Interieurs in de kunst: een geschiedenis van het wonen tot 1900. Renaissance en 16de eeuw
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Cursus van Artetcetera over de geschiedenis van het wonen tot circa 1900. Bijeenkomst 3 op 15 oktober. Italië (renaissance) en Noordwest Europa (16de eeuw) door Michiel Kersten in D'Evelaer in Heemskerk.
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Interieurs in de kunst: een geschiedenis van het wonen tot 1900. Renaissance en 16de eeuw
- 1. Het woonhuis: een geschiedenis van het wonen tot 1900 Bijeenkomst 3: Renaissance en 16de eeuw Wat er vooraf ging: een terugblik naar de Middeleeuwen
- 12. Erasmus 1626 In 1526 schreef Erasmus over de badhuizen: “vijfentwintig jaar geleden, was niets meer modieus in Brabant dan een openbaar badgebouw. Vandaag is daar niets meer van over. De nieuwe plaag heeft ons geleerd de badhuizen te vermijden.” Nieuwe plaag = syfilis
- 14. Italië: interieurs uit de Renaisance Vijftiende en zestiende eeuw
- 15. Italië: interieurs uit de Renaisance Het appartement: een wandeling door een huis in Italië
- 16. Het appartement A. Slaapkamer B. Antekamer C. Ontvangstkamer D. Zaal (Sala) Palazzo Monteltro, Piazena, 1460
- 17. Het appartement A. Camera Grande B. Sala C. Anticamera D. Scriterio B2. Diero Camera C2. Camerino Palazzo Medici Stadshuis midden 16de eeuw
- 51. Cassone
- 52. Cassone
Notas do Editor
- The banquet by Albrecht Altdorfer - German, 16th century - People eating at tables under tents
- Robert Campin, The Werl Altarpiece, 1438
- The Annunciation" -- 1480-89 -- Hans Memling (Netherlandish, Seligenstadt, active by 1465–died 1494 Bruges) -- Oil on panel, transferred to canvas -- Metropolitan Museum of Art
- Detail: The Annunciation" -- 1480-89 -- Hans Memling (Netherlandish, Seligenstadt, active by 1465–died 1494 Bruges) -- Oil on panel, transferred to canvas -- Metropolitan Museum of Art
- January: Dinner Scene, Da Costa Hours, in Latin, Illuminated by Simon Bening Belgium, Bruges, ca. 1515
- January: Dinner Scene, Da Costa Hours, in Latin, Illuminated by Simon Bening Belgium, Bruges, ca. 1515
- 485 A servant assists Bathsheba from her bath. The scene depicted in the window frame is a 17th-century addition. It depicts David from a distance looking into Bathsheba’s window from the roof of his house. The original window scene portrays David peering in directly. Through the portal below one can see a depiction of Uriah’s death arranged by the adulterous King David. A centrally-planned element to the right of the portal bears sculptures of Moses and Abraham, representatives of the Law.
- January: Dinner Scene, Da Costa Hours, in Latin, Illuminated by Simon Bening Belgium, Bruges, ca. 1515
- January: Dinner Scene, Da Costa Hours, in Latin, Illuminated by Simon Bening Belgium, Bruges, ca. 1515
- Vittore Carpaccio (1460- 1526) Birth of mary 1504
- Vittore Carpaccio (1460- 1526) Birth of mary 1504
- Giovanni Antonio Sodoma, Monte Olivieto. Privat dinging room laid out for six. Hooks next to the door ready to receive a portiere. The bed chamber lies beyond. P. 312 Thornton
- Renaissance interior depicting the birth of the Virgin, by Vittore Carpaccio, 1502-1504. "In this sacred scene of The Birth of Mary we catch a glimpse of domestic life inside a typical Venetian palace. While wet nurses tend to the newborn Mary, a woman approaches new mother Anne with a traditional first meal in a majolica bowl: the porridge-like dish of biancomangiare."--Emiko Davies
- Vittore Carpaccio (1460- 1526) Birth of mary 1504
- Vittore Carpaccio (1460- 1526) Birth of mary 1504
- Vittore Carpaccio (1460- 1526) Birth of mary 1504
- Vittore Carpaccio (1460- 1526) Birth of mary 1504
- Vittore Carpaccio (1460- 1526) Birth of mary 1504
- Domenico Ghirlandaio, De heilige Hieronymus, in zijn studeervertrek. 1480 een Turks (Anatolisch) tapijt. Onbekend motief. Let op het brilletje
- Onbekende kunstenaar (1460- 1526) Birth of mary 1504. Tooled leather cushion. Cuir cisele. Bed-head has fina tarsie and the walls are frescoed. Bed chest provides a seat for an old lady.
