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Using perspective to add depth




                                 Marsha R Devine
                                           2009
   Is a term used to describe           Is used when drawing the figure
    perspective.                          (or animals) when we rely more
                                          on observation & sighting, rather
                                          than constructed perspective.

                                         While foreshortening is an
                                          important element in linear
   When you foreshorten an object,       perspective, foreshortening
    you make one part appear closer       occurs in other types of two-
    to you than the other.                dimensional representations of
                                          three-dimensional scenes, such
                                          as ‘oblique parallel projection’
                                          drawings used in CAD.
Examples of various problems in
 perspective taken from actual drawings
 which have appeared in Marvel Comics.




Compare the thighs of the villain above. We know they are actually the same size, yet
in this foreshortened view the right thigh appears much shorter than the left. This is
because the angle points the leg almost directly at the viewer.
Note how the geometric version of the figure at right shows the perspective .
 Sit still and straight! Maintain your position,
as a gradual slouch of only an inch alter your
view and change the drawing.

 Keep your head parallel to the drawing
surface by using an easel, or standing over
the drawing surface to avoid ‘skewing’ your
drawing.

 Draw what you see, not what you think it
should look like. It may look strange at first,
but will look correct when the drawing is
completed.

 Observe part of the figure is hidden,
disappearing behind closer elements (the
horse's head, or the person's hand). Allow
your lines to reflect this.
                                                    The Lamentation over the Dead Christ
 Note that elements closer to you will seem                   c. 1490 Andrea Mantegna
proportionately larger than further away.

 Use line weight - something drawn boldly
and using contrast will 'jump' from the page.
by Sam Haskins
Use sighting techniques to
compare proportions and
angles of your object or
figure.

A ruler or pencil held at
arm’s length can be used
as a guide for the
comparisons.
Breaking the figure down into
                   geometric forms can help when
                   applying perspective to the form.




Consider how the subject of your drawing
would look in geometric form and then
use perspective to create the
foreshortening – as with the cylinder
above.
Drawing Made Easy
http://learn-how-to-draw-now.com/Foreshortening-Part-1.html

Perspective Applied to the Figure
http://drawinglab.evansville.edu/foreshortening.html

Web Gallery of Art
http://www.wga.hu/frames-e.html?/html/m/mantegna/2/dead_chr.html

Fantasy Art School
http://www.stormthecastle.com/fantasyartschool/artlessons/lesson4.htm

Figure Drawing
http://figure-drawings.blogspot.com/2008/12/foreshortening.html

Sighting
http://scitech.stisd.net/chet.mink/sighting.htm

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Foreshortening ppt

  • 1. Using perspective to add depth Marsha R Devine 2009
  • 2. Is a term used to describe  Is used when drawing the figure perspective. (or animals) when we rely more on observation & sighting, rather than constructed perspective.  While foreshortening is an important element in linear  When you foreshorten an object, perspective, foreshortening you make one part appear closer occurs in other types of two- to you than the other. dimensional representations of three-dimensional scenes, such as ‘oblique parallel projection’ drawings used in CAD.
  • 3. Examples of various problems in perspective taken from actual drawings which have appeared in Marvel Comics. Compare the thighs of the villain above. We know they are actually the same size, yet in this foreshortened view the right thigh appears much shorter than the left. This is because the angle points the leg almost directly at the viewer. Note how the geometric version of the figure at right shows the perspective .
  • 4.  Sit still and straight! Maintain your position, as a gradual slouch of only an inch alter your view and change the drawing.  Keep your head parallel to the drawing surface by using an easel, or standing over the drawing surface to avoid ‘skewing’ your drawing.  Draw what you see, not what you think it should look like. It may look strange at first, but will look correct when the drawing is completed.  Observe part of the figure is hidden, disappearing behind closer elements (the horse's head, or the person's hand). Allow your lines to reflect this. The Lamentation over the Dead Christ  Note that elements closer to you will seem c. 1490 Andrea Mantegna proportionately larger than further away.  Use line weight - something drawn boldly and using contrast will 'jump' from the page.
  • 6.
  • 7. Use sighting techniques to compare proportions and angles of your object or figure. A ruler or pencil held at arm’s length can be used as a guide for the comparisons.
  • 8. Breaking the figure down into geometric forms can help when applying perspective to the form. Consider how the subject of your drawing would look in geometric form and then use perspective to create the foreshortening – as with the cylinder above.
  • 9. Drawing Made Easy http://learn-how-to-draw-now.com/Foreshortening-Part-1.html Perspective Applied to the Figure http://drawinglab.evansville.edu/foreshortening.html Web Gallery of Art http://www.wga.hu/frames-e.html?/html/m/mantegna/2/dead_chr.html Fantasy Art School http://www.stormthecastle.com/fantasyartschool/artlessons/lesson4.htm Figure Drawing http://figure-drawings.blogspot.com/2008/12/foreshortening.html Sighting http://scitech.stisd.net/chet.mink/sighting.htm