleen deze week! www.artetcetera.nl | info@artetcetera.nl
Notas do Editor
- De verkondiging aan de herders Maker: Vervaardiger: Saftleven, Cornelis Verv.jaar: 1650 Techniek: olieverf op paneel Object: schilderij Afmeting: hoogte: 75 cm; breedte: 108 cm; diepte: 5,5 cm; hoogte: 102 cm; breedte: 134,5 cm Bron: SK-A-801 (schilderij, olieverf op paneel), Schilderijencollectie Rijksmuseum
- The Latin title 'Ecce Homo' is taken from the Bible, and means 'Behold the man!' These words were said by Pontius Pilate during the trial of Jesus, as it is told in the Gospel of Saint John (19: 5). Pilate presents Christ to the people, who, urged on by their priests, demand his execution, insisting that they have no king but Caesar. In the painting the clock is at the sixth hour. The bust is that of Caesar and represents the Roman state. The priests, who press the staff of judgement upon Pilate, are caricatured by Rembrandt as wholly despicable characters. This monochrome work is called a 'grisaille'. It is the preparatory study for an etching made by Rembrandt in 1635. The grisaille was laid onto the etching plate and the design transferred with a stylus. It is the only known example of a full-scale preparatory study for an etching. Rembrandt, who is the most famous Dutch painter of the 17th century, was also a prolific and accomplished printmaker. His prints were widely collected and occasionally sold for higher prices than some of his paintings.
- 63/5960 Rembrandt van Rijn (1606-1669). Landscape with sportsman and dogs ('Het jagertje'). Etching with drypoint, ±1648, 12,8x15,4 cm. - Good impression w. some burr, on laid paper without watermark; trimmed on/ within the platemark (touching the image at the right side); sm. repaired tear in right margin; sm. stain in sky region; verso w. remnants of paper from former mounting; vague unidentified collector's stamp on verso. = Rare. New Hollstein 245, 2nd state (of 2); White/ Boon 211. SEE ILLUSTRATION PLATE CXVI. 5960Rembrandt van Rijn (1606-1669). Landscape with sportsman and dogs ('Het jagertje'). Etching with drypoint, ±1648, 12,8x15,4 cm. - Good impression w. some burr, on laid paper without watermark; trimmed on/ within the platemark (touching the image at the right side); sm. repaired tear in right margin; sm. stain in sky region; verso w. remnants of paper from former mounting; vague unidentified collector's stamp on verso., € 8000-10000 = Rare. New Hollstein 245, 2nd state (of 2); White/ Boon 211. SEE ILLUSTRATION PLATE CXVI.
- Rembrandt van Rijn (1606-1669). Landscape with sportsman and dogs ('Het jagertje'). Etching with drypoint, ±1648, 12,8x15,4 cm. - Good impression w. some burr, on laid paper without watermark; trimmed on/ within the platemark (touching the image at the right side); sm. repaired tear in right margin; sm. stain in sky region; verso w. remnants of paper from former mounting; vague unidentified collector's stamp on verso., € 8000-10000 = Rare. New Hollstein 245, 2nd state (of 2); White/ Boon 211. SEE ILLUSTRATION PLATE CXVI.
- 63/5961 Rembrandt van Rijn (1606-1669). Peasant family on the tramp. Etching, 10,8x9,2 cm., printed on 18th cent. paper. - Lower margin trimmed to within plate-mark; tiny closed tear in blank margin; sl. yellowed; mounting tape along margins on verso; without watermark. = New Hollstein 266, the 2nd state (of 3). SEE ILLUSTRATION PLATE CXVI.
- 63/5970 Rembrandt van Rijn (1606-1669). Three heads of women: one asleep. Engraving, 13,9x9,6 cm., "Rembrandt f 1637" in the plate. - Trimmed on/ just within the platemark; blank upper and lower left corner restored; tiny closed hole in blank left margin; a few sm. foxed dots; sl. yellowed; mounting tape along margins on verso. = New Hollstein 161, 2nd state of 3; White/ Boon 368. SEE ILLUSTRATION PLATE CXVIII. 600-800 63/5969 Rembrandt van Rijn (1606-1669). Three heads of women: one asleep. Engraving, 14,3x9,7 cm., "Rembrandt f 1637" in the plate, under passepartout. - Trimmed just outside the platemark; browned from former passepartout; rusty spot in top right margin; foxed spot on left edge. = New Hollstein 161, the first state (of 3), impression with some worn sections (later reworked by another hand); White/ Boon 368. With collector's marks of Ludwig Puttrich (1783-1856) (Lugt 2064) and F.C.Th. Isendoorn à Blois, with "W/C" of artdealers Wolff/ Cohen (Lugt 2610) on verso. SEE ILLUSTRATION PLATE CXVIII. 1000-1500