- Vittore Carpaccio (1460- 1526) Birth of mary 1504
- Image above: Vittore Carpaccio, The Dream of St. Ursula, 1490–1495 (Gallerie dell’Accademia, Venice) During the Renaissance, buildings that could be recognized as forerunners to the modern home evolved, designed with glass-paned windows (albeit small panes of glass) separated by muntins, not the large expanses of glass we see in contemporary architecture today. Leaded casement windows remained in architectural style for centuries, and it is possible to see these reflected in paintings of the period. While glass let in light, it also permitted the voyeuristic stares of neighbors and strangers, and shutters and fabrics were used to conceal and reveal, but “curtain” design as we think of it today was still centuries away.
- PituricchioBirth of John the Baptis, Siena Chathedral. Tasseled fringe. Pillo red material. A woman is airing a napp over a brazier sit on a rush bottomed rustid chair. Note the occhi (red) in the window
- Pituricchio Birth of John the Baptis, Siena Chathedral. Tasseled fringe. Pillo red material. A woman is airing a napp over a brazier sit on a rush bottomed rustid chair. Note the occhi (red) in the window
- The decroative pillow, Monte di Giovanni ca. 1510. Pillow made for display at the foot of the bed. Still fashionable in England in the 18th century.
- Niccolo di Segna, The joys of married life. Palazzo Communal San Gimignano Toscan late 14th centrury??
- Paollo Ucello, Birth of the Virgin, Prato, Cathedral
- Paollo Ucello, Birth of the Virgin, Prato, Cathedral
- Bartolomeo Scappi. Opere Venice 1570.
- The folding chair as a throne. 1477 Sixtus IV by Melozzi da Forli.
- The folding chair as a throne. 1477 Sixtus IV by Melozzi da Forli.
- Chair, Sgabello Date: 16th century Classification: Woodwork-Furniture Credit Line: Robert Lehman Collection, 1975 Accession Number: 1975.1.1992
- Giuseppe Belli Portrait of Caspare de Albertis, Accademia Carrara Bergamo 1547
- St. Jerome in His Study is a painting by the Italian Renaissance master Antonello da Messina, thought to have been completed around 1460-1475. It is in the collection of the National Gallery, London. The picture was painted by Antonello during his Venetian sojourn, and was the property of Antonio Pasqualino. Stoel gaat terug op klassieke en romaanse prototype wellicht appeleerde dit aan de smaak van de geleerden.
- Fra Filippo Lippi, Annuctiatio. S. Maria Sopra Minerva, Rome ca. 1485-90
- Giovan Pietro da Gemmo, Annunctiatio S. Rocco Baolino, Lombardije, 1497
- Ugolino Ilario, Geboort van Maria, Orvieto Kathedraal,let op gordijnen rond het bed. De moeder krijgt maaltijd. Vrouwen zitten op kussen op de vloer. Laten veertiende eeuw.
- Giovan Pietro da Gemmo, Cana. Church van de Annunctiatie. Borno. Not zijn de schargen op driepoten trepedi. De V staat aan de voorzijde.
- Atri Cathedral. Derde kwart 15de eeuw. Fresco walls.
- Titian, Venus of Urbio. 1538
- Titian, Venus of Urbio. 1538
- Titian, Venus of Urbio. 1538
- Giovanni Boccati, Leven van de heilige S Savino, Orvieto Cathedral 1473. Circular table and a small credenze (cupboard type)
- Bartolomeo Scappi, Opere, Venitië, 1570
- Credenza, buffetkast midden 16de eeuw.
- Credenza, buffetkast midden 16de eeuw.
- Credenza, buffetkast midden 16de eeuw.
- Credenza, buffetkast midden 16de eeuw.
- Italiaans vouwstoel midden 16de eeuw.
- Marcello Fogoline, Banquet of King Christiaan of Denmark, Malpaga Castle bij Bergamo
- St Jerome in his Study by Ghirlandaio, (1480). It feels like a photo, with the saint looking towards us and through us, lost in meditation. I love the stationery, laid out in perfect order: glasses, ink wells, scissors, ruler. A rather... German atmosphere. The brocade table-cloth is pretty, too, and the intricate drapery of St. Jerome's habit. I sense the upper body of the model is out of proportion, though. Not a masterpiece, but a generally correct painting.
- Giovan Pietra da Gemmo, S. Rocco Gaolino, Lombardije, 1496
- Fra Angelico, predella van het St. Marcus Altar ca. 1442 Museo di San Marco
- January: Dinner Scene, Da Costa Hours, in Latin, Illuminated by Simon Bening Belgium, Bruges, ca. 1515
- Georg Flegel (Olmütz 1566-1638 Frankfurt am Main) and Workshop of Lucas van Valckenborch I (Leuven 1535/45-1597 Frankfurt am Main) A market stand selling pears, cherries, peas, leeks and lettuce, with two elegantly-dressed children, a view of a Frankfurt beyond oil on canvas 32 3/8 x 47 in. (82.2 x 119.4 cm.) www.christies.com..
- Circa 1500
- January: Dinner Scene, Da Costa Hours, in Latin, Illuminated by Simon Bening Belgium, Bruges, ca. 1515
- NEED this bed canopy. Dortmund, Petrikirche, altar, painted panels, #15, an angel appears to Anne, detail. Das Goldene Wunder, as the altar is called, measures 5.65x7.4m when fully opened, and contains 36 painted panels 36 sculptured panels, plus a number of painted panels on the ousides of the closed shutters. It was commissioned in 1521 from Jan Gilleszoon Wrage sculptor, and Adriaan van Overbeck, painter, of Antwerpen.
- 1600 smalll casket
- Joos van Cleve, 1480-1540 oos van Cleve ~ The Annunciation ~ ca. 1525 ~ Metropolitan Museum of Art ~ Gabriel and Mary are presented within an elaborately furnished interior that would have been familiar to sixteenth-century viewers. However, most of the objects, arranged unobtrusively within the room, carry symbolic meaning. Influenced by Italian art, Joos appropriated a new canon of beauty, a new repertory of rhetorical gesture, and a striking grace of movement in his figures.
- Liebeszauber', Oil on red beech, around 1470, 23.9 x 18 cm. Normally on display in the Museum der bildende Kunste, Leipzig, Germany.
- Portrait of the Merchant Georg Gisze,1532 | Hans Holbein the Younger (1497-1543) | Gemaldegalerie Berlin Germany
- an Massys - Beim Steuereintreiber - 1539
- A FLEMISH OAK DWARF CUPBOARD - MID 16TH CENTURY
- 1600 smalll casket
- 1600 smalll casket
- 1600 smalll casket
- 1600 smalll casket
- Stirrup hose! Late 15th century miniature with a French type strycsitten (bench). Missel de l 'abbaye de Montierneuf. Ms. Latin 873, F. 2 v. Bibiliotheque National, Paris, France.
- 1600 smalll casket
- 1600 smalll casket
- 508-10 Lucas van Leyden (Dutch artist, 1494-1533), Card Players.
- Scriptorium (16th century), Museo Lázaro Galdiano, Madrid, Spain
- 485 A servant assists Bathsheba from her bath. The scene depicted in the window frame is a 17th-century addition. It depicts David from a distance looking into Bathsheba’s window from the roof of his house. The original window scene portrays David peering in directly. Through the portal below one can see a depiction of Uriah’s death arranged by the adulterous King David. A centrally-planned element to the right of the portal bears sculptures of Moses and Abraham, representatives of the Law.
- "La nascita del Battista" di Pere Garcia de Benavarri, realizzata per la chiesa di san Giovanni a Lleida, ante 1483: è suggestivo l'ambiente, l'arredo, il pranzo portato alla puerpera (pane e burro, brodo, uova, pollo), la sontuosa coperta di velluto con motivo dorato "a griccia", le vesti delle donne (con verdugado); il pannolino teso ad asciugare sul fuoco, un cucchiaino per il bambino